In Soulmates: Resurrecting Eve, Juliana Geran Pilon argues for a return to an egalitarian view of men and women, found in the original Genesis narrative, as reflected through Judaism, Christianity, and Islam. In each of these Abrahamic traditions, it was understood that man and woman were created to be soulmates in God's image—equal despite their different functions within society. Pilon writes that this original message has gradually been distorted, with disastrous effect. Any hope for an ennobling human community begins by resurrecting Eve as an equal partner to Adam. The work examines the Biblical creation narrative, comparing it to Greek and other ancient mythologies. Pilon explains how the disturbing association of woman with sin and death led to Eve's demise as Adam's equal. The final section of the work deals with the Goddess myth, love and marriage in early religious narratives, and modern man's search for his soul no less than for a soulmate. The book, at its core, is a meditation on the relationship between men and women but also among human beings. The resurrection of Eve is indispensable to attaining a true appreciation of love and faith. Pilon uses religious texts, expert commentary, and various works of fiction, poetry, and psychology to make her argument come alive. The work is strengthened by the writing style, alternately poetic and humorous, and a clear and illuminating progression of ideas. Its emphasis on reconciliation and understanding, and its post-feminist outlook will find a receptive audience.

'Count Dracula meets Bonnie Parker. What will they do together? The vampire you'd hate to love, sinister and debonair, sinks those eye teeth into Bonnie's succulent throat.' Is this the beginning of a sadistic relationship or simply an extract from a psychopath's diary? Either way it marks the beginning of a dangerous game that is destined to end in chilling terror and bloody murder.

These psalms grow out of a decades-long fascination with the biblical psalms, particularly the Davidic psalms, which portray the tempestuous, sometimes awful intimacy of the Divine-human relationship. In the lightning-shot Psalm-space where Divine meets human, time shatters, splits, leaps like a river, and so does the soul of the speaker, now hunting God, now hunted, now languishing in despair, now reclining in quiet triumph against the pillars of Heavens. These contemporary psalms attempt to create a corollary to that biblical psalm space, a space narrowed to a single room in which God and the speaker have no choice but to face and struggle toward one another through the whirlwind of pain and love.

Janice Silverman Rebibo is back! A highly-acclaimed Hebrew poet, Rebibo is now smart and entertaining in her native English and, as always, thought-provoking. In My Beautiful Ballooning Heart, her poems crisscross borders, overcome traumas and love without bounds. Rebibo walks the poetry/prose fence with humor and insight, and at long last in English.

"American readers who want to see rejuvenated form in untroubled action, giving brisk shape to contemporary and classical events, will find it in Lasdun." —Helen Vendler With this, his second collection of poetry, James Lasdun consolidates his reputation as a writer of rich, emotionally charged poems of utter virtuosity. The poems in this book concern themselves with transformations, dislocations, and metamorphoses. Vividly rendered landscapes from Tuscany to New Jersey evolve into meditations on love, myth, and sexual and social politics. Woman Police Officer in Elevator is a rigorous and compelling mix of the classical and the cosmopolitan.

The beautiful orphan, Albertine, is trapped in her lover's Paris apartment. She longs for his wealth and status, and hopes he will make her safe. Sickly and pampered, he is lured by her verve, the ease of her body, the pleasures he suspects are lurking in her past. Gradually, as they circle each other, their love starts to suffocate them both.

As Cosmopolitan 's professional agony aunt for the last forty years, Irma Kurtz has had to deal with the most intimate problems of successive generations of readers, while having to keep up with the changing mores and attitudes in British and American society. In these memoirs, she looks back on the seismic transformations that have taken place over the last four decades, as well as her own hectic and often difficult life as a single mother from America living in London. Warm, funny, and perceptive, brimming with wisdom and insight, My Life in Agony is a meditation on the subjects that tend to concern and confuse us the most--from mother-daughter relationships to eating disorders, office politics, and those perennial areas of interest: love and sex.

Ilan Stavans has been a lightning rod for cultural discussion and criticism his entire career. In A Critic's Journey , he takes on his own Jewish and Hispanic upbringing with an autobiographical focus and his typical flair with words, exploring the relationship between the two cultures from his own and also from others' experiences. Stavans has been hailed as a voice for Latino culture thanks to his Hispanic upbringing, but as a Jew and a Caucasian, he's also an outsider to that culture---something that's sharpened his perspective (and some of his critics' swords). In this book of essays, he looks at the creative process from that point of view, exploring everything from the translation of Don Quixote to the Hispanic anti-Semitism and the Holocaust in Latin America. Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture and Five College Fortieth Anniversary Professor at Amherst College. A native of Mexico, he received his doctorate in Latin American Literature from Columbia University. Stavans's books include The Hispanic Condition, On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, Love & Language (with Verónica Albin), Resurrecting Hebrew , and Mr. Spic Goes to Washington , and he has edited books including The Oxford Book of Jewish Stories and the upcoming Norton Anthology of Latino Literature . His story "Morirse está en Hebreo" was made into the award-winning movie My Mexican Shivah . Stavans has received numerous awards, among them a Guggenheim Fellowship, the National Jewish Book Award, an Emmy nomination, the Latino Book Award, Chile's Presidential Medal, the Rubén Darío Distinction, and the Cátedra Roberto Bolaño. His work has been translated into a dozen languages.

Ilan Stavans has been a lightning rod for cultural discussion and criticism his entire career. In A Critic's Journey , he takes on his own Jewish and Hispanic upbringing with an autobiographical focus and his typical flair with words, exploring the relationship between the two cultures from his own and also from others' experiences. Stavans has been hailed as a voice for Latino culture thanks to his Hispanic upbringing, but as a Jew and a Caucasian, he's also an outsider to that culture---something that's sharpened his perspective (and some of his critics' swords). In this book of essays, he looks at the creative process from that point of view, exploring everything from the translation of Don Quixote to the Hispanic anti-Semitism and the Holocaust in Latin America. Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture and Five College Fortieth Anniversary Professor at Amherst College. A native of Mexico, he received his doctorate in Latin American Literature from Columbia University. Stavans's books include The Hispanic Condition, On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, Love & Language (with Verónica Albin), Resurrecting Hebrew , and Mr. Spic Goes to Washington , and he has edited books including The Oxford Book of Jewish Stories and the upcoming Norton Anthology of Latino Literature . His story "Morirse está en Hebreo" was made into the award-winning movie My Mexican Shivah . Stavans has received numerous awards, among them a Guggenheim Fellowship, the National Jewish Book Award, an Emmy nomination, the Latino Book Award, Chile's Presidential Medal, the Rubén Darío Distinction, and the Cátedra Roberto Bolaño. His work has been translated into a dozen languages.

"For the first fifty pages you'll swear that Harrison has been rummaging in an old trunk. Here's that tired old theme...the lost community of Aztecs who have been cut off in a hidden valley by a landslide centuries ago. Presently they will discover the outside world--our world. The stalwart Aztec maverick may even fall in love with a beautiful white explorer... Of course, any reader of Analog Magazine should know harry Harrison better than that. There are rumblings, even in the first chapters. The Aztecs are blond--that old Fair God bit again. Someone is feeding the vultures meat from an unspecified source. And surely we're not supposed to accept a snake-headed goddess? Trust Uncle Harry. On page 55, young Chimal follows the goddess through a secret door in the cliffs, with his whole tribe hunting him, & the story turns inside out."--P. Schuyler Miller

"Gillian Freeman is among the finest contemporary novelists." - Brigid Brophy, New Statesman "It is altogether an astonishing novel for a young woman to have written. The story describes, convincingly and touchingly, the brief, sensual affair ... between a sailor on leave and a young schoolteacher ... their frank sexual attraction for each other is given a warm and compelling context ... a novel that has the ring of truth." - Times Literary Supplement "This novel is successful in an honest and unpretentious way." - The Guardian When Freda Mackenzie, an eminently respectable young schoolteacher with a stockbroker father and a background of tennis, riding and university, meets Derek Smith, a big blond sailor from the East End of London, she tells herself that she sees him only as a challenge, that she simply enjoys watching his reactions as she introduces him to good food, good films, good music. But their friendship develops into something more: Derek awakens in Freda a latent sensuality, a passionate joy in the act of love she has never before experienced or even imagined. As their affair becomes more intense, Freda and Derek find themselves torn between their feelings for each other and their very different social backgrounds-and they have only three short weeks in which to make their choice . . . Critically acclaimed on its initial publication and later recognized by critic Mary Cadogan as "considerably in advance of its time", Gillian Freeman's first novel, The Liberty Man (1955), returns to print for the first time in almost 40 years. This edition features a new introduction by Edward Thorpe and a reproduction of the original jacket art.

"Uncle Aron's compliments, which hadn't changed since the days of the Bible, didn't sound so great. One time, he told my mother that she was 'awesome like an army with flags.' Another time, he informed her that 'your nose is like the tower of Lebanon." Meet the village it took to raise Gil Hovav - colorful aunts and uncles hailing from one of the most respected lineages in the Jewish world (Hovav is the great-grandson of Eliezer Ben-Yehuda, the reviver of the Hebrew language). This book includes twenty-two funny and heart-warming stories awash with love and longing for the people who raised one skinny and cross-eyed Jerusalemite boy to love poor-man's food, to love proper Hebrew and, most importantly, to love people. The nostalgic writing is dished up with more than twenty delicious family recipes with the seal of approval from Gil Hovav, the man who has played a major role in the remaking of Israeli cuisine and the transformation of Israel from a country of basic traditional foods into a "gourmet nation". Readers get to chuckle at Hovav's amusing recollections and salivate over his family recipes for sweet sour chorba tomato soup and his Aunt Levana's eggplant and feta bourekas. If you've ever wondered how to make hilbeh or slow-cooked eggs (or if you're simply itching to expand your culinary repertoire), this book is for you. As wholesome and warming as a homecooked meal, Candies from Heaven will appeal to anyone who treasures good food and relationships built on love. Dig in, dear readers, pleasure is served.

Venture into this alarmingly convincing world, meet the horse whose stubbornness changed history, or the man damned to everlasting love, or the murderer who confessed... and confessed... and confessed. Learn, too the secret of the Mona Lisa's smile, or what really happened to Ambrose Bierce. And ponder, if you can, the case of Simple Simon, who lost the only important thing he had--and never even missed it. Lean back, relax, take a long look at the world of Kersh. You may never recover.

When we talk about education today, we tend to avoid the rhetoric of "mastery," with its erotic and inegalitarian overtones. But the charged personal encounter between master and disciple is precisely what interests George Steiner in this book, a sustained reflection on the infinitely complex and subtle interplay of power, trust, and passions in the most profound sorts of pedagogy. Based on Steiner's Norton Lectures on the art and lore of teaching, Lessons of the Masters evokes a host of exemplary figures, including Socrates and Plato, Jesus and his disciples, Virgil and Dante, Heloise and Abelard, Tycho Brahe and Johann Kepler, the Baal Shem Tov, Confucian and Buddhist sages, Edmund Husserl and Martin Heidegger, Nadia Boulanger, and Knute Rockne. Pivotal in the unfolding of Western culture are Socrates and Jesus, charismatic masters who left no written teachings, founded no schools. In the efforts of their disciples, in the passion narratives inspired by their deaths, Steiner sees the beginnings of the inward vocabulary, the encoded recognitions of much of our moral, philosophical, and theological idiom. He goes on to consider a diverse array of traditions and disciplines, recurring throughout to three underlying themes: the master's power to exploit his student's dependence and vulnerability; the complementary threat of subversion and betrayal of the mentor by his pupil; and the reciprocal exchange of trust and love, of learning and instruction between master and disciple. Forcefully written, passionately argued, Lessons of the Masters is itself a masterly testament to the high vocation and perilous risks undertaken by true teacher and learner alike.

Eli Silver is a pediatrician in Upstate New York who has accidentally let his only child die. The Sorensons are a childless couple who move from house to house, rebuilding old structures in an effort to rebuild their lives. Elizabeth Bean is a working woman-- unmarried, pregnant, and determined to bear her child. The lives of these people intersect, and eventually interlock, through circumstances that involve both the vagaries of bodily functions and emotional extremes, and the love of parents for children and of men and women for each other.

Frederick Busch has an enduring love affair with great books and with the difficult, and sometimes personally dangerous, work that is required to produce them. For Busch, as he writes of his own career and those of his great elders, there was to be no other recourse save the dangerous profession. Writing out of an experience of risk that is suffused with affection, Busch explores the life a writer leads and its effect on a writer, whether he be Melville, Dickens, or Hemingway.

Felicity Kendal began writing these richly entertaining and deeply honest memoirs at her father's bedside as he lay in a coma. As she moves hauntingly between the present and the past, Felicity Kendal recaptures her magical childhood in India, her complex relationship with her father and the rest of the family, her love affairs and the acting career that led to her being recognised as one of the outstanding actresses of her generation. 'A remarkable first book about acting, travelling, exile, loving and losing; a book about families and, above all, a book about fathers and daughters.' Angela Lambert, Good Housekeeping

'I am absolutely terrified of losing a job I absolutely hate.' Stephen Maserov has problems. A onetime teacher, married to fellow teacher Eleanor, he has retrained and is now a second-year lawyer working at mega-firm Freely Savage Carter Blanche. Despite toiling around the clock to make budget, he's in imminent danger of being downsized. And to make things worse, Eleanor, sick of single-parenting their two young children thanks to Stephen's relentless work schedule, has asked him to move out. To keep the job he hates, pay the mortgage and salvage his marriage, he will have to do something strikingly daring, something he never thought himself capable of. But if he's not careful, it might be the last job he ever has... Warm, dramatic, and at times laugh-out-loud funny, with the narrative pull of a thriller, Maybe the Horse Will Talk is a love story, a reflection on contemporary marriage, and on friendship. It is also an unflinching examination of sexual harassment in the workplace and an expose of corporate corruption that taps directly into the pulse of our times. 'Australia's outstanding social novelist' ( Times Literary Supplement ), Elliot Perlman '. . . has many things working in his favor as a novelist- curiosity, erudition, daring and a gift for seducing readers into going along with him for the ride. He'll get you where you want to go . . .' ( Washington Post )

The hero is a physicist who has been working on a military project and is brought up sharp with the pronouncement that he has acute leukemia and has only six months to live. The realization affects his relationship with his children and relatives, with the young woman who has fallen in love with him after his wife's death, and most importantly with his profession. Finally he decides to devote his remaining days to work with his son, who is a geneticist, in a world-wide effort to abolish further experiments in atomic weapons.

I was winning when I met your gaze . . . So begins the confession of Gwendolen Harleth: dazzling beauty, wilful vivant and gambler of hearts: who bet her strength against her cruel husband, staked it all on the love of Daniel Deronda, and played her way back to a winning hand. With the profound insight of her acclaimed biographies, Diana Souhami fashions a real life for this most mercurial and magnetic of literary heroines, plotting Gwendolen's course in step with the drama of the age as a pioneer of women's aspirations in our own.