The four-time Emmy Award-winning "Today" host draws on personal experience to counsel women on how to navigate life-changing milestones while speaking out and staying true to oneself--

A narrative thriller about the battle royale surrounding Barack Obama's quest for a second term amid widespread joblessness and one of the most poisonous political climates in American history.

"The story of the friendship between a Jewish-American conductor and Pope John Paul II This book offers the inspirational story of an unlikely friendship and the two men who collaborated in an extraordinary way to begin to help heal centuries-old wounds. For two decades Sir Gilbert Levine and Pope John Paul II collaborated on symbolic acts of reconciliation: a series of internationally broadcast concerts designed to bring together people from all religious backgrounds under the auspices of the Vatican. These concerts broke new ground and demonstrated the Vatican's desire for rapprochement and even atonement in its relationships with Jews around the world. And it resulted in Sir Gilbert recovering his own Jewish faith in a deeper and more meaningful way. Details the extraordinary collaboration between a world-renowned musical maestro and an innovative Pope. Shows how music can act as a bridge between people of different faiths. A moving, inspirational, and personal story that appeals to music lovers and to people of all faith traditions. This is a compelling tale of faith, friendship, and the healing power of music to bring people together."--

"Philip Roth (1933-2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey -- where his short stories and thirty-one books were often set -- he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an "unchaste monk" (his words). In this original and lucid biography, Steven J. Zipperstein captures Roth's complex life and the astonishing range of his self-reflective writings-from "Goodbye, Columbus" and "Portnoy's complaint" to the Pulitzer Prize-winning "American pastoral" and "The plot against America." Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century's most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America"-- Provided by publisher.

Jacques Derrida is, in the words of the New York Times , "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. The Work of Mourning is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, Guardian "Strikingly simpa meditations on friendship, on shared vocations and avocations and on philosophy and history."— Publishers Weekly

The memoirs of Lev Razgon, "the last man alive to have actually attended and survived the Communist Party Congress of 1934." Razgon was born in a shetl, became a Communist journalist and writer, was among the Party elite at the beginning of Stalin's reign of terror, and spent seventeen years in labour camps.

Jacqueline van Maarsen's first book My Name is Anne, She Said, Anne Frank ends in 1947, two years after the death of her close friend Anne Frank. But Anne's death did not spell the end of the friendship. Otto Frank clung desperately to his deceased daughter's dearest friend. Having remained silent about her friendship with Anne Frank for decades after the war, Jacqueline van Maarsen finally decided to tell her story, hoping to expose half-truths and fabrications surrounding her former friend and to respect Anne Frank's legacy for what it is. While her books have been written in close cooperation with the Anne Frank Foundation, there are times when she has felt obliged to disagree with the Foundation and she has not shied away from confrontation. In her second book, van Maarsen returns in detail to the most dominant person in her life, her French mother who died in 1992 at the age of 101. The aftermath of an inheritance question in France in which the author had an important role to play, takes on tragic proportions, although the hilarity of the sometimes grotesque situation surfaces now and then. Inheriting Anne Frank is the continuation of Jacqueline van Maarsen's My Name is Anne, She Said, Anne Frank, and is an important documentary contribution to our knowledge of Anne Frank and what happened to and on account of her renowned diary. It is also a stirring portrait of a woman's turbulent life in the twentieth century

Examines Arendt's relationship with Heidegger before 1933 and from 1950, noting its problematic nature because of Heidegger's exploitative character, his Nazi sympathies, and his antisemitism. Although during the Nazi period Heidegger aided a few Jews, in general he collaborated with the Nazi drive to cleanse the universities of Jews, including his own teacher, Husserl. As early as 1929 he had written a letter to a high official in the Ministry of Education warning of the "Verjudung" of German intellectual life. Asserts that after the war Heidegger used Arendt as his advocate to exculpate him before the world.

Chronicles the life of Leo Castelli, a prominent American art dealer, describing his first New York City gallery and the success of his enterprise throughout the twentieth century, and discussing his Italian-Jewish heritage, personal relationships, and related topics.

"Essays, speeches, and journal entries from one of our most admired and best-loved poets that illuminate how he came to understand himself as a poet, the events and people that he wrote about, and the older poets who influenced him. In prose both as superbly rendered as his poetry and as down-to-earth and easy as speaking, Levine reveals the things that made him the poet he became. In the title essay, originally the final speech of his poet laureate year, he recounts how as a boy he composed little speeches walking in the night woods near his house and how he later realized these were his first poems. He wittily takes on the poets he studied with in the Iowa Writing Program: John Berryman, who was his great teacher and lifelong friend, and Robert Lowell, who was neither. His deepest influences--jazz, Spain, the working people of Detroit--are reflected in many of the pieces. There are essays on Spanish poets he admires, William Carlos Williams, Wordsworth, Keats, and others. A wonderful, moving collection of writings that add to our knowledge and appreciation of Philip Levine--both the man and the poet"--

Born in 70 BC, in a small village near Mantua, Publius Vergilius Maro—Virgil—grew up to be hailed as the greatest Roman poet. And although his work has influenced Western literature for two millennia, little is known about the man himself. Who was the man who created the Aeneid—one of the most important poems in Western literature—and such universal phrases as “love conquers all” and “fortune favors the bold?” Peter Levi here reconstructs the poet's life, from a childhood largely shrouded in mystery to his work as a great literary genius and revolutionary poet, by examining archaeological and historical evidence from Augustan Rome, as well as through close readings of the poet's own work. “Virgil is an intensely personal poet, yet he is anonymous . . . My aim is not so ambitious as to try and restore his prestige single-handed. It has simply been to try to understand him in his original context.” In this highly acclaimed, nowclassic biography, Peter Levi discards the myths and brilliantly reveals the life of Virgil and the extraordinary times during which he lived.

In 1906, Harriet Levy was talked into moving to Paris by her friend Alice B. Toklas and suddenly found herself immersed in a strange world peopled by artists who spoke a language she could not understand--a colorful world that she could only remotely observe in black and white. Paris Portraits is a short masterpiece. This sparkling manuscript, long hidden in the archives of the University of California's Bancroft Library, brings to life a vibrant and mythic time and place. Through Harriet's eyes, we circulate among the artists and patrons in the salons of Gertrude and Sarah Stein, overhear conversations between the up-and-coming Matisse and his students, and see Gertrude Stein's reaction when she learns of Picasso putting his hand on Toklas's knee. We're present when, while reading the poetry of Tagore, Harriet looks up and for the first time, sees--really sees and understands with the heart--what Matisse is doing.

Bianca Bienenfeld was a seventeen-year-old lycee student when she was seduced both intellectually and sexually by her philosophy professor, Simone de Beauvoir, in 1938. The following year de Beauvoir passed Bianca on to her "essential partner", Jean-Paul Sartre. The three formed a menage a trois until 1940, when Bianca was suddenly abandoned by her dual mentors and lovers. Their lack of concern for Bianca's fate as a Jew in occupied France made the abrupt break even more shattering for her. She began to suffer periodic bouts of severe depression linked not only to the Nazi horrors, but to the betrayal by de Beauvoir and Sartre. After World War II, Bianca Bienenfeld (now married to Bernard Lamblin) resumed a platonic friendship with de Beauvoir that lasted more than forty years, but the pain of the old, perturbing affair flooded back when, in 1990, she read de Beauvoir's posthumously published Letters to Sartre and War Journal. The intimate content of these books referred directly to Bianca in a tone of ridicule and contempt, and she finally discovered the full extent of de Beauvoir's deception. Now Bianca explodes with the true story behind her earlier relationship with the high priests of existentialism. Published here in English for the first time, her memoir reveals what it was like to be a third party in the "contingent" affairs of de Beauvoir and Sartre. Bianca's compelling narrative is not written out of revenge or retaliation. Rather, it is an eloquent, candid account of how de Beauvoir and Sartre influenced the shape of her life and how she survived a disgraceful affair that, when broken, almost broke her. Bianca's unique perspective on de Beauvoir and Sartre is the centralfocus of the book, but not the sole one. She writes about her love for her husband Bernard, who helped her recover. She also describes life during the dark times of German occupation, and recounts witnessing the battle of Vercors during the French Resistance. Her well-crafted and poignant memoir will appeal to scholars and general readers alike.

In the 1960s, amid political upheaval and anti-war protests, a growing number of young Americans were creating their own visionary revolution by "tuning in, turning on, and dropping out." Cannabis was king, and the sacred mushrooms "psilocybin" and LSD were "tripping" the minds of thousands, led by psychologist/guru/pitchman Dr. Timothy Leary, the pied piper of the psychedelic drug scene.

The author describes the actors, actresses, and celebrities he has known and shares their revelations about important moments in their personal lives

Erica Jong, the author of Fear of Flying, was a correspondent and friend of Henry Miller for the last decade of his life. In this blend of biography, autobiography, scholarship and polemic, she sets out to re-evaluate Miller's work and to rescue him from charges of misogyny and titillation. The book contains Jong's own correspondence with Miller, and also examines the background to the diaries of Anais Nin.

A haunting consideration of the extraordinary mind of Saul Bellow's unjustly forgotten friend and literary rival and the extremes of the writing life Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a "genius" upon the publication of his "luminescent" novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow. Yet when felled by a heart attack at the age of thirty-eight, Rosenfeld had published relatively little, his life reduced to a metaphor for literary failure. In this deeply contemplative book, Steven J. Zipperstein seeks to reclaim Rosenfeld's legacy by "opening up" his work. Zipperstein examines for the first time the "small mountain" of unfinished manuscripts the writer left behind, as well as his fiercely candid journals and letters. In the process, Zipperstein unearths a turbulent life that was obsessively grounded in a profound commitment to the ideals of the writing life. Rosenfeld's Lives is a fascinating exploration of literary genius and aspiration and the paradoxical power of literature to elevate and to enslave. It illuminates the cultural and political tensions of post-war America, Jewish intellectual life of the era, and--most poignantly--the struggle at the heart of any writer's life.

Long before Stonewall, young Air Force veteran Edward Field, fresh from combat in WWII, threw himself into New York’s literary bohemia, searching for fulfillment as a gay man and poet. In this vivid account of his avant-garde years in Greenwich Village and the bohemian outposts of Paris’s Left Bank and Tangier—where you could write poetry, be radical, and be openly gay—Field opens the closet door to reveal, as never been seen before, some of the most important writers of his time. Here are young, beautiful Susan Sontag sitting at the feet of her idol Alfred Chester, who shrewdly plotted to marry her; May Swenson and her two loves; Paul and Jane Bowles in their ambiguous marriage; Frank O’Hara in and out of bed; Fritz Peters, the anointed son of Gurdjieff; and James Baldwin, Isabel Miller (Patience and Sarah), Tobias Schneebaum, Robert Friend, and many others. With its intimate portraits, Field’s memoir brings back a forgotten era—postwar bohemia—bawdy, comical, romantic, sad, and heroic.