Twenty-five of the finest science fiction short stories from one of the genre’s greatest writers, Isaac Asimov.Isaac Asimov was the Grand Master of the Science Fiction Writers of America, the founder of robot ethics, and one of the world’s most prolific authors of fiction and non-fiction. Asimov’s short fiction has been enjoyed by millions for more than half a century-- Provided by publisher.

Scholar, poet, Christian apologist, fiction writer, and essayist, C.S. Lewis is perhaps best known for his series of children's fantasies, ""The Chronicles of Narnia"". Lewis served as a Fellow and Tutor in English literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University. During the course of his career, Lewis published more than 40 books - many of which continue to attract attention and scholarship today. Bringing together a selection of the best criticism available, ""C.S. Lewis"" breaks down the intricacies of Lewis' work and analyzes the ideas presented in clear, accessible language.

"In the culmination of a series that began with "The Anxiety of Influence" and "A Map of Misreading," Harold Bloom expands upon his controversial theory of revisionism, which he views as a contest of opposing artistic and moral drives. From this theoretical perspective, Bloom re-examines Freud, religious sources of literature, literary modes such as fantasy, and the sequence of American writers that includes Emerson, Whitman, Wallace Stevens, Hart Crane, and John Ashbery. A 1982 National Book Critics Circle nominee."--Back cover

A Holocaust survivor recounts her liberation from a Nazi concentration camp, search for surviving family members, and long and difficult ordeal of trying to immigrate with her husband and two children to America.

"A growing up guidebook for young boys"--

"In arguably his most personal and lasting book, America's most daringly original and controversial critic gives us brief, luminous readings of more than eighty texts by canonical authors-- texts he has had by heart since childhood"--

Revealing a history of mysterious deaths, shady characters, and moral and political tensions, exposes the inner workings of the Catholic Church to trace how the Vatican evolved from an institution of faith into an extremely wealthy corporate power. --Publisher's description.

Super Good Baking for Kids, from New York Times bestselling celebrity chef and host of Ace of Cakes and Kids Baking Championship Duff Goldman, teaches budding young bakers how to make dozens of crazy delicious concoctions--from confetti snickerdoodles to unicorn cupcakes to amazing dessert pizzas. With more than 35 delicious recipes and tons of fun fact-filled sidebars on everything from the science of yeast to the history of baking, Super Good Baking for Kids shows kids how to make treats that will amaze parents, delight friends, and make the whole family go "mmmmmm."

A brief biography of the Polish doctor, author, founder of orphanages, and promoter of children's rights, who lost his life trying to protect his orphans from the Nazis.

A Northern Lights Book Award Winner! Sakura Medal 2021 Nominee! Breakfast varies from country to country, but it's how all children begin their day. Explore the meals of twelve countries in this playful approach to the world! From Australia to India to the USA, come travel around the world at dawn. Children everywhere are waking up to breakfast. In Japan, students eat soured soybeans called natto. In Brazil, even kids drink coffee--with lots of milk! With rhythm and rhymes and bold, graphic art, Pancakes to Parathas invites young readers to explore the world through the most important meal of the day.

METAMORPHOSIS by FRANZ KAFKA is one of the most haunting and iconic novellas of the twentieth century. First published in 1915, this unsettling story follows Gregor Samsa, a traveling salesman who awakens one morning to discover he has inexplicably transformed into a giant insect. As his body mutates, so does his relationship with his family and the world around him—exposing themes of isolation, guilt, and existential dread. This literary classic has captivated generations of readers and continues to influence writers and artists across the globe. With its surreal premise and razor-sharp social commentary, Metamorphosis has inspired great minds like George Orwell, Albert Camus, Jorge Luis Borges, and Ray Bradbury. THIS DEFINITIVE EDITION FEATURES: A CLEAN, MODERN LAYOUT designed for readability A BOLD TYPOGRAPHIC COVER that reflects the story’s psychological tension THE UNABRIDGED AND UNALTERED TEXT of Kafka’s original masterpiece Perfect for fans of dystopian fiction, psychological horror, and philosophical literature, Metamorphosis remains as relevant and disturbing today as it was over a century ago. Rediscover one of the most important works of modern fiction—and enter the surreal world of FRANZ KAFKA, where transformation reveals the deepest corners of the human soul.

Bringing writers to readers brings readers to writing. Today’s students do read―we know that they read a significant amount of email, text messages, web pages, and even magazines. What many do not do is read in a sustained way. Many do not come to college prepared to read long texts, nor do they come with the tools necessary to analyze and synthesize what they read. Nick Delbanco and Alan Cheuse have proven in their own teaching that when you improve students’ ability and interest in reading, you will help them improve their writing. A new part 1 in this edition frontloads information for students on both the writing process and the critical use of sources. Bringing writers to students, brings students to writing. Literature: Craft and Voice is an innovative Introductory Literature program designed to engage students in the reading of Literature, all with a view to developing their reading, analytical, and written skills. Accompanied by, and integrated with, video interviews of dozens of living authors who are featured in the text, conducted by authors Nick Delbanco and Alan Cheuse specifically for use with their textbook, the book provides a living voice for the literature on the page and creates a link between the student and the authors of great works of literature. The first text of its kind, Literature: Craft and Voice offers a more enjoyable and effective reading experience through its fresh, inviting design and accompanying rich video program.

Product Description Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value. The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.” Book Description with The Norton Shakespeare Digital Edition registration card About the Author Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; an

"In this insightful travelogue, geopolitical expert Robert Kaplan turns his perceptive eye to the Adriatic Sea, a region that has always been a crossroads in trade, culture, and ideas. Kaplan undertakes a journey through Italy and the Balkan countries lining the Adriatic to reveal much more to the region than news stories about resurgent populism or the refugee crisis let on. As he travels, the stark truth emerges that the age of populism is merely an epiphenomenon--a swan song for the age of nationalism itself--and that the future of Europe lies in a different direction entirely as he observes a breaking down of the distinctions between east and west, a return to alignments of an earlier era. Traveling the coastline from Italy to Slovenia and Croatia, to Montenegro to Albania and to Greece, he engages perceptive cultural criticism and an urgent study of Europe as a whole, seen through the lens of these countries. He finds clues to what the future may hold in history as he reflects on contemporary issues like the refugee crisis, the return of populist nationalism, battles over the control of fossil fuel resources, and how the Adriatic will once again be a global trading hub as it is set to be connected to China's Belt and Road initiative. With a cross-pollination of history, literature, art, architecture, and current events along with a map and photographs throughout, Kaplan demonstrates how Europe is distilled within the geography of the Adriatic, an often-overlooked region rich with answers and insights about the fate of the continent"--

On October 13, 2016, it was announced that Bob Dylan had been awarded the Nobel Prize for Literature, recognizing his countless contributions to music and letters over the last fifty years. Some months later, he delivered a lecture that will now be available in book form for generations to come. In it, he reflects on his life and experience with literature, giving readers a rare and intimate look at an American icon. From being inspired by Buddy Holly to the novels that helped shape his own approach to writing (The Odyssey, Moby Dick, and All Quiet on the Western Front), this is Dylan like you've never seen him before.

Miss Lonelyhearts is Nathanael West's second novel. He began writing it early in 1930 and completed the manuscript in November of 1932. Published in 1933, it is an Expressionist black comedy set in New York City during the Great Depression. In the story, Miss Lonelyhearts is an unnamed male newspaper columnist writing an advice column for the lovelorn and lonesome, a duty that the other newspaper staff considers a joke. As Miss Lonelyhearts reads letters from desperate New Yorkers, he feels terribly burdened and falls into a cycle of deep depression, accompanied by heavy drinking and occasional bar fights. He is also the victim of the pranks and cynical advice of Shrike, his feature editor at the newspaper. Miss Lonelyhearts tries several approaches to escape the terribly painful letters he has to read: religion, trips to the countryside with his fiancée Betty, and affairs with Shrike's wife and Mrs. Doyle, a reader of his column. However, Miss Lonelyheart's efforts do not seem to ameliorate his situation. After his sexual encounter with Mrs. Doyle, he meets her husband, a poor crippled man. The Doyles invite Miss Lonelyhearts to have dinner with them. When he arrives, Mrs. Doyle tries to seduce him again, but he responds by beating her. Mrs. Doyle tells her husband that Miss Lonelyhearts tried to rape her. In the last scene, Mr. Doyle hides a gun inside a rolled newspaper and decides to take revenge on Miss Lonelyhearts. Lonelyhearts, who has just experienced a religious enlightenment after three days of sickness, runs toward Mr. Doyle to embrace him. The gun "explodes", and the two men roll down a flight of stairs together. The general tone of the novel is one of extreme disillusionment with Depression-era American society, a consistent theme throughout West's novels. However, the novel is a black comedy, characterized by a dark sense of humor and irony. Justus Neiland, among others, has pointed out the use of Bergsonian laughter, in which "the attitudes, gestures, and movements of the human body are laughable in exact proportion as that body reminds us of a machine." The novel can be read through a Marxist lens as a condemnation of alienation and the colonization of social life by commodification, foreshadowing the stance of the Situationists and Guy Debord in particular. Miss Lonelyhearts is unable to fulfill his role as advice giver in a world in which both people and advice (in the form of newspaper ads, for example) are mass-produced. People are machines for the sole purpose of laboring as far as the rest of society is concerned (thus Miss Lonelyhearts' name), and any advice for them is as mass-produced as a manual for a machine. Lonelyhearts is unable to find a personal solution to his problems because they have systemic causes. West, who worked in the newspaper business before writing Miss Lonelyhearts, is also an advice giver of a sort as a novelist. Miss Lonelyhearts is similar to a détournement because it uses a form to critique the same form. The novel also condemns itself by condemning art, which is repeatedly derided by Shrike and compared to religion as an opiate of the masses. Many of the problems described in Miss Lonelyhearts describe actual economic conditions in New York City during the Great Depression, although the novel carefully avoids questions of national politics. Moreover, the novel is particularly important due to its existential import. The characters seem to be living in an amoral world. Hence, they resort to heavy drinking, sex, and parties. Miss Lonelyhearts has a "Christ complex", which stands for his belief in religion as a solution to a world devoid of values. (wikipedia.org)

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"Jonathan and Barbara Rose are the perfect couple, living the dream in their beautiful house, filled with their precious antiques, their darling children, and their prized Ferrari in the garage. It's all any red-blooded American could possibly want. But when Jonathan experiences a sudden heart attack (or so he thinks) Barbara realizes that she wants a new life, without him. There's just one problem: they both want the house. For husband and wife, it's not just a residence: it's a passion, one that will escalate an ugly divorce into a full-blown battlefield, complete with weapons and casualties. In this viciously black comedy, the Roses will each do whatever they can to destroy their better half--no matter the cost to themselves..." -- Provided by publisher.