A recently retired Israeli Air Force general and its second-highest-scoring fighter ace, Iftach Spector is one of Israel’s living legends. He was the leader of the flight that attacked the USS Liberty in 1967. After the 1967 and 1973 wars, in which he commanded a squadron of fighter-bombers, he rose to head the IAF’s Training and War Lessons Section and later became its the Chief of Operations. He was one of the eight Israeli pilots who attacked Saddam Hussein’s nuclear reactor at Osirik in 1981. In 2003, his career took an even more dramatic turn: he was the senior signatory of the famous “Pilots’ Letter,” in which Spector and 27 other Israeli pilots stated their refusal to bomb targets in Palestine where collateral damage would likely be severe. His maverick conscience is well on display in this artfully written memoir, which is currently a 10-week-and-counting bestseller in Israel and has been licensed in Brazil as well. The son of a family that immigrated to Palestine at the turn of the 20th century, whose father and mother served in the Palmach, Israel’s early clandestine commando force, Spector has written a rich and reflective meditation on loyalty, on what is right and wrong in war, and on his dedication to the idea and reality of the state of Israel. The Pilots’ Letter ended Spector’s military career, but also made him one of the most compelling and celebrated defenders of the conscience of the Jewish state. In that battle, as in his previous battles against Nasser’s MiGs, his mother’s constant lesson to him sustained him: “All from within.” General Spector’s first book, A DREAM IN BLACK AND AZURE (1992; never translated into English), won the Sade Literary Award, given to him personally by Prime Minister Yitzhak Rabin. He has a B.A. in history and Middle East Studies from Tel Aviv University and a masters in political science from UCLA, both with honors.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Proposes a framework for understanding the history of the Holocaust, focusing on the German perpetrators of the genocide and reflecting on social, ethical, and religious issues. Discusses the evolution of antisemitism from the ancient period to Nazi racism. Describes the Nazi rise to power, anti-Jewish laws of the 1930s, the "Kristallnacht" pogrom, ghettoization in occupied Poland, mass killings in the occupied USSR, and the Wannsee conference. Dwells on the Nazi concentration camps, the killing process, and the medical experiments, as well as on the euthanasia program and the murder of some non-Jewish victims (e.g. Gypsies, "asocials"). Mentions Jewish reactions to the genocide, including resistance; wartime reactions to the Holocaust in Germany and worldwide; the Nuremberg Trials; denial of the Holocaust by revisionists; and Jewish Holocaust theology.

WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIR FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION An unforgettable memoir about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari's beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because--as in the Intifada--it was safer to keep going than to stand still. Soon the act of leaving--jobs, friends and relationships--came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood. Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home--both inherited and chosen.

"A deep dive into the life of history's "best known, least known" woman, the Virgin Mary, tracking how her story was changed and lost over the centuries. In the first century AD, a widowed Jewish woman raised eight children during a brutal Roman occupation of her homeland, instilling into them the lessons she'd learned from growing up under extreme violence barely twenty years before. Some of her sons would go on to proselytize based on what she'd taught; her eldest would face persecution, crucifixion, and, after his death, be known to the world as Jesus Christ. But everyone knows Jesus. What do we know about Mary? Anchoring itself firmly in the "messianic game of thrones" employed by Herod the Great and turbulence of Roman rule, The Lost Mary presents a detailed account of the influences shaping Mary's life, and, by extension, the lives she touched. With precision and expertise, Dr. Tabor breathes life into a woman who remains well-known but unseen, exploring her upbringing and marriage, and presents a compelling case for understanding her not as the saintly mother of a prophet, but as the influential foremother of a movement. Working with snippets from the Bible and primary writings from the period, and drawing on his long academic career, Dr. Tabor pieces together a spellbinding composite of Christianity's forgotten founder: A girl from a wealthy and well-pedigreed family in the cosmopolitan city of Sepphoris. A fierce and devoted mother who instilled her beliefs into her sons. A woman whose accomplishments were lost to theological dogma and time, but, guided by this groundbreaking work, may once again be imagined as something more"--

Story Of Jewish Philosophy

"From one of the leading historians of the Jewish past comes a stunning look into a previously unexamined dimension of Jewish life and culture: the calendar. In the late sixteenth century, Pope Gregory XIII instituted a momentous reform of Western timekeeping, and with it a period of great instability. Jews, like all minority cultures in Europe, had to realign their time-keeping to accord with the new Christian calendar. Elisheva Carlebach shows that the calendar is a complex and living system, constantly modified as new preoccupations emerge and old priorities fade. Calendars serve to structure time and activities and thus become mirrors of experience. Through this seemingly mundane and all-but-overlooked document, we can reimagine the quotidian world of early modern Jewry, of market days and sacred days, of times to avoid Christian gatherings and times to secure communal treasures. In calendars, we see one of the central paradoxes of Jewish existence: the need to encompass the culture of the other while retaining one#x19;s own unique culture. Carlebach reveals that Jews have always lived in multiple time scales, and demonstrates how their accounting for time, as much as any cultural monument, has shaped Jewish life. After a decade exploring Judaica collections around the world, Carlebach brings to light these textually rich and beautifully designed repositories of Jewish life. With color illustrations throughout, this is an evocative illumination of how early modern Jewry marked the rhythms and realities of time and filled it with anxieties and achievements."--Jacket.

Between 1938-41 some 17,000 Jewish refugees from Germany, Austria, and Poland reached Shanghai, then under Japanese control. Ch. 7 (pp. 169-266), "Japanese Policy vis-à-vis the Jews", explains Japan's unusual behavior in opening the door to Jewish refugees. Describes the influence of the so-called "experts on Jewish affairs" in Japan and their unique approach to antisemitism - to make use of alleged Jewish wealth and influence on behalf of Japan's "New Order". This approach lasted until America's entry into the war when it became unfeasible and Nazi propaganda gained more influence. Discusses immigration restrictions imposed in August 1939, Nazi antisemitic propaganda, and the establishment of a ghetto in 1943 under German instigation. Japan's attitude towards Jews evolved from favorable to highly antagonistic, blaming the Jews for all economic and social ills and for a conspiracy to overthrow the government and dominate the media, aid the communists, and halt Japanese development.

Relates the multiple ways adopted by young German Jews (born mainly between 1914-28) to escape from Nazi Germany. Their destinations included Palestine, Great Britain, the USA, South America, and China. Dwells on the routes of escape - sometimes dangerous, and on the organizational framework of the escape - sometimes part of a political underground. Some young persons managed to survive in Germany. Many Jews, both those who escaped and those who remained in Germany, joined the anti-Nazi struggle in multiple forms - from the underground in Berlin to joining up with the Red Army. Many countries of destination were reluctant to accept the refugees, in part due to antisemitism. Other possible frameworks (e.g. communists) were also not eager to help Jews. The majority of the émigrés did not return to Germany after the war.

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Did the Jews go like 'sheep to slaughter' during the Shoah? Not really. They walked to their deaths with great dignity, and thousands of Jews resisted in the camps, ghettos, forests, and allied armies. This is the untold story of that resistsance in the Soviet Union during WW II. Based on personal memoirs, officer accounts, and interviews, this 655-page book tells that story with over 100 photos and 12 maps. Porter himself is a survivor and his father was a partisan commander in Western Urkaine.

Italy, August 1944. A unit of German soldiers arrives at a villa near Florence. Villa Il Focardo is home to Robert Einstein, cousin to the most famous scientist in the world, Albert Einstein - a prominent enemy of the Nazi regime. Twelve hours after arriving, the soldiers have vanished - and a family is dead. This crime - and what happened next - still haunts those who survived. In The Einstein Vendetta , Thomas Harding recounts the story of an until-now untold true crime, one that unspools to reveal Italy's brutal wartime history - its fall to fascism, antisemitism and bitter partisanship - and a family's search for justice.

The Faith and Doubt of Holocaust Survivors reveals the victims' frank and thought-provoking answers to searching questions about their experiences: Was the Holocaust God's will? Was there any meaning or purpose in the Holocaust? Was Israel worth the price six million had to pay? Did the experience in the death camps bring about an avowal of faith? A denial of God? A reaffirmation of religious belief? Did the Holocaust change beliefs about the coming of the Messiah, the Torah, the Jews as the chosen people, and the nature of God? Drawing on the responses of seven hundred survivors, Reeve Robert Brenner reveals the changes, rejections, reaffirmations, doubts, and despairs that have so profoundly affected the faith, practices, ideas, and attitudes of survivors, and, by extension, the entire Jewish people. Many survivors carried their deepest secrets and innermost beliefs silently, from internment to interment. But Brenner's quest provided the impetus for many survivors to end their silence about the past and come forth with their feelings. In poignant vignettes scattered throughout the book, their answers to these profound questions are offered, disclosing ardent, overpowering passions and sensibilities.

A family history of surpassing beauty and power: Ian Buruma's account of his grandparents' enduring love through the terror and separation of two world wars. Woven from their correspondence, this labor of love brings to life not just a remarkable marriage, but a class, and an age.

Though many of the details of Jewish life under Hitler are familiar, historical accounts rarely afford us a real sense of what it was like for Jews and their families to live in the shadow of Nazi Germany’s oppressive racial laws and growing violence. With Jews in Nazi Berlin , those individual lives—and the constant struggle they required—come fully into focus, and the result is an unprecedented and deeply moving portrait of a people. Drawing on a remarkably rich archive that includes photographs, objects, official documents, and personal papers, the editors of Jews in Nazi Berlin have assembled a multifaceted picture of Jewish daily life in the Nazi capital during the height of the regime’s power. The book’s essays and images are divided into thematic sections, each representing a different aspect of the experience of Jews in Berlin, covering such topics as emigration, the yellow star, Zionism, deportation, betrayal, survival, and more. To supplement—and, importantly, to humanize—the comprehensive documentary evidence, the editors draw on an extensive series of interviews with survivors of the Nazi persecution, who present gripping first-person accounts of the innovation, subterfuge, resilience, and luck required to negotiate the increasing brutality of the regime. A stunning reconstruction of a storied community as it faced destruction, Jews in Nazi Berlin renders that loss with a startling immediacy that will make it an essential part of our continuing attempts to understand World War II and the Holocaust.

A tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo. 63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes . Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.

David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures - not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.

Religious faith is under assault. In books, movies, and on television, secular critics are attacking religion and the religious with ever-increasing intensity. These "new atheists" typically repeat a two-part mantra: They claim that only an idiot could believe in God, and that idiots who do so have been responsible for most of the hate and violence that have plagued humanity. Abandon religion, they urge, and the world will finally know peace. Surprisingly few books have emerged to defend faith from this onslaught. Yet when it comes to this second argument--the behavior of religious people in the world--abstract claims can be tested by reference to objective facts. In Defense of Faith examines the historical record and demonstrates that far from encouraging hate and aggression, the Judeo-Christian tradition has been the West's most effective curb on these dangerous defects of human nature. In Defense of Faith asserts that the belief in the sanctity and equality of all humans at the core of both Judaism and Christianity--what Brog calls the "Judeo-Christian idea"--has been our most effective tool in the struggle for humanity. The Judeo-Christian idea, Brog argues, has provided the intellectual foundation for human rights. Even more importantly, he maintains, the Judeo-Christian idea has repeatedly inspired the faithful to devote their lives to, and often risk their lives in, the fulfillment of these high ideals. In Defense of Faith also convincingly demonstrates that when we abandon religion as the critics urge, peace does not break out. Instead, we quickly revert to the most base instincts of our selfish genes. Written by a Jewish author who works closely with the Christian faith community, In Defense of Faith will appeal to secular and religious readers alike. This book will challenge the secular to reconsider the role of religion in Western civilization. It will inspire the religious to embrace a proud legacy of faith in action for the sake of humanity.