"Did you know that DNA extracted from a laboratory mouse and injected into the cells of a common fruit fly has produced eyes on the legs of that fly? Eyes, young miss, eyes. Think of what you've just read." Lovecraftian stories are the bread and butter of the true horror fan. During his lifetime, Lovecraft himself encouraged other writers to develop stories in the vein we now call Lovecraftian: horror, based around the idea that Earth had been colonized by malign aliens in the remote past, long before mankind arose and became civilized, who eventually became worshipped and feared as evil Gods by their human servitors.Eventually these aliens had been "banished" to another dimensional limbo by a benign Elder Race, but might one day return to reclaim the Earth "when the stars are right." That deep seated unease threads through this collection of Richard. A Lupoff's short stories that seem to share a common universe. Praise for Richard A. Lupoff: "Lupoff writes with intelligence, humour, wisdom, and a zest for life." - Joe Gorges, author of Hammett . Richard A. Lupoff began his writing career as a print and broadcast journalist while attending university. After earning his degree he served twice in the United States Army, first as an enlisted man, then as an officer. Following military service he worked for twelve years in the computer industry, while also serving as a guest lecturer at universities including the University of California (Berkeley) and Stanford University. As author and editor he has written more than fifty volumes, ranging from science fiction, mystery, fantasy, horror, and mainstream fiction to the evolution of cartooning and comics. He is a past winner of the Hugo Award, and a finalist for the Nebula and Oscar Awards. He has achieved the rare distinction of being represented in "Best of the Year" anthologies in three fields: science fiction, mystery, and horror.

Includes 12 science fiction stories that comprise various genres, from mystery to science fiction to autobiographical fiction. This book contains a Sherlock Holmesian mystery, a Walter Mitty-like escape into the world of software, and a Cthulhu Mythos tale in the Lovecraft tradition.

Gonchev, schooled in Japan by disciples of Kurosawa, admits to only one Film. As Director, making movies for a Balkan enclave, he, together with his vast movie lot and sets, is already a legend. He finds himself an honored prisoner, and his grim hosts, including the "Committee," in this unforgettable seriocomic world will not release him to see the great cities of his remarkable imagination. Vuksica, his splendidly loyal wife, once a wanton movie star, plans otherwise. She takes a brigand lover. Gonchev is shanghaied out, not to the Paris of his dreams but to the U.S.A. Taken to be one of our once-adored "dissidents," he is paraded on the college circuit. Accompanied by the touching Roko, his translator and mistress, carrying as talisman a gutted camera, he encounters New York, tours the heartland, then emerges into a California earthquake. He has seen America, from its sad streets to its billionaire countrysides, with his film-loving eye. This is a novel out of the world of Milan Kundera, Heinrich Boll, and Danilo Kis, as international as an airplane, flying beyond the political. Immensely quotable, like Gonchev himself, it has the tenor of a European film, with an opera of characters, all singing for their lives. Once more, Calisher astounds.

Among the first of Gerald Abraham's many books were studies of Tolstoy and Dostoevsky, and his knowledge of Russian literature and culture has provided the key to his extensive research into the history of Slavonic music. Studies in Russian Music brings together critical essays on the most important of Rimsky-Korsakov's operas, and others such as Borodin's Prince Igor , Dargomizhsky's Stone Guest , and also includes chapters on Glinka, Mussorgsky, Balakirev and Tchaikovsky, copiously illustrated by music examples. In his Preface the author 'Although this is a book of separate essays, it is, I hope, given a certain unity by the fact that each chapter deals with some product or aspect of the 'classical' period of Russian the music of Glinka and, more particularly, that written in the half-century following his death. I have almost ignored Mussorgsky and Tchaikovsky, preferring to concentrate on the less discussed members of the 'mighty handful,' above all on Rimsky-Korsakov who has hitherto been unaccountably neglected by non-Russian critics. But in these studies of some of Korsakov's operas I have concerned myself only with certain aspects of them ... in the attempt to investigate the working of the composer's musical mind.' Essential reading for all students and lovers of Russian music.

The stories in this collection explore the complex worlds of lovers, poets, lawyers, immigrants, students, and murderers. They tell of corporate betrayals and lost opportunities, and of the obsessions, hopes, fears, and vagaries of desire.

Product Description From Edeet Ravel, internationally acclaimed author of the Tel Aviv Trilogy, comes a deeply personal novel about an unexpected friendship. Maya and Rosie meet one day at the local dry cleaner's and their instant friendship blossoms into an inseparable bond. Both are children of holocaust survivors, but where Maya refuses to become entangled in the past, Rosie is inexorably drawn into her parents' haunted world. Your Sad Eyes and Unforgettable Mouth is a deeply resonant novel about the strength and nature of friendship, the weight of the secrets we keep, and whether or not we are ever able to truly live beyond the past. About the Author Edeet Ravel is the recipient of the Hugh MacLennan Prize for Look for Me and the Canadian Jewish Book Award for A Wall of Light, which was also shortlisted for the Giller Prize and the Canadian/Caribbean Commonwealth Prize. Ten Thousand Lovers was a finalist for the Governor General’s Literary Award and the Koret Jewish Book Award. Her most recent novels are the critically acclaimed Your Sad Eyes and Unforgettable Mouth and The Last Rain. Edeet was born on a kibbutz in Israel and has a Ph.D. in Jewish Studies.

Whom do we choose when we fall in love? How do we make the love-object into what we want? These are questions which only became important at the end of the nineteenth century, as Freud began to formulate a new discipline which would be called psycholanalysis. Freud argues Klaus Theweleit, was the first theoretician of the new situation: boy versus girl in the world series of love. Theweleit looks at a number of relationships: Alfred Hitchcock and Alma Reville; the triangle of Hannah Arendt, Martin Heidegger and Elfriede Heidegger; Jung and Sabina Spierlrein. But the key figure is Freud himself. Who would, who could Freud choose? As it happened, Freud proposed to Martha Bernays. The 1,500 letters of Freud’s courtship became something like the first psychoanalysis; without knowing it, Martha Bernays became an analytic-instance. But Object-Choice is not only a study of the founder of psychoanalysis, it is also an illuminating lexicon of love in the twentieth century. Freud is accompanied here by Jimi Hendrix, the Kinks and the Velvet Underground. Like Theweleits’s Male Fantasies , this is a collage book, mixing auto-biography, theory and pop culture, and always haunted by history, above all the history of Nazism. As an epilogue, Theweleit brings Freud back to the scene of his courtship, and the Beatles back to Hamburg, in an exploration of that city’s Wandsbek district, once home to an important Jewish community. His comments on the transformations and destruction that Wandsbek has endured form an elegiac tribute to German Jewry, and a powerful conclusion to this remarkable book.

"A contentious, deeply moving ode to friendship, love, and urban life in the spirit of Fierce Attachments A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness, whose friendship has "shed more light on the mysterious nature of ordinary human relations than has any other intimacy" she has known. The exchange between Gornick and Leonard acts as a Greek chorus to the main action of the narrator's continual engagement on the street with grocers, derelicts, and doormen; people on the bus, cross-dressers on the corner, and acquaintances by the handful. In Leonard she sees herself reflected plain; out on the street she makes sense of what she sees. Written as a narrative collage that includes meditative pieces on the making of a modern feminist, the role of the flaneur in urban literature, and the evolution of friendship over the past two centuries, The Odd Woman and the City beautifully bookends Gornick's acclaimed Fierce Attachments, in which we first encountered her rich relationship with the ultimate metropolis"--

Beginning with women's most common complaints about men, this study explores the psychology of the male and identifies the divergent attitudes that separate men and women

"THE LOVE BOOK", transcendental jewel of American Poetry, banned as part of an illegal program of harassment, arrests, and mass confiscations instituted by then-governor Ronald Reagan, is back in all its notorious glory to claim its rightful place in San Francisco literary history.

This collection contains some of the most important works by one of the twentieth century's most popular and influential poets. The appeal of Fried's verse lies in its simplicity and directness, whether he is writing – with his customary humanity, honesty and perception – about love, about political and moral issues, or about the problems brought on by illness, bereavement, ageing and death. This bilingual edition – with English translations by Stuart Hood, his long-term friend and colleague at the BBC – enables the reader to get a flavour of the original of these immensely enjoyable and enlightening poems.

This novel holds within its pages an unusual love story that spans three decades and three continents. When Max first meets Esther, she is a young Australian girl filled with passion for life and boundless enthusiasm. His love for her continues through all the changes that take place in her life - her move from London, where they meet, to Jerusalem where she explores the Judaism that until then was just on the fringe of her life; the literary prize she wins that brings her back into his orbit; her commitment to Israel that breaks their relationship; and then finally, a coincidental meeting in the middle of a war in Lebanon. Max never stops loving Esther, even as she matures from a naive girl to a woman of depth and wisdom. Love takes many forms, and readers will experience all the complexities of emotion as they discover the ties that bind a man to a woman.

Like most people, Vic Mullan, habitual drug-user, professional layabout, and amoralist extraordinaire, can remember where he was and what he was doing on the day of Princess Diana's death. Yes, he can remember it particularly well: he was at home, beginning an affair with Emma, his best friend's wife.The opening sections of David Baddiel's second novel chart the history of an intense and passionately sexual liaison set against the background of the most hysterical - in both senses of the word - time in recent memory. But as the months wear on, and life and love return to normal, so things become more complex between Vic and Emma. And then, tragedy - a real, local, small-scale tragedy, as opposed to a national, iconic, mythological one - intervenes. Part-satire, part-love story, part-whodunnit, and part-meditation on the nature of sex and death, Whatever Love Means is truly a tale for our times

Love, Michigan, is famous for Winterfest, an annual athletic competition, but Tara, Erin, and Noelle are about to find out that there's a lot more to Winterfest than sports.

"New York in the 1950s. A man on a barstool is telling a story about a woman he met in a bar, early married and soon divorced, her child farmed out to her parents, good-looking, if a little past her prime. They'd gone out, they'd grown close, but as far as he was concerned it didn't add up to much. He was a busy man. Then one day, out dancing, she runs into a rich awkward lovelorn businessman. He'll pay for her to be his, pay her a lot. And now the narrator discovers that he is as much in love with her as she is with him, perhaps more, though it will take him a while to realize just how utterly lost he is." -- (provided by publisher)

Now available as a New Directions paperbook, Love and Terror, William Herrick's second novel with ND, both reflects and anticipates today's headlines. Terrorist kidnappings, hijackings, and dramatic rescues all form a part of the plot, but Herrick's interest lies less in tension-filled heroics than in the human cost of flawed idealism. Through the notebook of the principal terrorist, Viktor X, the complex characters of Viktor and Gabriele, for whom love and terrorism are intertwined and inseparable, are revealed. And in a series of interviews with a nameless reporter, the lives of three disillusioned revolutionaries--"the old ones," now hostages to a new brand of revolution--gradually and movingly unfold. In his earlier Shadows and Wolves (New Directions, 1980), Herrick showed us the possibility of human solutions that transcend politics. In Love and Terror he shows us why any ideology, inflexibly adhered to, makes such solutions necessary.

True Love Waits brings together fifteen years of Kaminer's best writings from publications including The Village Voice, The New York Times, Mirabella, and The Atlantic - thoughtful, acerbic, and prescient essays that have helped us understand ourselves. Though her topics range from popular culture to politics and law, and her thinking has evolved over the years, her concerns have remained constant. This is no accidental collection but a cohesive set of reflections on fundamental themes - self-reliance, justice, sex, and civil liberty. First and foremost, Wendy Kaminer is concerned with feminism, a diverse and conflictual movement that includes among its adherents women who oppose pornography and women who consume it, women who want to integrate the military and women who'd like to dismantle it. A longtime proponent of equality feminism, Kaminer has been surveying the feminist landscape for over a decade, mapping its contradictory ideologies. She was also a critic of popular celebrations of victimhood long before criticism of victimism became fashionable, and Kaminer turns from questions of personal responsibility raised by the feminist movement to questions of accountability in the criminal courts. A onetime practicing attorney, her early writing on our confusion about crime, punishment, and retribution and the balancing of social injustice with the demands of criminal justice seems practically clairvoyant today. She examines the equation of the personal and the political, in the courts, the feminist movement, and the culture at large and finds a tendency to trivialize the political and inflate the personal to sometimes ridiculous proportions. And, of course, she trains her eye on thepersonal development tradition, the subject of her celebrated I'm Dysfunctional, You're Dysfunctional, offering trenchant analyses of self-help literature, popular therapeutic culture, and politics.

Eve a nervous young actress from a powerful theatrical dynasty has found herself married to an international expert on anxiety called Jim. Could it work? Should it work? Across town, tabloid journalist Rebecca Melville is burning all her bridges while her devoted sister Beatrice, a therapist, tries her hardest not to intervene. How far can Eve and Rebecca go without losing the admiration of the people they love? From the West End stage to the depths of the gutter press via Chicago, counselling and Checkhov, this funny and heartbreaking story asks: do we get what we deserve in life? Must the show always go on?

Intense and deeply personal, this compilation of poetry, grapples with the reality of death, loss, and finding meaning in the face of life's finitude in contemporary times. For over three decades, Simcha Paull Raphael has written scholarly books on death and the afterlife, including his groundbreaking study Jewish Views of the Afterlife. In this collection of thirty-six poems, Raphael invites us into the inner sanctum of his own intimate wrestling with death and loss. As Rabbi Jill Hammer writes in the Foreword: "Raphael has done the brave work of exposing his own emotional life, the inner workings of his drive to address mortality and immortality. In a sense, he has let us know the behind-the-scenes of his academic and spiritual work." The poems herein reflect and wrestle with a spectrum of topics: the gamut of Jewish death rituals (funeral & shiva, Kaddish & Yizkor); personal tributes to the author's deceased parents; his journey of making meaning in the face of grief and loss; challenges of love and marriage; the vicissitudes of family life; and thoughtful poetic reflections on the state of the world today. As a book mirroring the universal journey of awakening to the reality of life's finality and eternity, Musings with the Angel of Death speaks to the heart and soul.