"Manhattan is the tale of a young French scholar who travels to the United States in 1965 on a Fulbright Fellowship to consult the manuscripts of beloved authors. In Yale University's Beinecke Library, tantalized by the conversational and epistolary brilliance of a fellow researcher, she is lured into a picaresque and tragic adventure. Meanwhile, back in France, her children and no-nonsense mother await her return. A young European intellectual's first contact with America and the city of New York are the background of this story. The experience of Manhattan haunts this labyrinth of a book as, over a period of thirty-five years, its narrator visits and revisits Central Park and a half-buried squirrel, the Statue of Liberty and a never again to be found hotel in the vicinity of Morningside Heights: a journey into memory in which everything is never the same. Traveling from library to library, France to the United States, Shakespeare to Kafka to Joyce, Manhattan deploys with gusto all the techniques for which Cixous's fiction and essays are known: rapid juxtapositions of time and place, narrative and description, analysis and philosophical reflection. It investigates subjects Cixous has spent her life probing: reading, writing, and the "omnipotence-other" seductions of literature; a family's flight from Nazi Germany and postcolonial Algeria; childhood, motherhood, and, not least, the strange experience of falling in love with a counterfeit genius"--

"True stories of twenty-six people who either wrote or told them to Chaim Walder."--

A seventeen-year-old Orthodox Jewish girl leaves her home in New York for the summer to film a television show in California.

"In his captivating new book, based on new evidence and a series of interviews, author and scholar Maxim D. Shrayer offers a richly journalistic portrait of Russia's dwindling yet still vibrant and influential Jewish community. This is simultaneously an in-depth exploration of the texture of Jewish life in Putin's Russia and an emigre's moving elegy for Russia's Jews, which forty years ago constituted one of the world's largest Jewish populations and which presently numbers only about 180,000. Why do Jews continue to live in Russia after the antisemitism and persecution they had endured there? What are the prospects of Jewish life in Russia? What awaits the children born to Jews who have not left? "With or Without You" asks and seeks to answer some of the central questions of modern Jewish history and culture"--

This is the first major monograph on the work of one of Britain's most dynamic artists, Wolfe von Lenkiewicz. His striking paintings and drawings mine the hallowed halls of art history and popular culture in search of visual languages, imagery, themes and motifs that he can appropriate, adapt, use and abuse, bringing together different movements, genres, periods and styles in dialogues that are surprising, innovative and sometimes provocative. Lenkiewicz's imagination and energy seem to be inexhaustible, concocting endless amazing hybrids such as iconic Renaissance paintings invaded by characters from nineteenth-century Japanese woodblocks, French Revolutionary masterpieces spliced with German Romanticism, or Cubism infiltrated by Victorian children's illustration.

"Shoreline, a creative-nonfiction memoir, melds tales of intergenerational wandering, the joys and challenges of raising children in multiple countries, historical and literary figures from within their cultural contexts, and an exploration of deep friendships and family relations. In bringing together all these strains, the book brings to life ways in which our own personal identity is inextricably intertwined with the people who matter to us as well as with our familial and cultural histories"--

"Rachel Tzvia Back transmutes the hard and sharp facts of the world into green and gold in these poems that bristle with desperate hope. She's always biblical to me, not just because the Galilean landscape she lives in is so like that of those old psalms, but also because she too was a mother who sent her son to war, though she sees in that son another's son--a boy killed on a beach in far Gaza, while playing. The poet here becomes mother to both, she rises up in need to save both, to spin these new and much needed Psalms. Shone upon by a tradition of humanism and compassion, Back dares to ask the famous questions first articulated by Fanny Howe: 'Where did the days go? Where to now?' And the last one, the one that always haunts her, throughout all the poems in this painful and wise book: 'Are my children safe?' 'We will need a new language, ' Back warns. Good then that she's giving it to us."--Kazim Ali "'What Use Is Poetry, the Poet Is Asking, ' and the book itself is the answer: Poetry --this poetry--is necessary, irreplaceable, urgent. This is the best work of an important Israeli-American poet, translator, peace activist and scholar who reminds us, through the courageous beauty of her poems, that not to be political in these times is to collaborate with the forces of darkness. And what is political for Back couldn't be more intensely personal, as the mother of an air-force paramedic who suffers from PTSD. Narrating the endless cycle of violence of her region, Back's poems protest, grieve, and rescue language from its political and commercial appropriations. Throughout she adopts the irreverent tradition of textual allusion in Jewish poetry, allowing herself to radically rewrite the Hebrew Bible, from Genesis to Psalms, and feminize the Jewish liturgy. This is one of the best new books of poetry I have read in recent years!"--Chana Kronfeld "Poetry may make nothing happen, as Auden infamously wrote, but Rachel Tzvia Back's poetry makes something delicately yet fiercely come forth: the grief of mothers, the fear of soldiers, the tenderness of a younger brother's hand, the stones and sand against which cyclamens struggle to flower in Israel/Palestine. This is a poetry that honors the vast silence out of which and into which we go, and the silences before and after extreme violence. Drawing on ancient epic and myth, alert to the rhythms of land- and sea-scapes, Back's poems arise from a background of unending war, refugee crises, the 'sea of small feathered/things' and 'of mortar fire fired.' These are incantations offered in part to heal a son, to recognize injury, to sound out grief and guilt, but also to register difficult flashes of beauty and the presiding elemental forces of "eastern winds," sun, moon, season, and sea. Back's lyrics are as purposive, stealthy, and precise as the step of the tutelary cat in some of her poems. Her beautifully spare lines offer 'a narrow bridge and all the world'." --Maureen McLane

With his father gunned down in a petty robbery and his aunt haunted by the threats of the Gestapo, Richard Michelson's experiences growing up in Brooklyn were far from ordinary, yet they remain all too common--too much a part of ongoing violence--to be dismissed as merely private events, safely past. In Counting to Six Million he writes out memory, anxiety, and grief, worry over his wife and children, and the recurring clashes between love and cruelty that test wisdom with suffering, day after day.