The rare book dealers who delighted readers with the history of their bookselling days in "Old Books, Rare Friends" now offer the other side of their story -- an intimate look at the joys of a relationship that has lasted more than half a century. When their friendship and business partnership began in the 1940s, Leona Rostenberg and Madeleine Stern were pioneers in a man's world. Now approaching their nineties, the duo, who -- among their many discoveries -- unearthed Louisa May Alcott's pseudonymous blood-and-thunder stories, remains a vibrant institution in the rare book trade, even as the Internet changes their field -- and their community -- forever. After publishing "Old Books, Rare Friends," Rostenberg and Stern received a flood of fan mail asking about their personal lives, and they have responded with poignant honesty and the warmth for which they are famous, as they reflect on their lives and their remarkable partnership. "Bookends" recounts their fascinating histories: family backgrounds, business adventures, the men they did not marry, and their approach to the bittersweet trials of aging. More than just a dual memoir, "Bookends" is also a chronicle of the cultural changes of twentieth-century American life and a loving farewell to the golden age of book collecting. Filled with wisdom and humor, this volume is a tribute to Rostenberg and Stern's passion for the written word -- and for life itself. Catching us off guard with their candor, they offer their insights regarding their business, their way of life, and their worldview. Above all, they present the story of a special relationship. At a time when people find it increasingly difficult to connect, here wehave the seamless story of a shared life. It is the unique product of an earlier time, yet it is a timeless reflection on the very nature of friendship. Though their fantastic partnership is un-reproducible, the ideal they have established, for the integration of one life so completely with another, contains lessons for all of us. Without husband or children they created a loving home when this was uncharted territory for women. They nurtured a business and life partnership that has lasted more than half a century and has only gotten stronger with time. When the passing years began to claim one's hearing and the other's sight, they became each other's eyes and ears. A meditation on aging and togetherness, this book is also the narrative of two pioneering single, Jewish women making their way in tandem through a world largely organized to keep them in their place. It is a gentle, wise story, told in their inimitable style, sparse, unadorned, and honest. Their affirmations supersede their uncertainties. As they write, "Bookends support books and come in pairs...If the word encapsulates our past, it looks also to the future, and to the books -- lived together, written together -- that will follow." They confront the challenges of aging in a no-nonsense tone, and, in facing them, give us an ideal of enduring human friendship that can't help but touch the heart.

On September 11, 2001, veteran comedian David Brenner was in the midst of a 48-week stand-up gig in Las Vegas. Immediately after that day, he cancelled the engagement and instructed his manager to book him on a nationwide tour. He called it the "Laughter to the People" tour, and on it he shared his humor with a grieving nation. Audience response was overwhelming. In this book, Brenner draws on highlights from his stand-up material to show how humor can give us the power to transcend personal and world problems from the unavoidable, like aging, to the uncontrollable, like war. The essays in the book cover a wide range of issues, including fear of flying, aging, marriage and divorce, pets, politics, terrorism, and religion.

Every woman who is facing fifty or has already moved past it will be grateful for this warm, witty exploration of the indignities and epiphanies of midlife, large and small. Suddenly waking up in the middle of the night, for instance, with a non-negotiable need to go to the bathroom. Immediately. Having to let the waistband out on every skirt you own. Discovering one day that you can no longer read the phone book. Finally figuring out what you want to be when you grow up. Realizing that not everyone you love will be here forever and neither will you. Cherishing the present as never before.

This stimulating collection of essays in an autobiographical framework spans the period from 1963 to the present. It encompasses Gerda Lerner's theoretical writing and her organizational work in transforming the history profession and in establishing Women's History as a mainstream field. Six of the twelve essays are new, written especially for this volume; the others have previously appeared in small journals or were originally presented as talks, and have been revised for this book. Several essays discuss feminist teaching and the problems of interpretation of autobiography and memoir for the reader and the historian. Lerner's reflections on feminism as a worldview, on the meaning of history writing, and on problems of aging lend this book unusual range and depth. Together, the essays illuminate how thought and action connected in Lerner's life, how the life she led before she became an academic affected the questions she addressed as a historian, and how the social and political struggles in which she engaged informed her thinking. Written in lucid, accessible prose, the essays will appeal to the general reader as well as to students at all levels. Living with History / Making Social Change offers rare insight into the life work of one of the leading historians of the United States.

As he's chauffeured about in his official limousine, aging City commissioner of Streets Bobbo Druff comes to a frightening realization: he's lost force, the world has started to condescend to him. His once fear-inspiring figure has become everyone's "little old lady." In retaliation, Druff constructs a paranoid plot, his "MacGuffin" within which)he believes) everyone is out to get him. with unabashed enthusiasm Druff starts an illicit affair (in order to incriminate himself), instigates fights with his employees, invents lies for his family- in short, everythingything in his power to create a world in which he is placed safely and firmly at the scandalous center.

"A poignant, compelling, and clear-eyed memoir of a life in music, with the dogged pursuit of composing at its center. Perhaps no art form has ever splintered into as many factions, genres, languages, philosophies, and mutually exclusive audiences as the art of music did in the mid-twentieth century. Allen Shawn's memoir fascinatingly evokes this tumultuous time, while weaving together his art and his life, hinting at their unexpected and sometimes paradoxical interconnections. Shawn grew up in an atmosphere of cultural privilege in New York City, the son of New Yorker editor William Shawn. An instinctive composing prodigy at age ten, it took him until the age of thirty to compose music he was proud of. Shawn sketches his childhood and long apprenticeship, his experiences composing for theater, dance, and concert hall, his forty years as a teacher at Bennington College, and his unexpected emergence as a writer. The book balances an account of his musical evolution, ups and downs, and life choices, offering glimpses into family life and of the many people with whom he interacted, including Leon Kirchner, Earl Kim, Nadia Boulanger, Pierre Petit, Jacques-Louis Monod, J. D. Salinger, John Updike, Benny Goodman, Louis Malle, and Vivian Fine. Along the way, Shawn offers reflections on such issues as social class, aging, loneliness, politics, and music education. In The Realm of Tones: A Composer's Memoir is a unique and touching account of one individual's internal search for self-expression and self-understanding, and of his effort to construct a life around it"--

What is it that most people want to become but nobody wants to be?

Singing to a Bulldog presents the practical and motivational lessons Anson Williams, an accomplished actor, director, singer and producer gleaned from his life experience and words of wisdom from the head janitor at one of his first jobs. Growing up in 1950s California, young Anson William Heimlich showed very little promise. Clumsy, unsure of himself, and made to feel like a failure by his disappointed artist of a dad, Anson started working odd jobs as a teenager to help support his family. His boss at one of these jobs, an aging African-American janitor named Willie, unexpectedly became a mentor—and the lessons he taught young Anson proved to be invaluable throughout his subsequent career as an actor, director, and entrepreneur. In Singing to a Bulldog, Anson Williams (as he came to be known) relates both these lessons and the never-before-revealed stories of the many seminal TV series he has worked on and the famous (and not-so-famous) folks he’s encountered during his 40 years in Hollywood, including: • being directed by Steven Spielberg in his first dramatic role • getting kidnapped by Gerald Ford’s daughter at the White House • subbing for Sammy Davis, Jr., as a headliner with Bill Cosby • being humbled by Sunny, a young volunteer for the Cerebral Palsy National Organization • mentoring Shailene Woodley on the set of The Secret Life of the American Teenager and many more. This compelling read has a cross-generational and broad appeal, combining all the fun of a celebrity memoir with the emotional impact of an inspirational bestseller. With Singing to a Bulldog, Anson Williams brings his gift of storytelling to a new medium in a book that is sure to touch readers’ hearts and lives as profoundly as Willie once touched his.

The character of a person, and the worth of a poet, may be judged by how he or she comes to terms with death. David Ignatow, not in his late 70s, faces the prospect of death squarely and speaks with quiet authority of his puzzlement, anger, grief, and ultimate acceptance. In 66 short poems, that together form one monumental work, Ignatow describes what it is to grow old--the isolation, loss of loved ones, idle hours, long walks --and ponders the elemental conundrum of ceasing to exist: "Why was I born if I have to die,/ buzzed the fly, and buzzed and buzzed." He demonstrates his greatness as a poet when he moves beyond somberness to turn the awe of death into a heightened awareness of life and a force that clarifies how we should spend our brief time on this earth. Divided into three sections, Ignatow's conversational meditations are at first ironic and humorous as he addresses "you fool of a cosmos." He then becomes more personal, considering what his dead parents would think of him as a white-haired old man, recalling the "silent company" of the last years with his aging wife, realizing that "it is death to be alone." Ultimately, he finds solace in the natural world--the sound of rain, smell of grass, warmth of sunshine. Without becoming sentimental or mystical, he sees that death is much the glory and handiwork of god (if there be one) as are the mountains and the flowers, which will also die. The poet turns from self-absorption, sadness and regret to see death's power as a reflection of life's wonder: "I look/ out upon the dark, knowing/ death as one form/ of transcendence, but/ so is life."

Preface / S. Dillon Ripley -- Foreword / Wilton S. Dillon -- Introduction / Allan J. Lichtman -- Essays on the Family -- Lessons from Nature? Monogamy among Humans and Other Mammals / Devra G. Kleiman -- The First Americans: Migrations to a New World / T. Dale Stewart -- Continuity across Generations: The Adams Family Myth / David F. Musto -- The Depression Experience in Mens Lives / Glen H. Elder, Jr. and Richard C. Rockwell -- Changing Risks, Changing Adaptations: American Families in the Nineteenth and Twentieth Centuries / John Modell -- Aging Patterns in Black Families / Jacquelyne Johnson Jackson and Bertram Emmanuel Walls -- Kinship, Community, and Locality in American Culture / David M. Schneider -- The Making of a Community: The Role of Women in an Agricultural Setting / Seena B. Kohl -- Caring for the Insane in Ante-Bellum Massachusetts: Family, Community, and State Participation / Barbara G. Rosenkrantz and Maris A Vinovskis -- Roots of the American Family: From Noah to Now / Francis L.K. Hsu -- Workshops and Colloquia -- Family Photo Interpretations (Participants: Joan R. Challinor, Jonathan Garlock, Judith Mara Gutman, Amy Kotkin, Catherine Hanf Noren, Amalie Rothschild, Jamil Simon, William Stapp, Elisabeth Weis) -- Collecting Oral History (Participants: Robert Byington, E. Culpepper Clark, Susan Kalcik, Robert McCarl, Beverly Robinson, Ralph Rinzler, Steven Zeitlin) -- Family Documents (Participants: Allen F. Davis, Richard S. Lackey, Bill R. Linder, Sylvia Wright Mitarachi, James Walker) -- Whither Families? (Participants: Wilton S. Dillon, Jared Hoffman, Francis L.K. Hsu, A. Sidney Johnson III, Rosabeth Moss Kanter, Margaret Mead) -- Epilogue / Joan R. Chandler.