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Folktales of the Jews

Noy, Dov
Thanks to these generous donors for making the publication of the books in this series possible: Lloyd E. Cotsen; The Maurice Amado Foundation; National Endowment for the Humanities; and the National Foundation for Jewish Culture Tales from Arab Lands presents tales from North Africa, Yemen, Lebanon, Syria, and Iraq in the latest volume of the most important collection of Jewish folktales ever published. This is the third book in the multi-volume series in the tradition of Louis Ginzberg?s timeless classic, Legends of the Jews . The tales here and the others in this series have been selected from the Israel Folktale Archives (IFA), named in Honor of Dov Noy, at The University of Haifa, a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This series is a monument to a rich but vanishing oral tradition. This series is a monument to a rich but vanishing oral tradition.
Jewish Publication Society 2006 844 pages

Good Morning New York A New Musical

Jacklyn Thrapp,Jackson Bell,Dylan Adler
Good Morning New York: A New Musical is written by Emmy(R) award-winning journalist Jacklyn Thrapp. It is co-composed by Thrapp, Jackson Bell and Dylan Adler. "Amazing Musical" - CBS New York "This is a must see production" - Fox 31 Denver "Entertaining and heartfelt" - PIX11 News The Off-Broadway musical, follows a group of success-starved journalists navigating the graveyard shift at a failing news station. The musical comedy explores why we work jobs we hate and what it will take to quit. Good Morning New York is inspired by real Journalists. Visit GoodMorningNewYorkMusical.com for more information.
Lulu.com 2019-10-07 82 pages

Kino-eye: the writings of Dziga Vertov

Vertov, Dziga
Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work—in both sound and silent forms—has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
University of California press 1984 344 pages

Kino-eye: the writings of Dziga Vertov

Vertov, Dziga
Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work--in both sound and silent forms--has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
University of California Press 1984 344 pages

Zum Problem Der Einfühlung Das Wesen Der Einfühlungsakte, Die Konstitution Des Psychophysischen Individuums & Einfühlung Als Verstehen Geistiger Personen

Edith Stein
Aus dem Buch: "Wir haben bisher immer vom reinen Ich als dem sonst unbeschreiblichen qualitätlosen Subjekt des Erlebens gesprochen. Wir haben bei verschiedenen Autoren - z. B. bei Lipps - die Auffassung gefunden, daß dies Ich kein individuelles sei, sondern es erst werde im Gegensatz zum Du und Er.Was besagt diese Individualität? Zunächst nur, daß es es selbst ist und kein anderes. Diese Selbstheit ist erlebt und Fundament alles dessen, was mein ist. Zur Abhebung gegenüber einem anderen kommt es natürlich erst, wenn ein anderes gegeben ist. Dieses ist von ihm zunächst nicht qualitativ unterschieden - da ja beide qualitätlos sind -, sondern nur dadurch, daß es eben ein anderes ist. Und diese Andersheit bekundet sich in der Art der Gegebenheit; es erweist sich als ein anderes als ich, indem es mir anders gegeben ist als ich: darum ist es Du; aber es erlebt sich so, wie ich mich erlebe, und darum ist das Du ein anderes Ich. So erfährt das Ich keine Individualisierung, indem ihm ein anderes gegenübertritt, sondern seine Individualität, oder, wie wir lieber sagen wollen, (weil wir die Bezeichnung Individualität noch für etwas anderes aufsparen müssen) seine Selbstheit kommt zur Abhebung gegenüber der Andersheit des andern." Inhalt: - Das Wesen der Einfühlungsakte - Die Konstitution des psychophysischen Individuums - Einfühlung als Verstehen geistiger Personen - Edith Stein (1891-1942), war eine deutsche Philosophin und Frauenrechtlerin.
Chicago Review Press Incorporated DBA Independ Pub Group 2018-04-23 108 pages

Lacan and theological discourse

Edith Wyschogrod,David Crownfield,Carl A. Raschke
The authors examine implications of Jacques Lacan's psychoanalytic theory of discourse for the understanding of theological language. Topics include self, desire, post-structuralism, the unconscious, the father's rule, dwelling (in Heidegger's sense), Anselm, ontological argument, alterity, utopia, signifiers/signifieds, God, reason, and text.
State University of New York Press 1989-01-01 179 pages

Desire for a beginning: Dread of one single end

Jabès, Edmond
Published for the first time in English, this is the last substantial work by the late French author Edmund Jabès, presented here with the subtle digital images of Ed Epping. In a series of short aphorisms, Jabès continues his lifelong interrogation of "The Book" both within the Jewish cultural tradition and twentieth-century modernism. Jabès' life work is driven in part by Mallarmé's concept of the limit, of the space beyond limits, and the space defined by such a limit. His work is pervaded by a sense of melancholy and loss, and never so much as in Desire for a Beginning/Dread of One Single End, as its title would suggest. Even in his last work, Jabès continues to struggle admirably with questions of being and not-being, of life and art, displaying the intelligence and passion of a great writer.
Granary Books 2001 51 pages

The book of questions. Vol. 1. The book of questions ; The book of Yukel ; Return to the book

Jabès, Edmond
A meditative narrative of Jewish Experience and man's relation to the world. The Book of Questions, of which volumes IV, V, VI are together published here, is a meditative narrative of Jewish Experience, and, more generally, man's relation to the world. In these volumes the word is personified in the woman Yaël, silence in her still-born child Elya. Even though words imply ambiguity and lies, they are the home of the exile. A book becomes the Book, fragments of the law that are in some way unified, where past and present, the visionary, and the common place, encounter each other. For Jabès every word is a question in the book of being. Man defines himself in the world against all that threatens his existence- death, the infinite, silence, that is, God, his primal opponent. How can one speak what cannot be spoken?
Wesleyan University Press 1991-09 402 pages