"I am Orpheus, the maker of songs. Great Apollo came to me often and instructed me in the art of melody so that what came from my lyre could touch the heart even of a stone, and when I went to my mother Calliope in her cave she taught me the secrets of making verses that would hold people entranced the way a magical spell might hold them. And so music has flowed from me all my life as though from an inextinguishable fountain, which is to say that there has been music in the world since the beginning of time and that music will endure to time's end, and beyond it to the moment of beginning again; and so it was that a shaggy-haired Thracian princeling entered into his role in the universe." Gifted with the golden lyre, Orpheus--rumored son of the god Apollo, and yet recognized as the heir of Oeagros, King of Thrace--tells us of the tale of his life as he writes songs throughout the known world. From his role as teacher and spiritual adviser to the Ciconian people, to the profound love and loss of his beloved Eurydice, to his quest with Jason and the Argonauts to claim the Golden Fleece, Orpheus' songs of his life experiences help him sculpt a world that, without his music, would be devoid of the passion and purpose only a muse of his power could provide. Aware of his own fate before he sets out, Orpheus nevertheless continues on the path pre-ordained for him, to discover if knowing your future prevents you from experiencing your present with a sense of wonder and immediacy that can allow Orpheus to connect with the lives around him in order to fulfill his destiny.

""A lively set of insights on the sports world as a whole makes Counsel in the Crease a highly recommended pick indeed." - Internet Bookwatch "Swados's Buffalo love seeps from every page...The book covers everything a Sabres fan could desire...It's all here...Written with wit, warmth, and an often surprising level of honesty, the book is a success for hockey freaks and even those with just moderate interest in the game...for a long-time Sabres fan, Counsel in the Crease is damn near un-missable, offering some of the juiciest views of the franchise's backroom dealings a fan will ever see." - Buffalo Spree "...an in-depth, detailed look at the Sabres' franchise through the eyes and ears of Swados....pro-Buffalo, pro-Sabres, pro-Knox group, a man who spills his blue and gold blood all over these pages. He takes the reader into the board rooms, into the locker rooms, into negotiations, everywhere but in the faceoff circles and the corners of the rink...This is the definitive history - or at least one version - of the first 35 years of the Sabres' franchise, told as oral history, by a man who was there. Many of the principals from the first 30 years of the franchise have taken these conversations and negotiations to their graves; Bob Swados has made sure the history will survive...this is a fascinating read for those who want to hear one man's version of what happened in the board rooms and behind the scenes." ." - The Buffalo News "[Swados] uses an obsession with detail in a sophisticated way to reveal the complexity behind his subject....fans of [the Buffalo Sabres] will thoroughly enjoy Swados's insider views of the Sabres and its various owners. General hockey fans will be enlightened by Swados's insights into the sport's various financial and legal imbroglios." - Publishers Weekly

In this moving account of the life, work, and ethics of four Jewish women intellectuals in the world of the Holocaust, Rachel Feldhay Brenner explores the ways in which these women sought to maintain their faith in humanity while aware of intensifying destruction. She argues that through their written responses of autobiographical self-assertion, Edith Stein, Simone Weil, Anne Frank, and Etty Hillesum resisted the Nazi terror in ways that defy its horrifying dehumanization. Personal identity crises engendered the intellectual-spiritual acts of autobiographical self-searching for each of these women. About to become a nun in 1933, Edith Stein embarked on her autobiography as a daughter of a Jewish family. Fleeing France and deportation in 1942, Simone Weil examined her inner struggle with faith and the Church in her "Spiritual Autobiography." Hiding for more than two years in the attic, Anne Frank poignantly confided in her diary about her efforts to become a better person. Having volunteered as a social worker in Westerbork, Etty Hillesum searched her soul for love in the reality of terror. In each case, autobiographical writing becomes an act of defiance that asserts humanity in a dehumanized/dehumanizing world. By focusing on the four women's accomplishments as intellectuals, writers, and thinkers, Brenner's account liberates them from other posthumous treatments that depict them as symbols of altruism, sanctity, and victimization. Her approach also elucidates the particular predicament of Western Jewish intellectuals who trusted the ideals of the Enlightenment and believed in human fellowship. While suffering the terror of physical annihilation decreed by the Final Solution, these Jews had to contend with their exclusion from the world that they considered theirs. On yet another level, this study of four extraordinary life stories contributes to a deeper understanding of the postwar development of ethical, theological, and feminist thought. In showing concern about a world that had ceased to care for them, Stein, Weil, Frank, and Hillesum demonstrated that the meaning of human existence consisted in the responsibility for the other, in the protection of the suffering God, in the primary value of relatedness through empathy. Arguing that their ethical tenets anticipated the thought of such postwar thinkers as Levinas, Fackenheim, Tillich, Arendt, and Nodding, Brenner proposes that the breakup of the humanist tradition of the Enlightenment in the Holocaust engendered the postwar exploration of humanist potential in self-givenness to the other.

Poetry. With a voice as familiar as family, Rachel B. Glaser's second book of poems, HAIRDO, hilariously navigates the daily anxieties and fantasies of the writer's path through her own modern life. Writing through action movies, pornography, chat rooms, photo shoots on train tracks, crushes on teachers, and orchids in grocery stores, the poems in this book present us with emotional souvenirs of a curious and honest life lived. Bursting with Glaser's truly unique heart, her mega-watt wit and insightful eye, HAIRDO is a book you will find yourself reading at 3AM, not able to put it down. "I love every single piece of art that Rachel Glaser makes. If she dug a hole I would want to spend time in that hole, because I know it would be just as strange, delightful, and intriguing as her linguistic and pictorial creations. Hooray for HAIRDO, and long live this incomparable maker." -- Heather Christle "Rachel Glaser has shown me the paradise of this world with her poems. Every man, woman and the rest of us need to see ourselves as one another, as puddles, horses, as imperfect, and that is the paradise. And all of that is especially here in her newest book with a tremendous passion anyone who ever loved poetry must come back to life to read. If poetry is dead like some sad, weepy critics have declared, then Glaser is the resurrection the weepy along with her dedicated poetry citizens have needed " --CAConrad

An exploration of fidelity and identity, Lopate's novel follows the lives of three young New Yorkers caught in a tangled love triangle. Eric, returning to the Big Apple after years on the west coast, becomes infatuated with his best friend, Jack's, girlfriend, Marie. When Marie returns Eric's affections, and Jack discovers the affair, all three adults must confront their identities and choices they've made.

Not yet marketed in the United States. In the UK The Queer Commando has received much from a famous impresario to a serving commando in Iraq. The Marine commando wrote in The Pink "One of the greatest books about Royal Marines. at the time of Suez. just as true of the Marines today." Ned Sherrin endorsed the "Few books evoke tenderly and amusingly the truth and sometimes tragedy of the recognition of sexuality and comradeship in the all male services. Fine and funny .wonderful characters." Sebastian Beaumont reviewed it for Gay ".a heartfelt story told from experience." ECG Hunter, ".it gets better and better. turns into a beautiful and very moving love story. Humour, insight and tragedy, what more can you ask." Ronald Falk ".as a mini-series. .would knock Queer as Folk for six."

"Oren Safdie's GRATITUDE is an unflinchingly dark (and darkly funny) exploration of sexual power-play... [He] is clearly not a playwright to gingerly approach controversial issues... The provocations in the play are very much in line with those of Neil LaBute at his most caustic... You might have some strong post-show words for Safdie. What you won't be able to say is that he doesn't know how to put together a bracingly provocative and ferociously entertaining 75 minutes of theatre." Jim Burke, Montreal Gazette "The 75-minute play begins rather innocently, but dissolves into so much sexual tension and human desperation with a great deal of simplicity and humour. The acting is riveting, and brings out issues that teens handle amongst themselves within the sanctity of a private school with a great deal of force and authenticity." Stuart Nulman, Montreal Times "GRATITUDE offers a topical look at high school lust and longing.... The scenes are well-paced, engaging, funny." Rhiannon Collett, The Globe and Mail "Montreal-born playwright Oren Safdie has hit the proverbial ball out of the court with his new play GRATITUDE. Safdie's play captures youthful stirrings with all their passions and insecurities to devastating effect. GRATITUDE is a brave, provocative story exploring the realities around sex, love, consent, duty, gender roles and rebellion." Mike Cohen, The Suburban

Dive in and discover why octupuses have smart arms and blue blood, which squid always wears pyjamas and why squid scientists love to play with whale vomit. This is the 13th book in this series, aimed at 8-12 year olds.

"Not all things are blest, but the seeds of all things are blest." -- Muriel Rukeyser, "Elegy in Joy" First published by New Directions in 1949, Muriel Rukeyser's Elegies were written over a seven years period the end of the Spanish Civil War, World War II, Hiroshima and Nagasaki, and the beginnings of the Cold War. Both and homage to Rilke's Duino Elegies and a spiritual reckoning that is particularly resonant today, these poems present no angelic orders, only the difficulties of living in the modern world, the depths of shipwreck, and "Love that gives us ourselves, in the world known to all."

Deuteronomy 1-11 is here presented in a groundbreaking new translation, with a comprehensive introduction and thorough commentary by world-renowned Israeli biblical scholar Moshe Weinfeld. The second law, Deuteronomy portrays Moses as the founder and great lawgiver of Israel. In a series of addresses, Moses reviews his life and the life of God's people. He reminds them of the guiding hand of God, which has brought them thus far along the way, and will bring their Exodus and Wanderings to a triumphal conclusion in the Holy Land. Through a beautiful translation and insightful comments in this first of two volumes on Deuteronomy, Weinfeld reinvigorates the basic laws of society with their life-giving power: the Shema (Hear O Israel, the Lord is our God, the Lord is One) and the Great Commandment (You shall love the Lord your God with all your heart, and with all your soul, and with all your might). These laws govern Israelite religious and communal life under God's guidance.

In September 1940, Walter Benjamin committed suicide in Port Bou on the Spanish-French border when it appeared that he and his travelling partners would be denied passage into Spain in their attempt to escape the Nazis. In 2002, one of anthropology’s—and indeed today’s—most distinctive writers, Michael Taussig, visited Benjamin’s grave in Port Bou. The result is “Walter Benjamin’s Grave,” a moving essay about the cemetery, eyewitness accounts of Benjamin’s border travails, and the circumstances of his demise. It is the most recent of eight revelatory essays collected in this volume of the same name. “Looking over these essays written over the past decade,” writes Taussig, “I think what they share is a love of muted and defective storytelling as a form of analysis. Strange love indeed; love of the wound, love of the last gasp.” Although thematically these essays run the gamut—covering the monument and graveyard at Port Bou, discussions of peasant poetry in Colombia, a pact with the devil, the peculiarities of a shaman’s body, transgression, the disappearance of the sea, New York City cops, and the relationship between flowers and violence—each shares Taussig’s highly individual brand of storytelling, one that depends on a deep appreciation of objects and things as a way to retrieve even deeper philosophical and anthropological meanings. Whether he finds himself in Australia, Colombia, Manhattan, or Spain, in the midst of a book or a beach, whether talking to friends or staring at a monument, Taussig makes clear through these marvelous essays that materialist knowledge offers a crucial alternative to the increasingly abstract, globalized, homogenized, and digitized world we inhabit. Pursuing an adventure that is part ethnography, part autobiography, and part cultural criticism refracted through the object that is Walter Benjamin’s grave, Taussig, with this collection, provides his own literary memorial to the twentieth century’s greatest cultural critic.

"Winner of the 2021 Philip Levine Prize for Poetry - "You have to touch the fire of letters," writes Maya Pindyck in a startling collection of poems where we are forced to not look away from the war of language and its gouged field of bodies, blood, blossoms, and ideas. Here is the memory of a self and her home, bleakly dissonant as a war-stained country ... Impossible Belonging is defiant, immediate. Beyond geographies of war, love, and words, Pindyck commands the past, present, and future: "Remember our country/banning the book noting/our refusal to see./Remember this compass/mapping our last past"--

Beau, a pianist expat living in London, meets Rufus, an eccentric young lawyer, at the dawn of the internet dating revolution. After a life spent recovering from the disappointment and hurt of loving men in a world that refused to allow it, Beau is determined to keep his expectations low with Rufus. But Rufus comes from a new generation of gay men who believe happiness is as much their right as anyone else's, and what Beau assumed would be just another fling grows into one of the most surprising and defining relationships of his life. A remarkably moving, brilliantly funny love story, Gently Down the Stream is the latest play from acclaimed playwright Martin Sherman. The play reflects the triumphs and heartbreaks of the entire length of the gay rights movement, celebrating and mourning the ghosts of the men and women who led the way for equality, marriage and the right to dream. It received its world premiere at the Public Theatre, New York, on 14 March 2017 in a production starring Tony-award winner Harvey Fierstein.

This is a new, revealing book about the psychological life of a well-known French-born American potter named Marguerite Wildenhain, who was one of the first students at the Weimar Bauhaus. One of the major reasons for the book's significance is that virtually everything in it has not been previously published. As the Nazis came to power, Wildenhain (a French citizen, of Jewish ancestry) was forced to move from Germany to Holland and then, in 1940, to the U.S., but her husband (a German citizen) was denied a visa. As a result, the Wildenhains were physically separated for seven years, and, during the first months of that period, had no contact of any kind. So Marguerite did not know her husband's whereabouts, nor even if he had survived (as it turned out, he had been forced to join the German Army). During part of that time (especially as she traveled slowly across the U.S., en route to California), she made drawings and letter-like entries to Franz in a diary of sorts. This book is the first publication of those pages, with her text translated into English. Throughout, her words are supplemented by wonderfully rich illustrations (vintage drawings and photographs, examples of her pottery, specimens from their rock collection, and a suite of commemorative woodblock prints by Luther's David Kamm). A conspicuous highlight is a stunning sepia photograph of a beautiful and exquisitely dressed Marguerite in 1929. The richness of her diary is largely because of her candor in describing what and who she meets. Artists, designers, art historians, women's studies scholars, and historians in general will find this book of value. In addition, any readers who have been in love, or married to someone from whom they've become separated, for whatever reason, should find themselves drawn into the painful details of the text.

Just in time for Valentine's Day comes a confection from David Levithan that is sure to have fans of "Boy Meets Boy "eager to devour it. Here are 18 stories, all about love, all kinds of love. From the aching for the one you pine for, to standing up and speaking up for the one you love, to pure joy and happiness, these love stories run the gamut of that emotion that at some point has turned every one of us inside out and upside down. What is love? With this original story collection, David Levithan proves that love is a many splendored thing, a varied, complicated, addictive, wonderful thing. "From the Trade Paperback edition."

(Richmond Music Folios). 11 vocal selections from the musical featuring music by Ogen Nash and Kurt Weill. Includes: How Much I Love You * Speak Low * The Trouble with Women * Wooden Wedding * and more.

When Ellen, a young hospital librarian, befriends Ben, a 69-year-old fitness instructor, their relationship blossoms. Soon, Ben moves in, along with gossip, speculation, and disapproval from both their families. And when a terrible accident and suspicious death rock their lives, Ellen and Ben's love must overcome the toughest test of all.

Kathi Kamen Goldmark's first novel, And My Shoes Keep Walking Back to You, earned praise from an assortment of well-known authors including Amy Tan, Maya Angelou, Scott Turow, Judy Collins, Rita Mae Brown, Carl Hiaasen, and Roddy Doyle; and received positive reviews in O, the Oprah Magazine, the Miami Herald, the San Francisco Chronicle, and other publications. Completed shortly before her untimely death from breast cancer, Goldmark's Her Wild Oats is a honky-tonk road story about two unlikely pals: A smart young woman, Arizona Rosenblatt, leaves home and her role as assistant to a high-powered Hollywood executive when she discovers her husband is having an affair with a woman from Jews for Jesus; and thirteen-year-old Otis Ray "Wild Oats" Pixlie, boy genius harmonica player. In the end, Otis Ray learns what it means to be an adult, Arizona discovers the life she wants, and they both figure out the true meaning of love and family.

Kat Roth and Mark Denham have plenty in common - they're CEOs of rival Seattle-area candy companies, they're both in feverish pursuit of number one status in the nation and they were both once married . . . to each other. Their brief venture into matrimony, an explosive mix of hot passion and all-out war, has made Kat and Mark wary of love and leery of the sparks between them. Push comes to shove when they finally give in to the heat. After several days of back-to-back lovemaking bouts, Kat convinces herself she's found the perfect solution to the seemingly bottomless pit of lust she feels for her ex - a passionate sex-only affair, avoiding all the messy complications of love. Then the night of the chocolate tasting, Kat experiences the ultimate betrayal . . . the two of them are locked up in her office by close friends who refuse to let them out until they resolve their differences. In a firefight of love and passion, Kat finally confesses her fears of failing at love. Mark admits his own fear that he doesn't know what real love is. They both realize that their verbal fireworks really drive them closer together. They agree to remarry, joining together physically and fiscally, in chocolate and in love.

One of the most complex periods in American history is illuminated by the love stories of three couples and their fights for freedom from slavery.