"In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi explores how human beings create themselves, and how artists make their lives into art.."--Publisher's description.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

Egypt's indigenous Jewish population comprised Arabic-speaking Rabbanite and Karaite Jews, some of whom had been in the country since the early Islamic era. Jews expelled from Spain in 1492 took refuge in Egypt, and their numbers were augmented in the mid-nineteenth century by Sephardic immigrants. Originally welcomed elsewhere in the Ottoman Empire, these Spanish Jews came to Egypt seeking economic opportunity in the era of Suez Canal construction and the cotton boom. The late nineteenth century brought Ashkenazi Jews fleeing persecution in Eastern Europe. The different groups formed a heterogeneous community of cosmopolitan hybrids, which was both an element of strength and a factor in its eventual demise. The Dispersion of Egyptian Jewry examines the history of the Egyptian Jewish community after 1948, focusing on three major areas: the life of the majority of the community, which remained in Egypt from the1948 Arab-Israeli War until the aftermath of the 1956 Suez/Sinai War; the dispersion and reestablishment of Egyptian Jewish communities in the United states, France, and Israel; and contested memories of Jewish life in Egypt since President Anwar al-Sadat's visit to Jerusalem in 1977. Beinin argues that the experiences of Egyptian Jews cannot be adequately accounted for by either Egyptian nationalist or Zionist narratives. Fusing history, ethnography, literary analysis, and autobiography, Joel Beinin conducts an interdisciplinary investigation into identity, dispersion, and the retrieval of identity that is relevant for anyone interested in Egypt, the Jewish diaspora, or the formation of cultures and identities.

It was the dawn of the twentieth century. A new spirit of freedom, tolerance and hope was sweeping the world, but in reactionary Czarist Russia, a macabre, thoroughly medieval drama was unfolding - a blood libel! A Christian child was found murdered in a suburb of Kiev, and a Jewish factory manager named Mendel Beilis was accused of killing and using his blood for the Passover matzos. This preposterous charge and the arrest and trial of Mendel Beilis, an obviously innocent scapegoat, scandalized the modern world. The battle lines were drawn between the enlightened and the bigoted. Mendel Beilis became more than an innocent man falsely accused. He became a cause celebre, a gallant symbol of the fight against the forces of darkness that would soon engulf the world in a disastrous war. The first edition of Mendel Beilis' autobiography was self-published in New York in 1926 under the title The Story of My Sufferings. This new edition, Scapegoat on Trial: The Story of Mendel Beilis, has been newly annotated and revised to correct the awkwardness of the original translation from the Yiddish. It also features an insightful introduction, which provides an illuminating historical context.

Confessions of a Serial Biographer is the story (or rather the stories) of a man who has mingled with celebrities since he was a teenage junior newspaper reporter. He has been involved with some of the iconic names of Hollywood and showbiz in general - people like Fred Astaire, Gregory Peck and Andre Previn, all of whom co-operated in his biographies. Then there was a wide spectrum that ranged from Morecambe and Wise to Ella Fitzgerald, to say nothing of Leonard Bernstein and Bob Hope. His most recent biography is a best-selling study of the life of Dean Martin, King of the Road. Here is an autobiography of a biographer of more than 30 books, who, while still at school, was captivated by the voice of a singer called Al Jolson. It is not just a story of smooth, friendly relations with his subjects. James Cagney sued him in the New York courts and Mr Peck tried to stop his book. Freedland won in both cases. But this is also the story of politicians like Harold Wilson, Alec Douglas Home ... and Tony Blair, to whom Michael Freedland gave some early media training. Not least of all, it is the tale of a radio programme called You Don't Have To Be Jewish, which after 23 years became the longest-running regional broadcast in Britain.

*Winner of the National Jewish Book Award for Biography and Autobiography This is the story of the making of a world-famous sociologist. It is even more the story of a boy hustling to survive. Here in an astonishing and candidly written memoir by one of America's premier social scientists recounting the intensely personal story of his tormented youth in a ghetto within a ghetto. It etches the painful details of a boy's overcoming alienation and isolation in a hostile place in an unloving family. In the 1930s a small remnant community of Eastern European Jewish immigrants still resided in predominantly black Harlem. As shopkeepers trying to make out a marginal existence, Harlem's Jews were a minority within a minority. Into this restricted world the author of this book was born. Irving Louis Horowitz's parents had fled Russia, his father the victim of persecution in the Tsarist army during World War I. The boy's schoolmates were the children of black sharecroppers who had immigrated to the North. Poverty, language, and culture all cut off the Horowitz family from traditional community life, and the stress of a survival existence led to the trauma of a deteriorating family unit. Harlem and its environs, the Apollo and the Alhambra theaters, the Polo Grounds, and Central Park were the stage on which a youngster from this ghetto built a kind of self-reliance at the cost of social graces. The recipient of the National Jewish Book Award for Biography and Autobiography, this new, augmented edition contains the author's reflection of the impact of the Great Depression on Harlem family life.

In 1964, in a daring night-time escape, the author and her husband fled Johannesburg and slipped across the border under the eyes of the security police. This autobiography documents her transformation from model school girl to saboteur, and her family's history of flight and exile through the generations.

Leaving Russia: A Jewish Story is a memoir of coming-of-age and struggling to leave the USSR. Shrayer chronicles the triumphs and humiliations of a Soviet childhood and expresses the dreams and fears of a Jewish family that never gave up its hopes for a better life. Narrated in the tradition of Tolstoy’s confessional trilogy and Nabokov’s autobiography, this is a searing account of the KGB’s persecution of refuseniks, a poet’s rebellion against totalitarian culture, and Soviet fantasies of the West during the Cold War. Shrayer’s remembrances are set against a rich backdrop of politics, travel, and ethnic conflict on the brink of the Soviet empire’s collapse. His story offers generous doses of humor and tenderness, counterbalanced with longing and violence. Leaving Russia is a love story in which a young Jew’s love is unrequited and his heart is forever broken by his homeland.

Now in paperback! Taking Hold of Torah Jewish Commitment and Community in America Arnold M. Eisen A personal meditation on the meaning of Judaism today and a vision for revitalizing Jewish community and tradition in America. "Arnold M. Eisen offers a personal plea for—and a vision of—the revitalizing of American Judaism through a renewed relationship to Jewish tradition and the strengthening of Jewish communities." —Jewish Book News "...required reading for Jewish communal professionals, [Taking Hold of Torah] spells out the discontents and dreams of the baby boomers and their children who are reinventing Jewish communal life for the modern world." —Jewish Exponent "Melding autobiography with biblical exegesis, philosophical speculation and a program for Jewish educational reform, the book is an unbuttoned riff on what's ailing modern Jews." —Forward "...a personal story of a modern Jew trying to make sense of Judaism in a time when Jews can choose whether and how to be Jewish...." —The Jewish Advocate Jews, like other Americans, have both benefitted and suffered from the fraying of traditional loyalties that has come to characterize modern American culture. In each of the five chapters, Arnold M. Eisen examines a major issue or theme related to his vision for the renewal of Jewish communities—in terms of one of the five books of the Torah. What is the meaning and purpose of Jewish tradition? What is the significance of faith and covenant? What are the contemporary uses of ritual? What should a new agenda for politics in American Jewish life include? What legacy is to be left to future generations? This encouraging work is essential reading for anyone concerned with questions of Jewish faith and the future of Judaism in America. Arnold M. Eisen is Professor and Chair of Religious Studies at Stanford University, a frequent speaker on issues related to contemporary Jewish life before lay and scholarly audiences throughout North America, and an active participant in communal discussions concerning the future of American Judaism. His publications include The Chosen People in America (Indiana University Press) and Rethinking Modern Judaism: Ritual, Commandment, Community, winner of a Koret Jewish Book Award. The Helen and Martin Schwartz Lectures in Jewish Studies Contents: Introduction 1. Genesis: Taking on Tradition 2. Exodus: History, Faith, and Covenant 3. Leviticus: Ritual and Community 4. Numbers: Politics in the Wilderness 5. Deuteronomy: Legacies

"A young Jewish boy strolls through Vienna and witnesses acts of anti-Semitism during the Jewish holiday of Hanukkah. At night he dreams of a superhero, Judah Maccabee, who appears to defend Vienna's Jews. When he awakes, he knows there will be no Maccabean rescue and he weeps. Years pass, the boy, now an old man, returns to Vienna and sees the Jewish community and the Temple have been restored. He looks for the eternal light in his Temple and can't find it. Then suddenly it becomes clear to him: The light was there all the time; it was in his own heart"--

An autobiography of award-winner author Alison Pick.