From the internationally best-selling author Daniel Kehlmann, a provocative and wickedly funny novel about two unpredictable menone an artist and the other a journalist, who together embark on an unexpected adventure with uproarious results. Sebastian Zollner's failure as a journalist is matched only by his personal failures: his girlfriend is moving in a new lover before Sebastian even knows he's been dumped. Searching for the break that will redeem him in the eyes of his peers, he heads off on a wild goose chase into the mountains to interview the eccentric, legendary painter Manuel Kaminski, with the hope of writing his biography. Kaminski is going blind and is living in seclusion with his daughter. He could be working on his next masterpiece or easing into his final days, and his inconsistent career raises the question of whether he has been a fraud or a genius. His artistic reputation hinges on any number of factors but most prominently on a definitive biography. Enter Zollnerwho has no intention of writing a puff piece. He's out to dig dirt and to force Kaminski to confront the legacy of his work. But the secrets he uncovers will lead Kaminski, and Zollner himself, to places neither of them ever expected to go. With edgy wit and intelligence, Daniel Kehlmann dives into the problems of what is "truth" in our celebrity-crazed times and embraces the energy and humanity that lie beneath the pretensions of the art and journalistic worlds. A firecracker of a novel. From the Hardcover edition.

Mad Men meets Nashville in this debut mystery set in 1963, written by Grammy winner and Rock and Roll Hall of Famer Cynthia Weil. "I loved everything about I'm Glad I Did ... Not just brava, Cynthia. Bravissima!!" --Carole King, multi-Grammy winning singer-songwriter of Tapestry and author of the New York Times bestseller A Natural Woman New York City, summer of 1963: JJ Green is a born songwriter--a major problem, since her family thinks the music business is a cesspool of lowlifes and hustlers. Defying them, she secretly takes an internship at the Brill Building, the epicenter of a new sound called rock and roll. When she finds a writing partner in Luke Silver, a boy with mesmerizing green eyes, JJ believes she is living her dream. They'll even be cutting their first demo with legendary singer Dulcie Brown. But soon JJ's dream is shattered by tragedy, and she must navigate a web of troubled pasts, hidden identities, and tangled secrets--before it snares her, too. From the Hardcover edition.

A captivating novel about aging fathers and their grown daughters, childhood scars, and rewriting the script with a little help from Shakespeare, from the acclaimed author of My October . On the brink of forty, Bea Rose has lost her lover, her business, and her bearings. When the opportunity arises to work on a summer production of King Lear to be staged in various parks around Montreal, she takes it, despite her utter lack of theatre experience. Things get off to a rocky start when Bea meets the artistic director, Artie White, a childhood friend whose presence stirs up painful memories. Then, inadvertently attracting the attentions of the play's aging star, she learns that she must tread carefully among the egos and relationships of the company. At the same time, Bea's father begins behaving erratically, and her younger sister Cara discovers cracks in the foundation of an apparently perfect life. The sisters do their best to care for their beloved, demanding father, but his deteriorating condition is more than they can handle. Meanwhile, the star of Lear is also faltering amidst the confusions of age, illness, and regret. When a raucous party whirls out of control, the various forces in Bea's life collide, culminating in a violent act that could destroy more than one life. But that act also reveals how lives might be united in new ways. Tender, vivid, and powerful, Lear's Shadow is a richly satisfying meditation on love's power to bind and to liberate. It's a lyrical reminder that even in the face of grief, life's joy can be embraced.

‘A whole man, made of all men, worth all of them, and any one of them worth him.’ This was how Jean-Paul Sartre characterized himself at the end of his autobiographical study, Words . And Bernard-Henri Lévy shows how Sartre cannot be understood without taking into account his relations with the intellectual forebears and contemporaries, the lovers and friends, with whom he conducted a lifelong debate. His thinking was essentially a tumultuous dialogue with his whole age and himself. He learned from Gide the art of freedom, and how to experiment with inherited fictional forms. He was a fellow-traveller of communism, and yet his relations with the Party were deeply ambiguous. He was fascinated by Freud but trenchantly critical of psychoanalysis. Beneath Sartre’s complex and ever-mutating political commitments, Lévy detects a polarity between anarchic individualism on the one hand, and a longing for absolute community that brought him close to totalitarianism on the other. Lévy depicts Sartre as a man who could succumb to the twentieth century’s catastrophic attraction to violence and the false messianism of its total political solutions, while also being one of the fiercest critics of its illusions and shortcomings.

This book presents a new and comprehensive biography of one of the most prominent artists of the twentieth century in dialogue with the events and ideologies of his time. It encompasses the 98 years of Chagall's life (1887-1985) in Russia, France, the US, as well as Germany and Israel, his deep roots in folk culture, his personal relationships and loves, his involvement with the art of the Russian Revolution, with Surrealism, Communism, Zionism, Yiddish literature and the state of Israel. The book exposes the complex relationships between Chagall's three cultural identities: Jewish-Russian-French. Indeed, it is a biography of the turbulent times of the twentieth century and the transformations of a Jew in it, his meteoric rise from the "ghetto" of the Russian Pale of Settlement to the centers of modern culture. -- Back cover.

English poet and critic Alvarez begins this autobiography with his recollections of his childhood as the sickly son of deeply unhappy parents. Alvarez courted danger as a way of overcoming his infirmities and found in the deadly ballet of the Battle of Britain - Messerschmitts and Spifires dancing and dueling across the London sky - an image of beauty and risk that would never leave him. And, yet, poetry and the literary life were his first loves as an adult, and he describes the excitement of his early successes at Oxford and as poetry critic at the Observer.

Love’s memories, love recalling itself in letters lost and found over an interval of forty years: Cixous’s writer-narrator advances here far into a labyrinth of passions long ago delivered and yet still arriving through the mail, through letters and literature, in other words, the poetry of the post. As for the lovers’ returning scenes, they have their addresses in Paris (rue Olivier de Serres, Avenue de Choisy, street names that endlessly feed love’s unconscious language) and in New York, but also in a lost oasis of the Egyptian desert during the Napoleonic wars, in Athens and along the shores of a great lake centuries ago in the country of myth. The lovers are poets or soldiers, philosophers or students madly in love with poetry and poets. They are as well mermaids or panthers. Panthers? Yes, for it is the passion of the animal that drives all these lovers to bare themselves, and sometimes their claws, before the beloved. Misunderstandings are often, even inevitably the result. Seconded and witnessed by her passionate, truth-telling cats, Cixous’s narrator-writer returns unerringly to moments of errancy inflicted on address and language, those errors and faults when love, perhaps, is listening only to itself, without subject or object, lover or beloved, just love itself, l’amour même, l’amour m’aime, love loving me, in the letter box of memory.

Despite current concerns for “family values” and the dissolution of marriages, Amy A. and Leon R. Kass see very little attention being paid to what makes for marital success. They argue there are no longer socially prescribed forms of conduct that help guide young men and women in the direction of matrimony; the very concepts of “wooing” and “courting” seem archaic. Yet they see major discontent with the present situation and detect among their students certain longings―for friendship, for wholeness, for a life that is serious and deep, and for associations that are trustworthy and lasting―longings they do not realize could be largely satisfied by marrying well. Wing to Wing, Oar to Oar: Courting and Marrying is an anthology of source readings offered as a response to the contemporary cultural silence surrounding love that leads to marriage. It addresses important questions that emerge not from theory, but from practice: Why marry? Is this love? How can I find and win the right one to marry? What about sex? Why a wedding and the promises of marriage? What can married life be like? Using readings taken mainly from classic texts of Homer, Herodotus, Plato, Aquinas, Erasmus, Shakespeare, Rousseau, Austen, Tolstoy, C.S. Lewis, Miss Manners, and many others, this collection challenges our unexamined opinions, expands our sympathies, elevates our gaze. It offers a higher kind of sex education, one that prepares hearts and minds for romance leading to lasting marriage, and introduces us to possibilities open to human beings in everyday life that may be undreamt of in our current philosophizing. This unapologetically pro-marriage anthology is intended to help young people of marriageable age and their parents think about the meaning, purpose, and virtues of marriage and, especially, about finding the right person with whom to make a life.

New collection of hot, gay romance dealing with all sorts of situations from first experiences to variations in the lovemaking of couples.

Judith Lassiter has a handsome architect husband who dotes on her, no financial worries, and a beautiful house. But when she begins to change the course of her life--and takes a lover--she soon feels that murder may be the essential next step.

Spread over two generations, this novel follows the fortunes of Audrey Garnet. Growing up in the small Anglo-Argentine community of Hurlingham, she loses her heart to one man and marries another. In later years, the forget-me-not sonata reminds her of the dreadful sacrifice she's made.

Federica Campione adores her father. No matter that Ramon, a distinguished traveller and writer, spends months away from their home on the exotic Chilean coast; as soon as he's back, his daughter has eyes for no one but him. When he gives her a magical box from Peru she believes he will always be there for her. Devastated when her parents' marriage falls apart, Federica is forced to set up home in Cornwall with her mother - the butterfly box is the only part of her beloved father she is able to take with her to sustain her during painful times. Embraced by the eccentric Appleby family, she loses her heart to their son Sam, who barely notices the little girl until it is too late. As she grows to womanhood, Federica attempts to recapture that long-forgotten sense of security in the arms of the debonair Torquil Jensen. From the sanctuary of a seemingly perfect marriage, she embarks on a painful journey of self-discovery. It takes Federica years of heartbreak to escape her gilded cage and learn the true lesson of the butterfly box.

Winner - KOALA Children's Choice Awards 2011 - Fiction for Years 7-9 Winner - YABBA Children's Choice Awards 2011 - Hall of Fame Shortlisted - REAL Children's Choice Awards 2011 - Fiction for Years 7-9 Bridget wants a quiet life. Including, if possible, keeping her parents out of prison. Then a boy called Menzies makes her an offer she can't refuse, and they set off on a job of their own. It's a desperate, daring plan - to rescue two kids, Jamal and Bibi, from a desert detention centre. Can Bridget and Menzies pull off their very first jail break, or will they end up behind bars too? Sometimes, to help a friend, you have to dig deep . With its themes of friendship, perseverance and the power of standing up for what's right, Girl Underground is a must-read for anyone who loved Boy Overboard and wants to continue following Jamal and Bibi's journey through the eyes of all new, but every bit as endearing, characters. ------------------ PRAISE FOR MORRIS GLEITZMAN 'Readers can't get enough of him.' The Independent 'A brilliantly funny writer' Sunday Telegraph 'A virtuoso demonstration of how you can make comedy out of the most unlikely subject' Sunday Times 'He is one of the finest examples of a writer who can make humour stem from the things that really matter in life.' The Guardian

A temporary marriage with handsome, arrogant geologist Ethan Winslow is the only way Liz Madison can join the BioCave experiment. Neither of them expected to feel a powerful attraction -- or to be confronted with a dark, evil force only a kindly ghost could help them defeat. But could Liz make doubtful Ethan see the truth in time -- so that they both fight for their newfound happiness?

When Ezra tries to blackmail Chef Yael about being trans, she throws him out of her restaurant and immediately reports him to the queen. But when police find Ezra stabbed to death, Queen Shulamit realizes he may have also tried to extort someone more dangerous than a feisty old lady. Shulamit's royal investigation leads her to an international terrorist plot to destroy her country's economy--and worse, her first love, Crown Princess Carolina of Imbrio, may be involved. This is a love story between wives, between queen and country, and between farmers and the crops they grow.

In this deeply moving novel, Pamela Frankau explores the lives of two families living in rural England in the years leading up to World War II. Through vivid prose and richly drawn characters, Frankau captures both the idyllic beauty of the countryside and the harsh realities of life in a changing world. This book offers a poignant meditation on love, loss, and the ties that bind us to one another. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Leaving Russia: A Jewish Story is a memoir of coming-of-age and struggling to leave the USSR. Shrayer chronicles the triumphs and humiliations of a Soviet childhood and expresses the dreams and fears of a Jewish family that never gave up its hopes for a better life. Narrated in the tradition of Tolstoy’s confessional trilogy and Nabokov’s autobiography, this is a searing account of the KGB’s persecution of refuseniks, a poet’s rebellion against totalitarian culture, and Soviet fantasies of the West during the Cold War. Shrayer’s remembrances are set against a rich backdrop of politics, travel, and ethnic conflict on the brink of the Soviet empire’s collapse. His story offers generous doses of humor and tenderness, counterbalanced with longing and violence. Leaving Russia is a love story in which a young Jew’s love is unrequited and his heart is forever broken by his homeland.