Assembling scholarship on the subject of nationalism from around the world, this Research Handbook brings to the attention of the reader research showcasing the unprecedented expansion of the scholarly field in general and offers a diversity of perspectives on the topic. It highlights the disarray in Western social sciences and the rise in the relative importance of previously independent scholarly traditions of China and post-Soviet societies. Nationalism is the field of study where the mutual relevance of these traditions is both most clearly evident and particularly consequential. --

Watching her Russian immigrant mother, Irina, struggle to put food on the table, Nina, a beautiful and restless teenager, vows her life will be different. When a strapping older man in a fancy car appears at school one day offering her luxuries her single mother cannot afford, Nina believes he's her ticket out of her dumpy little town. Ignoring the danger signs and her mother's constant pleas, which end in exhausting screaming matches, she packs a suitcase and leaves home after one last fight. Ten days later, a terrified Nina, her dress torn, is hiding in the stairwell of a Tel Aviv apartment after witnessing a murder she cannot talk about. She is discovered by one of the building's tenants, a confused, lonely old widow who mistakes her for the granddaughter she hasn't seen for a long while, not since her son moved his family to America. "You've come back to me, Dana'le." Instead of correcting the mistake, the desperate Nina jumps at the chance for a place to hide. Hiding from her mother and the dangerous man who are both frantically searching for her, Nina settles into the old woman's apartment. But how long can Nina possibly hide out until the poor woman realizes she's not who she says she is, or before someone else, her homesick son in America who keeps calling, or the lovely local neighbors who drop by with groceries, catches on?

Featuring beautiful images and essays by experts in the field, On the Move provides inspiring new insights into the lifestyles, traditions and achievements of nomadic and semi nomadic pastoral communities from Central Sahara, the Arabian Peninsula and Inner Asia. Published to accompany the exhibition at the National Museum of Qatar (NMOQ) in 2022, On the Move asks readers to reflect on what we might learn from these communities, who traverse difficult terrain and manage physically demanding lives while responding to the seasons and the needs of the animals on whom they depend, and who in turn depend on them. Grounded in research about the everyday lives, histories, technical expertise and cultural creativity of communities from the Central Sahara, Qatar and Mongolia, the book asks if nomads and herders might provide positive models for, and alternative ways to think about, the 'good life'. As we all look to an uncertain future in a world overtaken by consumerism, destructive extraction and deep social inequalities, On the Move asks if pastoralists might have something to teach us. (Quelle: Verlagstext).

What is meant by "romantic irony"? What is specifically romantic about this kind of irony? How does it relate to--and differ from--ordinary, traditional irony? Is it a variant of traditional irony, or an independent phenomenon? Are its lines of demarcation primarily historical or modal? How does it become manifest in a text? What is its impact on the art of narration? These are the questions that Fictions of Romantic Irony addresses. It makes a new approach to romantic irony by envisaging it in a broad European context in relation both to earlier concepts of irony and to traditional uses of irony in narration. Fictions of Romantic Irony shows how irony was transformed in the hands of Friedrich Schlegel, Hegel and Kierkegaard. Through an analysis of six major European narratives of the mid-eighteenth to the mid-nineteenth century it illustrates the reciprocal interplay of theory and practice, and the complex and central role that irony assumes as a shaping aesthetic factor. Using a wide perspective and an original synchronic disposition of texts within its historical framework, it identifies the distinctive philosophical and literary features of romantic irony. Fictions of Romantic Irony presents an important theory of romantic irony, distinguishing it from traditional irony in the handling of fictional illusion and in the dynamics of the tripartite relationship between narrator, narrative and reader. It dispels many common, limiting fictions about romantic irony, and offers a robust understanding of its workings in narrative and its significance for modern fiction.

In this probing collection of poems, Lillian Boraks-Nemetz draws on her own experiences to explore the spiritual and psychological losses suffered by child survivors of the Holocaust. The title points both to the one and a half million children murdered in the Holocaust and to the many child survivors who have lived out their lives as "ghosts" and who continue to search for ways to heal and redeem what was lost.

U+0032ThreeU+0032, a collection of memoirs by Lillian Hellman, comprises three volumes: U+0032An Unfinished WomanU+0033 about her childhood and early years as playwright; U+0032PentimentoU+0033, a series of portraits of the people who made a significant impact in her personal and professional life; and U+0032Scoundrel TimeU+0033, an account of her persecution during the McCarthy witch hunt of the 1950′s.

When Mr. Pig marries Selma Pig, there are many adventures in store for the new family.

With his father's disappearance and a new baby on the way, Oscar Mouse finds the family responsibilities heavy, until the Easter Bunny sends two surprises.

He was a young Texas power-broker. The wealthy scion of the state's most popular governor. And, in 1976, Price Daniel, Jr., shocked his social set by marrying Vickie Carroll, a waitress at the local Dairy Queen--a marriage with tragic consequences. Taking us step by step through the investigation and two trials, this is the behind-the-scenes account of a charmed life destroyed by money, politics, family discord, and sexual perversion. With all the drama of courtroom fiction, it retells the dark secrets of a troubled aristocrat--and the controversial, surprise verdict that will set your heart pounding.--Cover

The daughter of Oliver Golden, an African American expatriate and agrarian activist of the early 1900's, and Bertha Bialek, youngest daughter of Polish American emigres of Jewish descent, Lily Golden has a special place in history. In this account of her experience, Golden provides a connection between the contemporary and historical relationships of America to Russia. Golden offers a distinctly different and refreshing point of view of the lives and experiences of Russia in her often alluring and romantic, sometimes bitterly painful, yet always vivid and intimate details of her life as a dark-skinned Russian surviving in and struggling against turbulent changes. She brings her tale of a sometimes charmed sometimes challenged existence full circle in her descriptions of her ultimate contact with distant relatives in the United States. Lily Golden allows the reader access into her lifelong revelation that family and community ties are boundless by time and geography.--page 4 of cover.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Book; yes, their Book. They had no state, holding them together, no country, no soil, no king, no form of life in common. If, in spite of this, they were one, more one than all the other peoples of the world, it was the Book that sweated them into unity. Brown, white, black, yellow Jews, large and small, splendid and in rags, godless and pious, they might crouch and dream all their lives in a quiet room, or fare splendidly in a radiant, golden whirlwind over the earth, but sunk deep in all of them was the lesson of the Book. Manifold is the world, but it is vain and fleeting as wind; but one and only is the God of Israel, the everlasting, the infinite, the Jehovah."-Jud Süss, 1925. When Feuchtwanger's two best known novels "Jew Süss" ("Power") and "Ugly Duchess" were first translated into English in the 1920s, they caused a tremendous sensation in England and then in America. The critics all hailed Feuchtwanger as the master of the historical novel-the peer of Dumas and Scott but written with the psychology of our own day. "Jew Süss," set in the 18th century Germany (at the time consisting of numerous fragmented independent states), deals with an identity crisis: in order to gain social power, the novel's protagonist attempts to forsake his Jewish heritage and becomes assimilated into the mainstream of German culture. More than that, Süss finds himself being in the position of potential kingmaker. Brilliant, attractive and with an insatiable lust for power, he practically ruled the Duke and his court, pandering to the vices of dissolute nobility, mounting through his intrigues to dizzying heights of power. Süss's only vulnerable spot, however, is his precious, exquisite, gentle daughter, Naomi. When her beauty became exposed to the beastliness of the Duke, tragedy came swiftly after.

An ancient scroll has been discovered in Israel. Caspar Laing, a young and brilliant professor, is asked to decipher it. It contains the directions to the secret location of a priceless artefact. As he makes the treacherous journey into the desert, he is joined by dangerous rivals determined to claim the prize. He must win the race at all costs.

Nicholas Whistler realizes that there is more to his inheritance than just vast amounts of money, when he travels to Prague to steal a secret fortune and a group of dangerous men mistake him for a professional spy and threaten his life. Reprint.

Drawing on documentation only recently made available in the West, this extensively revised and updated edition reflects current views, in Russia and abroad, on the country's past as it approaches the new millennium.

In this newly discovered "third" of a book by one of the most influential literary critics of the postwar period, an elderly poet and novelist turned distinguished mathematical physicist embroils himself in a principled but somewhat absurd conflict, complicating the lives of his admirers. These memorable characters include a beautiful short-story writer; the director of a private foundation and a compromised man of letters; the headmaster of a private school; a wealthy, progressive couple; an au pair from the foundation director's household; and an untried literary man from the Midwest, drawn from Lionel Trilling's own life experiences. The Journey Abandoned was supposed to be a novel about the anomalies of heroic action in a conformist age. Instead, it presents an extremely personal portrait of the life of letters in America.