The many con men, gangsters, and drug lords portrayed in popular culture are examples of the dark side of the American dream. Viewers are fascinated by these twisted versions of heroic American archetypes, like the self-made man and the entrepreneur. Applying the critical skills he developed as a Shakespeare scholar, Paul A. Cantor finds new depth in familiar landmarks of popular culture. He invokes Shakespearean models to show that the concept of the tragic hero can help us understand why we are both repelled by and drawn to figures such as Vito and Michael Corleone or Walter White. Beginning with Huckleberry Finn and ending with The Walking Dead , Cantor also uncovers the link between the American dream and frontier life. In imaginative variants of a Wild West setting, popular culture has served up disturbing--and yet strangely compelling--images of what happens when people move beyond the borders of law and order. Cantor demonstrates that, at its best, popular culture raises thoughtful questions about the validity and viability of the American dream, thus deepening our understanding of America itself.

Through personal essays and poetry, short fiction and painting, book reviews, interviews, performance pieces, and hybrid creations of text and image, Bridges to Cuba/Puentes a Cuba opens a window onto the meaning of nationality, transnationalism, and homeland in our time. For more than thirty-five years U.S.-Cuban relations have been couched in terms of the Cold War, often pitting Cubans in the diaspora against Cubans who remain in their homeland. Bridges to Cuba/Puentes a Cuba celebrates the informal networks that Cubans in both countries have maintained through artistic, academic, family, and other ties. The book brings together for the first time in English Cuban voices of the second generation, both on the island and in the diaspora. The multivocal and multigenre collection includes both scholarly and creative writing and an impressive range of visual art. The participants are earnest, angry, witty, and hopeful. They are sometimes visionaries, but they are not deluded about Cuban or North American realities. Their voices offer testimony to the continuing efforts of Cubans and Cuban-Americans to look beyond the animosities and failings of their respective societies and find possibilities for personal and international reconciliation, dialogue, and renewal. "Ruth Behar, as editor of Bridges to Cuba/Puentes a Cuba, leaps across conventional intellectual boundaries in an effort to show the complexity of nationhood, exile, and revolution in the Cuban experience of the last thirty years. An important book about the possibility and impossibility of building cultural and political bridges."--Arcadio Díaz-Quiñones, Princeton University "Behar narrows the straits of Florida with a richly textured dialogue of voices in and out of Cuba. Bridges to Cuba is sure to make history."--Liz Balmaseda, Miami Herald "A vital and interesting anthology about contemporary Cuba."--Oscar Hijuelos, author of The Mambo Kings Play Songs of Love " Bridges to Cuba is the first U.S. anthology that looks at Cuban creativity from an integrated perspective, refusing to kneel before the painful and often arbitrary divisions that have split the voices of this passionate culture into forever separate bands. The results are magnificent. Read this book and get a long overdue understanding of contemporary Cuban literature and art."--Margaret Randall, author of Women in Cuba: Twenty Years Later "In order for memory to be recovered, there must be a community that remembers and tells the story. . . . Bridges to Cuba displays a wealth of insights that leave the reader with a sense of having experienced first hand the intricate web of thought and feeling that is Cuban life."--Latino Review of Books "Ruth Behar's anthology represents one of the most important and moving bridges yet published on contemporary Cuba and its condition as the island that is still absent from the Western world. Bridges to Cuba is an extraordinary example of the faith and ability of Latin American intellectuals to cross true bridges, bridges of solidarity."--Marjorie Agosín, Wellesley College Ruth Behar is author of Translated Woman: Crossing the Border with Esperanza's Story and coeditor, with Deborah Gordon, of Women Writing Culture. She has been the recipient of awards from the MacArthur and Guggenheim foundations.

The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.

"'A truly revolutionary idea.... Clear, tight, disciplined, beautifully structured, and brilliantly reasoned.'--Ayn Rand. Self-sacrifice, oriental mysticism, racial 'truth,' the public good, doing one's duty -- these are among the seductive catchphrases that circulated in pre-Nazi Germany. Objectivist author and philosopher Leonard Peikoff was Ayn Rand's long-time associate. In The Cause of Hitler's Germany -- previously published in The Ominous Parallels -- Peikoff demonstrates how unreason and collectivism led the seemingly civilized German society to become a Nazi regime"--

Over the course of sixty years, Alfred Kazin's writings confronted virtually all of our major imaginative writers, from Emerson to Emily Dickinson to James Wright and Joyce Carol Oates -- including such unexpected figures as Lincoln, William James, and Thorstein Veblen. This son of Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he put it, "the bitter patriotism of loving what one knows." Editor Ted Solotaroff hasselected material from Kazin's three classic memoirs to accompany his critical writings. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.

This is Laski's most important book after A Grammar of Politics . It discusses, on a grand scale, every aspect of American public life. Laski surveys American traditions and the American spirit, political institutions, the entire educational, religious, economic and social scene, America as a world power, and Americanism as a principle of civilisation. Laski's unsurpassed knowledge of American constitutional, social and cultural history is set in the perspective of his deep study of comparative constitutional history and political theory. He was one of very few people to see U.S. politics from the inside, as a result of his friendships with Roosevelt, Brandeis and Oliver Wendell Holmes.

Some see the 1980s as a Golden Age, a "Morning in America" when Ronald Reagan revived America's economy, reoriented American politics, and restored Americans' faith in their country and in themselves. Others see the 1980s as a new "Gilded Age," an era that was selfish, superficial, glitzy, greedy, divisive, and destructive. This multifaceted exploration of the 1980s brings together a variety of voices from different political persuasions, generations, and vantage points. The volume features work by Reagan critics and Reagan fans (including one of President Reagan's closest aides, Ed Meese), by historians who think the 1980s were a disastrous time, those who think it was a glorious time, and those who see both the blessings and the curses of the decade. Their essays examine everything from multiculturalism, Southern conservatism, and Reaganomics, to music culture, religion, crime, AIDS, and the city. A complex, thoughtful account of a watershed in our recent history, this volume will engage anyone interested in this pivotal decade.

The nine American Jews of whom Milton Konvitz writes are philosophers, jurists, or rabbis, widely known and readily accepted as American Jewish thinkers. Their work reflects all essential Jewish values. Each person in his own way has dedicated his work to the betterment of life and the advancement of human ideals. In this sense, their Jewishness is not defined by religion alone. Americanism permeated all they thought and all they did. Konvitz argues that in the complex modern world, secularists often serve God more handsomely than do members of synagogues or churches. For example, when the Supreme Court in 1954 (with Felix Frankfurter playing a key role behind the scenes) agreed to outlaw segregation of the races in public schools, was the Court's action secular or religious? When Congress passed the statute known as the Americans with Disabilities Act, requiring equal treatment of handicapped persons, was the action secular or religious? Is a minimum wage act secular or religious? Is Medicaid a secular or a religious act? Konvitz believes the distinction is not useful, or even possible. The book is divided into three parts, reflecting Konvitz's range of intellectual interests. The nine essays offer concise intellectual biographies of three American Jewish philosophers, three Supreme Court Justices, and three rabbis. The philosophers-Horace M. Kallen, Morris Raphael Cohen, and Sidney Hook-are world-renowned. The jurists-Louis D. Brandeis, Benjamin N. Cardozo, and Felix Frankfurter-hold prominent places in American legal history. And the three rabbis-Leo Jung, Robert Gordis, and Jacob Agus-are known wherever Jewish thought is studied. By treating with equal seriousness the lives and writings of both religious and secularist thinkers, the author intentionally minimizes the conventional antagonism and frequent conflict between religion and secularism. An unusual feature of the book is the fact that the author was a close friend of six of the persons whose lives and work are examined, allowing him a perceptive insight into their character and thought. Although the book is about serious subjects, its graceful style makes the contents easily accessible to lay persons as well as scholars and students of Judaica.

It is no longer news that the history of the European past and its role in shaping American cultural life is under severe attack. In virtually every university that offers a liberal arts curriculum, in every arts institution that deals with European classics, in the offices of every publication that engages in intellectual pursuits, the discussion of the past has become the principal battleground for mapping out the future of our culture. In this provocative and insightful collection of essays first published in The New Criterion, ten distinguished critics reflect on the fate of Europe’s cultural and political legacy as we approach the turn of the century. On subjects ranging from the collapse of communism and its implications for European society, to the study of the classics, to the prospects for serious music and art, these essays offer analyses marked by wit, independence, and commanding intelligence. The contributors include David Pryce-Jones, Anne Applebaum, Roger Scruton, John Gross, Ferdinand Mount, John Herington, Keith Windschuttle, Mark Steyn, Hilton Kramer, and Roger Kimball. The Future of the European Past is a major contribution to the debate over some of the most pressing cultural issues of our time.

Krassner's Impolite Interviews delivers 21 of the most compelling encounters you will ever witness, from a 1959 interview with author Alan Watts to Timothy Leary in 1995 just weeks before he died, from Norman Mailer talking about sex to Jerry Garcia recounting what it was like to play the Pyramids. Each interview gives a unique take on major issues: Communism, segregation, the Cold War, the sexual revolution, the drug culture, by major personalities. Impolite Interviews presents perspectives as diverse as George Lincoln Rockwell (then head of the American Nazi Party) and spiritual master Ram Dass. Krassner offers readers an illuminating look at some of the most important figures of the second half of this century through the eyes of one of this era's most innovative journalists.

Thirteen essays, written by prominent cultural and intellectual historians, illustrate some of the directions of cultural and intellectual history as it is practiced in the United States. The essays are organized chronologically with many interconnecting themes. These themes include the rise of commercial culture, the rise of city and urban life, the formation of the middle class, and the ways in which social myths (the myth of Santa Claus, for example) function to interpret the meanings of modern life.

In The Unveiling of the National Icons, Albert Boime analyses the creation and reception of several American national monuments as a means of understanding the politics of memory and national icons. In engaging, 'behind the scenes' accounts of several highly visible symbols, such as the American flag, the Statue of Liberty, and Mount Rushmore, among others, he demonstrates how these icons have been manipulated for patriotic purposes. Boime also shows how these monuments express individual and collective needs and how they are subject to contested readings, despite their origins in the creative imaginations of conservatives and privileged members of America. Examining these symbols as a group for the first time, this book is also the first serious investigation of visual artifacts that are too often taken for granted.

Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.

Two creative centres of Jewish life rose to prominence in the twentieth century, one in Israel and the other in the United States. Although Israeli and American Jews share kinship and history drawn from their Eastern European roots, they have developed divergent cultures from their common origins, often seeming more like distant cousins than close relatives. This book explores why this is so, examining how two communities that constitute eighty percent of the world's Jewish population have created separate identities and cultures. Using examples from literature, art, history, and politics, leading Israeli and American scholars focus on the political, social, and memory cultures of their two communities, considering in particular the American-Jewish challenge to diaspora consciousness and the Israeli struggle to forge a secular, national Jewish identity. At the same time, they seek to understand how a sense of mutual responsibility and fate animates American and Israeli Jews who reside in distant places, speak different languages, and live within different political and social worlds.