Composed of seven dark tales, A Tomb for Boris Davidovich presents variations on the theme of political and social self-destruction throughout Eastern Europe in the first half of the twentieth century. The characters in these stories are caught in a world of political hypocrisy, which ultimately leads to death, their common fate. Although the stories Kis tells are based on historical events, the beauty and precision of his prose elevates these ostensibly true stories into works of literary art that transcend the politics of their time.

Step into a world where time zones are tribes and loyalty is everything. "Eastern Standard Tribe" by Cory Doctorow, once lost to the sands of time, is now brilliantly restored and republished by Alpha Editions. This captivating novel, out of print for decades, is a collector's item and a cultural treasure, meticulously revived for today's and future generations. In a near-future society where global connectivity is both a blessing and a curse, protagonist Art struggles with the chaos of his dual life as a consultant and a secret agent for the Eastern Standard Tribe. Doctorow weaves a thrilling narrative that explores the complexities of trust, identity, and the relentless pursuit of happiness in a hyper-connected world. This edition is not just a reprint; it's a beautifully restored classic that promises to engage casual readers and collectors alike. With its unique blend of humor, insight, and suspense, "Eastern Standard Tribe" is a timeless exploration of the human condition in the digital age. Don't miss your chance to own a piece of literary history that challenges the boundaries of time and technology.

"The Time Traveler's Almanac is the largest and most definitive collection of time travel stories ever assembled. Gathered into one volume by intrepid chrononauts and world-renowned anthologists Ann and Jeff VanderMeer, this book compiles more than a century's worth of literary travels into the past and the future that will serve to reacquaint readers with beloved classics of the time travel genre and introduce them to thrilling contemporary innovations.This marvelous volume includes nearly seventy journeys through time from authors such as Douglas Adams, Isaac Asimov, Ray Bradbury, William Gibson, Ursula K. Le Guin, George R. R. Martin, Michael Moorcock, H. G. Wells, and Connie Willis, as well as helpful non-fiction articles original to this volume (such as Charles Yu's "Top Ten Tips For Time Travelers"). In fact, this book is like a time machine of its very own, covering millions of years of Earth's history from the age of the dinosaurs through to strange and fascinating futures, spanning the ages from the beginning of time to its very end. The Time Traveler's Almanac is the ultimate anthology for the time traveler in your life"--

"The first short story collection from a writer who calls to mind such luminaries as Denis Johnson, George Saunders, and Nathan Englander When The New Yorker published a short story by Saïd Sayrafiezadeh in 2010, it marked the emergence of a startling new voice in fiction. In this astonishing new book, Sayrafiezadeh conjures up a nameless American city and its unmoored denizens: a call-center employee jealous of the attention lavished on a co-worker newly returned from a foreign war; a history teacher dealing with a classroom of maliciously indifferent students; a grocery store janitor caught up in a romantic relationship with a kleptomaniac customer. These men's struggles and fleeting triumphs--with women, with cruel bosses, with the morning commute--are transformed into storytelling that is both universally resonant and wonderfully strange. Sometimes the effect is hilarious, as when a would-be suitor tries to take his sheltered, religious date on a "Love Boat" carnival ride. Other times it's devastating, as in the unforgettable story that gives the book its title: A soldier on his last routine patrol on a deserted mountain path finally encounters "the enemy" he's long sought a glimpse of. Upon giving the author the Whiting Writers' Award for his memoir, When Skateboards Will Be Free, the judges hailed his writing as "intelligent, funny, utterly unsmug and unpreening." These fiercely original stories show their author employing his considerable gifts to offer a lens on our collective dreams and anxieties, casting them in a revelatory new light. Advance praise for Brief Encounters with the Enemy "Saïd Sayrafiezadeh is a masterly storyteller, working from deep in the American grain. This is a splendid fiction debut."--Philip Gourevitch, author of The Ballad of Abu Ghraib "In this beautiful collection, we see the wages of war, brought very close to home."--Dani Shapiro, author of Devotion "Bizarre and compelling and painfully funny, and something else, too: important."--John Wray, author of Lowboy "A vivid collection about the indignities and consolations of dead-end jobs, the joy of a stolen kiss, and the mysteries of friendship."--Nathaniel Rich, author of Odds Against Tomorrow "Saïd Sayrafiezadeh is a slyly subversive absurdist whose true subject is the deeply serious matter of our obligations to one another as human beings."--John Burnham Schwartz, author of Northwest Corner "Fun, moving, and reads like the work of a master."--Darin Strauss, author of Half a Life "Gritty, compelling stories about our embattled working class. This is a thrilling report from the trenches."--Edmund White, author of Jack Holmes and His Friend "Perfectly calibrated, laced with hard-earned moments of vulnerability, rendered in language that is at once plainspoken and lyrical."--Teddy Wayne, author of The Love Song of Jonny Valentine"--

A captivating novel that evokes the author s "New York Times" bestseller "The House at Tyneford " Natasha Solomons s breathtaking new novel has it all: a love triangle, family obligations, and rediscovering joy in the face of grief, all set against the alluring backdrop of an English country estate. "It's a terrible thing to covet your brother s girl" New Year s Eve, 1946. Candles flicker, a gramophone scratches out a tune as guests dance and sip champagne for one night Hartgrove Hall relives better days. Harry Fox-Talbot and his brothers have returned from the war determined to save their once grand home from ruin. But the arrival of beautiful wartime singer Edie Rose tangles the threads of love and duty, and leads to a devastating betrayal. Fifty years later, now a celebrated composer, Fox reels from the death of his adored wife, Edie. Until his connection with his four-year old grandson - a piano prodigy propels him back into life, and ultimately to confront his past. An enthralling novel about love and treachery, joy after grief, and a man forced to ask: is it ever too late to seek forgiveness?"

The second book in the Hogarth Shakespeare series heralds the full-on 2016 anniversary celebration of Shakespeare: Man Booker Prize winner and our great chronicler of Jewish life retells the powerful, controversial story of Shylock. In The Merchant of Venice , the merchant Antonio borrows from the Jewish moneylender Shylock, whom he openly despises, to help fund his friend Bassanio's wooing of the beautiful, prized Portia. Shylock agrees--but on the condition that Antonio promise in return a pound of flesh should he be unable to repay the debt. When Antonio's ships are lost at sea and it becomes clear he cannot, the case goes to court: Antonio must honour his promise--until an unknown lawyer (Portia herself, dressed as a man) arrives and brilliantly picks the case apart. Jacobson takes the great tale of vengeance and cruelty and propels it through space and time to the shiny modern world of Cheshire's Golden Triangle, where we meet a funny, love-driven, vindictive cast of characters very much from our world, confronting Shakespeare's timelessly urgent questions in the 21st century.

Passionate, insightful, often funny, and exhibiting a linguistic richness few writers have equaled, the novels of Saul Bellow are among the defining achievements of postwar American literature. The Library of America volume Novels 1956–1964 opens with Seize the Day, a tightly wrought novella that, unfolding over the course of a single devastating day, explores the desperate predicament of the failed actor and salesman Tommy Wilhelm. The austere psychological portraiture of Seize the Day is followed by an altogether different book, Henderson the Rain King, the ebullient tale of the irresistible eccentric Eugene Henderson, best characterized by his primal mantra “I want! I want!” Beneath the novel’s comic surface lies an affecting parable of one man’s quest to know himself and come to terms with morality; like Don Quixote, Henderson is, as Bellow later described him, “an absurd seeker of high qualities.” Henderson’s irrepressible vitality is matched by that of Moses Herzog, the eponymous hero of Bellow’s best-selling 1964 novel. His wife having abandoned him for his best friend, Herzog is on the verge of mental collapse and has embarked on a furious letter-writing campaign as an outlet for his all-consuming rage. Bellow’s bravura performance in Herzog launched a new phase of his career, as literary acclaim was now joined by a receptive mass audience in America. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In this supplement to Jonathan Lethem's novel A Gambler's Anatomy, the renowned novelist engages in a concerted transatlantic dialogue with cult theorist Laurence A. Rickels, exploring the vicissitudes of popular culture and the profound influence of Philip K. Dick on their respective lines of flight. Foregrounding the introjections between California and Germany, they address a range of ideas, subjects and figures, from B-movies, science fiction, Wile E. Coyote and the Devil to trauma theory, Freud, Hitchcock and German Expressionism. Animating their zone of interrogation is the "blot"--an algorithm of innuendo, an uncanny defamiliarization of reality and "truth" wherein the trajectories of meaning, desire and perception fold into themselves like an origami in flames.

What does a writer who produced two hundred books do with his spare time? If his name is Isaac Asimov, he writes - on any and every subject of interest to his fertile mind. Informative, amusing, timely, and provocative - OPUS 200 is Asimov at his sparkling best in selections carefully culled from his second hundred books. Drawing on novels (which have won both the Hugo and Nebula awards), on short stories, serious essays, and on children's books, Asimov addresses himself to everything from Black Holes to biblical Canaan. Here is a taste of the intelligence, the craftsmanship, and the ingenuity that have made Issac Asimov the most prolific writer of science fiction in the world.

A sci-fi classic from the master of space fiction. Iaac Asimov put together a book of his favorite short stories. If you are a sci-fi fan, you must own this book!

The third volume of the Library of America's edition of Saul Bellow's complete novels collects three essential works: Mr. Sammler's Planet (1970), Humboldt's Gift (1975) -- and The Dean's December (1982). In each, Bellow shows himself a master of biting social commentary and bold characterization--above all through a trio of unforgettable protagonists. These novels, written in the period of Bellow's greatest literary and popular acclaim--he was awarded the Nobel Prize in Literature in 1976--are unsparing yet humane, and range widely in their philosophical and cultural concerns. They offer the indispensable voice of a great American raconteur and thinker.

"For fans of Donna Tartt's The Secret History, a propulsive literary novel about sexual obsession in which a meek Harvard freshman becomes dangerously infatuated with a classmate. David Federman has never felt appreciated. One of the most painfully forgettable members of his New Jersey high school class--yet the only one accepted to Harvard--shy, witty David arrives in Cambridge fully expecting to embrace, and be welcomed by, a new tribe of like-minded peers. But at first, beyond the friendly advances of a plain-looking girl named Sara, his social status seems devastatingly unlikely to change. Then he meets Veronica Morgan Wells. Instantly infatuated, struck by both her beauty and her brains, David falls feverishly in love with the woman he sees as a charismatic goddess. Determined to stop at nothing to win her attention and a coveted invite into her glamorous Upper East Side world, David begins compromising his own moral standards, tossing everything aside for this one, great chance at happiness. But neither Veronica nor David, it turns out, are exactly as they seem... A darkly comic and riveting portrayal of psychosexual obsession from one of the most acclaimed writers of his generation, Loner also turns the traditional campus novel on its head as it explores contemporary gender politics and class--and discovers just what we're capable of when our greatest enemies turn out to be ourselves"--

"Day/Night brings together two metaphysical novels that mirror each other and are meant to be read in tandem: two men, each confined to a room, one suddenly alert to his existence, the other desperate to escape into sleep. In Travels in the Scriptorium (2007), elderly Mr. Blank wakes in an unfamiliar cell, with no memory of who he is or how he got there. He must use the few objects he finds and the information imparted by the day's string of visitors to cobble together an idea of his identity. In Man in the Dark (2008), another old man, August Brill, suffering from insomnia, struggles to push away thoughts of painful personal losses by imagining what might have been. Who are we? What is real and not real? How does the political intersect with the personal? After great loss, why are some of us unable to go on? "One of America's greats"* and a descendant of Kafka and Borges,** Auster explores in these two small masterpieces some of our most pressing philosophical concerns. *Time Out Chicago/**Booklist"--

"What if an empire of Jewish warriors that really existed in the Middle Ages had never fallen--and was the only thing standing between Hitler and his conquest of Russia? Eastern Europe, August 1942. The Khazar kaganate, an isolated nation of Turkic warrior Jews, lies between the Pontus Euxinus (the Black Sea) and the Khazar Sea (the Caspian). It also happens to lie between a belligerent nation to the west that the Khazars call Germania--and a city the rest of the world calls Stalingrad. After years of Jewish refugees streaming across the border from Europa, fleeing the war, Germania launches its siege of Khazaria. Only Esther, the daughter of the nation's chief policy adviser, sees the ominous implications of Germania's disregard for Jewish lives. Only she realizes that this isn't just another war but an existential threat. After witnessing the enemy warplanes' first foray into sovereign Khazar territory, Esther knows she must fight for her country. But as the elder daughter in a traditional home, her urgent question is how. Before daybreak one fateful morning, she embarks on a perilous journey across the open steppe. She seeks a fabled village of Kabbalists who may hold the key to her destiny: their rumored ability to change her into a man so that she may convince her entire nation to join in the fight for its very existence against an enemy like none Khazaria has ever faced before. The Book of Esther is a profound saga of war, technology, mysticism, power, and faith. This novel--simultaneously a steampunk Joan of Arc and a genre-bending tale of a counterfactual Jewish state by a writer who invents worlds "out of Calvino or Borges" (The New Yorker)--is a stunning achievement. Reminiscent of Michael Chabon's The Yiddish Policemen's Union and Philip Roth's The Plot Against America, The Book of Esther reaffirms Barton's place as one of her generation's most gifted storytellers"--

"Dreams play a powerful role in Indigenous culture, serving as warning, insight, guidance, solace, or hope. Bawaajigan - an Anishinaabemowin word for dream or vision - is a collection of powerful literary short fiction by Indigenous writers from across Turtle Island. Stories about the connection between the spirit world and everyday life and the rest of the cosmos; urban-fantasy and high-fantasy worlds; alternative histories, and alternative realities; brushes with the supernatural, the prophetic, the hallucinatory, and the surreal. Among these themes we find stories ranging from the gritty, the gothic, the comedic, and the heart-wrenchingly tragic: a tale about the state of sleep-deprivation that conjures an uncertainty as to where dream ends and reality begins; the ominous tension of television static that conjures a certainty of something terrible about to happen; encounters with spirit guides, and spirit enemies; confrontations with ghosts haunting residential school hallways, and ghosts looking on from the afterlife; and with concepts based on Ouija boards, bead-dreamers, Haudenosaunee wizards, talking eagles, giant snakes, sacred white buffalo calves, spider's silk, a burnt and blood-stained diary, longings for what could-have-been, worm holes fallen through reality, poppy-induced deliriums, imaginary friends, and knowledge revealed. Unifying everything: these are stories about the strength and power of dreams."--

Equally adept at fiction (a winner of the National Jewish Book Award) and philosophy (a recipient of the MacArthur Foundation genius prize), Rebecca Newberger Goldstein now gives us a novel that transforms the great debate between faith and reason into an exhilarating romance of both heart and mind. At the center: Cass Seltzer, a professor of psychology whose book, The Varieties of Religious Illusion, has become a surprise best seller. He's been dubbed the atheist with a soul, and his sudden celebrity has upended his life. He wins over the stunning Lucinda Mandelbaum-the goddess of game theory-and loses himself in a spiritually expansive infatuation. A former girlfriend appears: an anthropologist who invites him to join in her quest for immortality through biochemistry. But he is haunted by reminders of the two people who ignited his passion to understand religion: his teacher Jonas Elijah Klapper, a renowned literary scholar with a suspicious obsession with messianism, and an angelic six-year-old mathematical genius, heir to the leadership of an exotic Hasidic sect. The rush of events in a single dramatic week plays out Cass's conviction that the religious impulse spills out into life at large. In 36 Arguments for the Existence of God, Rebecca Newberger Goldstein explores the rapture and torments of religious experience in all its variety. Hilarious, heartbreaking, and intellectually captivating, it is a luminous and intoxicating novel.

The twenty-five years after the Second World War were a lively and fertile period for the American novel and an era of momentous transformation in American society. Taking his title from the Kafka parable about the leopards who kept racing into the courtyard of the temple, disrupting the sacrifice, until they were made part of the ritual, Morris Dickstein shows how a daring band of outsiders reshaped the American novel and went on to dominate American fiction for the rest of the century. In fluid prose, offering a social as well as a literary history, Dickstein provides a wide-ranging and frank reassessment of more than twenty key figures-including Jewish writers like Norman Mailer, Saul Bellow, and Philip Roth; African-Americans such as Ralph Ellison and James Baldwin; colorful emigrés like Vladimir Nabokov; and avatars of a new youth culture, including J. D. Salinger and Jack Kerouac. Disputing the received wisdom about the culture of the Cold War, Dickstein shows why artists turned inward after the war and demonstrates how the writing of the 1960s emerged from the cultural ferment of the preceding decades, including road novels, avant-garde painting, bebop, film, psychoanalysis, and social changes that continue to affect us today.

From "the godfather behind creative nonfiction" ( Vanity Fair ) comes this indispensable how-to for nonfiction writers of all levels and genres, "reminiscent of Stephen King's fiction handbook On Writing " ( Kirkus ). Whether you're writing a rags-to-riches tell-all memoir or literary journalism, telling true stories well is hard work. In You Can't Make This Stuff Up , Lee Gutkind, the go-to expert for all things creative nonfiction, offers his unvarnished wisdom to help you craft the best writing possible. Frank, to-the-point, and always entertaining, Gutkind describes and illustrates every aspect of the genre. Invaluable tools and exercises illuminate key steps, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding the genre, this practical guidebook will help you thoroughly expand and stylize your work.

Harold Brodkey's masterful first volume of short fiction, with two never-before anthologized stories. When originally published in 1958, First Love and Other Sorrows won Harold Brodkey widespread acclaim and announced a brilliant new arrival on the literary scene. Brodkey was hailed as an "unusually gifted writer" (The Atlantic) and a "rich talent" (San Francisco Chronicle), whose stories read like "murmured confidences, highly personal yet carefully contrived" (Chicago Tribune). In First Love and Other Sorrows, the young Brodkey chronicles the world of the educated and affluent middle class of the 1950s, at leisure and in love. He establishes the themes that would appear throughout his career--the painful uncertainties of childhood, the halting intimacies of social life--with rare terness, humor, and haunting insight. Two new stories, never before collected, from Brodkey's early writings join the original volume to complete a much-loved classic.

The publication of 'Aurora Dawn' in 1947 immediately established Herman Wouk as a novelist of exceptional literary and historical significance. Today, Aurora Dawn's themes have grown still more relevant and, in the manner of all great fiction, its characters and ironies have only been sharpened by the passage of time. Wouk's raucous satire of Manhattan's high-power elite recounts the adventures of one Andrew Reale as he struggles toward fame and fortune in the early days of radio. On the quest for wealth and prestige, ambitious young Andrew finds himself face-to-face with his own devil's bargain: forced to choose between soul and salary, true love and a strategic romance, Wouk's riotous, endearing hero learns a timeless lesson about the high cost of success in America's most extravagant metropolis.