Alex Katz's clear planes of color and simplicity of line are famously well suited to printmaking. For Katz himself, the medium also holds the appeal of distributing his work in greater quantity. His embrace of printmaking was consolidated in the mid-1960s, and led to a voracious exploration of print technologies, including the latest state-of-the-art reproduction processes. Each of these elicits different qualities from Katz's artistic vocabulary: woodcut, for example, yields an emotional tenor not commonly seen elsewhere in his oeuvre, as the traces left by chisel and burn are left legible and accepted by the artist. However, the primary effect of Katz's prints is to enhance his art as a coolly Baudelairean "painting of modern life." Though he frequently works with professional printing companies, Katz often undertakes the full run of manual labor himself. This volume assesses Katz's history with printmaking and editions, including collaborations with writers.

With the Turks in Palestine are the experiences of a man in Palestine during World War I.

"The pages of The Blast seem to smell of black powder, or better, seem to have blown out of the eye of a social hurricane. A sense of absolute emergency pervades almost every column." --Richard Drinnon After serving as editor for Emma Goldman's Mother Earth , Alexander Berkman moved to San Francisco and started his own newspaper. This historical reprint of the complete 29 issues features articles, letters, news and editorials by Berkman and his revolution-minded contemporaries. Topics include the political trial of labor activists Mooney-Billings, a profile of Pancho Villa, the imprisonment of the Magon brothers, arrests of Goldman and Margaret Sanger for birth control agitation, and anti--conscription actions. Complete with powerful political artwork and photos.

Based on American, German and Soviet sources, this book provides an in-depth study of the Romanian administration in Odessa and Transnistria. It draws a sharp contrast between the relatively more successful occupation policies of the Romanian administration in Odessa and Transnistria and those of the Germans in occupied areas of the Soviet Union. Alexander Dallin, formerly president of the American Association for the Advancement of Slavic Studies, presents an essential text for anyone interested in the occupation of Soviet Territory during World War II and its consequences

This Is A New Release Of The Original 1886 Edition. Or A History Of The Monetary Laws And Systems Of Various States Since The Dark Ages, And Their Influence Upon Civilization.

The Worship of Augustus Caesar is a book written by Alexander DelMar that explores the cult of Augustus Caesar in ancient Rome. The book delves into the origins of the cult, the rituals and practices associated with it, and the political and social implications of its establishment. DelMar provides a detailed analysis of the ways in which Augustus Caesar's image and power were used to create a sense of unity and loyalty among the Roman people, and how this worship of the emperor became an integral part of Roman society. The book also examines the role of religion in the political and social structures of ancient Rome and the ways in which Augustus Caesar's cult helped to shape these structures. Overall, The Worship of Augustus Caesar offers a fascinating insight into the religious and political landscape of ancient Rome and the enduring legacy of Augustus Caesar's rule.1899. Derived from a study of coins, monuments, calendars, aeras and astronomical and astrological cycles, the whole establishing a new chronology and survey of history and religion. Contents: cycle of the eclipses; ancient year of ten months; Ludi Seculars and Olympiads; astrology of the divine year; Jovian Cycle and worship; various years of the incarnation; aeras; cycles; chronological problems and solutions; Maetho's false chronology; forgeries in stone; the Roman Messiah.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Provides an overview of psychokinetic phenomena experienced in the world to date. The text includes contributions from people who have had experience of such paranormal and unexplained psychic phenomena.

The Ghost Dance religion that swept through the Plains Indian tribes in the early 1890s was embraced wholeheartedly by the Pawnees. It was a message of hope to a people devastated by the attacks of enemy tribes, the encroachment of white settlers, and the outbreak of epidemics. For the Pawnees, who were looking to the U.S. government and trying unsuccessfully to farm their land, the Ghost Dance movement promised salvation: a restoration of the Indian dead, the buffalo, and the old times. Alexander Lesser shows how the Ghost Dance brought about a partial revival of traditional Pawnee culture and its dances and songs. The ancient guessing hand game, remembered best by a tribe starved for the joy of play, became an important part of the Ghost Dance ritual. What had been a gambling game, a representation of warfare played by men, was transformed into a sacred game played by both sexes as an expression of faith or ?good fortune.? Lesser surveys the history of the Pawnee Indians and their relations with the federal government and describes in detail the Ghost Dance hand games that ?were the chief intellectual product of Pawnee culture? from the onset of the messianic movement to the original publication of this book in 1933. Citing such authorities as James Mooney and Stewart Culin, Lesser produced an enduring classic, now introduced by Alice Beck Kehoe, a professor of anthropology at Marquette University and the author of The Ghost Dance: Ethnohistory and Revitalization .

[UPDATED 6/6/2000] Group actions on trees furnish a unified geometric way of recasting the chapter of combinatorial group theory dealing with free groups, amalgams, and HNN extensions. Some of the principal examples arise from rank one simple Lie groups over a non-archimedean local field acting on their Bruhat--Tits trees. In particular this leads to a powerful method for studying lattices in such Lie groups. This monograph extends this approach to the more general investigation of $X$-lattices $\Gamma$, where $X$ is a locally finite tree and $\Gamma$ is a discrete group of automorphisms of $X$ of finite covolume. These "tree lattices" are the main object of study. Special attention is given to both parallels and contrasts with the case of Lie groups. Beyond the Lie group connection, the theory has applications to combinatorics and number theory. The authors present a coherent survey of the results on uniform tree lattices, and a (previously unpublished) development of the theory of non-uniform tree lattices, including some fundamental and recently proved existence theorems. Non-uniform tree lattices are much more complicated than unifrom ones; thus a good deal of attention is given to the construction and study of diverse examples. Some interesting new phenomena are observed here which cannot occur in the case of Lie groups. The fundamental technique is the encoding of tree actions in terms of the corresponding quotient "graph of groups." {\it Tree Lattices} should be a helpful resource to researchers in the field, and may also be used for a graduate course in geometric group theory.

"Set amid the glimmering lakes and disappearing forests of the United States in the 1830s, The Forest: A Fable of America in the 1830s imagines how individuals at the time experienced their lives. Part truth, part fiction, this book follows painters, poets, enslaved individuals, farmers, and artisans through various settings. Some, such as Nathaniel Hawthorne, Nat Turner, Thomas Cole, and Edgar Allan Poe, are well-known; others are not. All are creators of private and grand designs, and makers of the worlds they inhabited. The Forest unfolds in brief stories. Each is an episode revealing a lost world of intricate relations: human beings going their own ways or crossing paths, in a place that is known to history, or is remote and unknown. For Alex Nemerov, the forest is a description of American society, as he writes, "the dense and discontinuous woods of nation, the foliating thoughts of different people, each with their separate life to lead." Nemerov's art history is at its center an experiment in writing, in how to write differently about visual culture. The Forest examines the history of the United States on a human scale, displaying the patterns of life alongside examples of paintings, prints, photographs and objects"--

NY 1958 1st Grune and Stratton. Wiener was serologist and bacteriologist in the Office of Chief Medical Examiner of New York City and head of Transfusion Division, Jewish Hospital in Brooklyn. 8vo., 150pp., illustrations, hardcover. Owner bookplate. Good, 3 pages have inch closed tear on inner margin, no DJ.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

I'm a hard worker. I don't push him to the . . . You know I don't go out for breaks when I'm not supposed to. I don't stay in the loo when I'm not supposed to. If I was that kind of person I could have him done for discrimination . . . I just get on with things you know. Four people arrive to work the night shift in a meat factory. They meet for the first time. They are employed as cleaners by a temp agency. They are all on zero-hours contracts. Every shift, they clean. Every four hours, they take a break. They drink tea or coffee together. They read magazines. They chat. As it gets light, they go home or to another job. The cycle goes on. And on. Strangers. Until something stirs, until isolated people get too close to one another, too fast. Alexander Zeldin's brutally honest and darkly humorous play, written through devising with the ensemble of the premiere production, exposes stories of an invisible class. It received its world premiere at The Yard on 1 July 2014 and transferred to the National Theatre's Temporary Theatre on 28 April 2015.

In the run up to Christmas, three families are placed into cramped temporary accommodation. A middle-aged man and his elderly mum, a young family with a baby on the way, a newly arrived woman from Sudan. Strangers. Forced together. No space is personal. In this play by Alexander Zeldin, written through a devising process, the audience are invited to bear witness to an intimate story of family love for our times. Love received its world premiere at the National Theatre, London, in the Dorfman Theatre, on 6 December 2016.

Alexandra "Al" Silber seems to have everything a teenager could want: brilliance, beauty, and talent in spades. But when her beloved father dies after a decade-long battle with cancer when she is just a teenager, it feels like the end of everything. Lost in grief, Al and her mother hardly know where to begin with the rest of their lives. Into this grieving house burst Al's three friends from theater camp, determined to help out as only drama students know how--and they're moving in for the duration. Over the course of that winter, the now five-strong household will do battle with everything Death can throw at them--meddling relatives, merciless bureaucracy, soul-sapping sadness, the endless Tupperware. They will learn (almost) everything about love and will eventually return to the world, altered in different ways by their time in a home by a river. Told with raw passion, candor, and wit, White Hot Grief Parade is an ode to the restorative power of family and friendship--and the unbreakable bond, even in death, between father and daughter.

BIOGRAPHY & AUTOBIOGRAPHY: FILM, TELEVISION, MUSIC, THEATRE. The Sayles might not have been the only Jewish atheist communist family in Liverpool, but Alexei knew from an early age that they were one of the more eccentric. Born on the day egg rationing came to an end, Alexei was the only child of Joe, an affable trade unionist who led the family on railway expeditions across eastern Europe, and Molly, a hot-tempered red-head who terrified teachers and insisted Alexei see the Red Army Choir instead of the Beatles. Perceptive and hilarious, this is a portrait of a family, a city, a country and a continent going through enormous changes.

Alfred Bader's achievements—as the founder of one of the most important companies in its field in the world, as a collector and dealer in Old Master paintings, and as a legendary philanthropist—make for fascinating reading. This book begins where Alfred Bader's first autobiography, Adventures of a Chemist Collector, ended: with the boardroom coup in which he was dismissed from the chemical company he had built up from the ground. Bader now turns his enormous energy to Old Master paintings, in which he had become interested at a young age and in which he by now has the means to invest. The chapters that follow are roughly chronological, with some devoted to particularly meaningful paintings or groups of paintings, memorable auctions, mysteries, or discoveries relating to the artworks in the Bader Collection, while others are dedicated to friends, family, love, religion, charity, and, occasionally, chemistry.

The central aim of this study of Shinran's thought is to make a systematic presentation of his cardinal ideas which, though well known in general studies of Buddhism, have not been given the detailed attention they merit. It is therefore hoped that this presentation will fill a need in Buddhist studies for a more adequate understanding of Shinran which can become the basis for the consideration of his thought in comparison with similar themes in Christianity or other traditions.