Whether set in the urban decay and horror of the world we know, in Lovecrafts Arkham, in Pugmires own Sesqua Valley, or in places and locales somewhere in between the mundane and decadent world of Pugmires visions, this collection of 14 Lovecraftian tales selected by the author seek to evoke similar strains (albeit in a bit more melancholic melody) of cosmic dread, terror and isolation as contained in the writings of H.P. Lovecraft. This collection includes the following stories: Beyond the Realm of Dream, Graffito Flow, The Hour of Their Appetite, Cool Mist, Dust to Dust, Necronomicon, Gates Closed by Darkness, The Baleful God, Drink the Moon, The Thing in the Glen, The Audient Void, The Hungry Place, A Piece of Stone and The Totem Pole. This is the authors first trade paperback collection, and the stories have been revised by the author for this publication. Cover and 15 interior illustrations by Stanley C. Sargent, inspired by the art of the Maya and Moche (pre-Incan) civilizations.

A young boy who loves to dance listens as his father retells the story of the night he was born, which coincided with the opening of the Savoy Ballroom in Harlem.

The central collection by the poet, dramatist, and Nobel laureate Nelly Sachs, newly translated by Joshua Weiner (with Linda B. Parshall). So far out, in the open, cushioned in sleep. In flight from the land with love's heavy luggage. A butterfly-zone of dreams like an open parasol held up against the truth. Flight and Metamorphosis marks the culmination of Nelly Sachs’s development as a poet. Sachs, who was awarded the Nobel Prize in Literature in 1966, speaks from her own condition as a refugee from Nazi Germany—her loneliness while living in a small Stockholm flat with her elderly mother; her exile, her alienation, her feelings of romantic bereavement; and her search for the divine. Forced onto a journey of endless change, Sachs created her own path forward. From these sublime poems, she emerges as a visionary, one who harnesses language’s essential power to create and transform our world. Joshua Weiner’s translations (with Linda B. Parshall) are the first in more than half a century to elucidate Sachs’s enduring poetic power and relevance.

Full Length, Comedy Characters: 2 male, 2 female Interior Set In her beach house in the Hamptons, celebrated writer Rose Stern stands at a crossroads: she hasn't written anything in years and money is getting short. Her former lover, literary lion Walsh McLaren, offers her-from beyond the grave-an opportunity to regain her celebrity and gross millions. It's not going to be easy and a "ghost" writer is required setting in motion another touching and unpredictable roma

Original and effortlessly clever, the stories in I Know Who You Remind Me of capture the sensibility of a generation with no cultural inhibitions to overcome. Naomi K. Lewis's characters bear the battlescars of adolescence and early adulthood - scars left when one classmate impersonates another in Internet pornography; a lover donates his eyeball in the heat of passion; sibling rivalry escalates into a low orbit. For these characters, everything is straight-on, never coy, and often deliciously funny.

From his youthful days as a poolroom hustler, playing truant from Baron Byng High School, Mordecai Richler remained a snooker devotee. Here, in his inimitable style, he delves into that eccentric world with pith and perception. Outrageously funny, passionate and thoroughly researched on snooker tables from Montreal to Dublin, On Snooker takes us on an entertaining journey through the story and world of snooker, and introduces us to the game’s great players and bad boy champions. It is a book that lovers of great sports writing will cherish, from a masterful storyteller.

Paul Stevens is a bookseller in the marginalized world of used books, a lover of Flaubert and Dickens, young, unsure of himself - until he meets Judith and is drawn into her secret world.

In Magnolia Street, where Jews and Christians live on opposite sides of the road, feuds and alliances, gossip and good humour thrive. This is a classic saga of working-class life in 1920s Manchester. First published in 1932, it was a bestseller. "I loved this book... it is basically a painting in words about a small street in Doomingtom (Manchester, England). The street is divided into Jewish and Gentile sides; the Gentiles have 2 major social venues - the pub and the barbers; the Jews have 2 major social gathering places - the grocer shop and the synagogue. Never the twain shall meet, until one of the incidents occurs that bring the two sides together for the first time... The beauty of this book is the way that each of the characters is drawn, how they fit into their families and into the street. The characters really come to life! It was just a joy to read."--Liz, Goodreads

Watching her Russian immigrant mother, Irina, struggle to put food on the table, Nina, a beautiful and restless teenager, vows her life will be different. When a strapping older man in a fancy car appears at school one day offering her luxuries her single mother cannot afford, Nina believes he's her ticket out of her dumpy little town. Ignoring the danger signs and her mother's constant pleas, which end in exhausting screaming matches, she packs a suitcase and leaves home after one last fight. Ten days later, a terrified Nina, her dress torn, is hiding in the stairwell of a Tel Aviv apartment after witnessing a murder she cannot talk about. She is discovered by one of the building's tenants, a confused, lonely old widow who mistakes her for the granddaughter she hasn't seen for a long while, not since her son moved his family to America. "You've come back to me, Dana'le." Instead of correcting the mistake, the desperate Nina jumps at the chance for a place to hide. Hiding from her mother and the dangerous man who are both frantically searching for her, Nina settles into the old woman's apartment. But how long can Nina possibly hide out until the poor woman realizes she's not who she says she is, or before someone else, her homesick son in America who keeps calling, or the lovely local neighbors who drop by with groceries, catches on?

The Kaddish is considered by millions to be a special prayer one recites for the dead. It isn't. This mystical ritual was created during the Crusades as a homage to God. Those who have lost a loved one and recite the prayer faithfully on 52 Friday nights may have wondered why there is no place in the prayer for the name of the lost loved one. This book contains much new information as it traces the evolution of the Kaddish. It will have a ready market with Jews, religious and secular, as well as people who are interested in the history of religion.

Francis Bacon was one of the iconic figures of modern art, a painter who transformed the way we see and experience the human body. Mirroring Bacon's famous triptychs, Jonathan Littell's three essays engage with the artist's contorted figures and portraits, his screaming popes and apes, his flanks of beef and his umbrellas. In 'A Day at the Prado', Littell analyses Bacon's painting in light of Velazquez and Goya - two artists who deeply influenced him. In 'The Grammar of Francis Bacon', the artist's portraits of his lover George Dyer before and after his suicide in 1971 provide a key to the hidden correspondences between the figures he painted. Littell then, in 'The True Image', looks at the history of icon painting and photography before returning to Bacon, questioning the very meaning of truth in art. Erudite and deeply personal, Jonathan Littell's exegesis on the work of a major twentieth-century artist seeks to lay bare the sinews of Francis Bacon's tormented art. Jonathan Littell usually writes in French. Triptych was written in English, and this is its first English-language publication.

Jiri Orten was one of the great poets of the 20th century. A Czech Jew who narrowly avoided being sent to a concentration camp, Orten was hit by a speeding German car in Nazi-occupied Prague in 1941. He was refused admission to a nearby hospital and died shortly afterwards (at the age of 22) in a "Jewish Hospital" which was basically a warehouse. "Jiri Orten is a powerful, visionary poet whose work has been beautifully translated by Lyn Coffin. These are poems we can return to again and again-for their courage, for their sustenance." - Sam Hamill "Lyn Coffin's translations do justice to a great poet. I can think of no higher praise for a translation than that." - Joseph Brodsky (about Lyn's translations of Orten's Elegies) "I can now die a happy man.... These are the poems my brother would have written if he'd written in English." - Ota Ornest, Jiri Orten's brother ... How dark it is outside! What was I going to say? Oh, yes, now I remember. Because of all those hours I slept soundly through calm nights, because of all those loved ones who are deep in dreams-- Now, when everything's running short, I can't stand being here by myself. The lamplight's too strong. I am sowing grain on the headland. I will not live long.

Known as the 'Black Stone' back in Istanbul, Alan has recently made a daring escape from prison after being convicted of murdering a Turkish businessman. Now in a cockroach-infested Manhattan apartment, without his accustomed bespoke tailoring, he prepares for a new assignment against an old enemy of the Kurdish people. But his instructions are not to wipe out the big-wig himself, but his two little daughters and the lovely woman they call 'Mommy'. Although Alan doesn't understand English, or any other gibberish that turns the Big Apple -- he thinks 'Mommy' is one of the prettiest names for a woman he has ever heard.

As outlined: "in the Vermont village of Greenfield Center, there is a genial, benevolent and greatly loved old physician who is very proud of his community. It is peopled with fine, wholesome folk, and it appears that Heaven rewards the civic virtue by seeing to it that mostly only those who are wicked at heart die. And the good Dr. Cook, who is willing to go out on sick calls at any hour of the day or night, is determined it should stay in that fortunate condition. When a young physician, who had known and loved Dr. Cook for years, returns to the village for a visit, he is delighted to see his venerable friend and benefactor again. Then a problem of medical ethics arises to haunt him. It may, he concedes, be excusable for a doctor to kill off incurable patients and the hopelessly deformed. But he thinks it is going too far to do away with disagreeable people who happen to be a blot on the fair community." And it is his attempt to make his mentor see reason on this point that brings on the gripping climax of the play, in which the two doctors, young and old, are pitted against each other in a scene of unforgettable, breath-stopping suspense and high drama.

A compelling work of autobiographical fiction, Hélène Cixous's Hemlock weaves tragedy and comedy, narrative and meditation in its exploration of various human attachments: between an elderly but still truculent mother and her writer-daughter, between the mother and her sister, and between the writer and her vanished but nonetheless intensely present friend, Jacques Derrida, whose death is movingly evoked. "I have in mind two lovely faces, old women in bloom," writes the author with a backwards nod to Proust's ‘jeunes filles.' "Here," she says in her preface, "the criss-crossing paths of my mother and my aunt will come to an end at last. When one old flower is left, what becomes of the other face?" Socrates is conjured up, along with the poisonous plants of Hamlet, the human comedies of Balzac and Proust, and other literary and philosophical ghosts who find themselves drawn into the fabric of Cixous's text: "I'm not sleeping," writes the protagonist. "A worm is drilling my brain. It's a phrase I heard in the hellish juice of the jusquiame. I pour it into my own ear. ‘I'm afraid Mama will die'." In this new work Hélène Cixous continues to explore and expand the boundaries of narrative, slipping from thought to thought and from image to image, so as to render every action, fear and thought palpable to the reader.

A historical fiction that presents the life and loves of Jacqueline of Hainault, thrice married, thrice imprisoned and ransomed; the extraordinary 15th-century life of a women who endured the power politics of the courts of England, Burgundy, and France.

Swords and Sorcery clash with riveting results in these classic stories! "[A] pomegranate writer: popping with seeds—full of ideas." —Ray Bradbury When Robert E. Howard died in 1936, some of the greatest science-fiction and fantasy writers stepped into the void to pen amazing tales of swords and sorcery. Weird Tales published these two stories by iconic author Henry Kuttner, perfect for fans of Conan the Barbarian, and vital for every fantasy reader. Depicting a brutal world of swords and magic, with a hint of the Lovecraft mythos, Kuttner unleashes tales as vital in today’s Game of Thrones world as they were when they first published. Stories include: Cursed be the City The Citadel of Darkness

Presence and Immortality brings Marce's philosophy to light as a search, “a finding one’s way,” an endeavor which achieves a profound unity despite the seemingly haphazard nature of its process. The diary excerpts—Metaphysical Journals—offer a broad overview of the central features of Marcel’s thought and serve as the backdrop for the title essay, which takes up a problem central to the human experience: the death of a loved one. The volume’s concluding element, the unfinished play entitled The Unfathomable, emphasizes the profound connection between drama and philosophy in the mind of Marcel. Through its series of introspective, impressionistic reflections on life and death, Presence and Immortality offers significant insight into the multiform themes and variations of Marcel’s philosophy.

John Beckett was a rising political star. Elected as Labour's youngest M.P. in 1924, he was constantly in the news and tipped for greatness. But ten years later he was propaganda chief for Mosley's fascists, and one of Britain's three best known anti-Semites. Yet his mother, whom he loved, was a Jew. Her ancestors were Solomons, Isaacs and Jacobsons, originally from Prussia. He successfully hid his Jewish ancestry all his life - he said his mother's family were "fisher folk from the east coast." His son, the author of this book, acclaimed political biographer and journalist Francis Beckett, did not discover the truth until John Beckett had been dead for years. He left Mosley and founded the National Socialist League with William Joyce, later Lord Haw Haw, and spent the war years in prison, considered a danger to the war effort. For the rest of his life, and all of Francis Beckett's childhood, John Beckett and his family were closely watched by the security services. Their devious machinations, traced in records only recently released, damaged chiefly his young family. This is a fascinating and brutally honest account of a troubled man in turbulent times.

BIOGRAPHY & AUTOBIOGRAPHY: LITERARY. The Tongue Set Free is so beautifully written. It begins wtih an extraordinary image, Canetti's earliest memory. He comes out of a room. A man makes him stick out his tongue; if he talks he will cut it off. Years later Canetti realises that this was his nursemaid's lover, frightening him into silence about their rendezvous. The idea of speaking as the entry into forbidden grown-up life dominates this book. When he is seven his father dies. He is propelled from childhood into adulthood, from his father to his mother, through language. In an extraordinary, cruel episode his mother forces him to learn perfect adult German in three months, to replace her husband as quickly as possible. His tongue is set free: he has won his mother, against brothers , against all lovers. It is the most intense Oedipal relationhsip I have ever seen described and Canetti describes it brilliantly. But it's all extraordinary, and all masterfully written.