"Ja, No, Man is an eerily familiar portrayal of the life of an ordinary white South African growing up during Apartheid-era South Africa. Told with extraordinary humour and self-awareness, Poplak's story brings his gradual understanding of the difference between his country and the rest of the world vividly to life. A startlingly original memoir that veers sharply from the quotidian to the bizarre and back again, Ja, No, Man is an enlightening, darkly hilarious, and, at times, disturbing read." From book cover

The magnum opus of one of Europe's greatest living writers. “When telling one’s life story to someone else one manufactures not chronicles but legends for oneself,” Péter Nádas writes in his fiction masterpiece, Parallel Stories . Now, in his illuminating memoir, Shimmering Details , the renowned author investigates what it means to reconstruct a life without recourse to the techniques and embellishments of traditional storytelling. Taking his firmly embedded memories—the “shimmering details” that give this work its title—as his starting point, Nádas dissects them using a method inspired by Freudian dream interpretation. Sounds, scenes, smells, feelings—all are probed for details that might allow him to reconstruct what happened, and when and where. To avoid conscious or unconscious distortions, he deconstructs the stories of others, too—moving in concentric circles toward cause and effect, until their meaning and significance come to light. In Shimmering Details, Volume I , Nádas probes the history of his family from the late nineteenth century to his birth in 1942 and beyond. In a work that encompasses World War II and the Hungarian Revolution, Nádas traces the hidden connections between the seemingly random events of a life and assembles them into a memoir like no other.

""Why should advertising only serve the interests of those with money and power?" Since its inception, advertising has remained one of the most powerful commercial tools ever created. Advertising has deeply and thoroughly infiltrated the consumer psyche, shaping views on what to buy, find attractive, and deem valuable, for better or worse. 70 Ads to Save the World offers us a detailed, entertaining, and authoritative account regarding both the virtues and pitfalls of modern advertising through the personal journey of advertising specialist Jerry Mander. With the help of 70+ real-world ads, this illustrated memoir chronicles Mander's experiences in the world of commercial advertising, where he worked with some of the most talented and successful designers of his time and went on to establish two of the first non-profit ad agencies in the world. In 70 Ads, we learn how this service looked and felt in the latter half of the 20th century, and how it might look and feel in a future where we harness advertising to create a more just, regenerative, and creative society"--

"This is an autobiography of one of the pioneers of hearing implants, Dr. Ellis Douek, who was the first to monitor the hearing of a baby at birth, and who participated in the development of a middle ear device for the restoration of hearing that now bears his name: Douek-MED. The book sheds light on the life of a surgeon from the early days of the UK National Health Service, and covers the highlights of Douek's medical career"--

In Everything Is Possible, Dan Abraham, the legendary founder of Slim-Fast, recounts the story of his personal and business life, starting from his childhood and army years and his purchase of Thompson Medical for $5,000 when he was in his early twenties, and culminating in the sale of Slim-Fast for $2.3 billion in 2000. At the heart of Everything Is Possible are 16 life lessons that Abraham has picked up in sixty years of a hard-working business career. Among them: There is no such thing as a mistake (see pages 198–202) Why I always insured that my suppliers made a profit (see pages 208–9) The philosophy of continuous improvement (see pages 202–5) If you have a theory and the facts dispute it, drop your theory (pages 205–8) The realization that we all have both good and bad luck in our lives, but many of us don't prepare for either (pages 216–9) I never saw a man pick a fight with a stronger man (pages 191–5) But this memoir, a brilliant guide for anyone starting and growing a business, is about far more than business. Abraham tells the heartwarming story of growing up in a modest home in Long Beach, New York, and the lessons he learned from his mother, father, and one high school teacher that have guided him ever since. And there is more, much more: a discussion of his beliefs about the pleasure of giving; what he has learned from Judaism about ethics and the Golden Rule; and what he learned from his experiences with the FDA about the importance of compromise and about the necessity to fight hard when you believe you're right. At a time, when newspapers are filled with reports of business fraud and deceptions, and when so many people believe that to have spectacular success in business you have to be ruthless and dishonest, this is an account of a business life that has been lived honorably, passionately, and successfully, and with fun. Everything Is Possible is a book to be savored and shared with young and old alike.

Pesach Bursrein, an old trouper from the Yiddish theater, recalls dramas both onstage and off in this memoir, which he dictated to his wife, Lillian Lux Burstein. The Story of Burstein's successful stage career is played out against the background of political turmoil in Europe, vignettes of life in small towns and big cities, friendships and rivalries among theater folk, family life, emigration to the United States, and tours through Europe, South America, Israel, and South Africa. Every personal anecdote tells the larger history: theater history and also the history of the Yiddish communities who were his audiences. While Burstein is a legend in Yiddish cheater, he was little known outside that world until he was celebrated in Arnon Goldfinger's acclaimed documentary Der Komedia11t. This memoir provides the first window for English readers into the other side of Yiddish culture—the Yiddish burlesque, the traveling Yiddish theater, and the music hall. It will not only delight readers but also reveal a social and cultural history never before described in such detail. Burstein's life is the story of popular Yiddish theater in the first half of the century.

Poetry. Latino/Latina Studies. Jewish Studies. Translated from the Spanish by Antena. The narrator of TELA DE SEVOYA / ONIONCLOTH travels to Bulgaria, searching for traces of her Sephardic heritage. Her journey becomes an autobiographical and imagined exploration of childhood, diaspora, and the possibilities of her family language: Ladino or Judeo- Spanish, the living tongue spoken by descendants of the Jews expelled from Spain in 1492. Memoir, poetry, storytelling, songs, and dreams are interwoven in this visionary text--this tela or cloth that brings the past to life, if only for a moment, and that looks at the present though the lens of history. In 2012, TELA DE SEVOYA / ONIONCLOTH was awarded one of Mexico's most prestigious literary prizes, the Premio Xavier Villaurrutia, whose previous winners include Octavio Paz, Carlos Fuentes, and Mario Bellatin. "TELA DE SEVOYA / ONIONCLOTH is an absolutely extraordinary text... it successfully joins past and present, life and death, memory and imagination."--Juan Gelman "Readers will find, through this tale of the relationship between a girl and her embittered grandmother, an entirely singular world narrated from the point of view of an 'I' whose range exceeds the territory of any private life."--Mario Bellatin

When Edith Hofmann sat down to write this book, she was a 19-year-old coming to terms with the fact of her own survival. It is a story which describes a struggle; the struggle to come to terms with a haunting past, the struggle to survive, and the struggle to unburden a broken heart. It also embodies a struggle to form, in language, that which at times all but defies linguistic form. When Hofmann started writing this book she had only been speaking English for two years, and yet she wanted to convey her experiences, in English, to those with whom she had made her home. The cruel reality was that no one really wanted to hear. She poured out her soul, only to be told that 'no one was interested in the war any more'. This was 1950. Some fifty years later she revisited the manuscript, wondering whether such a text would have any value. For fifty years her text had lain in her drawer, waiting to be read. Her story is a novel, but it certainly is not a fiction. Scared for her own safety, Hofmann chose to write in the third person rather than pen a memoir. Every page is bound up with the intricate details of her life, those whom she loved, and those whom she lost; the echoes of those terrible years, and the memory they imposed. In compiling this text, she decided neither to change it, by removing discrepancies or updating anything, which Hofmann wrote in the late 1940s, nor to improve her English, but rather to leave it as a raw and indelible testimony not only to her survival but to her bid to survive survival. You will be moved; not only by what she has written, but by the fact that she wrote at all.

In July 1961, just before David Aaronovitch's seventh birthday, Yuri Gagarin came to London. The Russian spaceman was everything the Aaronovitch family wished for - a popular and handsome embodiment of modern communism, of the forward march of history. When Gagarin went to Highgate to visit the tomb of Karl Marx, the local communists came out to cheer, David's father, a full-time worker for the Communist Party, and his mother among them. But who were they, these ever hopeful, defiant and (had they but known it) historically doomed people? In a sense they were like a non-magical version of the wizards of J K Rowling's world, living part secretly with and parallel to the non-communist majority, sometimes persecuted, sometimes ignored, but carrying on their own ways and traditions. Where others went to church they went to Socialist Sunday School, where others watched the Black and White Minstrels they went to see the Red Army Choir (always providing that visas had been issued). Society's up was their down, its heroes were their villains and vice versa. Trade unions were never more noble than when militant, the blacks were right and the whites were wrong. Who wanted American TV when you could have Russian movies? A memoir of early life among communists and an exploration of the world that created that life, Party Animals first took David Aaronovitch back through his own memories of belief and action. But there was much more to it. He found himself studying the old secret service files, his mother's diaries and letters, uncovering the unspoken shame and fears that provided the unconscious background to his own existence as a party animal. Only then did he begin to understand what had come before - both the obstinate heroism and the monstrous cowardice. And the elements that shape our fondest beliefs

Highly regarded memoirs of a medical officer on the Western Front with the 23rd Div., & afterwards in India.

Dive into the rich history of chess with "The Chess-monthly, Volume 8", a fascinating glimpse into the world of 19th-century chess strategy and culture. Authored by chess masters Leopold Hoffer and Johannes Hermann Zukertort, this volume offers a wealth of insights into the games, players, and controversies that shaped the era. Originally published as a periodical, "The Chess-monthly" provided enthusiasts with detailed game analyses, tournament reports, and biographical sketches of prominent chess figures. This particular volume captures a pivotal moment in chess history, showcasing the evolution of tactics and the growing popularity of the game across Europe. Whether you're a seasoned chess player, a history buff, or simply curious about the intellectual pursuits of the past, "The Chess-monthly, Volume 8" offers a captivating and informative journey into the world of chess. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Yashka: My Life as Peasant, Exile and Soldier," by Maria Botchkareva and Isaac Don Levine, offers a rare and compelling first-hand account of World War I from the Eastern Front. This remarkable autobiography details the extraordinary life of Maria Botchkareva, a Russian peasant who defied convention to become one of the first women soldiers. Experience her journey from humble beginnings to exile, and ultimately to the battlefield, where she fought with unmatched bravery and resilience. This is more than just a war story; it's a powerful human document of courage, perseverance, and the fight for equality during a time of immense upheaval. A crucial historical text, "Yashka" provides invaluable insight into the personal experiences of those who lived through the Great War and offers a unique perspective on the role of women in the military. This carefully prepared print edition ensures the enduring legacy of Botchkareva's unforgettable story. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Harry Stein gives us the conversations of a group of older men who meet every week for lunch to reflect on their lives and the state of the world. What is a well-lived life? What is honour, and does it have a place in our society? A profound and poignant meditation on the meaning of honour, told through the words of men who lived life according to the forgotten rules of trust and responsibility. From these conversations, Stein shows us men who lived their lives according to values that have since been declared relative or obsolete: honour, responsibility, decency, and an uncynical commitment to being the best men they could be. Stein presents the stories of this remarkable group of men who lived through the difficult time of the mid-20th century and all its wars and social upheavals. We meet Moe Turner, Stein's father-in-law, a mathematician involved in research on the H-bomb who is Stein's connection to the group. We meet Boyd Huff, a survivor of the Nazi prisoner camps, whose youngest son was killed in a gun accident and oldest is a hospitalized schizophrenic. We meet Gene Cooper, an electrical engineer and the emotional centre of the group. These three men, and the rest of the club, have had difficult lives and plenty of trying moments, yet all of them have survived with their sense of right and wrong, of honour and love, fully intact. Stein connects their background, stories and lives, to the valuable views and ideas they share with him now. What the reader comes away with is a renewed sense of purpose, a new confidence in the strength of courage and conviction in your beliefs—even as those of the world change around you.

Ivan T. Berend is Distinguished Professor at the University of California Los Angeles, Director of the European Studies Program. He was one of the masterminds of regime change in Hungary. He made a career in Hungary as a university professor, Rector of the University of Economics (1973–79), and President of the Hungarian Academy of Sciences (1985–90). He was President of the International Committee of Historical Sciences (1995–2000), and Vice-President of the International Economic History Association (1986–1994). His research interests are the complex economic, social, ideological, and cultural history of Central and Eastern Europe in the 19th–20th century; economic modernization; problems of European backwardness; transition from state socialism to capitalism. He published and 26 books and more than 120 studies. Before he became a professor at UCLA, Ivan Berend had survived five regime changes and two revolutions in Hungary, had been in prison and German concentration camp in 1944–45. His memoir offers an interesting case study, a subjective addition to the "objective" historical works on Central and Eastern European state socialism. It describes the hard choices of intellectuals in a dictatorial state: 1. remain in isolation, concentrate on scholarly works, and exclude politics in your personal life; 2. be in opposition, criticize and unveil the regime, accept discrimination and exclusion; 3. remain within the establishment and work for reforming the country using legal possibilities to criticize the regime and to achieve changes from within. Berend’s book raises basic historical questions and debates, compares East European and American higher education systems, and presents an eyewitness’ insights on life in the United States.

My Life And Loves In Greenwich Village is a memoir written by Maxwell Bodenheim, an American poet and novelist who lived in the bohemian neighborhood of Greenwich Village in New York City during the early 20th century. The book is a candid account of Bodenheim's personal and professional life, detailing his struggles as a struggling writer, his relationships with women, and his experiences with drugs and alcohol. Bodenheim describes the colorful characters and events that defined the Greenwich Village scene during his time there, including the rise of modernist art and literature, the emergence of jazz music, and the social and political movements of the era. The book also provides insights into the author's own creative process, as he discusses his writing techniques and the inspiration behind his work.Overall, My Life And Loves In Greenwich Village is a fascinating glimpse into the bohemian lifestyle of early 20th century New York City, as seen through the eyes of one of its most talented and troubled writers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T046733 Uriel Acosta = Uriel da Costa, the author of the life. The introduction is by Thomas Whiston. London: printed for John Whiston, 1740. [2],69, [1]p.; 8