From the glittering salons of Venice to the grand opera houses of Vienna and the bustling streets of New York, Memoirs of Lorenzo Da Ponte offers a fascinating journey through the life of one of history’s most intriguing figures. Best known as Mozart’s librettist for Don Giovanni, The Marriage of Figaro, and Così fan tutte, Da Ponte was much more than a lyricist—he was a poet, priest, adventurer, and immigrant who reinvented himself time and again. In this candid and engaging autobiography, Da Ponte recounts his tumultuous life with wit and charm. Born a Jewish convert to Catholicism, he became a priest, only to be exiled from Venice due to scandal. He found fortune and fame in Vienna under Emperor Joseph II, collaborating with Mozart to create some of the most enduring works in opera. Yet his life was marked by upheaval—falling from grace, wandering through Europe, and eventually settling in America, where he became a bookseller, teacher, and even helped establish Italian opera in the New World. A tale of artistic genius, resilience, and reinvention, Memoirs of Lorenzo Da Ponte is a captivating firsthand account of an extraordinary life lived at the crossroads of history, music, and adventure.

Seducing the Demon has introduced Erica Jong to readers who hadn't been born when Fear of Flying was published in 1973. Now one of her finest works of nonfiction -and a New York Times bestseller-is back in print with a new afterword. In Fear of Fifty , a New York Times bestseller when first published in 1994, Erica Jong looks to the second half of her life and "goes right to the jugular of the women who lived wildly and vicariously through Fear of Flying" ( Publishers Weekly ), delivering highly entertaining stories and provocative insights on sex, marriage, aging, feminism, and motherhood. "What Jong calls a midlife memoir is a slice of autobiography that ranks in honesty, self-perception and wisdom with [works by] Simone de Beauvoir and Mary McCarthy," wrote the Sunday Times (U.K.). "Although Jong's memoir of a Jewish American princess is wittier than either."

From uptight Afrikaners to flying Dutchmen, from New York high-fliers to the earthy charmers of Puerto Rico--Xaviera got a taste of them all, first as a freewheeling freelance, and later as the most beautiful, famous, and merry madam of Manhattan. "The Happy Hooker" is the book that launched the high priestess of hookerdom on an unsuspecting world. And although this frank sexual shocker raised eyebrows on first publication, Xaviera didn't tell all! This revised version of her internationally bestselling autobiography reveals what modesty forbade--and really takes the lid off the bedtime habits of an astonishing variety of men--and women--in the sin capitals of the world, detailing Xaviera's penetrating personal insights into men and their morals.

The ultimate showbiz insider's expose, HOWLING AT THE MOON, is the wildly entertaining and brilliantly narrated autobiography of Walter Yetnikoff, head of CBS Records during its heyday in the 1980s, and then the most powerful man in the music industry. Yetnikoff knew most of the stars and embraced all the excesses of this era: he was mentor to Streisand, father confessor to Michael Jackson, shared a mistress with Marvin Gaye and came to blows with Mick Jagger. He feuded with David Geffen and outmanoeuvred Rupert Murdoch. He was also addicted to cocaine and alcohol - until his doctor gave him just 3 months to live. Yetnikoff came from a working- class Jewish family from Brooklyn; he graduated from law school in the 1950s and proceeded to climb the corporate ladder to the very top. His high-flying ended in breakdown, but throughout his rise and fall, Yetnikoff remained a man of huge charisma and disarming charm. HOWLING AT THE MOON is written with David Ritz, the only 4-time winner of the Ralph J Gleason Music Book award, who has collaborated on the autobiographies of such stars as Ray Charles, BB King, Aretha Franklin and Etta James.

This is the as-told-to political autobiography of Phüntso Wangye (Phünwang), one of the most important Tibetan revolutionary figures of the twentieth century. Phünwang began his activism in school, where he founded a secret Tibetan Communist Party. He was expelled in 1940, and for the next nine years he worked to organize a guerrilla uprising against the Chinese who controlled his homeland. In 1949, he merged his Tibetan Communist Party with Mao's Chinese Communist Party. He played an important role in the party's administrative organization in Lhasa and was the translator for the young Dalai Lama during his famous 1954-55 meetings with Mao Zedong. In the 1950s, Phünwang was the highest-ranking Tibetan official within the Communist Party in Tibet. Though he was fluent in Chinese, comfortable with Chinese culture, and devoted to socialism and the Communist Party, Phünwang's deep commitment to the welfare of Tibetans made him suspect to powerful Han colleagues. In 1958 he was secretly detained; three years later, he was imprisoned in solitary confinement in Beijing's equivalent of the Bastille for the next eighteen years. Informed by vivid firsthand accounts of the relations between the Dalai Lama, the Nationalist Chinese government, and the People's Republic of China, this absorbing chronicle illuminates one of the world's most tragic and dangerous ethnic conflicts at the same time that it relates the fascinating details of a stormy life spent in the quest for a new Tibet.

Chaim Weizmann’s autobiography is a highly personal account of his life in the Zionist movement. Book One, completed in 1941, covers the years 1874-1917 and Book Two covers the years 1918-1948.Weizmann describes the Russian shtetl where he was born in 1874, his schooling in Pinsk and his university studies in Berlin, Geneva and Freiburg (Switzerland) where he received his PhD in chemistry in 1899 before moving to Manchester in 1904. He portrays many leading Zionists such as Theodor Herzl, Achad Ha-am, Max Nordau, Shmarya Levin, Ussishkin, Jabotinsky, Ruppin. He describes the opposition by assimilationist Jews (like Edwin Montagu) to Zionism, and internal debates within the Zionist movement, such as the defeat of Herzl’s Uganda plan — bitterly opposed by Weizmann — at the 6th Zionist Congress (1903) and his frictions with the American Zionists led by Brandeis. Weizmann describes how, during World War I, his work on acetone brought him into contact with British political leaders such as Lloyd George, Arthur Balfour and Winston Churchill and facilitated the Balfour Declaration which, in 1917, paved the way for “the establishment in Palestine of a national home for the Jewish people”.Weizmann recounts his role in the creation of what would become Israel’s leading scientific institutions, the Hebrew University, the Weizmann Institute of Science and the Technion, including his fundraising efforts in Europe and in the United States on their behalf and for other Zionist initiatives. He became the first President of Israel, and died in office in 1952.“... one of the important historical documents of our time.” — Orville Prescott, The New York Times (January 19, 1949)“[Trial and Error] is likely to be read for many years to come as an authoritative exposition of the Zionist movement ... records eye-witness accounts of so many crucial events and reflects so many deep insights that it is certain to become of permanent value to the scholar and a delight to the general reader.” — Salo Baron, The New York Times (January 23, 1949)“There are four angles from which one can approach this book. One can take it as a history of Zionism during the last seventy years... a record of personal endeavour triumphant over obstacles and dissension... a sad commentary upon human achievement, when eventual triumph comes at a date, and in circumstances, which rob it of its full savour... the self-portrait of a most remarkable man.” — Harold Nicolson, The Observer (March 27, 1949)“Notable in this intellectually candid record is the fact that [Weizmann] embraced and propagated Jewish nationalism because he regarded it as a positive good, not merely a negative escape from gentile persecution. This intensely human book, which in a sense is the story of modern Zionism, constitutes one of the indispensable sources for the history of our times.” — Robert Gale Woolbert, Foreign Affairs (July 1949)“[Weizmann’s] autobiography ... is an astonishingly objective and life-like narrative, without a trace of dramatization, exaggeration, vanity, self-pity, self-justification; it conveys his authentic, richly and evenly developed, autonomous, proud, firmly built, somewhat ironical nature, free from inner conflict, in deep, instinctive harmony with the forces of nature and society, and therefore possessed of natural wisdom, dignity and authority.” — Sir Isaiah Berlin, Chichele Professor of Social and Political Theory, Oxford University (November 19, 1957)“Ranks between Churchill’s war memoirs and those of Nehru, Masaryk and Trotzky, among the founders’ own stories ...

Like all classical composers, the young Rozsa faced the problem of how to make a living writing serious music. At the suggestion of famed French composer Arthur Honegger, he turned to film music, and thus began a "double life." Well-known for his movie scores, including Spellbound , The Lost Weekend , The Thief of Baghdad and Ben-Hur , Rozsa has also written numerous classical works that have been performed by major orchestras the world over. In this serviceable, straightforward autobiography he chronicles his rise to success, from his childhood in a small Hungarian town to the film studios of Hollywood. He tells an uncomplicated tale of a life of accomplishment, filled with reminiscences of his friendships with the rich and famous. Now in his 80s, Rozsa looks back with justifiable satisfaction on a career in which he has composed in two styles without compromising either

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Molly Picon began as a child actor in the Yiddish Theatre at age six. Picon went on to appear in many films, beginning with silent movies. In 1934, Picon had her own musical comedy radio show, Picon went on to appear in many TV shows and her final role was as Roger Moore's mother in cameo appearances in the comedies Cannonball Run and its sequel Cannonball Run II. In "So Laugh a Little" the famous Yiddish actress, has written a funny and poignant book describing her life journey all the while paying homage to the many life lessons learned from her grandmother. Molly's grandmother came to Philadelphia from Russia and helped raise Molly and encourage her in her career in show business. Part autobiography, part common-sense wisdom, this book will engage and entertain you through every chapter. Starting with Molly's early start in Yiddish to her later success in her own stage show and on to many TV and film roles, Molly shares life advice that is just as important to hear today as it was when the book was originally published in 1962.

James Callaghan's career in politics is unique: no other British politician has held the four great posts of Chancellor of the Exchequer, Home Secretary, Foreign Secretary and Prime Minister. In his autobiography, he writes openly of the issues and major crises of the time, and conveys vividly what it was like to be in the forefront of politics in a modern democracy beset by financial social and political problems. Born in poverty, Callaghan entered politics from wartime service in the Royal Navy, and office quickly followed. He was soon to hold important posts, with the responsibility of tackling major issues of his time, under Labour governments beset by crises unknown to New Labour. He describes conflicts at home and abroad; with the trade unions trying to maintain an income policy; the complex negotiations over Europe; and the financial pressures besetting the country.

"Yashka: My Life as Peasant, Exile and Soldier," by Maria Botchkareva and Isaac Don Levine, offers a rare and compelling first-hand account of World War I from the Eastern Front. This remarkable autobiography details the extraordinary life of Maria Botchkareva, a Russian peasant who defied convention to become one of the first women soldiers. Experience her journey from humble beginnings to exile, and ultimately to the battlefield, where she fought with unmatched bravery and resilience. This is more than just a war story; it's a powerful human document of courage, perseverance, and the fight for equality during a time of immense upheaval. A crucial historical text, "Yashka" provides invaluable insight into the personal experiences of those who lived through the Great War and offers a unique perspective on the role of women in the military. This carefully prepared print edition ensures the enduring legacy of Botchkareva's unforgettable story. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Throughout the ages philosophers have examined their own lives in an attempt both to find some meaning and to explain the roots of their philosophical perspectives. This volume is an introduction to philosophical autobiography, a rich but hitherto ignored literary genre that questions the self, its social context, and existence in general. The author analyzes representative narratives from antiquity to postmodernity, focusing in particular on three case studies: the autobiographies of St. Augustine, Rousseau, and Sartre. Through the study of these exemplary texts, philosophical reflection on the self emerges as a valid alternative to Freudian psychoanalysis and as a way of promoting self-renewal and change.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a new release of the original 1941 edition.

Autobiography of Father Cyril Axelrod. Born deaf to a Jewish family in South Africa, he converted to Catholicism and became a priest. Although he grew up under apartheid, he did pioneering multiracial work. In later life he lost his sight. He continues to minister to the deafblind in places all over the world.