Abraham Geiger's magnum opus provides a comprehensive history of Judaism from its biblical roots to the 19th century. Geiger was a pioneering scholar of Jewish studies and an instrumental figure in the development of Reform Judaism. This book remains an essential resource for scholars and lay readers alike seeking to deepen their knowledge of Jewish history and tradition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"In this innovative biography, Ruth Franklin explores the transformation of Anne Frank (1929-1945) from ordinary teenager to icon, shedding new light on the young woman whose diary of her years in hiding, now translated into more than seventy languages, is the most widely read work of literature to arise from the Holocaust. Comprehensively researched but experimental in spirit, this book chronicles and interprets Anne's life as a Jew in Amsterdam during World War II while also telling the story of the diary--its multiple drafts, its discovery, its reception, and its message for today's world. Writing alongside Anne rather than over her, Franklin explores the day-to-day perils of the Holocaust in the Netherlands as well as Anne's ultimate fate, restoring her humanity and agency in all their messiness, heroism, and complexity. With antisemitism once again in the news, The Many Lives of Anne Frank takes a fresh and timely look at the debates around Anne's life and work, including the controversial adaptations of the diary, Anne's evolution as a fictional character, and the ways her story and image have been politically exploited. Franklin reveals how Anne has been understood and misunderstood, both as a person and as an idea, and opens up new avenues for interpreting her life and writing in today's hyperpolarized world."--

Contents: The snow - Ducky's death - Nina of Ashkelon - (etc).

When Marek Halter's award-winning international bestseller The Book of Abraham was published here in 1986, it was greeted with unanimous praise and compared with Roots, War and Peace, and the works of James Michener. That epic portrayal of a Jewish family through history -- based in large part on the records of the Halters themselves -- ended in the midst of World War II, with the destruction of the Warsaw ghetto. Here the author picks up the thread of the family saga in the postwar period. Like most of European Jewry, the Halter family is decimated and dispersed: Sidney and his family in New York; the Lerners in Moscow; Don Israel and Dona Regina in Buenos Aires; Mordecai and his family in Israel. At the heart of the new epic is Hugo Halter, an elusive and haunting figure who, as a young man in the late 1930s, had warned of the coming Holocaust. Most had not listened and perished in the conflagration. As this book opens, Hugo and his German wife, Sigrid, are driving from Tel Aviv to Jerusalem in March 1961. Hugo parks to gaze in wonder at the magic city spread before him. Suddenly a military truck approaches, and as it passes submachine-gun fire erupts from it, killing both Hugo and Sigrid. Why were they assassinated in cold blood, presumably by Arab terrorists? Who exactly was Hugo: an agent? A double agent? Working for whom and to what ends? In Paris, Marek Halter, the self-appointed family scribe, sets out to find the answer. At the same time, another cousin, an officer in the Israeli secret service, begins his own official investigation. Their paths, and lines of inquiry, sometimes cross, often diverge, as different versions of the same episode appear in oddly varying lights. The result is a suspense novel of high intrigue, but also a panorama of contemporary Judaism, with its conflicts and contradictions, its struggles and achievements, its heady victories and discouraging defeats. - Jacket flap.

A collection of Yiddish stories that give a keen sense of Jewish culture, history, humor and feeling.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker . Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English. Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall , like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good. Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind. The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again. Praise for The Wall “[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.” —Cynthia Ozick, The New York Times Book Review “A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.” — Publishers Weekly (starred review) “Masterful and utterly unique.” —The Jerusalem Post “Haunting and utterly heart-wrenching . . . a literary masterpiece.” —Historical Novels Review “An epic novel . . . an unforgettable portrait.” —The Jewish Week “[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.” — Kirkus Reviews Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins “Modernist masterpieces worthy of comparison to those of Kafka or Musil.” — The New Yorker “Haunting . . . as remarkable for its literary experimentation as for its historical testimony.” —San Francisco Chronicle , on Panorama

"Of all the characters in modern Jewish fiction, the most beloved is Tevye, the buoyant, compassionate, philosophical, Bible-quoting dairyman whose life embodies the precarious existence of a Jew in Eastern Europe. Three of Tevye's daughters are well known from the musical and film Fiddler on the Roof. Here the story continues with the tales of his younger daughters, Schprintze and Beilke" --back cover.

While trying to escape with her family from the Nazis, a young Jewish French girl feels protected by angels.

Beyond the Pale -- winner of the Lambda Literary Award -- tells the stories of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists.

When Moses comes to lead the Israelites to the Promised Land, Jesse, a Hebrew slave, finds his life changed by his growing faith in God and his attraction to the half-Egyptian, half-Syrian Jennat.

A traveler on the road to Jerusalem during the First Crusade of 1096, moving across a landscape of grotesque horror and extravagant beauty, meets God and Satan in all their forms

Now in his mid-thirties, Nathan Zuckerman, a would-be recluse despite his newfound fame as a bestselling author, ventures onto the streets of Manhattan in the final year of the turbulent sixties. Not only is he assumed by his fans to be his own fictional satyr, Gilbert Carnovsky (" Hey, you do all that stuff in that book?" ), but he also finds himself the target of admonishers, advisers, and sidewalk literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Zuckerman to wonder if " target" may be more than a figure of speech. In Zuckerman Unbound-- the second volume of the trilogy and epilogue "Zuckerman Bound"-- the notorious novelist Nathan Zuckerman retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages, perhaps irreparably, his affectionate connection to his younger brother...and all because of his great good fortune!

Raphael Lipkin is a man obsessed. He hears voices. He talks to ghosts. He is spending the summer at the Mountain Clinic, a psychiatric hospital in upstate New York--not as a patient, but as a visiting professional with a secret, personal quest.A professor of literature and a Holocaust survivor, Raphael, having rebuilt his life since the war, sees it on the verge of coming apart once more. He longs to talk to Pedro, the man who rescued him as a fifteen-year-old orphan from postwar Poland and brought him to Paris, becoming his friend, mentor, hero, and savior. But Pedro disappeared inside the prisons of Stalin's Russia shortly after the war. Where is Pedro now, and how can Raphael discern what is true and what is false without him?

The sound of children's speech has become lethal. In the park, adults wither beneath the powerful screams of their offspring. For young parents Sam and Claire, it seems their only means of survival is to flee from their young daughter, Esther.

The World of the Talmud by Morris Adler is a comprehensive guide to the history and teachings of the Talmud. The book covers the origins of the Talmud, the development of its teachings, and its impact on Jewish culture and society. Adler provides a detailed analysis of the Talmud's structure, language, and themes, as well as its relationship to other Jewish texts and traditions. The book also explores the Talmud's influence on Jewish law, ethics, and philosophy, and its relevance to contemporary issues facing the Jewish community. With its clear and accessible style, The World of the Talmud is a valuable resource for anyone interested in Jewish history, religion, and culture.Contents: Attempting a Definition; The Rise of the Oral Law; Why Oral? The Mishna; The Gemara; Halacha and Aggada (Law and Lore); Who Were the Rabbis? The Religion of the Rabbis; Aspects of Rabbinic Social Teaching; On Justice and Courts; The Denials of Rabbinic Teaching; The Enduring Worth of the Talmud.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A boy contemplates suicide from a diving rock on the Hudson River after being expelled from school for stealing. Ira Stigman has squandered years of sacrifice by his parents, poor Jewish immigrants. Instead of ending his life, however, he decides to start anew, enrolls in another school and goes to university. The setting is New York in the 1920s.

Dorothy Parker ( 1893 to 1967) was an American poet and satirist, best known for her wit, wisecracks, and eye for 20th century urban foibles. From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary output in such venues as The New Yorker and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed as her involvement in left wing politics led to a place on the infamous Hollywood blacklist. Parker went through three marriages (two to the same man) and survived several suicide attempts, but grew increasingly dependent on alcohol. Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, her literary output and reputation for her sharp wit have endured. She sold her first poem to Vanity Fair magazine in 1914 and, some months later, she was hired as an editorial assistant for another Condé Nast magazine, Vogue. She moved to Vanity Fair as a staff writer following two years at Vogue. In 1917, married a Wall Street stock broker, Edwin Pond Parker II but they were separated by his army service in World War I. She had ambivalent feelings about her Jewish heritage given the strong antisemitism of that era and joked that she married to escape her name. In the 1920s alone she published some 300 poems and free verses in outlets including the aforementioned Vanity Fair, Vogue, "The Conning Tower" and The New Yorker along with Life, McCall's and The New Republic. She published her first volume of poetry, Enough Rope, a collection of previously published work along with new material in 1926. The collection sold 47,000 copies]and garnered impressive reviews. The Nation described her verse as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity."

From the Publisher: "Like Last of the Just, which traced the Jewish experience of martyrdom, this book recreates through fact and myth people's enslavement and humiliation, and survival -and produces one of the most extraordinary heroines in black literature."--Jacket.

Ruth Rothwax had no trouble composing letters for others, but is at a loss for words when she attempts to confront her parents horrific past--and her own possible future. Print features.