In drama and in musical comedy, in popular song and in symphonic music, in movies and in literature, Jews have contributed to American culture in the 20th century to a degree out of all proportion to their numbers. But does this vast creative output coalesce into something identifiable as an American Jewish culture? Stephen J. Whitfield answers this question with a resounding "yes!" Whitfield focuses on areas where the specifically Jewish contribution has been little explored. He surveys such fields as popular music, musical theater, and drama, focusing on key figures from Jerome Kern and the Gershwins to Stephen Sondheim and Jerome Robbins; Leonard Bernstein and Aaron Copland to Irving Berlin and Bob Dylan; Arthur Miller and Lillian Hellman to David Mamet and Wendy Wasserstein. At the same time, Whitfield tackles the complex issue of race and American Jewish culture, tracing the extensive interpenetrations of Jewish and African American music. He also offers a stunning examination of Jewish American representations of the Holocaust, focusing on stage and film adaptations of Anne Frank's Diary and on Steven Spielberg's Schindler's List. In a poignant, final chapter, Whitfield ponders the future of American Jewish culture after a century of assimilationist pressure and mainstream success. The distinctive culture that he has traced through the 20th century, Whitfield concludes, may finally become submerged and lost. Only a renewed emphasis on Judaism itself, he believes, offers the hope for American Jews to maintain the dual cultural identities that they have so long succeeded in nurturing --

"Without the Cold War, what's the point of being an American?" As if in answer to this poignant question from John Updike's Rabbit at Rest , Stephen Whitfield examines the impact of the Cold War—and its dramatic ending—on American culture in an updated version of his highly acclaimed study. In a new epilogue to this second edition, he extends his analysis from the McCarthyism of the 1950s, including its effects on the American and European intelligensia, to the civil rights movement of the 1960s and beyond. Whitfield treats his subject matter with the eye of a historian, reminding the reader that the Cold War is now a thing of the past. His treatment underscores the importance of the Cold War to our national identity and forces the reader to ask, Where do we go from here? The question is especially crucial for the Cold War historian, Whitfield argues. His new epilogue is partly a guide for new historians to tackle the complexities of Cold War studies.

Some see the 1980s as a Golden Age, a "Morning in America" when Ronald Reagan revived America's economy, reoriented American politics, and restored Americans' faith in their country and in themselves. Others see the 1980s as a new "Gilded Age," an era that was selfish, superficial, glitzy, greedy, divisive, and destructive. This multifaceted exploration of the 1980s brings together a variety of voices from different political persuasions, generations, and vantage points. The volume features work by Reagan critics and Reagan fans (including one of President Reagan's closest aides, Ed Meese), by historians who think the 1980s were a disastrous time, those who think it was a glorious time, and those who see both the blessings and the curses of the decade. Their essays examine everything from multiculturalism, Southern conservatism, and Reaganomics, to music culture, religion, crime, AIDS, and the city. A complex, thoughtful account of a watershed in our recent history, this volume will engage anyone interested in this pivotal decade.

Looks at recent paintings, sculpture, and photographs by New York artists, and shares brief statements by each individual

Krassner's Impolite Interviews delivers 21 of the most compelling encounters you will ever witness, from a 1959 interview with author Alan Watts to Timothy Leary in 1995 just weeks before he died, from Norman Mailer talking about sex to Jerry Garcia recounting what it was like to play the Pyramids. Each interview gives a unique take on major issues: Communism, segregation, the Cold War, the sexual revolution, the drug culture, by major personalities. Impolite Interviews presents perspectives as diverse as George Lincoln Rockwell (then head of the American Nazi Party) and spiritual master Ram Dass. Krassner offers readers an illuminating look at some of the most important figures of the second half of this century through the eyes of one of this era's most innovative journalists.

Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.

"The Transformational Decade shows the transformation that took place in American life from the attack on the World Trade Center to the emergence of the Obama presidency. It is not a strict history, but rather snapshots of a decade that has fundamentally altered perceptions of the United States. In some respects, this book is modeled after Frederick Lewis Allen's Only Yesterday and Since Yesterday, acclaimed books that sought to capture the spirit of the 1920s and '30s. London sees the period from 2001 to 2008 as "post yesterday," a period that broke with the past, challenged the essence of the free market, and contested America's role on the world stage. In an effort to limn these snapshots from recent history, London has written several "decade" books: The Overheated Decade, The Counterfeit Decade, and The Decade of Denial. This book, The Transformational Decade, differs in that it represents a separation from the past. London illuminates a decade that he considers to be a new and more frightful period than any in recent American history."--Publisher's website.

"In Gilligan Unbound, a distinguished Shakespeare scholar and literary critic proves once and for all that popular culture can be every bit as complex, meaningful, and provocative as the most celebrated works of literature - and a lot more fun. Paul Cantor analyzes and interprets a wide variety of classic television programs with the same seriousness, care, and creativity he would Hamlet or Macbeth to reveal how dramatically America's image of itself has evolved from the 1960s to the present." "Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America." -- From publisher's website.