Although he was a suburban husband and father, living a far different life than the “Wolf of Wall Street,” Michael Kimelman had a good run as the cofounder of a hedge fund. He had left a cushy yet suffocating job at a law firm to try his hand at the high-risk life of a proprietary trader — and he did pretty well for himself. But it all came crashing down in the wee hours of November 5, 2009, when the Feds came to his door—almost taking the door off its hinges. While his wife and children were sequestered to a bedroom, Kimelman was marched off in embarrassment in view of his neighbors and TV crews who had been alerted in advance. He was arrested as part of a huge insider trading case, and while he was offered a “sweetheart” no-jail probation plea, he refused, maintaining his innocence. The lion’s share of Confessions of a Wall Street Insider was written while Kimelman was an inmate at Lewisburg Penitentiary. In nearly two years behind bars, he reflected on his experiences before incarceration—rubbing elbows and throwing back far too many cocktails with financial titans and major figures in sports and entertainment (including Leonardo DiCaprio, Alex Rodriguez, Ben Bernanke, and Alan Greenspan, to drop a few names); making and losing hundreds of thousands of dollars in daily gambles on the Street; getting involved with the wrong people, who eventually turned on him; realizing that none of that mattered in the end. As he writes: “Stripped of family, friends, time, and humanity, if there’s ever a place to give one pause, it’s prison . . . Tomorrow is promised to no one.” In Confessions of a Wall Street Insider , he reveals the triumphs, pains, and struggles, and how, in the end, it just might have made him a better person. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

From award-winning actress Illeana Douglas comes a memoir about learning to survive in Hollywood while staying true to her quirky vision of the world. In 1969 Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words, "That's what it's all about man" to heart, they abandoned their comfortable upper middle class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a testament to the power of art and the tenacity of passion. It is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the moment she was discovered by Martin Scorsese for her blood-curdling scream and cast in her first film, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award winning writer, director and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking. Writing from the perspective of the ultimate show business fan, Douglas packs each page with hilarious anecdotes, bizarre coincidences, and fateful meetings that seem, well, right out of a plot of a movie. I Blame Dennis Hopper is the story of one woman's experience in show business, but it is also a genuine reminder of why we all love the movies: for the glitz, the glamor, the sweat, passion, humor, and escape they offer us all.

Millions of adult Americans will fondly remember such entertaining movies as Carousel, The Jackpot, and There's No Business Like Show Business. Phoebe and Henry Ephron, who wrote the screenplays for these and other films, were a unique team in that they used their special talents, working with dozens of great names of screen and stage, to create everything from the comic to the somber under circumstances both humorous and quite the opposite. Whether they were working on a Carousel, starring Shirley Jones and Gordon MacRae or a new What Price Glory, or Fred Astaire's Daddy Long Legs, the Ephrons were always learning something new and exciting about a magical assortment of people (Henry remembers the famous director John Ford the day he was faulted by his producer for being two days behind in shooting a film. He tore up six pages and said: "Tell the SOB I'm six days ahead!") This is also a story of the thirty-seven-year marriage of two people who started out with very little, realized their dreams of having a play produced on Broadway, and then went to Hollywood, where they wrote major scripts for some of the biggest stars. Woven throughout the story is the family element of raising four daughters in the make-believe atmosphere of Southern California. As the two Ephrons worried about the work they'd done on one major script, the make-believe turning into a glorious reprieve when it was reported to them that Darryl Zanuck had just told a friend, "I'll never know how the Ephrons took that old chestnut and turned it into this great screenplay." Here, a professional storyteller is at his best in a personal narrative which also brings onstage a fascinating supporting cast.

“ Blood Feud rivals A Civil Action for best non-fiction book of the past twenty years.” — John Lescroart, New York Times bestselling author of Damage Procrit seemed like a biotech miracle, promising a golden age in medical care. Developed in the 1980s by Amgen and licensed to the pharmaceutical giant, Johnson & Johnson, the drug (AKA Epogen and Aranesp) soon generated billions in annual revenue—and still does. In 2012, world famous cyclist, Olympian, and Tour de France champion Lance Armstrong was banned from professional cycling on doping charges for using EPO (the blanket name for the drugs Procrit and Epogen), resulting in a global controversy about abuse, big pharmaceutical companies, and the lies and inaccuracies concerning performance-enhancing drugs. Mark Duxbury was a J&J salesman who once believed in the blood-booster, setting record sales and winning company awards. Then Duxbury started to learn unsavory truths about Procrit and J&J’s business practices. He was fired and filed a whistleblower suit to warn the public. When Jan Schlichtman ( A Civil Action ) learned of Duxbury’s crusade, he signed on. Now, he’s fighting on behalf of cancer patients and for every American who trusts Big Pharma with his life.

A gripping account of the worst coal mine fire in US history—the 1909 Cherry Mine Disaster that claimed the lives of 259 men. "Drawing on diaries, letters, written accounts of survivors and testimony from the coroner's inquest...Tintori's engaging prose keeps readers on the edge" ( Publishers Weekly ). Inspired by a refrain of her girlhood—"Your grandfather survived the Cherry Mine disaster"—Karen Tintori began a search for her family's role in the harrowing tragedy of 1909. She uncovered the stories of victims, survivors, widows, orphans, townspeople, firefighters, reporters, and mine owners, and wove them together to pen Trapped, a riveting account of the tragic day that would inspire America's first worker's compensation laws and hasten much-needed child labor reform. On a Saturday morning in November of 1909, four hundred and eighty men went down into the mines as they had countless times before. But a fire erupted in the mineshaft that day and soon burned out of control. By nightfall, more than half the men would either be dead or trapped as officials sealed the mine in an attempt to contain the blaze. Miraculously, twenty men would emerge one week later, but not before the Cherry Mine disaster went down in history as the worst ever coal mine fire in the US—and not before all the treachery and heroism of mankind were revealed.

A tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo. 63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes . Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.

A highly decorated Israeli military officer, leader, and former director of the internal security service, Shin Bet, sees the light on what his country must do to achieve a lasting peace between Israel and the Palestinians. In this deeply personal journey of discovery, Ami Ayalon seeks input and perspective from Palestinians and Israelis whose experiences differ from his own. As head of the Shin Bet security agency, he gained empathy for 'the enemy' and learned that when Israel carries out anti-terrorist operations in a political context of hopelessness, the Palestinian public will support violence, because they have nothing to lose. Researching and writing Friendly Fire , he came to understand that his patriotic life had blinded him to the self-defeating nature of policies that have undermined Israel's civil society while heaping humiliation upon its Palestinian neighbours. 'If Israel becomes an Orwellian dystopia,' Ayalon writes, 'it won't be thanks to a handful of theologians dragging us into the dark past. The secular majority will lead us there motivated by fear and propelled by silence.' Ayalon is a realist, not an idealist, and many who consider themselves Zionists will regard as radical his conclusions about what Israel must do to achieve relative peace and security and to sustain itself as a Jewish homeland and a liberal democracy. 'How can a staunch Zionist who was raised on one of Israel's earliest settlements and trained as a kill-or-be-killed elite commando spearhead a campaign for peace with his enemies? The answer, in Ami Ayalon's captivating narrative, is an eye-opener for Palestinians and Israelis alike.' -Sari Nusseibeh, author of Once Upon a Country- a Palestinian life , former president of the Al-Quds University, and former Palestinian National Authority representative in Jerusalem ' Ayalon's aims and accomplishments are ... undeniably impressive ... Hope finds a prominent presence in what so many think is a hopeless, endless conflict.' - Kirkus Reviews 'Ami Ayalon discusses how he came to see a two-state solution with the Palestinians as the best way to ensure Israel's security, not just through analysing numbers and statistics, but through a humanistic approach. He discusses ... how his humanist paradigm not only allowed him to see how the Palestinians' grievances and aspirations are intertwined with Israel's security, but also how he still acknowledges and sympathises with the narratives of those in Israel whom he may disagree with.' -Jonah Naghi, The Times of Israel

Twenty sensational erotic stories that are sinfully good from Xcite Books, winners of the ETO Best Erotic Book Brand 2010, 2011, 2012 and 2013. Featuring stories by some of the best writers in the erotic field including Kay Jaybee, Angela Meadows, Elizabeth Cage and Penelope Friday. Indulge yourself in this sensational collection and discover the pleasure of Ultimate Sins. French Connection by Cathy King Escaping to France in the wake of a failed marriage, Mandy attempts to put the past behind her and indulge in a change of scenery. Bad memories fade as the delights of her holiday destination reveal themselves. With British men off of the menu, she is determined to sample the local fare. A chance encounter following an early evening trip to the beach allows Mandy to experience some of the local delicacies. But, with her appetite whetted all she can crave for is more. Eat Me by Elizabeth Cage Tired after a hard day at work all Joanne wants is to go home, relax and indulge her sweet tooth. A chance encounter at the bus station results in a journey home by quite a different route. Her unforeseen diversion is not without its delights. As the evening unfolds she discovers an appetite that needs to be satiated, and is soon treated to a gourmet feast from a menu of the very risqué kind. Vichysoisse by Astrid L. Gathering ingredients to make a soup at the local supermarket, Sophia encounters the highly charged and seductive Samantha, and is immediately enchanted. Intoxicated by her presence she invites Samantha for a culinary lesson in the preparation of Vichysoisse. As the cooking begins, intimacy, passion and anticipation quickly swirl into a heady infusion that consumes the both of them. Unlike the cold soup that brings them together, their relationship soon progresses from a light simmer to boiling desire. Bamboobzled by Landon Dixon When gorgeous celluloid dame, Brinn Stones saunters'' into his office, hard-nosed PI Jim Brubaker is offered a case he simply cannot refuse. Charged with the task of unearthing a seedy blackmailing scam, Brubaker is forced to trawl the seedy underbelly of the City of Angels. As the case reveals itself, he soon discovers that Tinsel Town is not quite as it seems. It''s a dog-eat-dog world, where just about anything goes. Pretty Young Things by Cathryn Cooper It''s the Roaring Twenties, a decade of decadence, prosperity and wild-abandon. In need of fresh excitement, Carew accepts the challenge of a car race to the nearby abbey ruins. With the brazen Suzanne at his side, he leads the rowdy crowd out into the dark night. Once at the ruins, Suzanne embarks upon a ribald display that soon drives those in attendance into a wanton frenzy. Unmoved, Carew leaves the gathering to wander the ruins, chancing upon a mysterious woman and an erotic encounter of his own. Purposeful Liaison by Shermaine Williams When work calls her husband back from their romantic island holiday, Charlotte is left to enjoy what''s left on her own, rather that reigniting the lost passion of her marriage. Her sudden abandonment soon registers on the radar of Matthew, a well-toned holiday-maker looking for company during his stay. His persistent attention soon wears down Charlotte''s resolve, and a late-night invitation for a drink releases more passion than she can possibly control. Alice and the Red Queen by Jean Roberta When a young student takes on the job of gardener for an erstwhile tennis star, gardening is not the only activity to leave her hot and breathless. The Red Queen soon sets her sights on the nubile employee and enters into a game where domination is the ultimate prize. As the game begins, the temperature starts to rise as the former tennis queen samples the many new delights that await her in the intimacy of her well-maintained grounds. Serial Satisfaction by Cathryn Cooper Michael can''t wait to indulge in his affair with his best friend''s wife. In the seclusion of a lay-by Crystal waits for her lover, but has demands of her own in mind. As Michael revels in her sensuous affection, Crystal takes him to the brink only to stop. A girl needs commitment and that''s exactly what she wants. Crystal wants Michael for herself, not to be shared with his wife. As Michael ponders his next move, he soon learns an important lesson, that Hell hath no fury as a woman scorned. Shared Experience by Lynn Lake The saying goes two''s company and three''s a crowd, but is that always the case? David is desperate for Amy to join him in realising his yearning for a threesome. Reluctant at first, Amy eventually succumbs to his wish and arranges for the arrival of the additional party: the voluptuous Cassandra. With her appetite whetted, Amy soon becomes a willing participant in David''s lustful scenario. However, her involvement is always going to be on her own terms, whatever they may be. Sweet Dreams by Jade Taylor Horny, frustrated and eager to get her toy boy home to the bedroom, Ellie must first lure Greg away from the nightclub. However, the easy distractions of youth interfere with her intentions, despite her most determined and seductive efforts. However, fate works in mysterious ways, and an after hours invitation to Greg''s friend Adam''s home provides her with a golden opportunity. Employing the power of her sensual allure, she teases them both only to enjoy a return that doubles her delight. The Florist by Eva Hore Melissa is determined to have her way with John the hunky Florist. With a plan in mind, she arrives late one evening to pursue her intention. As Melissa embarks on her seductive task, events take a very sudden and unexpected twist. Melissa soon finds herself at the centre of a wanton scenario that takes her on a wild, new experience of pleasure and pain. Behind closed doors at the florists will never be the same again. A Lesson For Victoria by Angela Meadows Dispatched by her Father, Victoria arrives at a school for young ladies nestled high the Tyrol. It soon becomes clear, that she has been sent to be educated as a lady. Under the expert guidance of Madams Thackeray and Hulot Victoria is to be prepared for presentation as a desirable Wife for high society gentleman. As the first evening session in the curriculum unfolds, it''s soon apparent to Victoria that her two-year attendance will be extremely hands on. Story Telling by Jim Baker Reality and imagination become entwined in a series of carnal encounters. A lecturer stumbles upon some raunchy extra-curricular activity in the University lecture hall, whilst a Librarian offers a personal and energetic critique of an author''s work. Yet it''s the mind behind these tales that feeds eagerly from its muse. As the plots are energetically worked out, the Authors fantasies are the only limitation. Beautiful Sin by Penelope Friday Two friends met again after a period of prolonged absence and cordially acknowledge each other. The reality is that both Catherine and Elizabeth share a passion that the world must never know. Against a backdrop of strict moral codes, their true feelings would see them incarcerated and separated forever; their lust for each other deemed a sin. Yet when the lights go out and others settle for the night, both women can meet secretly once more to share in their beautiful sin. The Spying Game by Roz MacLeod It''s the height of the Cold War and the nation is on its guard against the spectre of foreign espionage. When Sandi, a top agent in the Secret Service is called before Control, she is presented with a mission to uncover a possible double agent. Determined to safeguard the Nation''s secrets and using the cover of an erotic dancer, Sandi embarks on her wild and raunchy assignment, using every vice at her disposal to catch her target. The Librarian by Eva Hore A young woman returns early to her shared apartment, to find her scantily clad room mate preparing for a mysterious night-out. Where does a Librarian go after a day in the stacks? Imagination runs riot as an increasingly lecherous scenario unfolds in the young woman''s mind. Her room mate''s daytime mousy demeanour, tight bun and glasses are soon discarded, to reveal a wanton dominatrix hell bent on tasting the delights of her desires. Wreck-Her by Lynn Lake A business woman is unexpectedly delayed as her company car breaks-down, deep in the sun-parched Manitoba prairie. With no cell phone signal and the soaring heat of the surroundings rising, desperation rapidly begins to set in. Help soon arrives in the form of a tow truck that stops to offer assistance. After thoroughly appraising the situation, the truck driver is soon ready to dispense a unique form of roadside assistance that ultimately proves much to the woman''s delight. Mixed Blessings by Phoebe Grafton Two friends are in need of temporary relief from their respective husbands. With one husband too demanding and the other too languid, both wives decide that a weekend exchange is the best tonic. A plan is hatched, and after a night out together is put into effect, as door keys are exchanged for each others home and husband. The weekend that follows indulges each in the marital secrets of the other and in doing so sheds light over the question: is the grass always greener on the other side? Blindspot by Elspeth Potter Becca is both excited and intrigued when Dante brings a new toy to their swingers'' event. But what fascinates her more is how he wants to use it. Very soon, she is joined by Marcus who assists both Dante and herself in experiencing a new, exciting and heightened pleasure. As they plunge into their shared lascivious adventure, all inhibitions fall away leading t

Calvin Trillin, the celebrated New Yorker writer, offers a rich and engaging biography of his father, as well as a literate and entertaining fanfare for the common (and decent, and hard-working) man. Abe Trillin had the western Missouri accent of someone who had grown up in St. Joseph and the dreams of America of someone who had been born is Russia. In Kansas City, he was a grocer, at least until he swore off the grocery business. He was given to swearing off things—coffee, tobacco, alcohol, all neckties that were not yellow in color. Presumably he had also sworn off swearing, although he was a collector of curses, such as "May you have an injury that is not covered by workman's compensation." Although he had a strong vision of the sort of person he wanted his son to be, his explicit advice about how to behave didn't go beyond an almost lackadaisical "You might as well be a mensch." Somehow, though, Abe Trillin's messages got through clearly. The author's unerring sense of the American character is everywhere apparent in this quietly powerful memoir, Messages from My Father .

'Bower's book is a devastating indictment' Sunday Times 'Explosive ... Bower reveals a remarkable and sinister picture of the man who likes to appear as the ever-smiling hero' Daily Mail A sensational critical biography of the man and his business practices. No British tycoon is better known, few claim to be richer and none has masterminded a more recognisable brand than Richard Branson. What is behind the success of the buccaneering balloonist, the tabloids' favourite celebrity nude, the 'grinning jumper' and the scourge of corporate goliaths? Tom Bower has a uncovered a different tale to the one so eagerly promoted by Virgin's publicists. Here is the full story of Branson: his businesses, his friendships, his ambition, his law-breaking, his drug-taking, his bullying. Offering an intimate scrutiny of exactly how Richard Branson created and sold himself, this biography reveals Branson to be a single-minded profiteer who, while occasionally generous to others, has a fixed purpose to enhance his family's wealth in secret off-shore trust funds. Instead of a glittering saint, Branson emerges as a devious actor, proud of plucking for his own profit the good ideas of others.

"Those who cannot remember the past are condemned to repeat it." --George Santayana We need only to look back to Rwanda, and now to Darfur, to see that once again we are living the worst of times. Who better to guide our understanding and give us hope than Martin Gray--a man who survived the worst of times, flourished, and still managed to find joy in living? Martin has come full circle since his boyhood world was turned upside down by the German invasion of Poland in 1939. Overnight, the teenage Martin and his family were immersed in the horrors of the Holocaust and held captive in the Warsaw Ghetto. It was a nightmare of brutality, starvation, and death. Martin became a clever smuggler to help his family survive--until the "butchers" of Treblinka took his mother and brothers. Against impossible odds, Martin survived and returned to fight in the Warsaw Ghetto Uprising. As the Nazis incinerated the ghetto, he escaped to fight with the partisans, and then the Red Army. After the war, Martin made his way to New York. The cunning and skills he developed during the war enabled him to learn the language and create a successful business. At 35, he retired to France with a fortune and a beautiful Dutch wife, starting a family and living in happiness and peace. But his world was shattered once again by a forest fire that engulfed his fleeing family. In a tragic repeat of history, Martin alone survived. Martin Gray's past could be our future if we don't heed his call to be the change. In this 35th anniversary expanded edition of For Those I Loved, a book beloved by millions of readers worldwide, Martin reminds us that the past is connected to the present. Only we can ensure that history is not repeated.

Ever wonder why so many B actors wind up as A-grade politicians? Or how the casting couch worked? Acclaimed author Kathleen Sharp traces the influence of show business through the lives of its first power couple. Edie and Lew Wasserman built the world's largest talent agency, MCA, created the multibillion-dollar Universal Studios, and helped shape Washington, DC. Starting from MCA's birth in gangland Chicago, Lew represented stars such as Jimmy Stewart and Marilyn Monroe; pioneered TV with Leave It to Beaver and Miami Vice ; spawned the blockbuster movie model with Psycho and Jaws ; and developed a mega-theme park. His savvy wife, Edie, was the daughter of a mob attorney, the queen of A-list parties, and Lew's secret agent who boosted their status. Yet, the couple was attacked by rivals, federal prosecutors, and their own protégés. Even so, over the course of seven decades they managed to vanquish their enemies and parlay their influence far beyond Sunset Strip into governors' mansions, Senate chambers, and the White House. At the end, Edie and Lew became diplomats, kingmakers, and philanthropists, who elevated the fortunes of middle-class workers and California itself. Based on some four hundred interviews, this book features Janet Leigh, Clark Gable, Grace Kelly, John Belushi, Jean Stein, and Steven Spielberg along with the Kennedys, the Johnsons, the Reagans, and the Clintons. It's a fascinating read about how two kids from Cleveland created the largest entertainment conglomerate in the world and wound up ruling twentieth-century America.

When Mickie Siebert arrived in New York in the mid-1950s, she had $500 in her wallet and drove a used Studebaker. Almost fifty years later she is known as the "First Woman of Finance," the only woman to head a publicly traded national brokerage firm. Pithy, vastly entertaining, and full of behind-the-scenes anecdotes, Changing the Rules reveals how Siebert forged her phenomenal success in the chaotic and cutthroat world of Wall Street. Three four-letter words are behind Siebert's career success: One is work -- she learned everything there was to know about a company before recommending its stock. The second is luck -- as an analyst in training, she had the good fortune to follow a fledgling industry that nobody else wanted. (The "dog" industry was airlines.) The third word is risk -- she knew how to assess liability and make a decision. Siebert recounts the resistance of the good gray Stock Exchange when she dared to infiltrate the boys' club, threatening to have a Port-O-San delivered to the NYSE luncheon club if they didn't add a women's bathroom. She reveals the backstage stories about saving Lockheed and selling Conrail (at the time, the largest stock offering in Wall Street history), as well as the changes on the Street that led to May Day, 1975, when she was first in line as a discount broker (and considered a pariah by industry standards). She tells of her memorable encounters with such legendary figures as Captain Eddie Rickenbacker, the World War I flying ace who ran Eastern Airlines, and Robert Brimberg, the iconoclastic "Scarsdale Fats" whose investing acumen was the envy of the Street. Writing with equal candor about the politics of finance and the finance of politics, Siebert recalls her five years as Superintendent of Banking for New York State -- when she helped to prevent a national fiscal crisis during the Iran hostage situation -- and her experiences as a pro-choice Republican senatorial candidate. Siebert's reputation for rocking the boat is legendary, and Changing the Rules is both a fascinating biography of a true pioneer, and a valuable strategic and informational tool for anyone who deals with or dabbles in the money game.

On the motion-picture front, no other publication of our age has achieved the stature, vitality, or magic of Vanity Fair. In its coverage of the film industry, the magazine prides itself on assigning the world's top photographers, writers, and illustrators to explore the brightest stars in the Hollywood firmament. Now, for the first time, the most memorable renderings of this illustrious pantheon have been assembled in one volume: Garbo and Swanson, Fairbanks and Pickford, Gable and Grant, Tracy and Hepburn, Taylor and Burton -- along with today's cinematic giants, including Cruise and Kidman, Nicholson and Streep, De Niro and DiCaprio, Tom Hanks and Julia Roberts, and scores more. As this sweeping, lavish book makes clear, Vanity Fair's stable of photographers (Cecil Beaton, Annie Leibovitz, Helmut Newton, Herb Ritts, Edward Steichen, Mario Testino, Bruce Weber, and many others represented here) have helped define modern portraiture. Likewise, Vanity Fair's Hollywood includes Vanity Fair contributors of the past (D.H. Lawrence, Clare Boothe Luce, Dorothy Parker, Carl Sandburg, Walter Winchell, and P.G. Wodehouse) and of the present.

Tropicana is to Cuba what the Bolshoi is to Russia, the Moulin Rouge to Paris, or the Blue Note to New York--an enduring cultural mecca. This definitive biography of the place that was known as Paradise Under the Stars, vividly describes the 1950s nightclub that was part casino, part cabaret and was the only club owned and run by Cubans rather than the American mob. Nat "King" Cole, Liberace, and Carmen Miranda performed there before audiences that included Joan Crawford, Marlon Brando, and Ernest Hemingway. The book portrays the cultural richness and roiling social problems of pre-Revolutionary Cuba and takes the reader on a tour of one of the world's most glamorous venues at its most brilliant moment.

After graduating from the University of Texas in 1965, Carol Schwartz, born in Mississippi and raised in Midland, Texas, visited Washington, D.C. She was due to be married in Austin in January and had a job teaching special education there. After a very tough childhood, a happier, less stressful life stood before her. But things changed--with Carol doing the changing. As she puts it, "A magnetic pull drew me to D.C." Carol began a journey that took her away from the familiar to D.C. and the dynamic world of local politics. Then a Republican in a city where Democrats made up nearly 80% of voters, she ran for Mayor and nearly beat Marion Barry in 1994 in the closest Mayoral election in the city's history. In Quite A Life: From Defeat to Defeat ... and Back, Carol talks about growing up on the poor side of the tracks in that small West Texas town, where she was made to work starting from age eight in the family store. There were only a few Jewish families and some prejudice. Carol was often responsible, beginning at age six, for caring for her beloved older brother and only sibling Johnny, who was intellectually disabled. And sadly, she was also the target of a brilliant but full-of-rage father. Carol describes life with her own family--her three kids and husband David, who suffered from severe depression. But despite that, he went from being a child of a limited-means family with student loans to becoming one of the more successful attorneys in a city made up of them. Depression, though, and Jack Daniels ultimately caused David's tragic death when the children were teenagers. Although wounded from her childhood, she leapt over ongoing insecurity and fear to run for the D.C. Board of Education in 1974, where she became an outspoken member and leader. Carol fought against the tide to help create Banneker Academic High School and usher in educational reforms 40 years ago when it was unfashionable and took lots of courage to do it--and which led to test scores increasing. On the D.C. Council starting in 1985, she was a lone voice against bloated budgets that eventually led the city to the financial brink. Carol became an ethical watchdog in a government that too often battled corruption. Spotting government sweetheart deals, she helped root them out as a guardian of taxpayer dollars. And she spearheaded the unanimous passage of sick and safe leave for private sector workers, making D.C. the second jurisdiction in the country to have it. In doing so, she went from being a best friend of business to being viciously targeted by that community. Her passion for the city and its residents inspired her to run for Mayor several times in spite of the odds. But she picked herself up after defeat--as her tough childhood had trained her to do--and kept on ... All the while she championed wins on behalf of the city and its residents in her continuing Council career. Community responsibility has been a lifelong clarion call for Carol. She has volunteered to battle for people with HIV/AIDS and other marginalized groups, and served for nearly two decades on the Board of the Whitman-Walker Clinic, which was at the forefront of that crisis. She became the first woman president of the Metropolitan Police Boys and Girls Clubs in its 61-year history. Her volunteer work of 50 years has touched many people, animals and organizations, and continues. Now an Independent and always a straight-shooter, Carol talks about her life with characteristic candor and her opinions with unbridled honesty--and usually with humor. As Carol says, "If you want someone to give you a sugar-coated synopsis of a life, go elsewhere. But if you want an outspoken personal autobiography--with pictures galore--that also talks about the history of D.C. since Home Rule, gives you behind-the-scenes accounts of chaotic campaigns, as well as the inner-workings of government--all rolled together--come on this ride with me." It's a journey of wins and defeats, and coming back with hope.

"Orenstein is such a breezy, funny writer, it's easy to forget she's an important thinker too."--People In this lively, funny memoir, Peggy Orenstein sets out to make a sweater from scratch--shearing, spinning, dyeing wool--and in the process discovers how we find our deepest selves through craft. Orenstein spins a yarn that will appeal to everyone. The COVID pandemic propelled many people to change their lives in ways large and small. Some adopted puppies. Others stress-baked. Peggy Orenstein, a lifelong knitter, went just a little further. To keep herself engaged and cope with a series of seismic shifts in family life, she set out to make a garment from the ground up: learning to shear sheep, spin and dye yarn, then knitting herself a sweater. Orenstein hoped the project would help her process not just wool but her grief over the recent death of her mother and the decline of her dad, the impending departure of her college-bound daughter, and other thorny issues of aging as a woman in a culture that by turns ignores and disdains them. What she didn't expect was a journey into some of the major issues of our time: climate anxiety, racial justice, women's rights, the impact of technology, sustainability, and, ultimately, the meaning of home. With her wry voice, sharp intelligence, and exuberant honesty, Orenstein shares her year-long journey as daughter, wife, mother, writer, and maker--and teaches us all something about creativity and connection.

Young women in the 21st century have choices. They can marry or not; the doors of educational institutions and industry are wide open to them. They can do and be whatever they choose. But to keep moving forward, it is important to understand from where we have come. And Norma Yaeger's story helps put it is perspective. Like most young women in the 1950's, Norma Yaeger married young, had children, and depended on her husband to support their families. Unlike most women of the times, when things went awry and her husband failed to provide, Norma took it upon herself to make a better life for her and her kids. The stock market enthralled her. Never mind that she knew of no other women in the industry. Norma set out to get her NY Stock Exchange license. When she acquired it in 1962, it was not to break a barrier, it was to support her family. Norma had already conquered her deepest fears, broke and alone with three children in an isolated house in the Catskills. And she knew what thrilled her- staring at stock prices through a big window of brokerages. Wall Street was not ready for her. Women were not allowed to step foot on the floor of the New York Stock Exchange. The phrase "glass ceiling" wasn't even invented yet. And equal pay for equal work was a term yet to be uttered. But Norma was unstoppable. She acquired the license, walked the floor of the Exchange, and fought for and got equal pay. As one of the pioneering women on Wall Street, Norma had a fascinating career, accomplished much, and paved the way for other women. But the glass ceiling is still only cracked, not yet broken, and she hopes that her story can be an inspiration to the women still pushing against it in all walks of life.

2012 Reprint of 1962 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. If Mises has an unheralded masterpiece, "The Ultimate Foundation of Economic Science" is it. There are two senses in which this book is indeed ultimate: it deals with the very core of economics as a science, and it is the last book that he wrote. For that reason, it is a real milestone in the history of his work. In this volume, Mises argued that economics is a science because human action is a natural order of life and that it is the actions of humans that determine markets and capital decisions. Since Mises believed these links could be proven scientifically, he concluded that economics, with its basis on that human action, is indeed a science in its own right and not an ideology or a metaphysical doctrine.

The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.