First published in 1973 – and followed by Volume II in 1976 and Volume III in 1980 – this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations. Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno. Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert. Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.

Virtually a blueprint for President Clinton's strategy on domestic policy issues, this book--already sold through three printings--offers a solution to what may be the country's greatest problem--the fracturing of society along lines of wealth and race.

Join beloved Bible teacher Margaret Feinberg as you learn how to move from simply reading Scripture to entering stories that can be touched, tasted, smelled, and savored. The Bible is full of clever plots and compelling stories, laced with historic insights and literary beauty. But despite its richness and depth, many of us struggle to close the gap between the ancient world and our own. What does it mean to know that Jesus is the Good Shepherd when the only place you've encountered sheep is at a petting zoo How can you understand the promise of a land overflowing with honey when you buy yours in a bear-shaped bottle Can you truly grasp the urgency of Jesus' invitation to abide in the vine when you shop for grapes at a local grocery store In Scouting the Divine, Margaret invites you to accompany her on the adventure of a lifetime across the nation to herd sheep in Oregon, harvest fields with a Nebraska farmer, prune vines in California, and explore hives with a veteran beekeeper in Colorado. Along the way, you'll explore how ancient livelihoods illuminate meaningful truths that apply to life today. With Margaret's trademark humor and vulnerability, you'll: Learn the secret of how to live like you have a shepherd Unlock the sweetest promises of God Discover the gift of divine timing Scouting the Divine will revolutionize the way you understand the Bible--and leave you wonderstruck by the magnificence of God.

We've all sung it a thousand times, and most of us know at least the first verse by heart. "America the Beautiful" has been called a hymn, a prayer, even the "national heartbeat set to music." Numerous proposals and half a dozen bills in Congress have tried to replace our national anthem, "The Star-Spangled Banner," with this more lyrical, less militaristic song. But who knows the story behind the song? In America the Beautiful, Lynn Sherr tells the story of Katharine Lee Bates, a poet and pioneering young English professor at the newly established Wellesley College, who penned "America the Beautiful" at age 33, as she gazed over the glorious panorama from the top of Pike's Peak, Colorado. The poem, published two years later on July 4, 1895, struck a chord. Americans embraced it and immediately set it to music, trying out at least 74 different melodies. There were even Mexican, Canadian, and Australian versions. Analyzing the lyrics of "America the Beautiful" and the story of Katharine Lee Bates's unusual life, Lynn Sherr opens a window onto the shifting world of late 19th century America. She explores the lingering impact of the Civil War and the dramatic developments in commerce and technology, which shaped the American Century and the popularity of one brilliant, stirring song.

"Proofs & Theories is a long-awaited first gathering of essays by one of this country's most brilliant poets. Like her poems, the prose of Ms. Gluck, who won the Pulitzer Prize for poetry in 1993 for The Wild Iris, is compressed, fastidious, fierce, alert, and absolutely unconsoled. The force of her thought is apparent everywhere in her writing and whether she is contemplating - skeptically - the critical currency of ideas like "courage" and "sincerity," T.S. Eliot's reduced reputation as a poet of impersonality, the loyalties of the objectivist George Oppen, or the ferocity in the headlong art of Sylvia Plath, there is something exhilarating about her seriousness, spare, austere, mind-clearing, and adamantly alive. She shares her skepticism with a whole temper of post-modern critical thought. But post-modernism, on the whole, has stood aside from what artists have thought was at stake in their art in order to dissect it. Ms. Gluck is also quite expert - wry sometimes, darkly funny even - at dissection but in these essays one never doubts what is at stake: an art as truthful, adamant, and unflinching as the intelligence that she brings to her own. Proofs & Theories is not a casual collection. It is the testament of a major poet"--OCLC

The astonishing stories in Smoke Over Birkenau tell of the women who lived and suffered alongside Liana Millu during her months in the concentration camp.

Never before told stories of the Beatles seven-year rise from teenage dreamers to icons, both the heartbreaks and lucky breaks. From their humble beginnings in Liverpool to the cellars of Hamburg, this includes an eyewitness account of that first meeting between Lennon and McCartney, the inside story of how Ringo replaced Pete Best, a chapter devoted to the brilliant but troubled soul of manager Brian Epstein, the real scoop on their unlucky first visit to Hamburg and the death of Stu Sutcliffe.

" The description for this book, A Culture of Growth: The Origins of the Modern Economy, will be forthcoming. "--

An introduction to Derrida's contribution to literary studies, comprising much of Derrida's work on writers such as Shakespeare, Mallarme, Joyce and Kafka, with an introductory essay on deconstruction.

Many musicians sing about heartache, despair, and confusion, but few have experienced those feelings more intensely than James Taylor, who rose from a childhood of privilege as the son of an affluent medical school dean to become a modern-day troubadour and pop superstar. When he was seventeen years old, his demons led him to a Massachusetts mental institution where he confronted them the only way he knew how, by writing his first songs. Thirty years later, Taylor's songs are among the most popular in the annals of music, but the demons are still with him. But unlike many of his contemporaries who faced a similar struggle, Taylor managed to emerge as an inspirational figure. Fire and Rain traces this remarkable path, including his troubled marriage to pop star Carly Simon and the premature alcoholism-related death of his brother: -- Taylor's ten-month stay in the exclusive private psychiatric institution where he finished high school. -- His self-imposed exile to England, where he submitted some of his music to the Beatles' Apple Records, which signed him to his first record contract in 1968. Paul McCartney mentored Taylor's early career. -- The story behind his second album, Sweet Baby James, which contained the song "Fire and Rain" about the hopelessness of mental illness and suicide. -- As Taylor's fame increased, so did his problems with heroin, alcohol, and mental illness. In the seventies, the singer nearly fell over the edge many times. Ian Halperin has interviewed more than 100 musicians, family members, music industry figures, and others to paint a detailed but ultimately sympathetic portrait of Taylor's incredible life and career -- the first-ever biographyof this pop-music icon.

Gregory Levey’s modest goal is to solve the Middle East conflict—all by himself. After returning to North America following a stint in his midtwenties writing speeches for the Israeli government—first at the United Nations and then for the prime minister in Jerusalem—he thinks he is leaving the madness of the Middle East conflict behind. But nothing could be further from the truth. Levey soon discovers that everyone on this side of the Atlantic seems to think that they have the solution to the intractable conflict—and they all feel the need to tell him about it. Fatigued by the endless debate, the constant hostility, and the cacophony of shrill voices, he decides that the only way he is going to escape it all is if he solves the conflict himself, once and for all. So Levey sets out on a hilarious, quixotic, and surprisingly illuminating quest to broker a peace deal where a long line of world leaders have failed. Interacting with White House officials, DC lobbyists, congressmen, advisors to presidential candidates, high-profile journalists, secretive fundraisers, former Israeli spies now living in North America, and hundreds and hundreds of Jewish grandmothers, Levey tries to understand why the Middle East situation refuses to be resolved, and why so many people who live a world away are so obsessed with it. He combs through theories ranging from the eminently reasonable to the completely insane, engages in virtual peacemaking simulations, investigates an “online suicide bombing,” spends time with a former advisor to Yasser Arafat, undergoes training with a half-baked Jewish paramilitary group, goes undercover as an Evangelical Christian, and somehow ends up at a real-life castle owned by an eccentric, cape-wearing crusader for peace. In How to Make Peace in the Middle East in Six Months or Less Without Leaving Your Apartment, Levey brings his trademark brand of street-smart levity to a situation that many see as hopeless— and thereby reveals the very human and sometimes very silly side of a brutal, decades-old geopolitical conflict. Along the way, he meets a cast of characters that would be outright funny if the situation weren’t so dire. The result is a fast-paced, humorous, and insightful romp through U.S. policymaking in the Middle East.

"This book considers the development of science fiction for children and teens between 1950 and 2010, exploring why it differs from science fiction aimed at adults. In a broader sense, this examination of 400 texts sheds light on changing attitudes toward children and teenagers, toward science education, and toward the authors' expectations and sociological views of their audience"--Provided by publisher.

British author Diana Wynne Jones has been writing speculative fiction for children for more than thirty years. A clear influence on more recent writers such as J. K. Rowling, her humorous and exciting stories of wizard's academies, dragons, and griffins-many published for children but read by all ages-are also complexly structured and thought provoking critiques of the fantasy tradition. This is the first serious study of Jones's work, written by a renowned science fiction critic and historian. In addition to providing an overview of Jones's work, Farah Mendlesohn also examines Jones's important critiques of the fantastic tradition's ideas about childhood and adolescence.

"A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates - through virtuoso readings of works by Henry James, J.L. Austin, Judith Butler, the psychologist Silvan Tomkins and others - emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring."--Publisher's description

Fifty years of reading Homer—both alone and with students—prepared Eva Brann to bring the Odyssey and the Iliad back to life for today's readers. In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus. Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages." "Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal "Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy "In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas "Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College "For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition "The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer? Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty years. She is a recipient of the National Humanities Medal. Her other books include The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets / Inward Prospects, The Music of the Republic, Un-Willing, and Then and Now (all published by Paul Dry Books).

Esta Entrevista sobre el siglo xxi , a cargo de Antonio Polito, es una reflexión final sobre los años que el gran historiador británico ha vivido y estudiado tanto en Historia del siglo xx como en Años interesantes, y que, de algún modo, cierra el círculo de su análisis del siglo pasado. El profesor Hobsbawm no pretende en este libro predecir lo que ha de ocurrir durante el siglo xxi -que esa es tarea de astrólogos y no de historiadores- sino indicar unas líneas de fuerza que sean útiles para asentar nuestros proyectos y nuestras esperanzas en un sólido conocimiento de la realidad actual. Como ha escrito Josep Fontana en el prólogo, «podría decirse que Entrevista sobre el siglo xxi recapitula el conjunto de las “eras” de Hobsbawm y, muy en especial, la última, y nos enseña a leerlas con una perspectiva de futuro».

Summary: Introduces the leading performers from around the world. This work explores the breadth of the world music experience through the voices of the musicians themselves. It gives a view of the interactions of a globalizing society and introduces readers to some thoughtful artists.