The East is no longer remote. Events there penetrate our consciousness in a new way, and Oriental thought now exerts a stronger fascination for Western minds than ever before.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Keter is a close reading of fifty relatively brief Jewish texts, tracing the motif of divine coronation from Jewish esoteric writings of late antiquity to the Zohar, written in thirteenth-century Spain. In the course of this investigation Arthur Green draws a wide arc including Talmudic, Midrashic, liturgical, Merkavah, German Hasidic, and Kabbalistic works, showing through this single theme the spectrum of devotional, mystical, and magical views held by various circles of Jews over the course of a millennium or more. The first portion of the work deals with late antiquity, emphasizing the close relationship between texts of what is often depicted as "normative" Judaism and their mystical/magical analogues. The mythic imagination of ancient Judaism, he suggests, is shared across this spectrum. The latter portion of the work turns to the medieval Jews who inherited this ancient tradition and its evolution into Kabbalah, where keter plays a key role as the first of the ten divine emanations or sefirot.The nature of these sefirot as symbols and the emergence of a structured and hierarchical symbolism out of the mythic imagery of the past are key themes in these later chapters. As a whole, Keter takes the reader on an exciting tour of the interior landscapes of the Jewish imagination, offering some remarkable insights into the nature of mystical and symbolic thinking in the Jewish tradition.Originally published in 1997.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The great power rivalry surging across Africa today is a heritage of those European statesmen who a century ago in Berlin ruled straight lines on school atlases to carve up a continent--and whole nations with it--into tidy colonial compartments. With African states searching for a political identity in the post-colonial era, the superpowers are now j

ComedyCharacters: 6 maleInterior Set Despite the title, it has intense meaning for these times. The scene is a room in a wealthy country club, to which the men's committee is hastily summoned early one morning after a carousing dance. Problem: what to do about the 16 luscious but low life females who drove up in a Rolls Royces and then proceeded to the tennis courts, where they are now disporting. While the committee huddles, we learn that they are the vulgar, crass people. They are good for nothing but blustering and simpering. It is the attendant, far more refined than they, who is invited out to play with the bevy of beauties, just before the final assault and the collapse of their cardboard world in The Day the Whores Came Out to Play Tennis and Other Plays.

Queen Elizabeth’s spymasters recruit an unlikely agent—the only Muslim in England—for an impossible mission in a mesmerizing novel from “one of the best writers in America” ( The Washington Post ) “Evokes flashes of Hilary Mantel, John le Carré and Graham Greene, but the wry, tricky plot that drives it is pure Arthur Phillips.”— The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE WASHINGTON POST The year is 1601. Queen Elizabeth I is dying, childless. Her nervous kingdom has no heir. It is a capital crime even to think that Elizabeth will ever die. Potential successors secretly maneuver to be in position when the inevitable occurs. The leading candidate is King James VI of Scotland, but there is a problem. The queen’s spymasters—hardened veterans of a long war on terror and religious extremism—fear that James is not what he appears. He has every reason to claim to be a Protestant, but if he secretly shares his family’s Catholicism, then forty years of religious war will have been for nothing, and a bloodbath will ensue. With time running out, London confronts a seemingly impossible question: What does James truly believe? It falls to Geoffrey Belloc, a secret warrior from the hottest days of England’s religious battles, to devise a test to discover the true nature of King James’s soul. Belloc enlists Mahmoud Ezzedine, a Muslim physician left behind by the last diplomatic visit from the Ottoman Empire, as his undercover agent. The perfect man for the job, Ezzedine is the ultimate outsider, stranded on this cold, wet, and primitive island. He will do almost anything to return home to his wife and son. Arthur Phillips returns with a unique and thrilling novel that will leave readers questioning the nature of truth at every turn.

"The ageing civil servant Eduard Saxberger has banished all hope of literary renown. His one collection of youthful verse never led to the glittering career he hoped for, and he has resigned himself to the fact that he'll live out his life as, after all, just an ordinary man. Until, that is, a young admirer seeks him out and declares his deepest admiration for his early poems. He invites Saxberger to join him and his circle of fellow writers, who regularly meet at one of Vienna's grand coffee houses: Saxberger is their model, their literary hero. Embarrassed at first, the old man eventually gives in, flattered and fascinated by the self-styled 'Enthusiasts' (not to be confused, of course, with the 'Talentless', who sit at the other tables in the café). Will Saxberger find the inspiration he needs to write a new masterpiece? Will he be able to help the Enthusiasts to attain the public recognition for which they hunger? Will he, indeed, find late love as well as late fame? Ah, but everything is not as it seems... by Arthur Schnitzler (b. 1862 in Vienna), who qualified as a doctor but was increasingly driven to a career in writing, resulting in several celebrated plays, novellas and novels which explore the great existential subjects of the modern age: relationships, love, sex, ageing and death. Because his work dealt with subjects considered taboo, he frequently attracted the hostility of the authorities, consequently losing his position as Chief Medic in the Reserve Army and being tried for disorderly conduct. Schnitzler was close friends with Stefan Zweig and Sigmund Freud, who both admired him greatly, and a member of the 'Young Vienna' circle of writers who regularly met at a café nicknamed 'Café Megalomania' - the very same clique and café he satirises so deliciously in Late Fame. Schnitzler died in 1931."-- Publisher's website.

Arthur Green is Rector of the post-denominational Rabbinical School and Irving Brudnick Professor of Jewish Philosophy and Religion at Hebrew College in Newton, Massachusetts. Originally ordained as a Conservative rabbi, Green considers himself a neo-Hasidic Jew, identifying with none of the established Jewish denominations. He combines historical knowledge of the Jewish mystical tradition with an original constructive theology. Recognized as both a rabbi and a scholar, Green has sought to make spiritual pursuit an essential part of committed Jewish life. Through scholarship, educational work, and popular teaching, he has contributed to the growth and vitality of Judaism in America and helped promote neo-Hasidism as Jewish spirituality for the 21st century.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Representing the spectrum of subfields within Jewish Studies, the contributing scholars to this volume use beginnings as a hermeneutic stance to analyze texts in their area. While each essay is a significant contribution to its own subfield - Bible, Talmud, Kabbalah, Modern Jewish Thought, Feminist and Cultural Studies - the essays taken as a whole present new possibilities for exploring the space that is Jewish Studies and beginning an inquiry into what might constitute a definable hermeneutics of Jewish texts.

A darkly comic novel about the bizarre realities of life in Israel today. 'Why is everyone so paranoid in this country? Can't dark guys get on buses with suit bags any more?' Eitan Enoch - 'Croc' to his friends - is taking his usual bus to work in Tel Aviv one morning when a fellow passenger starts to worry about the dark-skinned man with the suit-bag sitting up at the front.Thus begins a week of bloody bombings and bloodier reprisals, at the end of which Croc is transformed into an inadvertent national celebrity: 'CrocAttack - the man the terrorists couldn't kill!' Naturally, the Palestinian cell behind the attacks are less than happy about this reluctant symbol of Israeli defiance. They may not have been after him before, but they are now. Meanwhile, in a hospital somewhere in Jerusalem, a young Palestinian suicide bomber lies in a coma, fighting for his life and trying to piece together how he got there - and just exactly what happened when he finally met the Croc... Fast as a thriller, blackly funny and very contemporary, 'CrocAttack!' is the story of the lethal convergence of two very different lives, and a tragicomic portrait of the country exploding around them.

"Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein; 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago."--

"Everyone has a complaint, but nobody likes a complainer. Rather than making things better a complaint can just make things worse. Often its only relief is the harmless and temporary release of steam. But it can also pose as criticism in one of several seemingly respectable forms. In Complaint, Avital Ronell looks at how complaints and complainers have been treated in literature and philosophy, in feedback loops that pay little attention to injustice and suffering. Beginning with Hamlet, and with open awareness of her own experiences, Ronell proceeds to show how complaining is aggravated, distracted, stifled, and transformed. She looks at exemplary complaints made by Friedrich Nietzsche, Hannah Arendt, and Barbara Johnson. She examines the complaint riven history of deconstruction. Renowned for her courage in taking on painful subjects with candor and wit, Ronell dares to listen to the haunting complaints of the dead"--

Beginning with Nietzsche's discovery of the experimental disposition, Ronell explores testing's ascension to truth in modern practice. To know something, and to know that it is true, has never been a simple matter of recognition and assent. Instead, increasing numbers of tests of ever increasing complexity have been established to determine and constitute what is true, probable, or verifiable. Tests are pervasive, and inflect the master-narratives of our historical existence. The Bible dramatically presents tests of Abraham and Job, great works of literature track the tested subject, the vast apparatus of modern science and technology is built upon extraordinarily exacting tests, and the need for truth in times of trial and crisis links state-run testing apparatuses to events of arrest, torture, and death. On the evening of 9-11 the President of the United States said, We are being being tested. What propels this drive to test? What can satisfy it? What is the subterranean history of its effects? In The Test Drive, internationally acclaimed scholar Avital Ronell explores vast areas of testing in the works of Husserl, Popper, Freud, Lyotard, Derrida, and others, including Zen ph

In the late nineteenth century, several U.S.-based companies, which merged into the United Fruit Company in 1899, began to build railroads and cultivate bananas in Costa Rica's Atlantic Coast province of Limon, recruiting mainly Jamaican workers. The society that developed in Limon was an English-speaking enclave of white North American managers and black West Indian workers, with a culture and history distinct from that of the rest of Costa Rica. This detailed and informative study of the banana industry on Costa Rica's Atlantic Coast, focusing on the lives of the industry's workers, explains why the United Fruit Company was never able to maintain the kind of social and economic control it sought over its workers and how the workers managed to create a vibrant alternative social and economic system around the plantation. West Indian Workers and the United Fruit Company in Costa Rica, 1870-1940 is among the first studies of the social history of multinational corporations and makes a significant contribution to current scholarship on plantation societies and labor systems, the history of medicine, the social and labor history of Central America, and Afro-Caribbean history.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"In a world that is constantly awake, illuminated and exposed, there is much to gain from looking into the darkness of times past. This fascinating and vivid picture of nocturnal life in Middle Eastern cities shows that the night in the eighteenth-century Ottoman Empire created unique conditions for economic, criminal, political, devotional and leisurely pursuits that were hardly possible during the day. Offering the possibility of livelihood and brotherhood, pleasure and refuge; the darkness allowed confiding, hiding and conspiring - activities which had far-reaching consequences on Ottoman state and society in the early modern period. Instead of dismissing the night as merely a dark corridor between days, As Night Falls demonstrates how fundamental these nocturnal hours have been in shaping the major social, cultural and political processes in the early modern Middle East"--