For more than three decades, Ed Koch has been one of America's most interesting and outspoken political figures. In this provocative new book, Koch with Rafael Medoff guides readers through the major battles in his life-long fight against anti-Semitism. Interviews, speeches, new essays, never-before published personal correspondence, and more highlight his leadership--on campuses, in the media, on the streets of New York City, and in the halls of power in Washington, DC. The book also features personal letters from Henry Louis Gates, former President George Bush, and other prominent figures. Koch will reveal startling information for the first time here, and his writings are controversial, piercing, teasing, and questioning. This book will ignite discussion for years to come

Shirley Povich was the Dean of American sportswriters. As a columnist for The Washington Post for more than seventyfive years, he was an eyewitness to the most thrilling moments in American sports, including: the legendary 1927 Dempsy-Tunney "long count"; the celebrated 1938 race between Seabiscuit and War Admiral; the 1946 signing of Jackie Robinson by the Brooklyn Dodgers; Don Larsen's perfect game in the 1956 World Series; the Ali-Frazier fight of 1971; and the murder of eleven Israeli athletes at the 1972 Munich Olympics. But Povich's columns were about more than sports; they reflected the dramatic changes in American society over the course of the 20th Century. Driven by a strong sense of social justice, Povich called for the integration of major league baseball in 1939, and twenty years later he was still at it, attacking Washington Redskins owner George Preston Marshall for having an all-white team. For the 100th anniversary of his birth, Povich's children— David, Maury, and Lynn — and his colleague at the Post, former sports editor George Solomon, have pulled together this panoramic collection of Povich's most beloved columns. The result is a front-row seat to the most awe-inspiring sports moments of our American Century.

The essays in Phillip Lopate's new book record an ardent three-decades-plus love affair with the movies; like Michel Piccoli with Brigitte Bardot in Godard's "Contempt," he is "totally, tenderly, tragically" besotted with the cinema. Artfully braiding emotional and intellectual autobiography with critical and historical commentary, these essays exemplify and record a passionate engagement with an irreplaceable art form, its creators, and its critics. Lopate evaluates those filmmakers who have most affected him since his days as a nascent film cultist at Columbia: Antonioni, Godard, Bresson, Mizoguchi, Fassbinder, Ozu, and Visconti. He celebrates Andrew Sarris as the film critic who first won his heart and provides an eye-opening extended portrait and fondly skeptical critique of Pauline Kael, the most influential film writer of our time. And in essays such as "The Last Taboo: The Dumbing Down of American Movies, " he addresses the elusive question of whether movies can actually think. With his full-hearted affection and bracing intelligence, Phillip Lopate captures, as few others have, the insistent allure of films and filmgoing.

"To confront American culture is to feel oneself encircled by a thin but strong presence. I call it Emersonian, an imprecise term but one that directs us to a dominant spirit in the national experience." Thus Irving Howe, America's distinguished social critic and a longtime reader of the Sage of Concord, begins this illuminating discussion of Emerson and his disciples and doubters. What is the Emersonian spirit? What inspired it, what propelled it? And what does it mean to us today? History gave Emerson his opportunity and then took it away. Coming to manhood during the 1830s and 1840s, the time of "the newness" when Americans beheld the world with unbounded expectations, Emerson became the spokesman for the self-reliant new man he believed had arisen, ready to thrust aside mossy traditions and launch a new revolution of freewheeling thought. But the rapid pace of the American experience overtook the Emersonian vision; in the 1850s, the rising problems of slavery, a boom-and-bust economy, the vulgarity of mass culture overwhelmed the idealist. His satellite spirits wavered and shrouded the Emersonian optimism: Hawthorne, with his stories of moral breakdown; Thoreau, rooted in nature yet inclined to the cranky and fanatical; Melville, his fathomless blackness waiting beneath archetypal fables of innocence and evil also Walt Whitman, Orestes Brownson, Twain--all were influenced by, yet reacted against, the Emersonian "newness." Howe identifies three kinds of response: the literature of work (Melville and Mark Twain), the literature of Edenic fraternity (James Fenimore Cooper, Whitman, Twain again), and the literature of loss (all the post-Civil War writers). He lays before us the intellectual and personal tragedy of the first great American man of letters, yet also shows that Emerson's belief in the untapped power of free men pervades not only the lives and works of his contemporaries but is also a permanent part of the American psyche.

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.

"This is an insider's view, and Raskin offers readers insights into a hidden California. The impact of his book is to return culture to agriculture in a state dominated by agribusiness."--Gerald Haslam, author of The Great Central Valley: California's Heartland "Jonah Raskin has lived and taught in this area for well over thirty years and has the credibility to write about the evolution of farming here. His book is a magical mixture of journalism and memoir. I loved his interviews with local farmers and growers. He explores the questions that we all are asking about our relationship to food and what it means to eat locally, who grows it, and will they be able to continue to do so."--Ianthe Brautigan, author of You Can't Catch Death: A Daughter's Memoir "'Think global, buy local' takes on new meaning in this intriguing synthesis of memoir and reportage on the slow and local food movements."--Peter Laufer, author of Wetback Nation and The Dangerous World of Butterflies "Anyone wanting to know what it's like to live in the paradise that is Sonoma County must read Field Days . Jonah Raskin brings this blessed region and its communities of environmental champions vividly to life."--Jeff Cox, author of The Organic Cook's Bible and The Organic Food Shopper's Guide "In Jonah Raskin's wonderfully observant ramble through Sonoma County's farms, orchards, and vineyards, it becomes abundantly clear that American farming has not been killed off by agribusiness, or the Department of Agriculture's call to 'get big or get out'. With Raskin we meet a rich community of amazing people who have stayed on the land, or gone back to it, sharing a new kind of ecologically informed consciousness about our intimate connections to the land and the people who work it. Anybody who reads this book, wherever they live, will gain a new appreciation of this new generation of farmers. Thanks to them, we're learning to eat well--a basic necessity in the hard times ahead."--Ernest Callenbach, author of Ecotopia "In Field Days , Jonah Raskin becomes the George Plimpton of organic farming. Instead of getting out on the playing field to measure his stuff against pro athletes, he toils long days beside farm workers. Soulful and always curious, Raskin traces the tradition of responsible farming practices in Northern California, and explores the meaning of living locally."--Bart Schneider, author of The Man in the Blizzard

The struggle to write with deep emotion is the subject of this extraordinary book, the previously unpublished credo of one of America's greatest 20th-century writers. "You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich," writes Nelson Algren in his only longer work of nonfiction, adding: "A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery." Nonconformity is about 20th-century America: "Never on the earth of man has he lived so tidily as here amidst such psychological disorder." And it is about the trouble writers ask for when they try to describe America: "Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards . . . [where there] are still . . . defeats in which everything is lost [and] victories that fall close enough to the heart to afford living hope." In Nonconformity, Algren identifies the essential nature of the writer's relation to society, drawing examples from Dostoyevsky, Chekhov, Twain, and Fitzgerald, as well as utility infielder Leo Durocher and legendary barkeep Martin Dooley. He shares his deepest beliefs about the state of literature and its role in society, along the way painting a chilling portrait of the early 1950s, Joe McCarthy's heyday, when many American writers were blacklisted and ruined for saying similar things to what Algren is saying here.

In twenty-six essays, Codrescu turns his skeptical, amused gaze to such topics as Plato's effect on American sex, the cultural meaning of Ed McMahon, baseball's literary underpinnings, his own conception in a Romanian darkroom, an cuisine under the Ceausescu dictatorship, as well as to larger subjects, including the suicide of communism, American culture and politics, and his adopted city of New Orleans.

"This is a beautiful book, full of ideas that could help restore America’s genius for freedom and promise.” — Thomas Moore, New York Times bestselling author of Care of the Soul A lifelong Emerson lover, teacher, and spiritual seeker reveals how American philosopher Ralph Waldo Emerson’s twelve essential teachings hold the answer to living an authentic and fulfilling life, one that is in har[Bokinfo]

"I have been a Jew during Fascism, a bourgeois under Communism, a rebel defeated in an uprising, a refugee among the free, and a have-not amid plenty. This book contains over 60 stories that range from my youth in Hungary, the ordeal of a death march and concentration camps, the oppression of the Communist dictatorship, the promise and defeat of the Hungarian Revolution and, finally, my American years"--Preminary pages

Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. His contemporary Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabartes, and as Ignatz Wrobel he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. As an angry truth-teller, he pierced the hypocrisy and corruption around him with acute honesty. Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart, combined with the iconoclasm of Bill Maher. That's Tucholsky in a nutshell. Like Hitchens, Tucholsky wrote a mixture of literary essays, social observations, and political commentary. His irony made the line between his "serious writing" and his "entertainments" almost invisible. The fashionable outsider watched the political "center" disappear, and, in the end, he found himself catapulted out of society altogether. His career was sandwiched between the two most deadly events of his century: the bloodbath of World War I and the scourge of Nazism. Just as the first war launched Hemingway's lifelong career as a wounded tough guy with a soft spot for guns and broads, Tucholsky discovered the reflexes of an escape artist. He was equally elusive as a writer. In today's world, a journalist isn't supposed to write plays, and a playwright isn't welcomed as a novelist. But in 1920s Berlin, Tucholsky was dealing with postwar realities that required shouting from the rooftops, and any rooftop would do. Kurt Tucholsky is one of Weimar Germany's most celebrated literary figures, loved by his many readers and hated by the Nazis. The poet, journalist, and satirist who was at the center of the tumultuous political and cultural world of 1920s Berlin still emerges as an astonishingly contemporary figure. But he was more than just an angry truth-teller; he was also one of the funniest satirical writers of his era, depicting everyday lives during the rise of modernity.The iconic translation of Harry Zohn, a literary figure from Vienna himself, presented Tucholsky to an American audience for the first time. Long out of print, Zohn's book is now being republished in a new edition.

The son and biographer of William Saroyan, one of the most acclaimed writers in American history, Aram Saroyan grew up in a world of celebrities and geniuses. His own writings soon placed him among the best known figures in the New York School of poets, and his essays and reviews helped to characterize his generation. Starting Out in the Sixties is a powerful collection of essays, memoirs, and reflections with commentary and anecdotes about publishing, Allen Ginsberg, Andy Warhol, Jack Kerouac, the author's author's Armenian heritage, his famous father, William Burroughs, and much, much more. Variously humorous, reflective, and profound, Saroyan's book should prove to be both a very popular work and, for many years to come, a key guide to the taste and literary values of the generation that started out in the sixties.

A miscellany of sorts, preeminent author and critic Nicholas Delbanco's Curiouser and Curiouser attests to a lifelong interest in music and the visual arts as well as both "mere" and "sheer" literature. With essays ranging from the restoration of his father-in-law's famed Stradivarius cello--known throughout the world as "The Countess of Stanlein"--to a reimagining of H. A. and Margaret Rey's lives and the creation of their most beloved character, Curious George , Delbanco examines what it means to live and love with the arts. Whether exploring the history of personal viewing in the business of museum-going, musing on the process of rewriting one's earliest published work, or looking back on the twists and turns of a life that spans the greater part of the twentieth century and into the twenty-first, Delbanco's Curiouser and Curiouser invites adventurous readers to follow him down the rabbit hole as he reflects on life as a student, an observer, a writer, a lover, a father, a teacher, and most importantly, a participant in the everyday experiences of human life.