According to Jewish theology, the Evil Inclination, or yetzer ha-ra, is the little voice inside us all, goading us -- against our better judgment -- to do bad things. Travels with the Evil Inclination is Gershon Winkler's hilarious account of his struggles with the Evil One and the life journey that takes him from an ultra-Orthodox upbringing in Brooklyn, New York, to an ultra-Flexidox lifestyle in rural New Mexico. Through his early childhood in Denmark and his yeshiva boyhood in Brooklyn, his years in the U.S. Army and those spent ranching in Colorado, Winkler's faith and belief undergo constant upheaval as he grapples towards a reconciliation of his passion for religious tradition with his passion for things more earthly. With irreverence and humor, Winkler tells his tale of personal spiritual dissolution and his subsequent re-emergence as a teacher and writer exploring the long-forgotten connections between Judaism and shamanism. Travels with the Evil Inclination is an inspiring and entertaining story of the unusual life of a most original man.

This is the true story of Staten Island badboy Louis Pasciuto's meteoric rise to the top of Wall Street's notorious chop houses - by the award-winning journalist who broke it. Hood brokers. Monthly million dollar paychecks. Thirty-six hour cocaine binges. Rocky themed pep rallies. Run-ins with Mafia thugs toting Mac 10 machine pistols. This was the life of Louis Pasciuto, a fast talking Staten Island kid who, from the age of 19 to 25, moved stocks for 17 different brokerage houses - most of the time without a fake license. This inside account of the Mafia's infiltration of Wall Street details Louis' career as the consummate liar, selling phantom stocks to naive Americans and leading a lifestyle worthy of Caligula. To avoid a long prison sentence, Pasciuto eventually became state witness. Now, Gary Weiss shares the inside story of Wall Street's notorious chop houses, best known as the crooked Mob-run brokerages, where rampant thievery netted several billion dollars from gullible investors.

From the highly acclaimed author of Out of Egypt and Call Me by Your Name , a series of linked essays on memory by "the poet of disappointed love--and of the city" ( New York Times Book Review ). In these fourteen essays Andre Aciman, one of the most poignant stylists of his generation, dissects the experience of loss, moving from his forced departure from Alexandria as a teenager, though his brief stay in Europe and finally to the home he's made (and half invented) on Manhattan's Upper West Side. From False Papers : We remember not because we have something we wish to go back to, nor because memories are all we have. We remember because memory is our most intimate, most familiar gesture. Most people are convinced I love Alexandria. In truth, I love remembering Alexandria. For it is not Alexandria that is beautiful. Remembering is beautiful.

Best known for his "How'm I doing?" approach to politics and life, as well as his candid stands on controversial issues, Ed Koch survived his years in public office by being the most outspoken and candid mayor in the history of New York City. Citizen Koch is an insightful, funny, and outrageous memoir about life, politics, and the City of New York. Ed's taken off the gloves and bares all about the highs and lows of his mayoralty and life. Besides being a hard-hitting, unusually honest political memoir, Citizen Koch is filled with heartfelt reminiscences from Koch's life - his childhood working as a hatcheck boy in a Newark dancehall with his immigrant parents during the Depression, his years living in Brooklyn, his World War II experiences as a Sergeant in the 104th Infantry Division, his time as a young attorney, and much, much more. Best of all, he chronicles his introduction to politics and offers a private and personal recounting of his nine years as a U.S. Congressman and three terms as Mayor of New York City. And, for the first time, Ed discusses his contemplation of suicide during the corruption crisis that clouded his third term. In Citizen Koch, Ed Koch also provides hilarious anecdotes and witty reminiscences from his years in public life, including wonderful stories from his time in Gracie Mansion and visits with Menachem Begin, Sir Laurence Olivier, Leonard Bernstein, Mother Teresa, and audiences with Presidents Bush and Nixon, Daniel Ortega, Pope John Paul II, and many, many others. And, perhaps best of all, Ed discusses his life out of office and offers up his opinions on many of the issues facing America today. Citizen Koch is the most candid, searching, and intimateportrait of one of our best-known public figures.

In 1906, at a prosperous Long Island summer home, a family falls ill and typhold is diagnosed. When Dr George Soper is called in to find the source of the contagion, he notices that the household cook has gone missing. She is Mary Mallon, the woman who would become known as Typhoid Mary. Soper, sanitary engineer turned sleuth, sees Mary as his Moriarty. He finds there has been an outbreak of typhoid fever in every household she has worked in over the past decade. Mary is a 'carrier', a seemingly healthy individual who passes on her dangerous germs, sometimes with fatal consequences. Now Soper must hunt the cook down before she can infect more unsuspecting victims. A poor Irish immigrant, Mary refuses to believe that she can harbour typhoid in her strong and healthy body, and she doesn't intend to go quietly. In this fascinating true story Bourdain, in an homage from one cook to another, follows Mary through the kitchens of New York, putting a human face to a desperate and unintentional murderer, and examines a time, and a life, with his inimitable style.

A writer renowned for his insight into the mysteries of the body now gives us a lambent and profoundly moving book about the mysteries of family. At its center lies Sherwin Nuland’s Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish garment worker who came to America in the early years of the last century but remained an eternal outsider. Awkward in speech and movement, broken by the premature deaths of a wife and child, Meyer ruled his youngest son with a regime of rage, dependency, and helpless love that outlasted his death. In evoking their relationship, Nuland also summons up the warmth and claustrophobia of a vanished immigrant New York, a world that impelled its children toward success yet made them feel like traitors for leaving it behind. Full of feeling and unwavering observation, Lost in America deserves a place alongside such classics as Patrimony and Call It Sleep .

"An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother's maternal line. Using family heirlooms to unlock the mystery of Moses's ancestors, Once We Were Slaves overturns the reclusive heiress's assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings' extraordinary journey throughout the Atlantic World, Leibman examines artefacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and-at times-white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race-as well as on the role of religion in racial shift-in the first half of the nineteenth century"--

"Such painters as Larry Rivers, Elaine de Kooning, Helen Frankenthaler, and Marisol, critics Clement Greenberg and Harold Rosenberg, composers Virgil Thomson and Ned Rorem, writers such as Jack Gelber and John Ashbery, and art dealers Sidney Janis and Betty Parsons all describe in ... interviews how they 'made the scene,' with whom, and why. Poet Bill Berkson talks about his close friend Frank O'Hara, Lee Krasner recalls her life with Jackson Pollock, and the late William Flanagan, composer and music critic, describes the early days of Edward Albee."

The 1951 regular season was as good as over. The Brooklyn Dodgers led the New York Giants by three runs with just three outs to go in their third and final playoff game. And not once in major league baseball’s 278 preceding playoff and World Series games had a team overcome a three-run deficit in the ninth inning. But New York rallied, and at 3:58 p.m. on October 3, 1951, Bobby Thomson hit a home run off Ralph Branca. The Giants won the pennant. The Echoing Green follows the reverberations of that one moment–the Shot Heard Round the World–from the West Wing of the White House to the Sing Sing death house to the Polo Grounds clubhouse, where a home run forever turned hitter and pitcher into hero and goat. It was also in that centerfield block of concrete that, after the home run, a Giant coach tucked away a Wollensak telescope. The spyglass would remain undiscovered until 2001, when, in the jubilee of that home run, Joshua Prager laid bare on the front page of the Wall Street Journal a Giant secret: from July 20, 1951, through the very day of that legendary game, the orange and black stole the finger signals of opposing catchers. The Echoing Green places that revelation at the heart of a larger story, re-creating in extravagant detail the 1951 pennant race and illuminating as never before the impact of both a moment and a long-guarded secret on the lives of Bobby Thomson and Ralph Branca. A wonderfully evocative portrait of the great American pastime, The Echoing Green is baseball history, social history and biography–irresistible reading from any angle.

Finalist, 2008 Pulitzer Prize Lincoln Kirstein was a tireless champion of the arts in America. Working behind the scenes to provide artists with money, space, audiences, and, at times, emotional support, he helped found such landmark cultural institutions as the New York City Ballet, the School of American Ballet, New York’s Lincoln Center and Stratford's American Shakespeare Festival. Duberman's biography sheds light on this lamentably neglected cultural figure. Though best known as a benefactor of the arts, Kirstein was also an adept critic, poet and novelist who published some fifteen books in his lifetime. From his undergraduate years at Harvard, where he established the influential literary magazine Hound and Horn , as well as the Harvard Society for Contemporary Art (precursor to the Modern Museum of Art), to his complex and historically significant relationship with George Balanchine, Kirstein's contributions were indespensible to the development of the arts in America. Authoritative and elegant, Duberman's biography utilizes previously unavailable documents, including Kirstein's diaries, to reveal the keen eye, incessant self-doubt, and enormous ambition that drove Kirstein's relentless advocacy. The Worlds of Lincoln Kirstein brings attention to an important, but until-now unappreciated figure whose individual contribution to the arts was one of the greatest of the twentieth century.

How a little-known industrial neighborhood in New York unintentionally became a nexus of creative activity for a brief burst of time. During the 1960s and 1970s in New York City, young artists exploited an industrial wasteland to create spacious studios where they lived and worked, redefining the Manhattan area just south of Houston Street. Its use fueled not by city planning schemes but by word-of-mouth recommendations, the area soon grew to become a world-class center for artistic creation indeed, the largest urban artists' colony ever in America--let alone the world. Richard Kostelanetz's Artists' SoHo not only examines why the artists came and how they accomplished what they did but also delves into the lives and works of some of the most creative personalities who lived there during that period, including Nam June Paik, Robert Wilson, Meredith Monk, Richard Foreman, Hannah Wilke, George Macuinas, and Alan Suicide. Gallerists followed the artists in fashioning themselves, their homes, their buildings, and even their streets into transiently prominent exhibition and performance spaces. SoHo pioneer Richard Kostelanetz's extensively researched intimate history is framed within a personal memoir that unearths myriad perspectives: social and cultural history, the changing rules for residency and ownership, the ethos of the community, the physical layouts of the lofts, the types of art produced, venues that opened and closed, the daily rhythm, and the gradual invasion of "new people." Artists' SoHo also explores how and why this fertile bohemia couldn't last forever. As wealthier people paid higher prices, galleries left, younger artists settled elsewhere, and the neighborhood became a "SoHo Mall" of trendy stores and restaurants. Compelling and often humorous, Artists' SoHo provides an analysis of a remarkable neighborhood that transformed the art and culture of New York City over the past five decades.

As Times Square turns 100, New York Times Magazine contributing writer James Traub tells the story of how this mercurial district became one of the most famous and exciting places in the world. The Devil’s Playground is classic and colorful American history, from the first years of the twentieth century through the Runyonesque heyday of nightclubs and theaters in the 1920s and ’30s, to the district’s decline in the 1960s and its glittering corporate revival in the 1990s. First, Traub gives us the great impresarios, wits, tunesmiths, newspaper columnists, and nocturnal creatures who shaped Times Square over the century since the place first got its name: Oscar Hammerstein, Florenz Ziegfeld, George S. Kaufman, Damon Runyon, Walter Winchell, and “the Queen of the Nightclubs,” Texas Guinan; bards like A. J. Liebling, Joe Mitchell, and the Beats, who celebrated the drug dealers and pimps of 42nd Street. He describes Times Square’s notorious collapse into pathology and the fierce debates over how best to restore it to life. Traub then goes on to scrutinize today’s Times Square as no author has yet done. He writes about the new 42nd Street, the giant Toys “R” Us store with its flashing Ferris wheel, the new world of corporate theater, and the sex shops trying to leave their history behind. More than sixty years ago, Liebling called Times Square “the heart of the world”—not just the center of the world, though this crossroads in Midtown Manhattan was indeed that, but its heart. From the dawn of the twentieth century through the 1950s, Times Square was the whirling dynamo of American popular culture and, increasingly, an urban sanctuary for the eccentric and the untamed. The name itself became emblematic of the tremendous life force of cities everywhere. Today, Times Square is once again an awe-inspiring place, but the dark and strange corners have been filled with blazing light. The most famous street character on Broadway, “the Naked Cowboy,” has his own website, and Toys “R” Us calls its flagship store in Times Square “the toy center of the universe.” For the giant entertainment corporations that have moved to this safe, clean, and self-consciously gaudy spot, Times Square is still very much the center of the world. But is it still the heart?

During the hard and bitter years of his youth in England, Harry Bernstein’s selfless mother never stops dreaming of a better life in America, no matter how unlikely. Then, one miraculous day when Harry is twelve years old, steamship tickets arrive in the mail, sent by an anonymous benefactor. Suddenly, a new life full of the promise of prosperity seems possible–and the family sets sail for America, meeting relatives in Chicago. For a time, they get a taste of the good life: electric lights, a bathtub, a telephone. But soon the harsh realities of the Great Depression envelop them. Skeletons in the family closet come to light, mafiosi darken their doorstep, family members are lost, and dreams are shattered. In the face of so much loss, Harry and his mother must make a fateful decision–one that will change their lives forever. And though he has struggled for so long, there is an incredible bounty waiting for Harry in New York: his future wife, Ruby. It is their romance that will finally bring the peace and happiness that Harry’s mother always dreamed was possible.

In this first post-9/11 account of the career of the man who established himself as America's Mayor in the dark days after America was attacked, Fred Siegel shows how Rudy Giuliani's successes in New York--restoring law and order, cutting taxes and radically reducing the welfare rolls--demonstrated that Gotham was indeed governable (a matter of doubt until his election) and that our major cities might again become vibrant and dynamic places to live after thirty years of middle-class flight. Someone who has worked with Giuliani as well as studied him, Siegel describes this colorful figure as an immoderate centrist, who, like the city he came to embody, evokes contradictory emotions. For some, he was a ruthless autocrat during his years at city hall; for others, he was a heroic figure who took on the vested interests that had dragged the city down. Siegel regards Guiliani as a shrewd tactician and artist of the possible who could have stepped out of the pages of Machiavelli's THE PRINCE. A self-promoting, self-absorbed man, the mayor made his own enormous ego serve the city's well-being. He promoted the virtues of duty and sacrifice, but was sometimes unable to honor these values in his personal life. He was suspicious of those outside his immediate circle, but he also placed this tribal ethos in the service of ideals that transcended New York's ethnic politics and business as usual. THE PRINCE OF THE CITY is at once a fascinating character study, a history of New York over the last forty years, and a classic inquiry into the issue of how cities thrive or die. Siegel's story culminates with a dramatic account of September 11, 2001, revealing how Giuliani's s eight years in office had prepared him and the city to rise to this tragic occasion. Siegel concludes with a look at how Guiliani's successor, Mayor Michael Bloomberg, has handled his legacy and at what the future might hold for America's Mayor.

"A down-to-earth, inspiring book about the American promise fulfilled." -President Bill Clinton "Fascinating . . . . Made me wish I had been born in the Bronx." -Barbara Walters A touching and provocative collection of memories that evoke the history of one of America's most influential boroughs-the Bronx-through some of its many success stories The vivid oral histories in Arlene Alda's Just Kids from the Bronx reveal what it was like to grow up in the place that bred the influencers in just about every field of endeavor. The Bronx is where Michael Kay, the New York Yankees' play-by-play broadcaster, first experienced baseball; where J. Crew's CEO Millard ("Mickey") Drexler found his ambition; where Neil deGrasse Tyson and Dava Sobel fell in love with science; and where local music making inspired singer-songwriter Dion DiMucci and hip-hop's Grandmaster Melle Mel. The parks, the pickup games, the tough and tender mothers, the politics, the gangs, the food-for people who grew up in the Bronx, childhood recollections are fresh. Arlene Alda's own Bronx memories were a jumping-off point from which to reminisce with a nun, a police officer, an urban planner, and with Al Pacino, Carl Reiner, Colin Powell, Maira Kalman, Bobby Bonilla, Mary Higgins Clark, and many other leading artists, athletes, scientists, and entrepreneurs-experiences spanning six decades of Bronx living. Alda then arranged these pieces of the past, from looking for violets along the banks of the Bronx River to the wake-up calls from teachers who recognized potential, into one great collective story, a filmlike portrait of the Bronx from the early twentieth century until today.

Mordecai M. Kaplan, the founder of the Reconstructionist movement, was the most influential and controversial radical Jewish thinker in the twentieth century. This book follows Kaplan from his earliest days as a member the New York Orthodox community, through his period of private estrangement, into his public divorce from Orthodoxy and ultimately through his many decades as reconstructionism's leader. The book is also a social history of American Orthodoxy and American Judaism over the last century.

Seminal essays on loneliness, living in New York, friendship, feminism, and writing from nonfiction master Vivian Gornick Vivian Gornick's Approaching Eye Level is a brave collection of personal essays that finds a quintessentially contemporary woman (urban, single, feminist) trying to observe herself and the world without sentiment, cynicism, or nostalgia. Whether walking along the streets of New York or teaching writing at a university, Gornick is a woman exploring her need for conversation and connection—with men and women, colleagues and strangers. She recalls her stint as a waitress in the Catskills and a failed friendship with an older woman and mentor, and reconsiders her experiences in the feminist movement, while living alone, and in marriage. Turning her trademark sharp eye on herself, Gornick works to see her part in things—how she has both welcomed and avoided contact, and how these attempts at connections have enlivened and, at times, defeated her. First published in 1996, Approaching Eye Level is an unrelentingly honest collection of essays that finds Gornick at her best, reminding us that we can come to know ourselves only by engaging fully with the world.

The story of one of the most compelling religious leaders of modern times From the 1950s until his death in 1994, Menachem Mendel Schneerson—revered by his followers worldwide simply as the Rebbe—built the Lubavitcher movement from a relatively small sect within Hasidic Judaism into the powerful force in Jewish life that it is today. Swept away by his expectation that the Messiah was coming, he came to believe that he could deny death and change history. Samuel Heilman and Menachem Friedman paint an unforgettable portrait of Schneerson, showing how he reinvented himself from an aspiring French-trained electrical engineer into a charismatic leader who believed that he and his Lubavitcher Hasidic emissaries could transform the world. They reveal how his messianic convictions ripened and how he attempted to bring the ancient idea of a day of redemption onto the modern world's agenda. Heilman and Friedman also trace what happened after the Rebbe's death, by which time many of his followers had come to think of him as the Messiah himself. The Rebbe tracks Schneerson's remarkable life from his birth in Russia, to his student days in Berlin and Paris, to his rise to global renown in New York, where he developed and preached his powerful spiritual message from the group's gothic mansion in Crown Heights, Brooklyn. This compelling book demonstrates how Schneerson's embrace of traditionalism and American-style modernity made him uniquely suited to his messianic mission.

Jerome Charyn's three-part memoir of his boyhood in the Bronx has all the imagery and color of an enchanting and entertaining novel -- someone has said that it captures the author's world so accurately that it can't possibly be true. Bronx Boy , like The Dark Lady of Belorusse and The Black Swan , both selected by The New York Times as Notable Books of the Year, is a tour de force of memory and imagination. In this third and final installment, the higher truths of a masterly writer's art render moot the question of exactly where the real world ends and Charyn's imagined world begins. Still known as "Baby" although a younger brother has come along, young Charyn makes pocket money delivering eggs, belongs to a group of 12-year-old wannabe gangsters that meet in a soda shop run by an ex-con, and spends afternoons telling stories to the adoring wife of a wealthy Russian émigré. He becomes famous for his black-and-tans -- a concoction of coffee ice cream, seltzer, milk, chocolate sauce, crushed pecans -- and "a touch of bitterness that may have been the Bronx." So famous, indeed, that he walks away the winner of an annual black-and-tan contest sponsored by the real-life top gangster called "The Little Man" -- Meyer Lansky. In Charyn's hands, the often ridiculed Bronx is a magic place, as full of odd and wonderful characters as a three-ring circus. And at the center of it all, young "Baby," not as lucky in love as he would like to be, drinking it all in, putting his own extraordinary take on it. Charyn looks back at this with his singular vision, and records it all for us with the skill of the fine writer he is. This is a delightful and often moving story of a childhood that could only have been lived in New York in the fifties, a New York experience that could only have taken place in the Bronx of those days, a growing-up saga that could only have been captured by this singular author.