Few encounters in antiquity have had more profound consequences than the encounter between Greek culture and that of Republican Rome during the third and second centuries B.C. Focusing on the response of the ruling elites, for whom Hellenic literature, religion, and visual arts were at once intimidating and irresistibly appealing, Erich S. Gruen offers a compelling account of the assimilation and adaptation of Greek culture by the Romans. Gruen examines such key cultural developments in the history of Republican Rome as the adaptation of the legend of Troy to create a special place for Rome within Hellenic traditions, and Cato's campaign to distinguish Roman cultural achievements by comparing them to those of the Greeks. He describes the diverse purposes - civic, religious, and political - for which the Romans used Greek art, as well as the development of distinctively Roman artistic expression in portraiture, historical reliefs, and comic drama within a Hellenic context. In addition, he accounts for the perseverance of two competing strains within Republican Roman culture: on the one hand, philhellenism, and on the other, the subordination of the Greek legacy within the living Roman tradition. Gruen shows that this complex process of cultural transformation served to sharpen the Romans' sense of their own values, their national character, and their international responsibilities. Demonstrating that the Roman response to Hellenism was far more subtle and dynamic than has generally been acknowledged, Culture and National Identity in Republican Rome will be welcomed as an outstanding contribution by readers interested in ancient history, classical literature, and the history of art.

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Argues that the major difference between communism and Western democracy was the existence of intermediary institutions, such as trade unions, political parties, religions, and clubs

At a time when many repentant leftists are proclaiming Marxism incapable of explaining the new phenomena of the last quarter of the twentieth century, Ernest Mandel reminds us that Marxism drew from its very inception on the advances of all the social sciences and emancipation movements of its time.In a survey of the multiple sources of Marx and Engels' theory, Mandel identifies the specific contribution of the two friends in the various disciplines to which they applied themselves: philosophy, political economy, social history, revolutionary organization, self-organization of the working class, emancipation movements, and internationalism. Concluding that Marxism "constantly learns from perpetually changing reality" and that it is the conscious expression of the real movement of workers toward self-emancipation, Mandel proposes a formula which provides for a dialectical interaction between innovation and the verification of established tenets.

Consists of the third of the John Dewey lectures delivered at Columbia University under the department of Philosophy and eleven additional essays. Focuses on the logic of scientific inquiry and some of its limitations.

In this important study Ernst Cassirer analyzes the non-rational thought processes that go to make up culture. He demonstrates that beneath both language and myth there lies an unconscious "grammar" of experience, whose categories and canons are not those of logical thought. He shows that this prelogical "logic" is not merely an undeveloped state of rationality, but something basically different, and that this archaic mode of thought still has enormous power over even our most rigorous thought, in language, poetry and myth. The author analyzes brilliantly such seemingly diverse (yet related) phenomena as the metaphysics of the Bhagavat Gita, the Melanesian concept of Mana, the Naturphilosophie of Schelling, modern poetry, Ancient Egyptian religion, and symbolic logic. He covers a vast range of material that is all too often neglected in studies of human thought. These six essays are of great interest to the student of philosophy or the philosophy of science, the historian, or the anthropologist. They are also remarkably timely for students of literature, what with the enormous emphasis placed upon "myth" in modern literary speculation. This book is not superficial speculation by a dabbler, but a penetrating study by one of the most profound and sensitive philosophic minds of our time.

Dust jacket design by Alan Harmer & Jeffrey Matthews. Includes many black & white photographs & index. The music of Mahler, Schoenberg, Webern, Berg, & Britten by one who both knew and worked with them.

Esther Schor’s poems live where the poet who must choose—rhyme and rhythm; the wayward fortunes of travel, art and myth—meets the given of everyday life: children and comets, punchlines and snow. In her formal sequence, "Cumbria," the enduring ruins and rocks of the Lake District tell us our own frailty; they speak of "Death/ how it comes and goes, how a cry/ becomes speech, turns to a whisper." In the title poem, two narrators take us to Sumatra in the late 18th century. The Hills of Holland is a truly ambitious work by an extremely talented writer.

The Follow-Up to Witch Way to the Mall and Strip Mauled from the Creator of the Chicks in Chainmail Series. Here Come the Vampires to Put the Bite on Suburbia. Having inflicted the smug homes of suburbia with witches and werewolves. Esther Friesner now unleashes the undead to tap a vein of blood and humor, and drain the suburbs dry of both. Vampires and the suburbs are a match made in heaven, or maybe Levittown. Remember Dracula? He didn’t run into any real problems until he took his act on the road and traveled to the Big City. But in the suburbs, everyone is polite and respectful of their neighbors’ right to privacy. And if your neighbors happen to have kids selling gift-wrap, magazine subscriptions, cookies, or other school fundraising ploys, and little Emily or Jason happen to come peddling their wares after sundown . . . Who says you have to stay in the city if you want good take-out meals delivered right to your door? There’s no one quite like a vampire for saying, “All of you kids get off of my lawn!” and putting some teeth into it. The stories in these pages—by Sarah A. Hoyt, K.D. Wentworth, Dave Freer and more, including Esther Friesner herself—will convince the reader that vampires and suburbs go together like wine and cheese, gin and tonic, desperation and housewives, marriage and pre-nups. Enter freely and of your own will . . .