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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... (6) Columns for Discount on Purchases and Discount on Notes on the same side of the Cash Book; (c) Columns for Discount on Sales and Cash Sales on the debit side of the Cash Book; (d) Departmental columns in the Sales Book and in the Purchase Book. Controlling Accounts.--The addition of special columns in books of original entry makes possible the keeping of Controlling Accounts. The most common examples of such accounts are Accounts Receivable account and Accounts Payable account. These summary accounts, respectively, displace individual customers' and creditors' accounts in the Ledger. The customers' accounts are then segregated in another book called the Sales Ledger or Customers' Ledger, while the creditors' accounts are kept in the Purchase or Creditors' Ledger. The original Ledger, now much reduced in size, is called the General Ledger. The Trial Balance now refers to the accounts in the General Ledger. It is evident that the task of taking a Trial Balance is greatly simplified because so many fewer accounts are involved. A Schedule of Accounts Receivable is then prepared, consisting of the balances found in the Sales Ledger, and its total must agree with the balance of the Accounts Receivable account shown in the Trial Balance. A similar Schedule of Accounts Payable, made up of all the balances in the Purchase Ledger, is prepared, and it must agree with the balance of the Accounts Payable account of the General Ledger." The Balance Sheet.--In the more elementary part of the text, the student learned how to prepare a Statement of Assets and Liabilities for the purpose of disclosing the net capital of an enterprise. In the present chapter he was shown how to prepare a similar statement, the Balance Sheet. For all practical...

Born in Vienna in 1936, David Pryce-Jones is the son of the well-known writer and editor of the Times Literary Supplement Alan Pryce-Jones and Therese "Poppy" Fould-Springer. He grew up in a cosmopolitan mix of industrialists, bankers, soldiers, and playboys on both sides of a family, embodying the fault lines of the title: "not quite Jewish and not quite Christian, not quite Austrian and not quite French or English, not quite heterosexual and not quite homosexual, socially conventional but not quite secure." Graduating from Magdalen College, Oxford, David Pryce-Jones served as Literary Editor of the Financial Times and the Spectator, a war correspondent for the Daily Telegraph , and Senior Editor of National Review . Fault Lines is a memoir that spans Europe, America, and the Middle East and encompasses figures ranging from Somerset Maugham to Svetlana Stalin to Elie de Rothschild. As seen on Channel 4's My Grandparents' War , with Helena Bonham Carter, the memoir has the storytelling power of Pryce-Jones's numerous novels and non-fiction books, and is perceptive and poignant testimony to the fortunes and misfortunes of the present age.

Surveyor, fur-trader and explorer, David Thompson was the first European to descend the Columbia River from its source to its mouth. A partner in the North West Company, Thompson explored western Canada exhaustively, and the maps he produced became the basis for many future maps of the region. Thompson first came to Canada in 1784 as a clerk for the Hudson's Bay Company. He spent several years gaining knowledge of the fur trade, making extensive expeditions and learning the ways of the aboriginal peoples. After learning the use of sextant, chronometer, telescope, compass and nautical almanac, surveying became his primary interest. He explored new territory whenever possible, keeping detailed journals of his bearings and weather conditions, and charted all of his journeys.

Part memoir, part his take on life, the universe and Hollywood, this is an all-round portrait of David Gest, a true original. This book aims to broaden our perception of the person we fell in love with on 'I'm a Celebrity, Get Me Out of Here!' and will cover a wide range of topics, from the humourous to the more serious.

'In the later twentieth century Robert Burns was sorely in need of commentators to provide fuller analysis of a figure whose cultural reputation too often overshadowed his literary achievement. The brilliance of David Daiches as a literary critic filled much of the gap. His readings are a cornerstone of modern Burns studies.' Gerry Carruthers, Director, Centre for Robert Burns Studies, University of Glasgow An Edinburgh graduate in the 1930s, the early part of David Daiches' long and distinguished academic career was spent in the United States. However, after spells at Chicago and Cornell Universities, in 1951 he returned to Cambridge as a Lecturer in English. Ten years later he chose to leave Cambridge for the new University of Sussex where he was the first Professor and Dean in the School of English Studies. Retiring in 1977, he returned to Edinburgh where he continued to play an exceptionally active role in Scotland's intellectual and cultural life until his death in 2005. A polymath of English letters, Daiches' scholarly interests ranged extremely widely, but in no field is his influence more creative and enduring than in that of Scottish Literature. Our understanding of Scotland's literary culture in the eighteenth century, of Burns, of Scott, of Stevenson and McDiarmid, was transformed by his work. Originally published in 1951, his Robert Burns is a brilliant example of his ground-breaking scholarship and criticism at its most illuminating.

For ten weeks David Brudnoy, Boston's most popular and erudite conservativeradio-talk-show host, had been off the air. When he signed back on, hisfaithful following was prepared for the usual dose of wry humor, Clintonbashing, and brilliant banter. What they got instead was an electrifyinghourlong monologue, unprecedented in the freewheeling world of talk radio, during which Brudnoy confessed, I am a fifty-four-year-old homosexual...I wassuffering the first attack of HIV--the AIDS virus. What followed was an outpouring of support and devotion from an audience notknown for its tolerance of gay issues. With his story, Brudnoy has crossed thatgreat abyss where the personal and political meet. From his near-halcyon youthas an only child growing up in a small Minnesota town to his heady days as astudent at Yale, he recounts with equal doses of humor and candor a coming ofage that, in fits and starts, eventually recognized a sexual preference for menand a political tendency toward the right. Ruminating on matters that rangefrom his own mortality to TV, radio, friends, family, romance, and politics, Life Is Not a Rehearsal offers up the kind of trenchant and intelligentinsights that are Brudnoy's hallmark.A graduate of Yale with a major in Japanese, David Brudnoy went to graduateschool at Harvard (East Asian studies) before getting his Ph.D. in Americanintellectual history at Brandeis. In 1976 he won a full-time talk radio slot atBoston's WHDH, then moved to WRKO in 1981, finally going on to the region'spowerhouse, WBZ, in 1986. In addition to his hugely successful radio show onWBZ, he is a TV commentator, film critic, newspaper essayist on politics andtravel, and teacher ofjournalism at Boston University. Life Is Not a Rehearsal shows that conservatism is not conformity--or aprejudice or a mere establishmentarian life. Conservatism is about fighting forliberty and embracing responsibility, about war and love if you will. DavidBrudnoy is certainly a veteran of both. --P. J. O'Rourke, author of Give War a Chance David Brudnoy tells the personal story behind the public story of hisremarkable life and extraordinary career. He gives us a memoir that willbenefit many others across the country learning to live with AIDS. --Senator Edward M. KennedyThis is a book about love, loyalty, and the nurturing bonds of family andfriendship. And, it is also a book about the coming of age of a brave andhonorable man who has faced the looming spectre of death with the samecourageous honesty that so many of us have long admired in him. --Sherwin B. Nuland, M.D., author of How We Die In this no-holds-barred memoir, Boston's outspoken, conservative, libertarian, gay, agnostically Jewish, living-with-AIDS, college professor and media iconproves once and for all the inadequacy of labels when it comes to defining alife. Life Is Not a Rehearsal is the story of David Brudnoy as only hecould tell it, with characteristic candor, humor, and the self-awareness of onewho has teetered on the edge, gone over the cliff, and lived to tell. And tellhe does --William F. Weld

Product Description Offers an amusing and nostalgic look at the personalities who frequented a Baltimore diner in the late 1950s, in an account inspired by the 1982 hit movie "Diner" From Publishers Weekly Life for teenagers like the author--a son of Russian-Jewish immigrants and himself former director of Maryland's Drug Abuse Administration, who grew up in Northwest Baltimore's "melting pot" in the '50s--is said to center on the neutral turf of a playground, where rival ethnic gangs vie for city sports championships. In the first and best part of his reminiscence and report, Silverman sketches a refreshing cast of characters who hung out at the diner of the title and were featured in the 1982 movie Diner , directed by classmate Barry Levinson. Their youthful, sometimes hilarious but not-so-harmless high jinks and status-enhancing sexual exploits, boastfully recounted in pithy and irreverent language, masked more valuable, often lasting male camaraderie. Like a faithful class secretary, the author follows a group of scattered diner alumni, updating their activities through the '80s. The most colorful chronicles tell of professional fulfillment as pizza chain owners, rabbis and the perhaps less reputable, but still eventful, lives of mavericks, gamblers, drug users and dealers. Copyright 1989 Reed Business Information, Inc.

Just Say Yes, perhaps the first marijuana memoir ever published, is a positive account of long-term cannabis use. With ruthless honesty and deadpan humor, the author observes the effect of weed upon every aspect of her life: marriage, motherhood, friendship, work, sport, sex. As John Updike wrote about Hiller's short story collection, Skin, this is "good, brave and joyful writing." Ten years after its first publication, the updated edition of Just Say Yes addresses the changing status of cannabis in America and includes a foreword by Steve DeAngelo. "This funny, wry and very candid memoir purports to be a Confession of an American Pot-Smoker but is really a cultural/personal history of the past fifty years. The narrative progresses backward, and not only the past but innocence itself is recaptured." -Phillip Lopate, Nonfiction Director, MFA Writing Program, Columbia University "Likely to loosen up fellow smokers, while adding a personal take to the public discussion of cannabis." -Kirkus Reviews "Brilliant, important, and beautifully written." -Betsy Prioleau, author of Seductress and Swoon

After graduating from the University of Texas in 1965, Carol Schwartz, born in Mississippi and raised in Midland, Texas, visited Washington, D.C. She was due to be married in Austin in January and had a job teaching special education there. After a very tough childhood, a happier, less stressful life stood before her. But things changed--with Carol doing the changing. As she puts it, "A magnetic pull drew me to D.C." Carol began a journey that took her away from the familiar to D.C. and the dynamic world of local politics. Then a Republican in a city where Democrats made up nearly 80% of voters, she ran for Mayor and nearly beat Marion Barry in 1994 in the closest Mayoral election in the city's history. In Quite A Life: From Defeat to Defeat ... and Back, Carol talks about growing up on the poor side of the tracks in that small West Texas town, where she was made to work starting from age eight in the family store. There were only a few Jewish families and some prejudice. Carol was often responsible, beginning at age six, for caring for her beloved older brother and only sibling Johnny, who was intellectually disabled. And sadly, she was also the target of a brilliant but full-of-rage father. Carol describes life with her own family--her three kids and husband David, who suffered from severe depression. But despite that, he went from being a child of a limited-means family with student loans to becoming one of the more successful attorneys in a city made up of them. Depression, though, and Jack Daniels ultimately caused David's tragic death when the children were teenagers. Although wounded from her childhood, she leapt over ongoing insecurity and fear to run for the D.C. Board of Education in 1974, where she became an outspoken member and leader. Carol fought against the tide to help create Banneker Academic High School and usher in educational reforms 40 years ago when it was unfashionable and took lots of courage to do it--and which led to test scores increasing. On the D.C. Council starting in 1985, she was a lone voice against bloated budgets that eventually led the city to the financial brink. Carol became an ethical watchdog in a government that too often battled corruption. Spotting government sweetheart deals, she helped root them out as a guardian of taxpayer dollars. And she spearheaded the unanimous passage of sick and safe leave for private sector workers, making D.C. the second jurisdiction in the country to have it. In doing so, she went from being a best friend of business to being viciously targeted by that community. Her passion for the city and its residents inspired her to run for Mayor several times in spite of the odds. But she picked herself up after defeat--as her tough childhood had trained her to do--and kept on ... All the while she championed wins on behalf of the city and its residents in her continuing Council career. Community responsibility has been a lifelong clarion call for Carol. She has volunteered to battle for people with HIV/AIDS and other marginalized groups, and served for nearly two decades on the Board of the Whitman-Walker Clinic, which was at the forefront of that crisis. She became the first woman president of the Metropolitan Police Boys and Girls Clubs in its 61-year history. Her volunteer work of 50 years has touched many people, animals and organizations, and continues. Now an Independent and always a straight-shooter, Carol talks about her life with characteristic candor and her opinions with unbridled honesty--and usually with humor. As Carol says, "If you want someone to give you a sugar-coated synopsis of a life, go elsewhere. But if you want an outspoken personal autobiography--with pictures galore--that also talks about the history of D.C. since Home Rule, gives you behind-the-scenes accounts of chaotic campaigns, as well as the inner-workings of government--all rolled together--come on this ride with me." It's a journey of wins and defeats, and coming back with hope.

During the golden years of the; 50's 60's and 70's, Carl Davis, was one of Chicago's hottest music producers and record executives to ever blaze the trails of Chicago's renowned Record Row. This action packed memoir chronicles his rise to prominence and power in a dazzling yet cut-throat music business where only the strongest survived. Mastering the art of cutting a deal to the artistry of cutting wax, Davis' visionary leadership helped forge the legendary Chicago-Sound. From the stage of Chicago's famed Regal Theatre to the bright lights of concert venues throughout the world, his artists were some of the brightest stars of our time. No longer an unsung hero, this autobiography punctuates the tireless efforts and the timeless contributions of one of America's greatest music producers and record company executives. To many he was a friend, to others a businessman, but to his artists and fans throughout the world - he is and will always be - the man behind the music.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

If the new generation is not told accurate information, then not only will the new generation and the generations that follow be misguided but, more importantly, the policy makers of the future will be making decisions based on mis-assessments. There are three areas in which the truth of the past has been tragically misrepresented: The actions of the President, the role of the media, and the buried legacy of the South Vietnamese, the Laotians, the Cambodians and, of course, the Americans who gave their lives for the liberty of others. There is no higher morality than dying for the well-being of a stranger, and that is what they did. Their enemies were not only on the battlefield: many of their enemies are still revising the history of those days, either to justify their past actions, or to cloak their consciences, or they simply don't know the truth because they have been bombarded by those who rejected it. Their recorded words and fictionalized images are, at best, what they think is true, and at worst, are meant to deceive you.

Back from the Living Dead, first published in 1945, is the first-hand account of Army Air Corps Major Burt Bank's experiences as part of the Bataan Death March and his subsequent prison camp experiences in Camp O'Donnell, Davao Penal Colony, and Cabanatuan, Philippines. In January 1945, Bank was part of the group of surviving POWs freed by U.S. Army Rangers. Back from the Living Dead was one of the first post-war accounts detailing the Death March and prisoner of war atrocities. Author Bertram Bank (1914-2009), from Tuscaloosa, Alabama, would go on to serve in Alabama's House of Representatives and Senate, and was also the founder of the Alabama Football Radio Network.

Dr. Bernard Lown conveys in this book the excitement of the occasion, including the famous incident when a member of the audience had a heart attack and the two cardiologists, Lown and Chazov, worked together to resuscitate the man.

sweet life adventures on the way to paradise by barry manilow

"A rapturous, witty, and passionate memoir ... Violin Dreams is not only the story of a man becoming an artist, it’s a history of twentieth-century music.” -- John Guare, Tony Award-winning playwright Arnold Steinhardt, for more than forty years an international soloist and the first violinist of the Guarneri String Quartet, brings warmth, wit, and fascinating insider details to the story of his lifelong obsession with the violin, that most seductive and stunningly beautiful instrument. His story is rich with vivid scenes: the terror inflicted by his early violin teachers, the sensual pleasure involved in the pursuit of the perfect violin, the charged atmosphere of high-level competitions. Steinhardt describes Bach’s Chaconne as the holy grail for the solo violin, and he illuminates, from the perspective of an ardent owner of a great Storioni violin, the history and mysteries of the renowned Italian violinmakers. Violin Dreams includes a remarkable CD recording of Steinhardt performing Bach’s Partita in D Minor as a young violinist forty years ago and playing the same piece especially for this book. A conversation between the author and Alan Alda on the differences between the two performances is included in the liner notes.

From the bestselling author of The Red Tent and Good Harbor , a collection of intimate, autobiographical reflections on the milestones, revelations, and balancing acts of life as a wife, mother, friend, and member of a religious community. Before The Red Tent won her international literary acclaim, Anita Diamant was a columnist in Boston. Over the course of twenty years, she wrote essays that reflected the shape and evolution of her life, as well as the trends of her generation. In the end, her musings about love and marriage, birth and death, nature versus nurture, politics and religion—and everything from female friendships to quitting smoking—have created a public diary of the progress of her life that resonated deeply with her readers. Now, Pitching My Tent collects the finest columns of a writer who is a reporter by training and a storyteller by heart, all revised and enriched with new material. Personal, inspiring, and often funny, Pitching My Tent displays the warmth, humor, and wisdom that Diamant's legions of fans have come to cherish.

"In our brave new world, techno-evolution is often decried as the death knell of the written word. Award-winning author Andrei Codrescu demolishes this doomsday provocation in Bibliodeath: My Archives (With Life in Footnotes). Our moment of bibliodeath marks a tectonic shift under the ocean of human consciousness and the written word. As words migrate from the book into other means of transport, we are "privy to ... the passage of the soul from one body into another, a reincarnation that is not a meta-physics." A suspenseful meditation planted in a bed of alluring stories-cum-footnotes, Codrescu wades into the bibliodeath waters to examine his own evolution as a writer. From the poetic lines of an unlined notebook in 1960s Romania to the founding of Exquisite Corpse in 1983 to his ongoing commentary on NPR's All Things Considered, his journey is an archive of reinvention. Codrescu's literal Archives and his unsentimental and savage faith in reinvention take in the history of the literate world, the transformation of the printed word, and language itself. This picaresque adventure of a mind at work spans the fin-de-siécle to the 21st century, as the bibliodeath of one medium meets the birth of the next. The evolution of technology must deal with the indomitable bond between language and the human being. In the story of Codrescu, "leaving the traces of one's passage is worth the labor of a lifetime."--Back cover.