Documents an eight-month serial murder case in late-1970s Georgia during which an African-American serial rapist and murderer killed seven elderly white women, tracing the subsequent eight-year, racially charged trial process that divided the city and introduced the author to an all-white, members-only club and a related 1912 lynching case.

David Ricardo's On the Principles of Political Economy and Taxation the implications of land rent increases along with population among other things. Ricardo argues for the acceptance of free trade and shows how it's both short and long term advantages. The arguments laid out in this book form the basis of modern trade theory and are, therefore, of interest in today's global economy.

"Written well into mid-life, Songs for a Summons are explorations and observations of a writing life. David Guterson is the author of Snow Falling on Cedars, recipient of the 1995 PEN/Faulkner Award, East of the Mountains, Our Lady of the Forest, The Other, and Ed King. Songs for a Summons is his first poetry book."As is true when David Guterson enriches our lives and literature with memorable stories and essays, he is on these pages a poet acutely, even achingly, aware of the beauty and sometimes absurdity of the natural and unnatural forms that surround us. He is awake to the experience of illusion and impermanence, loneliness and suffering. And always in these well-crafted works, where language performs at its highest level, he is awake to the possibilities of love, gratitude, redemption, and the importance of self-acceptance. With each elegant poem in Songs For A Summons, Guterson liberates our seeing, our senses, and beckons us to live more fully, more authentically, more deeply."-Charles Johnson, author of Middle Passage"--

This account of the historical context for the Hebrew Bible explores the diverse origins of such stories as the creation and the flood in the cultures of the ancient Near East. The authors show the striking parallels in the foundational stories told in the Egyptian, Persian, Greek, and Hebrew cultures of the time.

Few can match Charles Rosen's cultivation and discernment, whether as pianist, music historian, or critic. Here he gives us a performance of literary criticism as high art, a critical conjuring of the Romantic period by way of some of its central texts. "What is the real business of the critic?" Rosen asks of George Bernard Shaw in one of his essays. It is a question he answers throughout this collection as he demonstrates and analyzes various critical approaches. In writing about the Romantic poets Lord Byron, William Wordsworth, William Cowper, and Friedrich Hölderlin, he examines the kind of criticism which attempts to uncover concealed code. He investigates the relationship between Romantic aesthetic theory and artworks, and explores the way Romantic art criticism has been practiced by critics from Friedrich Schlegel to Walter Benjamin. In essays on Honoré de Balzac, Robert Schumann, Gustave Flaubert, and others, he highlights the intersections between Romantic art and music; the artist's separation of life and artistic representations of it; and the significance of the established text. With an apt comparison or a startling juxtaposition, Rosen opens whole worlds of insight, as in his linking of Caspar David Friedrich's landscape painting and Schumann's music, or in his review of the theory and musicology of Heinrich Schenker alongside the work of Roman Jakobson. Throughout this volume we hear the voice of a shrewd aesthetic interpreter, performing the critic's task even as he redefines it in his sparkling fashion.

Culled from a wide variety of contemporary sources--letters, diaries, newspapers, periodicals, pamphlets--this book contains a rich sampling of Civil War storytelling of all types.

This study begins with a brief survey of economic thought on the relationship between foreign trade and national power, from the Mercantilists on. Chapter II attempts a systematic theoretical approach to the subject. It first makes clear the fundamental basis of the possible use of foreign trade as an instrument of national power policy. Using well-known concepts of economic analysis, it proceeds to show under what conditions and by means of what policies this instrument is likely to attain its highest efficiency. The principles of power policy thus deduced theoretically are then compared with the actual practices followed by German trading methods in recent years. Toward the end of this chapter the reader will be carried into a detailed discussion of certain problems of the theory of international trade, which are touched upon earlier in the chapter. Chapter III is applied to the historical background of our problem. It gives a survey of the literature on "economic aggression" before and during World War I and brings out the importance of the Paris Economic Conference of the Allies in 1916 for the Versailles Treaty and postwar economic policies. In Chapter IV we review in the light of our theoretical and historical analyses certain safeguards or remedies which could be or have been proposed to prevent the use of foreign trade as an instrument of national power policies. Certain questions raised in Part 1 can be answered in quantitative terms. Part 2 consists, therefore, of an exposition of various trends of international trade in recent years disclosed by statistical analysis. In Chapter V we calculate an index number expressing the extent to which the trade of the large trading nations is or has been directed by preference toward the smaller trading countries. Chapter VI gives index numbers for the degree of concentration of their foreign trade on one or a few big markets or sources of supply. Finally, in Chapter VII we measure the extent to which world trade has been based primarily on an exchange of manufactures against raw materials and foodstuffs. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1945, with an expanded edition published in 1980.

In the Global Novel, acclaimed literary critic Adam Kirsch explores some of the 21st century's best-known writers--including Orhan Pamuk, Haruki Murakami, Roberto Bolaño, Chimamanda Ngozi Adichie, Mohsin Hamid, Margaret Atwood, Michel Houellebecq, and Elena Ferrante. They are employing a way of imagining the world that sees different places and peoples as intimately connected. From climate change and sex trafficking to religious fundamentalism and genetic engineering, today's novelists use 21st-century subjects to address the perennial concerns of fiction, like morality, society, and love. The global novel is not the bland, deracinated, commercial product that many critics of world literature have accused it of being, but rather finds a way to renew the writer's ancient privilege of examining what it means to be human. -- Back cover.

For thousands of years before the beginning of recorded history -- the legends tell us -- a powerful civilization flourished in the middle of the Atlantic Ocean. This breathtakingly advanced island continent boasted splendid cities, golden temples, crowded seaports from which the far-reaching influence of Atlantis spread to the rest of the world, until its destruction in an overwhelming cataclysm. Now, based on careful study of scientific undersea research, Charles Berlitz proves that Atlantis is not legend but fact -- and unravels a mystery even more startling than the Bermuda Triangle! * What message lies buried with the mighty stone structures deep beneath the Atlantic? * What profound revelations about Atlantis have come to us from beyond the Earth? * Was Atlantis destroyed in an ancient nuclear war? * What great centers of Atlantean culture yet await discovery? With dozens of never-before-seen photographs and over 50 drawings.

Contends that Freud's "Moses and Monotheism" is a psychoanalytic history of the Jews and Judaism - his attempt to define the meaning of Jewishness under the threat of Nazism. Argues that, for Freud, Christianity, antisemitism, and Gentiles overlapped. While Freud felt a sense of otherness vis-a-vis non-Jews, he courted Gentiles professionally in an ultimately unsuccessful attempt to prevent psychoanalysis from being attacked as a "Jewish science." Surveys the antisemitic attitudes of some of Freud's followers. Contends that Freud viewed antisemitism as endemic to Christianity, especially because of its unconscious component.

"The author shares his thoughts about childhood, history, love, war, and his everyday experiences in this collection of recent poetry" -- Amazon.com.

A novel focus on "personal responsibility" has transformed political thought and public policy in America and Europe. Since the 1970s, responsibility--which once meant the moral duty to help and support others--has come to suggest an obligation to be self-sufficient. This narrow conception of responsibility has guided recent reforms of the welfare state, making key entitlements conditional on good behavior. Drawing on intellectual history, political theory, and moral philosophy, Yascha Mounk shows why the Age of Responsibility is pernicious--and how it might be overcome. Mounk shows that today's focus on individual culpability is both wrong and counterproductive: it distracts us from the larger economic forces determining aggregate outcomes, ignores what we owe our fellow citizens regardless of their choices, and blinds us to other key values, such as the desire to live in a society of equals. Recognizing that even society's neediest members seek to exercise genuine agency, Mounk builds a positive conception of responsibility. Instead of punishing individuals for their past choices, he argues, public policy should aim to empower them to take responsibility for themselves--and those around them.--

Long recognized as a masterpiece of modern American poetry, William Carlos Williams' Paterson is one man's testament and vision, "a humanist manifesto enacted in five books, a grammar to help us to live" (Denis Donoghue). Paterson is both a place - the New Jersey city near which Williams lived - and a man: the symbolic figure in whom the person (the poet's own life) and the public (the history of the region) are combined. Originally four books (published individually between 1946 and 1951), the structure of Paterson (in Dr. Williams' words) "follows the course of the Passaic River, whose life seemed more and more to resemble my own: the river above the Falls, the catastrophe of the Falls itself, the river below the Falls and the entrance at the end into the great sea." Book Five, published in 1958, when the poet was seventy-five, affirms the triumphant life of the imagination, in spite of age and death. This edition has been completely re-edited by noted Williams scholar Christopher MacGowan of the College of William and Mary and, in addition to presenting the most authoritative text possible, contains invaluable notes identifying Williams' sources and references.

Those who analyze public opinion have long contended that the average citizen is incapable of recounting consistently even the most rudimentary facts about current politics; that the little the average person does know is taken at face value from the media reports, and that the consequence is a polity that is ill-prepared for democratic governance. Yet social movements, comprised by and large of average citizens who have become exercised about particular issues, have been a prominent feature of the American political scene throughout American history and they are experiencing a resurgence in recent years. William Gamson asks the question, how is it that so many people become active in movements if people are so generally uninterested and badly informed about issues? The conclusion he reaches in this book is a striking refutation of the common wisdom about the public's ability to reason about politics. Rather than relying on survey data, as so many studies of public opinion do, Gamson reports on his analysis of discussions among small groups of working-class people on four controversial issues: affirmative action, nuclear power, the Arab-Israeli conflict, and the troubles in American industry. Excerpts from many of these discussions are transcribed in the book.--Provided by publisher.

"Why is a book about SMERSH relevant today? As Mr. Birstein takes pains to point out, 'the present Russian government seems intent on whitewashing Stalin's atrocities and the history of the Soviet security services.'"-- The Washington Times SMERSH is primarily known to readers in English as James Bond's sinister opponent. Yet SMERSH was a real organization and was just as diabolical as its fictional counterpart. Based on Russian documents and memoirs, a critical missing piece of the history of World War II and the Soviet secret services is finally exposed to the light of day. Vadim J. Birstein, PhD , is a historian, activist, and molecular geneticist. He lives in New York.

Set against the gorgeous backdrop of Rome, Tom Rachman’s wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English language newspaper as they struggle to keep it—and themselves—afloat.Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff’s personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family’s quirky newspaper.As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper’s rich history is revealed, including the surprising truth about its founder’s intentions.Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents --

A groundbreaking examination of a terrifying murder and its aftermath by the bestselling author of Hanns and Rudolf and The House by the Lake. In June 2006, police were called to number 9 Downshire Hill in Hampstead. The owner of the house, Allan Chappelow, was an award-winning photographer and biographer, an expert on George Bernard Shaw, and a notorious recluse, who had not been seen for several weeks. Someone had recently accessed his bank accounts, and attempted to withdraw large amounts of money. Inside the darkened house, officers found piles of rubbish, trees growing through the floor, and, in what was once the living room, the body of Chappelow, battered to death, partially burned and buried under four feet of paper. The man eventually arrested on suspicion of his murder was a Chinese dissident named Wang Yam- a man who claimed to be the grandson of one of Mao's closest aides, and a key negotiator in the Tiananmen Square protests. His trial was the first in modern British history to be held 'in camera'- closed, carefully controlled, secret. Wang Yam was found guilty, but has always protested his innocence. Thomas Harding has spent the past two years investigating the case, interviewing key witnesses, investigating officers, forensic experts and the journalists who broke the story, and has unearthed shocking and revelatory new material on the killing, the victim and the supposed perpetrator. It is a crime that has been described in the press and by the leading detective as 'the greatest whodunnit' of recent years- an extraordinary tale of isolation, deception and brutal violence, stretching from the quiet streets of north London to the Palace of Westminster and beyond.

'To live through Josephine - that is the story of my life.' So wrote the young General Bonaparte a few weeks after his marriage to the soignée and seductive widow, Josephine de Beauharnais. And although Napoleon's marriage was certainly not the whole story of his extraordinary life, it was one of the most fascinating aspects of it. Theirs was an attraction of opposites. The couple suited each other very well, with Josephine's charm and languor serving as an excellent foil for Napoleon's brusqueness and energy. Throughout his spectacular rise to power and years of triumph, Josephine proved a graceful and accomplished consort. Yet their relationship was anything but tranquil. Besotted by Josephine during the early years of their marriage, Napoleon - in the face of her indifference and infidelity - gradually became less obsessed by her, while she, in turn, became progressively more enamoured of him. As a result, their relationship developed into one of the most intriguing, tempestuous and touching in history. Napoleon, although disillusioned, never really ceased to love Josephine and it was only her inability to bear him a child, and so present his Empire with an heir, that led him to divorce her. 'If he was ever really stirred by any emotion, ' claimed one of the Empress Josephine's confidantes, 'it was by her and for her.' Their story remains, quite simply, one of the greatest love stories in the world. Theo Aronson, well known for his incisive and readable royal biographies, has found the ideal subject in the story of Napoleon and Josephine. By incorporating all the recent findings on the couple - such as the new view of Napoleon's parents, Josephine's love letters to Hippolyte Charles, Napoleon's complex sexual orientation - and by making full use of his own talent for narrative and characterisation, the author has been able to present this famous romance in a fresh and absorbing fashion.