The author describes the humorous and heartwarming moments from her and her husband's life as perpetual adoptive parents.

"In her deeply engaging, astonishingly candid memoir, author and activist Letty Cottin Pogrebin exposes the fiercely-guarded lies and intricate cover-ups woven by dozens of members of her extended family. Beginning with her own long-suppressed secret, the story spirals through the hidden lives of her parents and relatives--revealing the truth about their origins, personal traumas, marital misery, abandoned children, religious transgressions, sexual identity, radical politics, and supposedly embarrassing illnesses. While unmasking their charades and disguises, Pogrebin also showcases her family's remarkable talent for reinvention in a narrative that is, by turns, touching, searing, and surprisingly universal." --

Nearly everywhere and at all times, marriage has enjoyed a privileged status as the primary social unit—the essential bond that created alliances between families and a bridge between the sexes. In joining a man and woman, marriage attempted to hold men to collective social standards, including responsibility for the women they impregnated and the children they fathered, while also stringently hedging in women’s sexuality. In short, marriage has always demanded that both men and women sacrifice a considerable measure of individual freedom. In marriage, “I” becomes “we,” and “we” frequently extends beyond the couple to extended family, clan, and society. For these reasons, both political and religious authorities typically have taken great care to present marriage as an institution to which individual interests must be subordinated. At the time of her death in January 2007, the celebrated historian Elizabeth Fox-Genovese was worried that these attitudes were in the process of being reversed. In this book, which she was in the midst of preparing for publication at the time of her passing, she argues that marriage is disintegrating under the rising demands that it serve not the good of the whole but the desires of the individual. A union that at one point was used to limit individual “rights” is now claimed as one right among many. The sexual liberation movements of the last forty years have seriously undermined marriage, argues Fox-Genovese, so much so that the institution seems to face the threat of extinction. Even so, she writes, “Marriage for love—the promise of an enduring and engulfing bond between a man and a woman—is a dream that refuses to die. . . . It still promises that we will finally be loved as we long to be loved.” That dream is the ultimate theme of this book, a fitting coda to Elizabeth Fox-Genovese’s distinguished career.

Just as every society has an economic and political structure, so too every society has a gender structure. Barbara Risman's original research on single fathers, married baby boom mothers, and heterosexual egalitarian couples and their children, reported in this intriguing book, weaves together qualitative and quantitative data from surveys, interviews, and observation. Risman shows how gender as a social structure affects individuals, organizes expectations attached to social positions, and becomes an integral part of social institutions. She provides empirical evidence that human beings are capable of enduring and affective intimate relationships without gender as the central organizing mechanism. The data also strongly indicate that men and women are capable of changing gendered ways of being throughout their lives. In her analysis of nontraditional families, Risman finds that gender expectations can be overcome if couples are willing to flout society and risk "gender vertigo." Most children of such families adopt their parents' beliefs about gender, but they do struggle with the contradictions between parental ideology and folk knowledge and expectations in peer relationships. The author argues that we can create a just society only by creating a society in which gender is an irrelevant category for social life--a post-gender society.

When her grandma asks her about school, a girl draws a class portrait, adding details that show what makes each person special. Includes author's note abou making pictures using objects.

Presents a collection of imagninative fantasy tales including a battle between an author and a dragon, a story featuring the children of a Shark God, and a bereaved women who sacrifices herself to change one terrible moment.

"Today's babies often make their debut on social media with the very first sonogram. They begin interacting with screens at around four months old. But is this good news or bad news? A wonderful opportunity to connect around the world? Or the first step in creating a generation of addled screen zombies? Many have been quick to declare this the dawn of a neurological and emotional crisis, but solid science on the subject is surprisingly hard to come by. In The Art of Screen Time, Anya Kamenetz--an expert on education and technology, as well as a mother of two young children--takes a refreshingly practical look at the subject. Surveying hundreds of fellow parents on their practices and ideas, and cutting through a thicket of inconclusive studies and overblown claims, she hones a simple message, a riff on Michael Pollan's well-known "food rules": Enjoy Screens. Not too much. Mostly with others. This brief but powerful dictum forms the backbone of a philosophy that will help parents moderate technology in their children's lives, curb their own anxiety, and create room for a happy, healthy family life with and without screens."--Amazon.com.

We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family. Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition. Abolish the Family traces the history of family abolitionist demands, beginning with nineteenth century utopian socialist and sex radical Charles Fourier, the Communist Manifesto and early-twentieth century Russian family abolitionist Alexandra Kollontai. Turning her attention to the 1960s, Lewis reminds us of the anti-family politics of radical feminists like Shulamith Firestone and the gay liberationists, a tradition she traces to the queer Marxists bringing family abolition to the twenty-first century. This exhilarating essay looks at historic rightwing panic about Black families and the violent imposition of the family on indigenous communities, and insists: only by thinking beyond the family can we begin to imagine what might come after." --inside front cover flap

"As child, Meryl Frank was the chosen inheritor of family remembrance. Her aunt Mollie, a formidable and cultured woman, insisted that Meryl never forget who they were, where they came from, and the hate that nearly destroyed them. Over long afternoons, Mollie told her about the city, the theater, and, above all else, Meryl's cousin, the radiant Franya Winter. Franya was the leading light of Vilna's Yiddish theater, a remarkable and precocious woman who cast off the restrictions of her Hasidic family and community to play roles as prostitutes and bellhops, lovers and nuns. Yet there was one thing her aunt Mollie would never tell Meryl: how Franya died. Before Mollie passed away, she gave Meryl a Yiddish book containing the terrible answer, but forbade her to read it. And for years, Meryl obeyed. Unearthed is the story of Meryl's search for Franya and a timely history of hatred and resistance. Through archives across four continents, by way of chance encounters and miraculous discoveries, and eventually, guided by the shocking truth recorded in the pages of the forbidden book, Meryl conjures the rogue spirit of her cousin-her beauty and her tragedy. Meryl's search reveals a lost world destroyed by hatred, illuminating the cultural haven of Vilna and its resistance during World War II. As she seeks to find her lost family legacy, Meryl looks for answers to the questions that have defined her life: what is our duty to the past? How do we honor such memories while keeping them from consuming us? And what do we teach our children about tragedy?"--

The family is hotly contested ideological terrain. Some defend the traditional two-parent heterosexual family while others welcome its demise. Opinions vary about how much control parents should have over their children's upbringing. Family Values provides a major new theoretical account of the morality and politics of the family, telling us why the family is valuable, who has the right to parent, and what rights parents should--and should not--have over their children. Harry Brighouse and Adam Swift argue that parent-child relationships produce the "familial relationship goods" that people need to flourish. Children's healthy development depends on intimate relationships with authoritative adults, while the distinctive joys and challenges of parenting are part of a fulfilling life for adults. Yet the relationships that make these goods possible have little to do with biology, and do not require the extensive rights that parents currently enjoy. Challenging some of our most commonly held beliefs about the family, Brighouse and Swift explain why a child's interest in autonomy severely limits parents' right to shape their children's values, and why parents have no fundamental right to confer wealth or advantage on their children. Family Values reaffirms the vital importance of the family as a social institution while challenging its role in the reproduction of social inequality and carefully balancing the interests of parents and children.

One of the prevailing myths about the American family is that there once existed a harmonious family with three generations living together, and that this "ideal" family broke down under the impact of urbanization and industralization. The essays in this volume challenge this myth and provide dramatic revisions of simplistic notions about change in the American family. Based on detailed research in a variety of sources, including extensive oral history interviews of ordinary people, these essays examine major changes in family life, dispel myths about the past, and offer new directions in research and interpretation. The essays cover a wide spectrum of issues and topics, ranging from the organization of the family and household, to the networks available to children as they grow up, to the role of the family in the process of industralization, to the division of labor in the family along gender lines, and to the relations between the generations in the later years of life. While discussing family relations in the past and revising prevailing notions of social change, these interdisciplinary essays also provide important perspectives on the present.

Are we fated to follow in our parents' footsteps? Is what we experienced at home as children automatically transposed by us onto our own children? When do you break the chain? How do you stop personal history from repeating? These are just some of the questions the author tries to answer as she confronts the cancer that killed her mother in much the same way it threatens to kill her. But this is a book of therapy as well. We follow Julie, her husband and children through their journey into fear of the unknown, through diagnosis and missed diagnosis, through successful and not-so-successful operations. We watch her reaction to those miracle medicines that can destroy the patient even as they help cure her disease, and we see how alternative medicines and their practitioners touch her soul while helping her in her fight to reclaim her body.

"For years, Matthew Greene and Daniel Rosen have enjoyed a quiet domestic life together in Northampton, Massachusetts. Opposites in many ways, they have grown together and made their relationship work. But when they learn that Daniel's twin brother and sister-in-law have been killed in a bombing in Jerusalem, their lives are suddenly, utterly transformed. In dealing with their families and the need to make a decision about who will raise the deceased couple's two children, both Matthew and Daniel are confronted with challenges that strike at the very heart of their relationship. What is Matthew's place in an extended family that does not completely accept him or the commitment he and Daniel have made? How do Daniel's questions about his identity as a Jewish man affect his life as a gay American? Tensions only intensify when they learn that the deceased parents wanted Matthew and Daniel to adopt the children--six-year-old Gal, and baby Noam. The impact this instant new family has on Matthew, Daniel, and their relationship is subtle and heartbreaking, yet not without glimmers of hope. They must learn to reinvent and redefine their bond in profound, sometimes painful ways. What kind of parents can these two men really be? How does a family become strong enough to stay together and endure? And are there limits to honesty or commitment--or love?"--

When Jo Green takes a nannying job in London to escape her small-town routine, complicated family, and perfect-on-paper boyfriend Shaun, culture shock doesn't even begin to describe it. Dick and Vanessa Fitzgerald are the most incompatible pair since Tom and Jerry, and their children - glittery warrior pixie Cassandra, bloodthirsty Zak and shy little Tallulah - are downright mystifying. Suddenly village life seems terribly appealing. Then, just as Jo's getting the hang of their designer lifestyle, the Fitzgeralds acquire a new lodger and suddenly she's sharing her nanny flat with the distractingly good-looking but inexplicably moody Josh. So when Shaun turns up, things get even trickier... A heartwarming, laugh out loud romantic novel with a fantastically dysfunctional family and complicated love triangle to amuse every reader.

No-vo-si-birsk. No-vo-si-birsk. I repeat the word over and over, trying to turn it into something ordinary instead of the name of the strange new place a million miles from home. Our train journey is over at last. The city of Novosibirsk, Siberia, is our final stop. Surely nothing can be worse than life on Train Two, Carriage One? But ... what if it is worse?

"The Splendor of Portugal's four narrators are members of a once well-to-do family whose plantation was lost in the Angolan War of Independence; the matriarch of this unhappiest of clans and her three adult children speak in a nightmarish, obsessive gush to give us the details of their grotesque family life and its consequences. Like a character out of Faulkner's decayed south, the mother clings to the hope that her children will come back, save her from destitution, and restore the family's imagined former glory. The children, for their part, haven't seen each other in years, and in their isolation are tormented by feverish memories of Angola. The vitriol and self-hatred of the characters know no bounds, for they are at once victims and culprits, guilty of atrocities committed in the name of colonialism as well as innumerable humiliations and betrayals of their own kin."--Page 4 of cover.