"Astute and provocative....Blends the sophistication of recent feminist theory with highly textured details fro the lives of independent and ambitious women." THE NEW YORK TIMES BOOK REVIEW Drawing on the experience of celebrated women, from George Sand and Virginia Woolf to Dorothy Sayers and Adrienne Rich, Heilbrun examines the struggle these writers undertook when their drives made it impossible for them to follow the traditional "male" script for a woman's life. Refreshing and insightful, this is an homage to brave women past and present, and an invitation to all women to write their own scripts, whatever they may be.

Everyone knows Dr. Ruth as the most famous and trusted sex therapist, but few people know she narrowly escaped death from the Holocaust, was raised in an orphanage in Switzerland, or that she was a sniper during Israel's War of Independence. After years spent as a student in Paris, Dr. Ruth came to America dreaming of a new life though never expecting the dramatic turns that would take place. And at the age of eighty-seven, she is as spirited as ever. Through intimate and funny stories, Dr. Ruth sheds light on how she's learned to live a life filled with joie de vivre. And she shows readers how they too can learn to deal with tragedy and loss, challenges and success, all while nourishing an intellectual and emotional spark, and, above all, having fun! Hilarious, inspiring, and profound, The Doctor Is In will change the way you think about life and love, in all their limitless possibilities.

"In the mid-20th century, the Heldmans were tennis royalty. Julie was a volatile and gutsy tennis star, twice ranked number 5 in the world. Her mother Gladys was broadly admired for her unique magazine, World Tennis, and for engineering the women's tennis revolution. No one guessed that Gladys's hidden emotional abuse was the source of Julie's powerful drive. Driven is a highly readable insider's account of a pivotal time in women's tennis history; an in-depth look at Gladys's complex character; and the revealing story of Julie's interior journey, both on and off the court."--Page 4 of cover

"Permission : A Manifesto for Writers, Artists, and Dreamers is for anyone with a creative impulse, a resource to be reached for during times both fertile and not. The creative process often unfolds, albeit haphazardly, in a fairly predictable fashion: the impulse to create, the anxiety of starting, and-hopefully-the making of art. Along the way, a million different things can derail the process. Exploring subjects such as "The Myth of Perfection." "The Specter of Silence," and "Hubris and Humility," the goal of On Permission: A Manifesto for Writers, Artists, and Dreamers is to inspire and guide creatives to a place of transformation, of freedom from the constraints of shame and fear in all their forms, and to the understanding and recognition of the ethics of story-making, art-making, truth-telling, permission, and creative soul-saving. While especially good for writers, On Permission is also for creatives working in visual art, music, and beyond. Embedded within the essays are inspiring quotes from Annie Dillard, Zadie Smith, Jane Kenyon, Andrew Wyeth, Stanley Kunitz, Elizabeth Gilbert, Jericho Brown, Jacqueline Woodson, Wallace Stegner, Vivian Gornick, Ross Gay, Cheryl Strayed, Anne Lamott, George Saunders, Melissa Pritchard, Sally Mann, Dani Shapiro, Adrienne Rich, St. Augustine, and others"-- Provided by publisher.

"In her deeply engaging, astonishingly candid memoir, author and activist Letty Cottin Pogrebin exposes the fiercely-guarded lies and intricate cover-ups woven by dozens of members of her extended family. Beginning with her own long-suppressed secret, the story spirals through the hidden lives of her parents and relatives--revealing the truth about their origins, personal traumas, marital misery, abandoned children, religious transgressions, sexual identity, radical politics, and supposedly embarrassing illnesses. While unmasking their charades and disguises, Pogrebin also showcases her family's remarkable talent for reinvention in a narrative that is, by turns, touching, searing, and surprisingly universal." --

" Here, in his own words, is the story of one of the twentieth century's most creative medical innovators, Dr. Henry Heimlich. The thoracic surgeon is best known for having developed the Heimlich Maneuver, the world's easiest-to-learn and most universally known method to save people from choking to death on food or foreign objects. But many don't know about Dr. Heimlich's other life-saving inventions. He is the inventor of the Heimlich Chest Drain Valve, which saved thousands of lives during the Vietnam War, and the Heimlich MicroTrach, which provides a remarkably efficient way for people to take oxygen. In the present decade, Dr. Heimlich has turned his attention to two devastating illnesses for which medicine has not yet found a cure--cancer and HIV. He describes his research and its promise, as well as the controversy and resistance his new ideas have generated from the medical establishment. Interweaving the author's personal life with riveting stories of his numerous medical breakthroughs, this rich memoir provides insights into the workings of a creative mind and the machinations of the American medical system."

This resource for writers and non-writers alike shows how the act of writing can be a dynamic means of knowing, healing, and creating the body, mind, and spirit.

Discusses the philosophy of Nietzsche, the nature of autobiography, the difficulties of translation, and the significance of the author's philosophy for psychoanalysis and literature

What a century of life experience can teach us about happiness, ambition, courage, love and how to make the most of the lives we've been given. How many people do you know grew up as a poor immigrant in America during the Great Depression, won a scholarship to Harvard Law School, landed on the beaches of Normandy on D Day, were present at the liberation of concentration camps including Buchenwald, Mauthausen and Flossenburg, held leading Nazis to account at the Nuremberg trials and have fought for an International Criminal Court to hold war criminals to account the world over? Now you know one. Benjamin Ferencz turned 100 in 2020. In this extraordinary book, he shares his remarkable life story and the nine humble, compelling and life-affirming lessons he's learned along the way that we can all harness for ourselves.

"We either think our lives are so special that everyone should be interested in what's happened to us, or so ordinary that we can't imagine anyone would care. The truth lies somewhere in between: yes, we are all special, and no, people will not care--unless we write with them in mind. Joanne Fedler, a beloved writing teacher and mentor, has written Your Story to help all people, even those who don't necessarily identify as "writers," value their life stories and write them in such a way that they transcend the personal and speak into a universal story. This book shows how to write from your life, but for the benefit of others. Each human life is unique, and the meaning we each make from our joys and suffering can, if written with a reader in mind, be an act of generosity and sharing. Filled with practical wisdom and tools, the book tackles: mind-set issues that prevent us from writing ways to develop trust (in yourself, the process, the mystery) triggers or prompts to elicit our own stories Joanne's original techniques for "lifewriting," developed over a decade of teaching and mentoring and much more"Joanne understands the writer's loneliness," says one such writer whose life she's touched, the award-winning Israeli author Nava Semel. "In this book she has created a menu of encouraging possibilities on how to overcome our fears and dig deep into our souls, so that our true voice can emerge.""--

An informative memoir of kibbutz life that reveal a piece of Israel's early story that should not be forgotten.

'The most life-affirming book ever written about death.' Sandi Toksvig 'One of the most powerful and helpful books about grief that you will ever read.' Anita Anand 'Grief is more than the price of love. It is love. We must learn not just to live with it, but to make it welcome.' Mother and daughter Anne Mayer Bird and Catherine Mayer were widowed within 41 days of each other on the eve of the pandemic, then locked down alone. Their profound isolation was broken just once a week, when Catherine visited Anne to care for her, at distance and in a mask. Together they found ways to navigate their loss and the startling questions and challenges that confronted them. In this memoir, Catherine also investigates the possibility that her husband, renowned musician Andy Gill, contracted Covid-19 when his band, Gang of Four, toured China in late 2019. Her main focus, however, is not on death, but on life and love. This is a captivating account of lives well lived, moving and spiked with black humour. It is interwoven with letters Anne wrote to her husband John to tell him of the astonishing and heartrending events since his death and her small triumphs in living independently. In sharing their insights and experiences, Catherine and Anne aim to help those who have lost or will lose people or who wish to know how best to support others in such circumstances. They also celebrate love--for John and Andy and each other. 'We are extraordinarily lucky, my mother and I. We have each other and we have this room. 'In this living room, we are learning to embrace the things we can't touch, each other and the lovely dead.'

A collection of lectures delivered in May 2002 under the auspices of the Samuel and Althea Stroum Lectures in Jewish Studies at the University of Washington. Analyzes autobiographical works of seven Jews from antiquity to the 20th century. Two of these reflect despair in the midst and in the wake of World War II. Ch. 4 (pp. 103-138), "Autobiography as Farewell I: Stefan Zweig, " discusses the Austrian Jewish writer, who committed suicide in 1942, as a non-Zionist universalist even in the face of Nazism. Pp. 131-136 deal with the persecution of the Jews. Ch. 5 (pp. 139-174), "Autobiography as Farewell II: Sarah Kofman, " discusses the life and works of Kofman, who committed suicide in 1994. Focuses on her "Rue Ordoner, Rue Labat" and her Holocaust experiences as a child in Paris. Her father was killed in Auschwitz, and Kofman was looked after by a Christian woman to whom she felt closer than her mother. Deals with the conflicts in Kofman's sexual and religious identities.

As the founder of financial futures and initiator of Globex, the world's first global electronic trading system, Leo Melamed revolutionized the finance industry. Man of the Futures, his definitive memoir, recounts Melamed's journey from Holocaust survivor and accidental runner at the Chicago Mercantile Exchange (CME), to one of the most prominent leaders in the world of finance. At 33, Melamed gave up a promising law career to pursue his dream of becoming a full-time pit-trader at the CME. He quickly ascended the ranks to become chairman. From there, he set out to disrupt the status quo and ultimately transform both the exchange itself and the broader finance industry. Through daring to embrace innovative ideas many considered absurd, Melamed was a pioneer, continually fighting for modernisation in the financial markets through diversification and the introduction of new technologies. Covering the internal battles waged within the CME, the launch of the International Monetary Market (IMM) and the rise of Globex, this enthralling autobiography details the struggles, scandals and triumphs of a visionary in his field. Together with behind-the-scenes reminiscences about the financial markets, this narrative delves into Melamed's philanthropic work at the US Holocaust Memorial Museum, as well as his fascinating dealings with political figures at home in Chicago, at the White House, and around the world in China, Japan, Singapore, Great Britain, Russia, South Korea, and Brazil. . Man of the Futures offers exclusive access to the rationale behind some of the biggest financial decisions and dealings in the late 20th and early 21st century. Join Leo Melamed for this fascinating and revealing story of a life lived in pursuit of the future. --

A guide to the art of personal writing, by the author of" Fierce Attachments "and "The End of the Novel of Love"All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question "The Situation and the Story" asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid inteligence that has made Gornick one of our most admired writers of ninfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

With lively style, good humor and insight, Robin Hemley helps you turn all that you experience into fresh and powerful fiction. By learning to "reimagine," you'll focus on translating real-world people and events into characters and scenes that happen on paper for the first time. You'll think "what if" instead of "what is" in order to take control of your material and cut loose the inhibitions of real life. In these pages, you'll learn how to hone your observation skills and fill your journal with rich and vivid details. (Because, as Hemley writes, "Life is in the details, and so is good fiction.") You'll see how to decide which ideas to bring to fiction and which ones to let go. And you'll learn how to: find the right form - novel, short story, vignette, memoir - for the story you want to tell; use "triggers" to start your reader's imagination rolling; keep your fiction emotionally honest by making the right choices between "the way it happened" and what the story dictates (ask "Is it believable?", not "Did it happen?"); create composites of real people and places that fit the unique needs of your story and empower your imagination; focus your fiction. Make sure everything, every character counts - and eliminate "people who sit at the end of the bar without a role to play"; fictionalize - ethically and legally - other people's stories. Learn your rights as a writer versus their rights to privacy. (Can you use actual names? When do you need to get permission?) To illustrate how writers feed their fiction with reality, Hemley uses examples from his own work and from fiction masters of yesterday and today. At the end of each chapter, challenging exercises help you apply the basic theories and push them even further. An adventurous read, Turning Life Into Fiction will help you create fiction that's just as strange and wonderful and "real" as the life that inspires it.

Examines the personal values and philosophies of Edith Stein, Simone Weil, Anne Frank, and Etty Hillesum in relation to the pressures and conditions under which they lived in the Nazi era. All had "strong Christian affinities." Under the challenge of terror they were "Christians by choice, Jews by decree." Each responded to her Jewishness in a distinct way: Stein felt close to the Jews; Weil had a hateful attitude toward them and tried to obliterate herself as a Jew; Frank and Hillesum both affirmed their Jewish identities. In the face of Hitler, each, in her own way, resisted.

The daughter of Oliver Golden, an African American expatriate and agrarian activist of the early 1900's, and Bertha Bialek, youngest daughter of Polish American emigres of Jewish descent, Lily Golden has a special place in history. In this account of her experience, Golden provides a connection between the contemporary and historical relationships of America to Russia. Golden offers a distinctly different and refreshing point of view of the lives and experiences of Russia in her often alluring and romantic, sometimes bitterly painful, yet always vivid and intimate details of her life as a dark-skinned Russian surviving in and struggling against turbulent changes. She brings her tale of a sometimes charmed sometimes challenged existence full circle in her descriptions of her ultimate contact with distant relatives in the United States. Lily Golden allows the reader access into her lifelong revelation that family and community ties are boundless by time and geography.--page 4 of cover.