As he's chauffeured about in his official limousine, aging City commissioner of Streets Bobbo Druff comes to a frightening realization: he's lost force, the world has started to condescend to him. His once fear-inspiring figure has become everyone's "little old lady." In retaliation, Druff constructs a paranoid plot, his "MacGuffin" within which)he believes) everyone is out to get him. with unabashed enthusiasm Druff starts an illicit affair (in order to incriminate himself), instigates fights with his employees, invents lies for his family- in short, everythingything in his power to create a world in which he is placed safely and firmly at the scandalous center.

"Stanley Fish, the notoriously brash and brilliant English and Law professor, has authored dozens of academic books on subjects ranging from Milton to freedom of speech. In 2011, Fish turned his eye to a more popular subject, the art of writing great sentences. His short, wise book How to Write a Sentence became an instant New York Times Bestseller and continues to be read by students and aspiring writers. Adam Haslet called the book, "deeper and more democratic than The Elements of Style." If great sentences are, in effect, performances at the highest level, Fish acts as a lively sportscaster giving the reader a blow-by-blow. In Winning Arguments, Fish employs this same wit and observational prowess as he guides readers through the "greatest hits" of rhetoric including landmark legal cases, arguments drawn from popular film and TV, and even Fish's own career. The success of books like Jay Heinrich's Thank You For Arguing demonstrate a clear audience for fun, intellectually nourishing books that make you feel just a little bit smarter for having read them. Like How to Write a Sentence, Winning Arguments will become a modern classic"--

"Spanish colonialism, the authors suggest, was the cutting edge of the early global economy. America's silver permitted Spain to graft early capitalistic elements onto its late medieval structures, reinforcing its patromonialism and dynasticism. However, the authors argue, silver gave Spain an illusion of wealth, security, and hegemony, while its system of "managed" transatlantic trade failed to monitor silver flows that were beyond the control of government officials." "Silver, Trade, and War is about men and markets, national rivalries, diplomacy and conflict, and the advancement or stagnation of states."--Jacket

"Spanish colonialism, the authors suggest, was the cutting edge of the early global economy. America's silver permitted Spain to graft early capitalistic elements onto its late medieval structures, reinforcing its patromonialism and dynasticism. However, the authors argue, silver gave Spain an illusion of wealth, security, and hegemony, while its system of "managed" transatlantic trade failed to monitor silver flows that were beyond the control of government officials." "Silver, Trade, and War is about men and markets, national rivalries, diplomacy and conflict, and the advancement or stagnation of states."--Jacket

The inspirational story of one man's dream to improve education in America follows the author's incredible journey from the basement tutoring center he started to the international educational test prep company it later became.

He proudly calls himself "the most frequently picketed producer in movie history"--A distinction he richly earned by taking on some of the most controversial subjects of our time. In the process, he directed or produced such classics of the American cinema as Guess Who's Coming to Dinner, High Noon, On the Beach, Judgment at Nuremberg, The Defiant Ones, Champion, Inherit the Wind, Ship of Fools, Death of a Salesman, and The Caine Mutiny.

It is beyond dispute that slavery has always been abhorrent and, wherever it still exists, should be abolished. Where most scholarly writing on slavery in the past has concentrated on examining slaves as victims, recent writings have taken a more nuanced view of slavery in focusing on the slaves themselves and their cultural and psychological accomplishments in captivity. Also, studies of the system's profitability have shown that, from an economic perspective, slavery worked for the slaveholders and their society.In Slavery, Emancipation, and Freedom, the distinguished scholar Stanley Engerman succinctly synthesizes current scholarship and addresses questions that are critical to understanding the nature of slavery: Why did slavery arise, and how, why, where, and when did it legally end? What impact did slavery have on the enslaved? Was the impact lingering or was it reversed by the provision of freedom?Engerman begins his study by discussing slavery from a global perspective. He reminds us of the ubiquity of slavery throughout the world, challenging the stereotype that it was only the American South's "peculiar institution." Using the same broad comparative and temporal approach to discuss emancipation, he shows how emancipation in the southern states, several decades after it began in other parts of the world, both differed from and mirrored abolition around the globe. Slavery, Emancipation, and Freedom is an important confrontation with America's and the world's past and present. Both the breadth and depth of this brief, incisive treatise demonstrate why Engerman is considered one of America's most insightful and respected scholars.

This collection of essays, most previously unpublished, spans the course of Tigerman's career. Included are writings on the history of Chicago architecture, architectural theory, and commentary on contemporaries.

Seventeen distinguished historians and political scientists discuss the phenomenon of Indian Nationalism, one hundred years after the founding of the Congress party. They offer important new interpretations of Nationalism's evolution during more than six decades of crucial change and rapid growth. As India's foremost political institution, the National Congress with its changing fortunes mirrored Indian aspirations, ideals, dreams, and failures during the country's struggle for nationhood. Many difficulties face by the pre-independence Indian National Congress are critically examined for the first time in this volume. Major times of crisis and transition are considered, as well as the tension between mass action and political control and the problem of creating and maintaining unity in the face of divisive social and economic interests and between deeply hostile religious communities. A composite portrait of the Congress Party emerges. We see a coalition of often conflicting communities and interests much like India itself, struggling to stay together, tenuously united by little more at times than a common "enemy," the imperial British Raj. But linked together in precarious, seemingly haphazard fashion, shifting networks of elite political entrepreneurs manage to keep India's National Congress alive long enough to convince the British that it would be easier to "Quit India" than to try to hang on to it by force. With the abrupt transfer of power form the British to the independent Dominions of India and Pakistan in 1947, Congress provided institutional sinews for the administration of what had been British India and over five hundred Princely States. By contributing to a deeper understanding of India's nationalist experience, this volume may illuminate the experience of other Third World states. Essays S. BhattacharyaJudith M. BrownMushirul HansanZoya HasanD.A. LowClaude MarkovitsJohn R. McLaneW.H. Morris-JonesGyanendra PandeyBimal PrasadRajat Kanta RayBarbara N. RamusackPeter D. ReevesHitesranjan SanyalRichard SissonStanley WolpertEleanor Zelliot This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

A book on the cultural and revolutionary florescence of the American Theatre, circa 1963-1973

A powerful, absorbing novel set in contemporary East Berlin focuses on two men hospitalized together, writer Hans Collin and political leader Wilhelm Urack, whose ideologies conflict as antagonistically as their passions for the physicians attending them

"Through this dramatic history by Stefan Heym, we become intimate with the story of the maverick and internationalist Karl Radek, known as the editor of the newspaper of record throughout the Soviet era, Isvestia. Beginning as Lenin's companion at the dawning of the October Revolution, Radek later became Stalin's favorite intellectual - only to find himself entangled in the great purges of the late 1930s and scripting his own trial. In this, his last historical novel, Heym reveals Radek as a brilliant Bolshevik journalist and politician who found himself at every turn of the wheel of fate. A central figure of the communist world, Radek was such a controversial and perennially ambiguous personality that even his historical biography seems a work of fiction. With his thick glasses and most non-Aryan appearance, marked by what some might have seen as distinctively Jewish argumentative skills and humor, Radek's enormous talent as a writer, political acumen, and continuous curiosity carried him through event after event. In the struggles of the revolutionary movement Radek changed sides several times and came into conflict with Stalin, was exiled to Siberia, capitulated and resumed his editorial duties at Isvestia -- only to get caught up in the purge trials and sentenced to prison, where he died. As Heym sculpts credible conversations with Lenin, Luxemburg, Liebknecht, Trotsky, Stalin, and many others (all seen from Radek's perspective) we come to know Radek as a man haunted by the fear that the insurgency will cease to move forward, living his life as a frenzied chase in pursuit of the continuation of the revolution, until the very end. Originally published in Munich in 1995, this first-ever English translation of Radek fashions the inner voice of a unique figure in the global revolutionary wave of the first half of the twentieth century"--

At times in his life, Tom Harris is a dull schoolboy, an apprentice barber, a delinquent husband, an old man with a monkey who drinks at the Green Man Pub, "il professore Harris" at the University of Genoa, and possibly a murderer. But the question of who the elusive Tom Harris really is, and what crimes he has really committed, obsesses the narrator of this novel. Tom Harris can perhaps be described as a sort of philosophical detective story, ingeniously plotted and wittily told with a stylistic virtuosity on par with the most playful works of Raymond Queneau.

Stefan Zweig's The Invisible Collection still manages to strike the reader with its ability to masterfully sketch the contours of collecting obsession. Illustrated by paintings Daumier dedicated to collectors, this second book in the Dédale series is opened by Pedro Corrêa do Lago's preface, which is followed by Guillaume Glorieux's introduction. First published in 1925, Austrian writer Stefan Zweig's short story The Invisible Collection still manages to strike the reader with its ability to masterfully sketch the contours of collecting obsession. Deeply fascinated by the innovations that enriched European thought in the 1920s, first and foremost psychoanalysis, which also echoes among these pages, Zweig constructs a story that, despite being deeply anchored in time and space, is still relevant and full of humanity. In addition to the engravings by Dürer and Rembrandt mentioned in the story, this second book in the Dédale series is illustrated by the paintings that the French painter Honoré Daumier. It is opened by a preface by Brazilian writer Pedro Corrêa do Lago, who shares with Zweig a collecting passion for letters and autograph manuscripts by well-known authors, which is followed by an introduction by Guillaume Glorieux, who focuses on the relationship between collection and wealth, as well as the importance of collecting and the joy of sharing.

A French country estate, and a German port's dive bar provide the backdrops for these two exquisite stories