The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances . The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch. Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business. So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets. Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen's bold new novel touchingly illuminates a society and a family undone by superstition, the state, and the mortal convulsions of history.

Essays inspired by Chabon's interactions with his four children and his own father illuminate the meaning, magic, and mysteries of fatherhood.

Who knows you better than your best friend? Who knows your secrets, your fears, your desires, your strange imperfect self? Edi and Ash have been best friends for over forty years. Since childhood they have seen each other through life's milestones: stealing vodka from their parents, the Madonna phase, REM concerts, unexpected wakes, marriages, infertility, children. As Ash notes,[Bokinfo]

A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubinstein family, it could go either way. When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible. With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” ( The Boston Globe )—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

DR. ALFRED ADLER'S work in psychology, while it is scientific and general in method, is essentially the study of the separate personalities we are, and is therefore called Individual Psychology. Concrete, particular, unique human beings are the subjects of this psychology, and it can only be truly learned from the men, women and children we meet.The supreme importance of this contribution to modern psychology is due to the manner in which it reveals how all the activities of the soul are drawn together into the service of the individual, how all his faculties and strivings are related to one end. We are enabled by this to enter into the ideals, the difficulties, the efforts and discouragements of our fellow-men, in such a way that we may obtain a whole and living picture of each as a personality. In this coordinating idea, something like finality is achieved, though we must understand it as finality of foundation. There has never before been a method so rigorous and yet adaptable for following the fluctuations of that most fluid, variable and elusive of all realities, the individual human soul.

A New York Times Notable Book of 2013 A traumatic event unfolds when a girl with hair the color of golden wheat appears in an apple orchard; a woman plays out a fantasy with her husband and finds she cannot go back to her old sex life; an ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children; and two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds. In each of The Color Master 's fifteen remarkable stories, Aimee Bender holds a funhouse mirror up to reality, proving, once again, that she is one of the most intelligent and imaginative writers of our time.

From the New York Times bestselling author of Mary Coin , a masterful, intimate story of two young girls, joined in an unlikely friendship, whose lives are shattered in a single, unthinkable moment. Miggy Brenneman is a wild and reckless seven-year-old with a fierce imagination, hellbent on pushing against the limits of childhood. Ellen is polite, cautious, and drawn to her friend's bright flame. While the adults around them adjust to unstable times and fractured relationships, the girls respond with increasingly dangerous play. When tragedy strikes, all the novel's characters grapple with questions of fate and individual responsibility, none more so than Miggy, who must make sense of a swiftly disappearing past and a radically transformed future. Written with searing clarity and surpassing tenderness, The Mysteries limns the painful ambiguities of adulthood and the intense perceptions of an indelibly drawn child to offer a profound exploration of how all of us, at every stage, must reckon with life's abundant and unsolvable mysteries.

Countless school children have recited the opening line of Poe's The Raven: "Once upon a midnight dreary, while I pondered, weak and weary..." But Poe is valued not only for his poetry. He was also a prolific writer of short stories, the creator of two literary forms that readers everywhere enjoy--the detective story and the horror thriller.

A thrilling literary fiction whodunit for fans of Delia Owens and Jacqueline Winspear World War II is raging overseas, but life remains painfully quiet on the rugged New England fishing island of Fourth Cliff. With most of its able-bodied male inhabitants away in the service, the island is now home only to aged fishermen, concerned women and children, and second-rate soldiers guarding a low-priority military emplacement and camp for Italian POWs. With her husband Archie, Fourth Cliff's beloved police captain, off fighting in the Marines, Mary Beth Swann steps into his role. Though a cop herself, she has to fight for the respect of Fourth Cliff's hardscrabble residents. And that's before a murdered POW surfaces in a fisherman's net, followed by more bodies. Determined to find the killer, Swann must rely only on the help of a simple-minded deputy, a disgraced doctor, and a mob-connected mainlander to prove her worth to Fourth Cliff--and to herself. In the tradition of Where the Crawdads Sing and the BBC's Foyle's War, Michael Oren's novel seizes the reader and doesn't let go until the very last page.

From the award-winning, bestselling author of Snow Falling on Cedars comes a modern re-imagining of one of the world’s greatest tragedies, Sophocles’ Oedipus Rex—a story of destiny, desire, and destruction. • “Brilliant.... Transcendently dark and dazzling.” — The Seattle Times In Seattle of 1962, Walter Cousins, a mild-mannered actuary takes a risk of his own and makes the biggest error of his life: He sleeps with Diane Burroughs, the sexy, not-quite-legal British au pair who’s taking care of his children for the summer. When Diane becomes pregnant and leaves their baby on a doorstep, it sets in motion a tragedy of epic proportions. The orphaned child, adopted by an adoring family and named Edward Aaron King, grows up to become a billionaire Internet tycoon and an international celebrity—the “King of Search”—who unknowingly, but inexorably, hurtles through life toward a fate he may have no way of reversing.

In 'the stifling heat of equatorial Newark', a terrifying epidemic is raging, threatening the children of the New Jersey city with maiming, paralysis, life-long disability, even death. This is the startling and surprising theme of Roth's wrenching new book: a wartime polio epidemic in the summer of 1944 and the effect it has on a closely-knit, family-oriented Newark community and its children. At the centre of Nemesis is a vigorous, dutiful, twenty-three-year old playground director, Bucky Cantor, a javelin thrower and a weightlifter, who is devoted to his charges and disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. Focusing on Cantor's dilemmas as polio begins to ravage his playground - and on the everyday realities he faces - Roth leads us through every inch of emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering, and the pain. Moving between the smouldering, malodorous streets of besieged Newark and Indian Hill, a pristine children's summer camp high in the Poconos - whose 'mountain air was purified of all contaminants' - Roth depicts a decent, energetic man with the best intentions struggling in his own private war against the epidemic. Roth is tenderly exact at every point about Cantor's passage into personal disaster and no less exact about the condition of childhood. Through this story runs the dark question that haunts all four of Roth's late short novels, Everyman , Indignation , The Humbling , and now, Nemesis : what choices fatally shape a life? How powerless is each of us up against the force of circumstances?

"Contemporary fairy tales, cushioned by goofy humor and a deep tenderness for her characters, that aren't always as dark or as sinister as they initially appear." -- The New York Times Book Review Aimee Bender’s Willful Creatures conjures a fantastical world in which authentic love blooms. This is a place where a boy with keys for fingers is a hero, a woman’s children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

"Cassie and Zoe Griffin were born just a year apart, but the sisters could not have been more different. Zoe, beautiful and charming, grew up with a burning desire for fame, making up for a lack of natural talent with hard work and determination. Cassie, though, had a gift. She was uncomfortable in her plus-sized body and preferred to be in the shadows, she was a musical prodigy. On the threshold of adulthood, the sisters are discovered by a record label and become the Griffin Sisters, a band that quickly skyrockets to fame, reaching the heights of pop stardom: MTV, VH1, the Billboard charts, and every marker of a dream come true. Cassie's musical gifts make her the voice of a generation and while the spotlight tests her spirit, it also opens her heart to possibilities for connection she has never considered. Zoe gets everything she thought she wanted: international fame and the paparazzi, the couture-and the man-that go with it. But twenty years later, everything has changed. Cassie lives in seclusion in Alaska. Zoe has abandoned her music dreams for suburban motherhood in New Jersey. The Griffin Sisters are long gone, and the devil's bargain of celebrity has exacted a high price that drives the sisters apart and nearly destroys them both. And yet Zoe's teenage daughter Cherry has inherited her family's talent and stage presence, and will stop at nothing to achieve the very dream of pop stardom her mother has warned her against-opening the wounds of their shared history in the process. Both sisters must face the consequences of choices from the past: the ones they made and the ones the music industry made for them. Can the mistakes of the past be redeemed, and can broken bonds be repaired? In this stirring and soul-bearing novel, Jennifer Weiner brings to life the heartache, joy, and glory of the glamorous but shattering Golden Age of pop music, and a celebrates the power of love and forgiveness, even after the music stops"--

An “extremely funny...brilliantly alive” ( The New York Times Book Review ) social satire of the highest order from bestselling author Sam Lipsyte, centered around an unwitting mindfulness guru and the phenomenon he initiates. In an America convulsed by political upheaval, cultural discord, environmental catastrophe, and spiritual confusion, so many of us find ourselves anxious and distracted, searching desperately for peace, salvation, and—perhaps most immediately—just a little damn focus. Enter Hark Morner, a failed stand-up comic turned mindfulness guru whose revolutionary program is set to captivate the masses. But for Fraz and Tovah, a middle-aged couple slogging through a very rough patch, it may take more than the tenets of Hark’s “Mental Archery” to solve the riddles of love, lust, work, and parenthood on the eve of civilizational collapse. And given the sudden power of certain fringe players, including a renegade Ivy League ethicist, a gentle Swedish kidnapper, a social media tycoon with an empire on the skids, and a mysteriously influential (but undeniably slimy) catfish, it just might be too late. But what’s the point of a world, even a blasted-out post-apocalyptic world, if they don’t try with all their might to keep their marriage alive? In this “awfully funny...tartly effective sendup of 21st-century America” ( Star Tribune , Minneapolis) Sam Lipsyte reaches new peaks of daring in a novel that revels in contemporary absurdity and the wild poetry of everyday language while exploring the emotional truths of his characters. “Recommended reading” ( Vanity Fair ), in which “every line feels as thrillingly charged as a live wire” ( O, The Oprah Magazine ), Hark is a smart, incisive look at men, women, and children seeking meaning and dignity in a chaotic, ridiculous, and often dangerous world.

"There is no privacy more inviolable than that of the prisoner. To visualize that cell in which he is thinking, to reach what he alone knows; that is a blank in the dark." Privileged whites in post-apartheid South Africa, Harald and Claudia Lindgard have managed to live the better part of 50 years without ever confronting the deepest shadows in their culture or in their own souls. Though they conceive of themselves as liberal-minded, neither has ever taken any active political stand; neither has ever been in any black person's home. Harald sits on the board of an insurance company; Claudia is a compassionate doctor. Neither of them has ever been inside a courtroom before; neither has ever been inside a prison. When their architect-son, Duncan, is arrested for murder, both know that the charge is preposterous. But Duncan himself fails to deny his guilt, and his parents are brought by a harsh and ungainly process to accept the possibility that he has committed an unthinkable crime. Nadine Gordimer's The House Gun is a gravely sustained exploration of their long-delayed but necessary descent into an intimate acquaintance with the culture of violence that surrounds them and that is "the common hell of all who are associated with it." The novel is a mystery, but not in the usual sense of the whodunit. Here the question of who quickly gives way to why and thence to other, still deeper quandaries of culpability, both immediate and ultimate. The enigmatic Duncan becomes a dark mirror in which his stunned parents must desperately grope for a new vision of themselves and their world--a vision that will not shatter, as their old one has, under a single blow from reality. Gordimer's prose is mannered and severe; humor is rare, or absent. "As the couple emerge into the foyer of the courts, vast and lofty cathedral echoing with the susurration of its different kind of supplicants gathered there, Claudia suddenly breaks away, disappearing towards the sign indicating toilets. Harald waits for her among these people patient in trouble, no choice to be otherwise, for them, he is one of them, the wives, husbands, fathers, lovers, children of forgers, thieves and murderers." This difficult exposition is the reader's own dark mirror, where we as spectators fumble from one dubious explanation to the next--a twisted reflection always reminding us that, underlying this social tragedy, there is a mystery play in the old sense, and an unanswerable question: What is a human being? Paragraph after paragraph, the reader is led into deeper and deeper perceptions of the sensibilities and the dilemmas of these characters--into a quiet intimacy with their trouble that is sometimes acutely uncomfortable, but which pays off richly in an ending that reconciles our sense of the horror of violence with our desire to believe in the value of each life. --Daniel Hintzsche

"Nicolas Fiorilla and his gang of children - his paranza - control the squares of Forcella after their rapid rise to power. But it isn't easy being at the top. Now that the Piranhas have power in the city, Nicolas must undermine the old families of the Camorra and remain united among themselves. Every paranzino has his own vendettas and dreams to pursue--dreams that might go beyond the laws of the gang. A new war may be about to break out in this city of cutthroat bargaining, ruthless betrayal, and brutal revenge. Saviano continues the story of the disillusioned boys of Forcella, the paranzini ready to give and receive kisses that leave a taste of blood."--Provided by publisher.

The glorious novel from the bestselling Lesley Lokko; an epic tale of three women whose lives interweave over decades. In a beachfront mansion in Martha's Vineyard, Annick and Rebecca relax, safe in the knowledge that their young children are in the care of life-long friend Tash. But by the end of the afternoon, one of the children will have vanished... Annick, daughter of an actress and an assassinated president, has spent her life running from the truth of her family's wealth. Rebecca has always done the right thing. Perfect daughter. Perfect wife. Perfect mother. She's beginning to wonder if she'll ever get chance to live for herself. And Tash, free from the poverty of her heritage, has the world at her feet. So why is she struggling to keep a grip on her life? This is the sweeping story of three very different women; their pasts, their secrets, and their friendship.

Longlisted for the 2013 National Book Award for Fiction Ashaunt Point, Massachusetts, has anchored life for generations of the Porter family, who summer along its remote, rocky shore. But in 1942, the U.S. Army arrives on the Point, bringing havoc and change. That summer, the two older Porter girls—teenagers Helen and Dossie—run wild while their only brother, Charlie, goes off to train for war. The children’s Scottish nurse, Bea, falls in love. And youngest daughter Janie is entangled in an incident that cuts the season short. An unforgettable portrait of one family’s journey through the second half of the twentieth century, Elizabeth Graver’s The End of the Point artfully probes the hairline fractures hidden beneath the surface of our lives and traces the fragile and enduring bonds that connect us.

With her three children, beautiful home, and loving husband, Margaret Crane is a woman others would envy. Adam's job has cushioned them nicely over the years, and it should be a time of contentment, rewards, of new challenges together. But lately Adam has been working too late, too hard, at the office. Margaret is sure it's just the rumored takeover of his company--until she meets Randi, The Other Woman... Meanwhile, Nina, the orphaned cousin the Cranes raised as their own daughter, is reveling in New York. She thinks she's found Mr. Right in Keith, a brilliant investment banker. But Keith has a secret he has not shared with Nina. All he asks for is time...and patience. And as Nina clings to stolen weekends with Keith, Margaret plays dutiful wife, trying to ignore warning signs of her own failing marriage. A rift has developed between the two women who have loved each other as mother, daughter, friends. Keith is not welcome in Margaret's home. And Nina herself is the other woman...

“An astounding achievement.” —Megha Majumdar * “Her best book yet.” —Paul Yoon Set in midcentury America, At Last explores a rich family saga centered on two fierce and competitive matriarchs whose intertwined lives reflect the complexities of family, tradition, and personal ambition. “Whole lives course down the decades, and every minute is conveyed with Silver’s signature combination of toughness and grace,” (Laird Hunt). Helene Simonauer and Evelyn Turner are two formidable women whose paths cross when their children marry. Both women are sharp, cunning, and unwavering in their conflicting beliefs about marriage, responsibility, and family and, most pressingly, their efforts to vie for the love of their shared granddaughter. At Last paints a vivid portrait of the American Midwest, capturing the essence of a time and place where societal norms and personal aspirations often clashed. Marisa Silver’s narrative weaves together the lives of Helene and Evelyn, from their vastly different childhoods through the pivotal events that define them. Both intimate and expansive, and capturing the complexities of ambition and love with humor and insight, At Last is a testament to what happens when an unintended, even unwanted relationship turns out to be a central one that defines a life.