In this national bestseller Robert Mane attacks the right-wing campaign against the Bringing them home report that revealed how thousands of Aborigines had been taken from their parents. What was the role of Paddy McGuinness as editor of Quadrant ? How reliable was the evidence that led newspaper columnists from Piers Akerman in the Sydney Daily Telegraph to Andrew Bolt in the Melbourne Herald Sun to deny the gravity of the injustice done? In a powerful indictment of past government policies towards the Aborigines, Robert Manne has written a brilliant polemical essay which doubles as a succinct history of how Aborigines were mistreated and an exposure of the ignorance of those who want to deny that history. 'In Denial is not a book of history. It is a political intervention. By holding an influential section of the Right to account-Manne was exercising the kind of responsibility often demanded of public intellectuals.' -Raimond Gaita 'In complex intellectual conflicts, there will always be argument about whether the antagonists are committed to finding the truth or to winning the battle. This essay tells us that Robert Manne is intent on finding the truth.' -Morag Fraser ' In Denial is a work of both the head and the heart. It is carefully researched and powerfully expressed. It needs to be widely read.' -The Hon. P.J Keating 6 April 2001 'Robert Manne has made an important contribution to the continuing debate and in doing so has helped launch a new and important venture.' -Henry Reynolds

In the highly charged atmosphere of the Cold War, the 1954 defection of Soviet diplomats Vladimir and Evdokia Petrov detonated under Australian politics like a nuclear explosion. From the moment the famous photo of Soviet thugs manhandling Evdokia Petrova across the Mascot tarmac hit the newstands, the case was a popular sensation. By the time ALP leader Doc Evatt had initiated his spectacular political self-destruction before the subsequent royal commission and triggered the events that led to the ALP's electoral obliteration in the 1950s and '60s, its place in history was assured.

"In 2010, Robert Menasse journeyed to Brussels to begin work on a novel centered on the European Union. His extended stay resulted in a completely different book - Enraged Citizens, European Peace and Democratic Deficits, a work of nonfiction examining the history of the European project and the evolving politics of nation-states. Spanning from the beginning of the transnational idea with 1951's Montanunion - the European Coal and Steel Community - to the current financial crisis, Menasse focuses on the institutional structures and forces both advancing and obstructing the European project. Given the internal tensions among the European Commission, Parliament, and Council, Menasse argues that current problems that are frequently misunderstood as resulting from the financial crisis are, in fact, political. Along the way, he makes the bold claim that either the Europe of nation-states will perish - or the project of transcending the nation-states will ... [this work] analyzes the financial and bureaucratic structures of the European Union and sheds light on the state of the debt crisis. Menasse unravels the real state of the Union, along the way weaving a tale of one continent's efforts to become a truly postnational democracy."--Provided by publisher.

Once more from the beginning

Book by Wolff, Robert Paul

Wolff (philosophy, U. Mass.) first published the book reprinted here in 1969 with Beacon Press. Annotation c. by Book News, Inc., Portland, Or.

"Framed by two letters to his father (who died in early 2016), WTF? is Robert Peston's highly personal account of what those who have ruled us for years got so badly wrong, and what we need to do to mend the terrible fractures in our society. With characteristic passion and clarity he looks at what must happen to prevent democracy being subverted by technocratic geniuses with the ability to manipulate social media, how and whether it is possible to make a success of leaving the EU, what the lessons should be of the appalling Grenfell Tower tragedy, whether robots can be stopped from taking our work, what can be done to staunch the widening gap between rich and poor, and how to raise living standards for all."--Publisher's website.

From An Explanation of America : LAIR Robert Pinsky ? Inexhaustible, delicate, as if Without source or medium, daylight Undoes the mind; the infinite, Empty actual is too bright, Scattering to where the road Whispers, through a mile of woods ... Later, how quiet the house is: Dusk-like and refined, The sweet Phoebe-note Piercing from the trees; The calm globe of the morning, Things to read or to write Ranged on a table; the brain A dark, stubborn current that breathes Blood, a deaf wadding, The hands feeding it paper And sensations of wood or metal On its own terms. Trying to read I persist a while, finish the recognition By my breath of a dead giant's breath-- Stayed by the space of a rhythm, Witnessing the blue gulf of the air.

A nominee for the National Book Critics Circle Award for criticism, this volume of essays and reviews examines how poets connect with the outer world. Pinsky admires William Carlos Williams who covered the daily life of working-class America even as he experimented with new ideas and techniques and criticized American culture. He discusses the social presence in Marianne Moore's poems, which make them a profound moral force, and Philip Larkin, who too often affects the persona of a cheerfully philistine reactionary. Other poets covered include Philip Frenean, George Oppen, Walt Whitman, T.S. Eliot, and Edward Arlington Robinson. ISBN 0-88001-216-1: $19.95.

Broadway, the main street that runs through Robert Pinsky’s home town of Long Branch, New Jersey, was once like thousands of other main streets in small towns across the country. But for Pinsky, one of America’s most admired poets and its former Poet Laureate, this Broadway is the point of departure for a lively journey through the small towns of the American imagination. Thousands of Broadways explores the dreams and nightmares of such small towns—their welcoming yet suffocating, warm yet prejudicial character during their heyday, from the early nineteenth century through World War II. The citizens of quintessential small towns know one another extensively and even intimately, but fail to recognize the geniuses and criminal minds in their midst. Bringing the works of such figures as Mark Twain, William Faulkner, Alfred Hitchcock, Thornton Wilder, Willa Cather, and Preston Sturges to bear on this paradox, as well as reflections on his own time growing up in a small town, Pinsky explores how such imperfect knowledge shields communities from the anonymity and alienation of modern life. Along the way, he also considers how small towns can be small minded—in some cases viciously judgmental and oppressively provincial. Ultimately, Pinsky examines the uneasy regard that creative talents like him often have toward the small towns that either nurtured or thwarted their artistic impulses. Of living in a small town, Sherwood Anderson once wrote that "the sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people." Passionate, lyrical, and intensely moving, Thousands of Broadways is a rich exploration of this crucial theme in American literature by one of its most distinguished figures.

Rocco Fumento and Tony Williams present the final version of Robert Rossen's screenplay for Jack London's The Sea Wolf. Released in 1941, this classic film was directed by Michael Curtiz and starred Edward G. Robinson as Wolf Larsen, John Garfield as George Leach, Ida Lupino as fugitive Ruth Webster, Alexander Knox as writer Humphrey Van Weyden, and Howard da Silva as Harrison. Both the novel and the film feature a hard-luck assemblage condemned either by savage coercion or pure evil fortune to sail aboard the Ghost, a seal-harvesting vessel commanded by a power-mad tyrant -- the aptly named Wolf Larsen. The film, however, necessarily differs from the novel. Discussing the process of turning literature into film, Fumento and Williams analyze in detail the differences between London's Sea Wolf and Rossen's screenplay. One major change is the transformation of the barbarous Wolf Larsen from London's victimizer/victim of capitalistic society into Rossen's thinly disguised European dictator. And because of the star power of Garfield as well as popular taste that demanded a working-class hero, Rossen elevated minor character George Leach into a major player, demoting the aristocratic writer Humphrey Van Weyden to a lesser role. In one important respect, however, Rossen remained true to London: while shifting London's social indictment from amoral capitalism to the dictatorships of Europe, Rossen's script still condemns selfish and brutal individualism. Re-creating the world into which the movie emerged, each editor provides a separate introduction. Fumento analyzes the role of Warner Brothers in determining relevant production and allegorical features of the final film version.Williams describes London's reasons for writing the original novel in 1903, its appeal for the cinema, the different film versions -- at least eight -- that have appeared, and the social and historical context influencing Rossen's screenplay.

Prior to the 1930s the highlands of Guatemala were largely undescribed, except in travelogues. Just two decades later, the highlands had become one of the most anthropologically well-investigated areas of the world. This is largely due to the research that Robert Redfield and Sol Tax carried out between 1934 and 1941. Separately and together, Redfield and Tax anticipated and guided anthropological investigations of people living in peasant and urban communities in other areas of the world. Their work helped to define the major outlines of research in the 1970s, and since then much writing about the region has been formulated in critical response to the Redfield-Tax program. Not coincidentally, since the mid-1970s anthropology has been caught up in a wave of self-doubt about the status of fieldwork and the authority of ethnographic description. This critical stance has often cast ethnography as a creative, literary enterprise. This volume presents a timely view of the process of ethnography as carried out by two of its early practitioners. Containing a wealth of ethnographic detail, the book reveals how Redfield and Tax developed and tested ethnological hypotheses, and it allows us to follow the development of their major theoretical statements. The result is an exceptionally clear picture of the process of ethnography. Redfield and Tax emerge as rigorous and sensitive observers of social life whose observations bear importantly on contemporary understandings of the ethnology of Guatemala and the enterprise of anthropology. This book will be of interest to students of method and theory in ethnography, Latin Americanists, and other professionals interested in the history of idea.

Authority work is broken down to its most basic components so that you can trace and follow the preparation of a complete authority record. Helpful illustrations identify the key characteristics of good authority records, common acronyms are defined, and cross-references throughout reinforce material.

Reflects on critical moments in the life of the nation, the theater and society in the decade of the seventies. Analyzes the impact of Watergate, commercial television, Hollywood, the economic crunch, and the political system on the lives of citizens and artists in present-day America. Robert Brustein is art director of the American Repertory Theatre and director of the Loeb Drama Center at Harvard.

The Face Lift is a story of a date rape case in an Ivy League university that has a shattering effect on all that are touched by it. Emily Edelman, the daughter of an actress and a cosmetic surgeon, attends a closing night party of a play with a former cast member, George Eagleton. At the end of the evening, very drunk, she falls asleep, and George has sex with her. She claims to have been raped. George claims the sex was consensual. Because of a university rule that inebriated women cannot give consent, George is expelled from the university, and is later indicted as a sex offender. The incident leaves a lot of ruined lives in its wake.