Michael Lind has been described by Rolling Stone magazine as “that rarest of figures: an intellectual with name recognition.” Now the Whitehead Senior Fellow at the New America Foundation in Washington, DC, Lind has been an editor or staff writer for The New Yorker, Harper’s Magazine, and The New Republic and writes frequently for The New York Times and Financial Times. He is the author of more than a dozen books of history, political journalism, and fiction, including a poetry chapbook, When You Are Someone Else (2002); Bluebonnet Girl (2004), a children’s book in verse that won an Oppenheimer Toy Prize for children’s literature; and a narrative poem, The Alamo (1997), which the Los Angeles Times named as one of the best books of the year. Parallel Lives is his first collection of verse. Lind’s themes range from geopolitical issues, interpersonal relationships, art, nature and the American landscape, to the nature of poetry itself. Thomas Disch says of Lind, “To read his spare and elegant poems is to be privy to the councils of the unacknowledged legislators of our own day and age.”

Louise Gluck has long practiced poetry as a species of clairvoyance. She began as Cassandra, at a distance, in league with the immortal; to read her books sequentially is to chart the oracle's metamorphosis into unwilling vessel, reckless, mortal and crude. The Seven Ages is Gluck's ninth book, her strangest and most bold. In it she stares down her own death, and, in so doing, forces endless superimpositions of the possible on the impossible--an act that simultaneously defies and embraces the inevitable, and is, finally, mimetic. Over and over, at each wild leap or transformation, flames shoot up the reader's spine.

Fifty years of reading Homer—both alone and with students—prepared Eva Brann to bring the Odyssey and the Iliad back to life for today's readers. In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus. Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages." "Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal "Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy "In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas "Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College "For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition "The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer? Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty years. She is a recipient of the National Humanities Medal. Her other books include The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets / Inward Prospects, The Music of the Republic, Un-Willing, and Then and Now (all published by Paul Dry Books).

"Written well into mid-life, Songs for a Summons are explorations and observations of a writing life. David Guterson is the author of Snow Falling on Cedars, recipient of the 1995 PEN/Faulkner Award, East of the Mountains, Our Lady of the Forest, The Other, and Ed King. Songs for a Summons is his first poetry book."As is true when David Guterson enriches our lives and literature with memorable stories and essays, he is on these pages a poet acutely, even achingly, aware of the beauty and sometimes absurdity of the natural and unnatural forms that surround us. He is awake to the experience of illusion and impermanence, loneliness and suffering. And always in these well-crafted works, where language performs at its highest level, he is awake to the possibilities of love, gratitude, redemption, and the importance of self-acceptance. With each elegant poem in Songs For A Summons, Guterson liberates our seeing, our senses, and beckons us to live more fully, more authentically, more deeply."-Charles Johnson, author of Middle Passage"--

Twenty-two poems reflect Frances' observations on the events in her life.

We've all sung it a thousand times, and most of us know at least the first verse by heart. "America the Beautiful" has been called a hymn, a prayer, even the "national heartbeat set to music." Numerous proposals and half a dozen bills in Congress have tried to replace our national anthem, "The Star-Spangled Banner," with this more lyrical, less militaristic song. But who knows the story behind the song? In America the Beautiful, Lynn Sherr tells the story of Katharine Lee Bates, a poet and pioneering young English professor at the newly established Wellesley College, who penned "America the Beautiful" at age 33, as she gazed over the glorious panorama from the top of Pike's Peak, Colorado. The poem, published two years later on July 4, 1895, struck a chord. Americans embraced it and immediately set it to music, trying out at least 74 different melodies. There were even Mexican, Canadian, and Australian versions. Analyzing the lyrics of "America the Beautiful" and the story of Katharine Lee Bates's unusual life, Lynn Sherr opens a window onto the shifting world of late 19th century America. She explores the lingering impact of the Civil War and the dramatic developments in commerce and technology, which shaped the American Century and the popularity of one brilliant, stirring song.

Fragile, raw, daring, brilliant...Sandra Bernhard rocks. The actress, philospher, comedian, and cult goddess is definitely back -- and feeling fabulous -- with a labor of love that'll knock her followers off their feet and draw new ones to her like a magnet. Stage, film, music, television -- in every performance, Bernhard has shocked and amused, titillated and broken every rule. With her first two books, Confessions of a Pretty Lady and Love, Love, and Love Bernhard's electrifying talent took to the page and burned it up with flashes of true brillance -- the kind of writing that separates the powerful from the good. And now, in this new book, Sandra returns with a deeply personal collection of spicy tales, fiercely witty riffs, and sweet doses of wisdom. Here is Sandy as we know and love her -- and as we've never quite seen her before: heartrenderingly honest, with the mouth of a diva, the soul of a fighter, and the insight of a girl who has lived life big. Like a whisper in your ear, Sandy opens up her world: from her friendship with her loyal housepainter to her imagined history as as one of Jack Kennedy's lovers; from the sensual streets of Mogador to the comfort of her pristine L.A. bungalow; from her own poetry of romantic yearning and reflective prayer to dead-on truths brought to light in the heartbreaking and hilarious glow of fashion, celebrity, rock and spirituality. There is nothing Sandra Bernhard offers that doesn't deliver a pungent snap of truth and the surprise of unexpected emotion in this, her most revealing and entertaining book yet.

An important collection of writings and memoirs on the Russian Futurist movement from one of America's pre-eminent linguists and literary theorists. Born in Moscow in 1896, Roman Jakobson brought an extraordinary rare poet's sensibility to his exploration of language. This volume, which fills a major gap in the literature of the Russian avant-garde, is a lively collection of letters, memoirs, poetry, prose, and essays. It includes recollections of Mayakovsky, Khlebnikow and others.

"This book is a history of the Near East from the point of view of a single nation, covering not only what is known about the prophets themselves--including Elijah, Amos, Isaiah, Jeremiah, and Ezekiel--but also the stories of King David, King Saul, and how the ancient Israelites were affected by the great Near Eastern empires that surrounded them. Layered into this work of history is a piece of extraordinary literary criticism. Podhoretz's very close reading of the verse and imagery used by the biblical prophets restores them to the top reaches of the poetic pantheon, for these books contain some of the greatest poetry ever written. The historical chronicle and the literary criticism will transport readers to a time that is both exotic and familiar and will evoke a distinct and original world. But the third perspective of The prophets is that of moral philosophy, and it serves to bring the prophets' message into the twenty-first century. For to Norman Podhoretz, the real relevance of the prophets today is more than the excitement of their history or the beauty of their poetry: it is their message. Podhoretz sees, in the words of the biblical prophets, a war being waged, a war against the sin of revering anything made by the hands of man--in short, idolatry. In their relentless battle against idolatry, Podhoretz finds the prophets' most meaningful and enduring message: a stern warning against the all-consuming worship of self that is at least as relevant in the twenty-first century as it was three thousand years ago"--Jacket

The debut novel from New York Times bestselling author Meg Wolitzer, a story of three college students' shared fascination with poetry and death, and how one of them must face difficult truths in order to leave her obsession behind. Published when she was only twenty-three and written while she was a student at Brown, Sleepwalking marks the beginning of Meg Wolitzer's acclaimed career. Filled with her usual wisdom, compassion and insight, Sleepwalking tells the story of the three notorious "death girls," so called on the Swarthmore campus because they dress in black and are each absorbed in the work and suicide of a different poet: Sylvia Plath, Anne Sexton, and Wolitzer's creation Lucy Asher, a gifted writer who drowned herself at twenty-four. At night the death girls gather in a candlelit room to read their heroines' work aloud. But an affair with Julian, an upperclassman, pushes sensitive , struggling Claire Danziger -- she of the Lucy Asher obsession -- to consider to what degree her "death girl" identity is really who she is. As she grapples with her feelings for Julian, her own understanding of herself and her past begins to shift uncomfortably and even disturbingly. Finally, Claire takes drastic measures to confront the facts about herself that she has been avoiding for years.

"In 1969, Allen Ginsberg wrote to his friend, fellow poet, and publisher Lawrence Ferlinghetti, "Alas, telephone destroys letters!" Fortunately, however, by then the two had already exchanged a treasure trove of personal correspondence, and more than any other documents, their letters-intimate, opinionated, and action-packed-reveal the true nature of their lifelong friendship and creative relationship. Collected here for the first time, they offer an intimate view into the range of artistic vision and complementary sensibilities that fueled the genius of their literary collaborations.Ferlinghetti and Ginsberg were two of the twentieth century's most influential literary rebels, and their correspondence documents a time when both were rising to the peak of their notoriety and international fame, traveling, writing, publishing, and performing their poetry during times of unprecedented social and cultural experimentation and upheaval. Ferlinghetti was Ginsberg's publisher and editor, and the correspondence begins with a telegram from Lawrence after hearing Allen's legendary reading of "Howl" at the Six Gallery: "I greet you at the beginning of a great career. When do I get the manuscript?"The majority of the letters collected here have never before been published, and they span the period from 1955 until Ginsberg's death in 1997. Facsimiles and photographs enhance the collection, an evocative portrait of an inspiring and enduring relationship.Lawrence Ferlinghetti is an internationally renowned poet, painter, publisher, and founder of City Lights Books.Allen Ginsberg was a leading member of the Beat Generation and an award-winning poet best known as the author of Howl & Other Poems, among many other works"--

Throughout her career, Judith Viorst has written numerous books reflecting on life as she ages. Now in her nineties, she shares her experiences in life's "final fifth" in this collection of poetry and essays. On her retirement community, she notes that it is "wonderful, marvelous, swell--good as gold. Except for this one little problem: everyone's old." On her late husband (who died of COVID-19 in 2022), she pleads: "I need you fixing our damn circuit breakers. I need you! Could you please stop being dead?" With humor and vulnerability, Viorst invites readers to dance with her between grief and levity and to enjoy the time we have left to share.

"A stunning, unclassifiable work by one of the 20th century's greatest thinkers and writers, this book is an inspiring amalgam of letters, poetry, and profound musings on everything from Caravaggio to the nature of time itself. 'Those who read or listen to our stories see everything as though through a lens. This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless ...In our brief mortal lives, we are grinders of these lenses'. When John Berger wrote this apparently unclassifiable book, it was to become a sensation, translated into nine languages and indelible from the minds of those who read it. This stunning work is a shoebox filled with delicate love letters containing poetry and thoughts on mortality, art, love, and absence, capturing moments in time that hover above Berger's surprising landscapes. From his lyrical description of the works of Caravaggio and profound explorations of death and immigration to the sight of some lilac at dusk in the mountains, this is a beautiful and most intimate response to the world around us"-- Provided by publisher.

A Revealing Profile of the Father of the Atomic Bomb Highly praised by New York Review of Books, The Spectator, Los Angeles Times, Booklist, & More J. Robert Oppenheimer was a puzzle to everyone. The nuclear physicist most responsible for the creation of the atomic bomb, he was a genius both scientifically and otherwise. His standards were impossibly high. He read widely in many languages, wrote poetry, and did superb science. Yet in Jeremy Bernstein's intensely interesting biographical memoir, Oppenheimer emerges as a man unsure of his identity and captive to an element of self-destructiveness in his makeup. Oppenheimer is the long-awaited book that many people feel Mr. Bernstein was almost born to write. As a former colleague of Oppenheimer's, he has composed a book that is both personal and historical, bringing the reader close to the life and workings of an extraordinary and controversial man. Oppenheimer once told the author that during the now-famous hearing in which he lost his security clearance—one of the most spectacular attacks of the McCarthy era—he felt it was happening to someone else. His lawyer at the hearing, after being with Oppenheimer day in and day out for several months, said he did not know him in any real sense at all. Yet everyone in the scientific community and in government agreed that without Oppenheimer's totally remarkable leadership at Los Alamos, the atomic bomb would not have happened, and the Second World War would have ended very differently. Filled with revealing insights and details that set the historical record straight, Oppenheimer is that rare quantity: a vastly entertaining study of one of the most important and enigmatic scientists of the atomic age. Illustrated with black-and-white photographs.

Nice Jewish Girls: A Lesbian Anthology, Revised and Updated Edition (2023) "A brave and pioneering anthology." - Ms. Magazine "Nice Jewish Girls is a ....celebration of survival, by and about Jewish lesbians....who speak to the part of us that rejoices in people reclaiming their identities....that shouts in anger at injustice." - Gay Community News To read this germinal collection of essays, poetry, fiction, testimony, and analysis, is to be introduced to identities that have historically been hidden and often reviled. Intimate, honest, and brash, this is a lovely, unflinching glimpse of who we were, and a map toward who we may become. Newly restored with high resolution photos, this edition preserves a set of voices to be treasured--discovered and rediscovered by Nice Jewish Girls and the women they love. - Jeannelle M. Ferreira, author of The Fire and the Place in the Forest Evelyn (“Evi”) Torton Beck, scholar/teacher/activist, is Professor Emerita of the Harriet Tubman Department of Women’s, Gender, and Sexuality Studies at the University of Maryland and is associated with the Fielding Graduate University. Her wide-ranging research includes analyses of antisemitism and homophobia, Jewish women's contributions to literature and art; feminist perspectives on the life and work of Franz Kafka and Frida Kahlo, and in recent years, Sacred Circle Dance as a healing practice.

Rabbi Abraham Isaac Kook (1865-1935) was the first Ashkenazic chief rabbi of mandatory Palestine. Admired for the incredible diversity of his talents and interests-talmudist, halakhist, kabbalist, mystic, theologian, moralist, poet, and communal leader--Rav Kook's world outlook extolled breadth and derided narrow specialization. More than any other Orthodox thinker in modern times, he addressed, squarely and boldly, the confrontation between Judaism and the modern world. Kook serves as a natural model to those Jews who seek a religious understanding of and response to the culture and politics of the modern age. These essays, most published here for the first time, offer a range of analyses and interpretations covering, in an accessible, systematic, and comprehensive fashion the major areas of Rav Kook's thought. Among the issues discussed are: his relationship to the Jewish mystical, philosophical, and halakhic traditions; poetry and spirituality; harmonism and pluralism; tolerance and its limits; Zionism, messianism, and politics; and Rav Kook today.

"David Koker's diary is one of the most notable accounts of life in a German concentration camp written by a Jew during the years of the Holocaust. First brought to attention when the Dutch historian Jacob Presser-Koker's history teacher in high school-quoted from Koker's diary in his monumental history, published in English as The Destruction of the Dutch Jews (1968), the diary itself became a part of the Dutch literary canon when it was published in 1977 as Dagboek geschreven in Vught (Diary Written in Vught). It has remained in print ever since, and is notable for its literary qualities, weaving poetry and powerful observations of the emotional life of a camp prisoner, including reflections after an in-person visit by Heinrich Himmler. Surprisingly, the book has never before been translated into English. During his time in the Vught concentration camp, the 21-year-old David recorded on an almost daily basis his observations, thoughts, and feelings. He mercilessly probed the abyss that opened around him and, at times, within himself. David's diary covers almost a year, both charting his daily life in Vught as it developed over time and tracing his spiritual evolution as a writer. Until early February 1944, David was able to smuggle some 73,000 words from the camp to his best friend Karel van het Reve, a non-Jew. With an informative introduction, annotation, and list of dramatis personae by Robert Jan van Pelt, At the Edge of the Abyss offers an immediate and wholly original look into the life of a concentration camp prisoner"--Publisher's description.