"NOT FUNNY is a FUNNY, whipsmart essay collection on gender, politics, the entertainment industry, and work. Jena Friedman is an acclaimed writer and performer, with multiple credits to her name in the fields of tv comedy (The Daily Show and The Late Show with David Letterman), film (an Academy Award nomination for writing on Sacha Baron Cohen's 2020 blockbuster Borat Subsequent Moviefilm), humor writing (The New Yorker), and live performance. More recently, her skill for keen social observation is seen in her acclaimed tv series Indefensible-a comedic takedown of the true-crime tv craze. With incisive cultural criticism, acerbic wit, and an interdisciplinary mind, Jena sheds light on her life as a millennial woman, treated as too smart, brash, and fearless for her own good through this collection of essays. We see her at her highest highs and lowest lows. We see her struggle to accept mistreatment in exchange for career advancement. We see her cope with "cancel culture" first-hand, as mentors she trusts are called to account for misdeeds she herself did not witness. We watch her unpack the roots of humor, and her lifelong goal to change minds through political incitement. And we see a bright-lights big-city version of a classic young women's career struggle; an immensely talented creative who refuses to soften herself for others. In her debut essay collection NOT FUNNY, Friedman fearlessly jousts with a label so often placed on women like her-perceptive, opinionated, ready to call out hypocrisy wherever she finds it, and... funny! Friedman pushes just past the edge of comfort on matters of gender, politics, decency, and class: Why do we look to celebrities to decide whether other celebrities deserve forgiveness? Why don't we ask men whether their careers might get in the way of starting a family? What does it mean to still hold admiration for a mentor you learn in hindsight to have been a predator? And what's so wrong with telling a dead baby joke? As she notes, one of the first jokes in recorded history was just that. Friedman challenges us to reconsider why we do and do not laugh, with whom we choose to empathize, and when we decide to grant attention in a world that demands we laugh to keep from crying. At once brainy, insightful, and absurd, NOT FUNNY reclaims power using the sharpest tool in bold satirist's arsenal: humor"--

"What is Holocaust literature? When does it begin and how is it changing? Is there an essential core of diaries, eyewitness accounts of the concentration camps, tales of individual survival in hiding? Is it the same everywhere: in the West as in the East, in Australia as in the Americas, in poetry as in prose? Is this literature sacred and sui generis, or can it be studied in the light of other literatures? What of the perpetrators and bystanders, the hidden children, the children of Holocaust survivors: Do they speak with the same authority? What works of Holocaust literature will be read a hundred years from now--and why? Here, for the first time and told from beginning to end, is an historical survey of Holocaust literature in all genres, countries, and major languages. Beginning in wartime, it proceeds from the literature of mobilization and mourning in the Free World to the vast and varied literature produced in the Nazi-occupied ghettos, the bunkers and places of hiding, the transit and concentrations camps. Within weeks of the liberation, in displaced persons camps, a new memorial and testamentary literature begins to take shape. Moving from Europe to Israel, the U.S., and beyond, the authors situate the writings by real and proxy witnesses within three distinct postwar periods: a period of "communal memory," still internal and internecine; a period of "provisional memory" in the '60s and '70s that witnesses the birth of a self-conscious Holocaust genre; to the period of "authorized memory" in which we live today, following the collapse of the Soviet Union (1989-91), and the opening of the US Holocaust Museum (1993). Twenty book covers - first editions in their original languages - and an eminently readable guide to the "first hundred books" together show the multilingual scope, historical depth, the moral and artistic range of this extraordinary body of writing."--Publisher's website.

"Renowned producer, director, and B-movie showman Charles Band takes readers on a wild romp through Hollywood's decidedly un-Oscarworthy underbelly, where mayhem and zombies reign supreme, and cheap thrills and entertainment are king." --

"Astute and provocative....Blends the sophistication of recent feminist theory with highly textured details fro the lives of independent and ambitious women." THE NEW YORK TIMES BOOK REVIEW Drawing on the experience of celebrated women, from George Sand and Virginia Woolf to Dorothy Sayers and Adrienne Rich, Heilbrun examines the struggle these writers undertook when their drives made it impossible for them to follow the traditional "male" script for a woman's life. Refreshing and insightful, this is an homage to brave women past and present, and an invitation to all women to write their own scripts, whatever they may be.

The well-known columnist and commentator offers a funny and poignant memoir of his youth as a Jew growing up in Boston and of the influences that molded him, from the Boston Latin school, to the candy store, to jazz

Never before told stories of the Beatles seven-year rise from teenage dreamers to icons, both the heartbreaks and lucky breaks. From their humble beginnings in Liverpool to the cellars of Hamburg, this includes an eyewitness account of that first meeting between Lennon and McCartney, the inside story of how Ringo replaced Pete Best, a chapter devoted to the brilliant but troubled soul of manager Brian Epstein, the real scoop on their unlucky first visit to Hamburg and the death of Stu Sutcliffe.

Many musicians sing about heartache, despair, and confusion, but few have experienced those feelings more intensely than James Taylor, who rose from a childhood of privilege as the son of an affluent medical school dean to become a modern-day troubadour and pop superstar. When he was seventeen years old, his demons led him to a Massachusetts mental institution where he confronted them the only way he knew how, by writing his first songs. Thirty years later, Taylor's songs are among the most popular in the annals of music, but the demons are still with him. But unlike many of his contemporaries who faced a similar struggle, Taylor managed to emerge as an inspirational figure. Fire and Rain traces this remarkable path, including his troubled marriage to pop star Carly Simon and the premature alcoholism-related death of his brother: -- Taylor's ten-month stay in the exclusive private psychiatric institution where he finished high school. -- His self-imposed exile to England, where he submitted some of his music to the Beatles' Apple Records, which signed him to his first record contract in 1968. Paul McCartney mentored Taylor's early career. -- The story behind his second album, Sweet Baby James, which contained the song "Fire and Rain" about the hopelessness of mental illness and suicide. -- As Taylor's fame increased, so did his problems with heroin, alcohol, and mental illness. In the seventies, the singer nearly fell over the edge many times. Ian Halperin has interviewed more than 100 musicians, family members, music industry figures, and others to paint a detailed but ultimately sympathetic portrait of Taylor's incredible life and career -- the first-ever biographyof this pop-music icon.

"Philip Roth (1933-2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey -- where his short stories and thirty-one books were often set -- he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an "unchaste monk" (his words). In this original and lucid biography, Steven J. Zipperstein captures Roth's complex life and the astonishing range of his self-reflective writings-from "Goodbye, Columbus" and "Portnoy's complaint" to the Pulitzer Prize-winning "American pastoral" and "The plot against America." Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century's most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America"-- Provided by publisher.

"The Beatles White Album and the Launch of Apple " is the tenth book on the Beatles by critically acclaimed Beatles author/historian Bruce Spizer. His latest book covers all aspects of the Beatles 1968 double album titled "The Beatles," but more commonly referred to as "The White Album" due to its pure white cover. The book opens with chapters of the start of Apple and the first four singles released by Apple, including the Beatles single "Hey Jude"/"Revolution." The book then moves on to chapters about how "The White Album" was received upon its release in the U.S., U.K. and Canada. Other chapters deal with the turbulent year 1968, details on the recording sessions and recollections from fans. The book contains 150 color and original black and white images through.

Renaissance military memoirs studied for what they reveal of contemporary attiudes towards war, selfhood and identity.

The music and mayhem behind the seminal sounds of Nick Cave and the Bad Seeds, Models, The Go-Betweens, Hunters & Collectors, Cold Chisel, The Saints, The Cruel Sea and so many more 'The most obsessive, single-minded character I've ever seen, outside of the mirror' -Nick Cave 'I first met Nick Cave ... at Richmond Recorders in January. I appeared shoeless, red-eyed and late. As usual. The grand piano was overflowing with bits of metal, microphone stands, anything that wasn't nailed down. "That should sound interesting," I said. It was the start of a great love affair.' Maverick music producer-engineer Tony Cohen defined Australia's punk and rock sounds in the late '70s, '80s and '90s. His long and celebrated career took him from the studios of Melbourne and Sydney to West Berlin and London's Abbey Road, working with innumerable bands up until his death in 2017. In candid reflections, Tony shares details of his decades-long relationship with Nick Cave (The Boys Next Door, The Birthday Party, Nick Cave and the Bad Seeds) and provides behind-the-scenes access to recordings by Billy Thorpe and the Aztecs, Cat Stevens, Jim Keays, Lobby Loyde, The Ferrets, Split Enz, Laughing Clowns, Models, Magazine, The Reels, The Go-Betweens, Hunters & Collectors, Cold Chisel, Beasts of Bourbon, The Saints, X, Michael Hutchence, The Cruel Sea, TISM, Paul Kelly and so many more. Half Deaf, Completely Mad is a hilarious, tragic and triumphant memoir that reveals a chaotic genius who lived hard and LOUD.

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

One of the most imaginative figures to emerge from the science fiction field. Olaf Stapledon left an indelible mark on many other writers, from Arthur C. Clarke to Saul Bellows, but never won a mass following himself. This study by a renowned American literary critic provides a long-needed introduction to the life and work of the man Brian Aldiss called "the great classical example, the cold pitch of perfection as he turns scientific concepts into ontological epic prose poems, the ultimate science fiction writer." Probing the recurrent themes and images of Stapledon's novels -- which include Last and First Men, Odd John, Star Maker, and Sirius -- Leslie A. Fiedler brilliantly illuminates the complexity and richness that underlie Stapledon's fiction. As Fiedler demonstrates, Stapledon was very much a product of the 1930s, embracing a set of leftist attitudes that were common to many other "Oxbridge-educated sons of the English upper classes." But, as Fiedler further shows, there is much more to Stapleton's books than their superficial ideological content: his works are unique in their awe-inspiring vision of the breadth of the physical universe and the depths of the human psyche. "Certainly since encountering him," Fielder writes, "I have never been able to stare up at thee night sky with the same secure faith that either God exists or he does not; anymore than I have been able between sleeping and waking to be sure that the nighttime "I" preparing to dream is identical with or totally different from the conscious "I" about to surrender its dominion."

Often called Rthe godfather of rock journalism, S the only chronicler to witness some of the most significant events of the T60s now shares exclusive eyewitness glimpses into the era of Bob Dylan and the Beatles.

Examines the lives and careers of four distinguished Irish authors and analyzes the connections among them.

"Timely and beautifully written, New England Beyond Criticism provides a passionate defense of the importance of the literature of New England to the American literary canon, and its impact on the development of spirituality, community, and culture in America. An exploration and defense of the prominence of New England's literary tradition within the canon of American literature. Traces the impact of the literature of New England on the development of spirituality, community, and culture in America. Includes in-depth studies of work from authors and poets such as William Bradford, Emily Dickinson, Robert Frost, Henry David Thoreau, Susan Howe, and Marilynne Robinson. Examines the place and impression of New England literature in the nation's intellectual history and the lives of its readers"--