The essays in this volume form a commentary on Descartes' Meditations . Following the sequence of the meditational stages, the authors analyze the function of each stage in transforming the reader, to realize his essential nature as a rational inquirer, capable of scientific, demonstrable knowledge of the world. There are essays on the genre of meditational writing, on the implications of the opening cathartic section of the book on Descartes' theory of perception and his use of skeptical arguments; essays on the theory of ideas and their role of Descartes' reconstructive analytic method; essays on the proofs for the existence of God, on the role of the will in the formation and malformation of judgments; and the essays on the foundations of the science of extension and on Descartes' account of the union of mind and body.

A collection of short prose pieces by Argentine author Ana Maria Shua, including "Peeling Carrots," "Portuguese Sauce," and "Rumor in the Court."

Sequel to Two-Person Game Theory introduces necessary mathematical notation (mainly set theory), presents basic concepts and models, and provides applications to social situations.

Book by Rapoport, Anatol

(String). Andre Previn's Tango Song and Dance is a set of three lighthearted virtuosic pieces written for violinist Anne-Sophie Mutter. The work was premiered August 2001 by Anne-Sophie Mutter with the composer at the piano. A recording by the same artists is available on Deutsche Grammophon, CD 471 500-2.

"It is the mid-1980s. In Australia, stay-at-home wives jostle with want-it-all feminists, while AIDS threatens the sexual freedom of everyone. On the other side of the world the Soviet Block is in turmoil. Gorbachev has been in power for a year when twenty-four-year-old book illustrator, Galina Kogan, leaves Leningrad - forbidden ever to return. As a Jew she's inherited several generations worth of Russia's chronic anti-Semitism. As a Soviet citizen she is unprepared for Australia and its easy-going ways. Once settled in Melbourne, Galina is befriended by Sylvie and Leonard Morrow, and their adult son, Andrew. The Morrow marriage of thirty years balances on secrets. Leonard is a man with conflicted desires and passions, while Sylvie chafes against the confines of domestic life. Their son, Andrew, a successful mosaicist, is a deeply shy man. He is content with his life and work - until he finds himself increasingly drawn to Galina. While Galina grapples with the tumultuous demands that come with being an immigrant in Australia, her presence disrupts the lives of each of the Morrows. No one is left unchanged."--Publisher's description

A novel about a recently widowed 61-year-old woman's changing values and the inevitable conflict which she arouses with her children and social milieu. The author's first novel, 'Gracious Living', was published in 1990.

I was washing an eggplant at the end of the world on February 4 2020 when I heard from Vincent. It was Mozart's 39;s birthday, a momentous event that the melophiliac Vincent Katz would never have let pass without a celebratory panegyric. There it was in the email, beginning Its Mozart's39th birthday. He's only 264.years old; Mozart died young but kept on living. Vincent and I were older already than Mozart was when he died, but if we had any chance at living as long as he did we had better get to work. We are poets but our immortality is far from ensured. Our contributions to the archive of the aptly named School for Disembodied Poetics at Naropa University in Boulder Colorado are so our only bid for a mozartian afterlife. Not enough. Beginning with Mozart we began our search for the aqua vita of the long poem that would be sung by the melomanes of the future. CoVid was our last chance to make embodied poetry that would keep living in the future, as long as we washed our vegetables, masked our faces, disinfected the doorknobs, stayed six feet away from all human beings -- and wrote to each other via the as-yet uncontaminated internet. And if we kept celebrating our immortal predecessors while noting the daily routines to preserve our bodies, we might make it into that future via our (regularly disinfected) keyboards. Our common bonds at that curious time of the planet- engulfing Plague were various: we were friends, we were poets, we took poetry seriously enough to believe in its superpowers, but above all, we both had mothers who at ages past Ninety needed the care and attention that we two could provide them. Our exchanges quickly became an ongoing epic of care. It became also a store of reminiscences, activities and ideas that paid homage to the women we cared for, communiques and confessions that we would have liked them to appreciate. Happily, at least for me, my mother was past appreciating our fabulous antics though she smiled, sometimes appropriately, when I hit Send. She passed away on September 20, 2022, and is now in my room, listening without recourse. Happily, Vincent's mother is, as of this date, still listening in her body to this epic of care. Andrei Codrescu

Codrescu has an amazing instinct for comic revelatory detail (and can) make provocative . . . connections among the stray facts of the everyday.--San Francisco Chronicle. The reason he's adored is that he's smack in the tradition of the lovable, unthreatening curmudgeons such as Fred Allen and Andy Rooney. . . . Quite a feat.--Booklist.

Award-winning writer Andrei Codrescu reimagines how Sheherezade saved Baghdad's virgins and her own life through a heroic feat of storytelling--one that kept the Persian king Sharyar hanging in agonizing narrative and erotic suspense for 1001 nights. --publisher's description.

"One day, a young man receives an unexpected letter from his grandmother, kicking off a literary adventure that brings home to him everything he has not seen. Once Upon Argentina relates the lives of the narrator's relatives-- a group of people from all over the world gathered in a land where immigrant traditions merge and thrive. The lives of these relatives intersect, like a set of Matryoshka dolls or a hall of mirrors, as the personal and social stories of twentieth century Argentina converge. Beyond these tales of hardship and triumph, Andres Neuman's novel experiments with the nature of the autobiography, encompassing prenatal memories, expanding the autofiction genre with a new voice and twist. Merging present and past, collective experiences and his own, the narrator explores a genealogy populated by unforgettable characters, offering us the story of the construction of a country, his Argentine childhood, and his early literary discoveries.With extraordinary delicacy and intensity, combining elegy, tragedy, and humor, Andres Neuman reveals a world as real as it is fantastic, as strange as it is our own. Once Upon Argentina is a coming-of-age tale, a political novel, and a love letter to the absent ones."--Publisher's website

In his 2 terms as prime minister, from 1963–1968, Lester B. Pearson oversaw the revamping of Canada through the introduction of Medicare, the Canada Pension Plan, the Commission on Bilingualism and Biculturalism, the Auto Pact, and the new Maple Leaf flag. Pearson came to power after an impressive career as a diplomat, where he played a vital role in the creation of NATO and the United Nations, later serving as president of its General Assembly. He put Canada on the world stage when he won the 1957 Nobel Peace Prize for his handling of the Suez Crisis, during which he brokered the formation of a UN peacekeeping force. Author Andrew Cohen, whose books have focused on Canada’s place in the world, is the perfect author to assess Pearson’s legacy.

André Gorz’s earlier books—from Ecology as Politics to Farewell to the Working Class and Paths to Paradise —have informed and inspired the most radical currents in Green movements in Europe and America over the last two decades. In Critique of Economic Reason , he offers his fullest account to date of the terminal crisis of a system where every activity and aspiration has been subjected to the rule of the market. By carefully delineating the existential and cultural limits of economic rationality, he emphasizes the urgent need to create a society which rejects the work ethic in favor of an emancipatory ethic of free time. At the heart of his alternative is an advocacy not of “full employment,” but of an equal distribution of the diminishing amount of necessary paid work. He presents a practical strategy for reducing the working week, and develops a radical version of a guaranteed wage for all. Above all, he argues that a utopian vision is now the only realistic proposal, and that “economic reason must be returned to its true—that is subordinate—place.”

This volume contains the original lecture notes presented by A. Weil in which the concept of adeles was first introduced, in conjunction with various aspects of C.L. Siegel’s work on quadratic forms. Serving as an introduction to the subject, these notes may also provide stimulation for further research.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

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