At an age when most people are discovering what they want to do with their lives, Porter has been married and divorced, earned seven figures as a corporate "ninja," and had a nervous breakdown. It's been four years since he's had a job or a date, and he's decided to give life another shot. LONELY, I'M NOT is a comic journey that follows Porter as he meets an ambitious, sightless young businesswoman who is overcoming her own obstacles to emotional success.

THE STORY: Self-assured and unyielding, Bart Kramer after accepting an important business position inexorably intrudes himself into the lives of his associates. Coldly and dispassionately he sets out to save it, particularly the young man who has

A hilarious comedy which follows the life of redundant civil servant John, a bitter recipient of a 'tarnished chrome handshake'. John struggles to keep his dignity and sanity in the face of his wife's successful business, an adulterous affair, the incipient break-up of his marriage and regular visits from his mother-in-law.3 women, 3 men

THE STORY: Dividing his play into three questions on the human dilemma, the author begins with a charming and gently humorous retelling of Adam and Eve (and God) in the Garden of Eden. After their expulsion from paradise, Eve gives birth to Cain,

Full-Length Play "Playful entertainment-Outstanding Production of the Year!" -Show Business North Atlantic is a uniquely affectionate and comic valentine to the classic style of Rodgers & Hammerstein, set in the land of igloos and ice! On a mysterious and remote island (somewhere on the opposite side of the globe from "South Pacific"), Honey Snodgrass and Melanie Fong, all-American members of the Ioway branch of the Teaching Corps, arrive to teach Eskimo children their 'modern ways.' As with any good R & H classic, the girls soon find unexpected romance, unintentional bigotry, and the dream ballet to end all dream ballets! With every ridiculous cliché thrown in for good measure, this charming family musical takes its origins and springboards into its own idiomatic lunacy. (Play: 5F, 5M, Ensemble)

"Leroy Hamilton is seated in the visiting room of a state mental hospital where his wife is having treatment. Forty-eight years old, he is dressed in Ivy League clothing and is looking through a magazine. He is a veteran of the visiting room, as his wife has been hospitalized a number of times over the years. Mr. Frick, a sixty-year-old solid businessman, enters. His wife is having treatment for the first time. Frick engages Leroy in conversation and it becomes obvious that he needs to be put at ease regarding the whole situation of his wife's illness and resulting hospitalization. The men compare very different stories of how the illnesses began and how they have settled. Leroy tells Frick that the secret to handling the situation is not to feel sorry for yourself. Frick listens, yet the conversation begins to disintegrate as the men disagree about the relative merits of the state hospital verses a private one. Frick admires Leroy's pride in keeping his wife at the state-owned institution, however, he does so condescendingly. It turns out that the men have known each other before from a different context--Leroy (a descendant of Alexander Hamilton) is a carpenter that uses Frick's lumber yard. Frick becomes even more condescending to Leroy and the conversation completely disintegrates into the kind of talk that Leroy says is driving people crazy."--

"1968 East London. In a rapidly changing Britain the Solomon family must adapt their business or die. But the competing agendas of each volatile member threaten to tear the whole firm apart. Tough, ruthless, but always devoted matriarch Yetta built her 'empire' from nothing, from a small market stall to a thriving emporium, through sheer grit and passion and against incredible adversity: now she is determined to keep the family together and the business alive. It's proving, however, to be her toughest challenge yet. With warring sons, quarrelling in-laws, mutinous employees, ferocious competitors and the younger generation vibrantly bursting to embrace this brave new world, how far will she go to keep the family in the business and the business in the family? This fiery new family comedy takes a closer look at the entrepreneurial outsiders who became part of the beating heart of modern Britain."--Provided by publisher.

As big-hearted patriarch David clings to a deal that could save both his ailing catering firm and his cherished standing in the Edgware Jewish community, his children are at loggerheads. "You must have heard him banging on about the long line of Rosenbergs, stretching back to the Bible. He reckons some ancient relative catered the Last Supper." While eldest son Danny fights for the Israelis in Gaza, his sister investigates war crimes in the same conflict. Their brother drinks and brawls and refuses to join their father's business. But when tragedy strikes, each family member is forced to confont head-on the clash between individual identity and the demands and expectations of community. The Holy Rosenbergs explores tribal loyalties, the culpability of family and the consequences of standing up for what you believe to be right.