"This is a collection of Norman Podhoretz's essays of the past fifty years. Organized by decade, these essays also add up to a running history of American literature and intellectual life in the second half of the twentieth century. From Vladimir Nabokov to Saul Bellow, from Ralph Ellison to Norman Mailer, from Hannah Arendt to Henry Kissinger, Podhoretz has dealt with the most important novelists and thinkers of the period. He has also turned his attention to such major European figures as Aleksandr Solzhenitsyn, George Orwell, and Isaiah Berlin, and his trenchant appraisals of both Americans and Europeans are as fresh and lively today as when they first appeared. Many of them have been unavailable for years, and will prove revelatory for first-time readers and longtime admirers alike." "Intertwined with the literary essays, The Norman Podhoretz Reader offers some of the best and most influential political essays written by anyone in our time. Through such classics as "My Negro Problem - and Ours," his famous reassessments in Why We Were in Vietnam, and his retrospective look at neoconservatism (of which he was one of the founding fathers), Podhoretz has led and changed opinion throughout his career."--Jacket.

"This is a collection of Norman Podhoretz's essays of the past fifty years. Organized by decade, these essays also add up to a running history of American literature and intellectual life in the second half of the twentieth century. From Vladimir Nabokov to Saul Bellow, from Ralph Ellison to Norman Mailer, from Hannah Arendt to Henry Kissinger, Podhoretz has dealt with the most important novelists and thinkers of the period. He has also turned his attention to such major European figures as Aleksandr Solzhenitsyn, George Orwell, and Isaiah Berlin, and his trenchant appraisals of both Americans and Europeans are as fresh and lively today as when they first appeared. Many of them have been unavailable for years, and will prove revelatory for first-time readers and longtime admirers alike." "Intertwined with the literary essays, The Norman Podhoretz Reader offers some of the best and most influential political essays written by anyone in our time. Through such classics as "My Negro Problem - and Ours," his famous reassessments in Why We Were in Vietnam, and his retrospective look at neoconservatism (of which he was one of the founding fathers), Podhoretz has led and changed opinion throughout his career."--Jacket.

George Orwell was one of the most significant literary figures on the left in the twentieth century. While books such as Nineteen Eighty-Four, Animal Farm, and Homage to Catalonia are regarded as modern classics, his own politics are less well understood. The author offers a sympathetic yet critical account of Orwell's political thinking and its continued significance. The book details Orwell's attempts to change working-class consciousness, and considers if his attitude towards the working class was romantic, realistic, or patronizing--or all three at different times. The author asks whether Orwell's anti-fascism was eclipsed by his criticism of the Soviet Union, and explores his ambivalent relationship with the Labour Party. The book also examines Orwell's changing views on the Second World War--from opposition to Britain entering the war to his later condemnations of pacifism. Focusing on the enduring interest in Orwell today, this is a unique, nuanced account which demonstrates that Orwell remained a committed socialist up until his death.

Paul Rand (1914-1996) was a pioneering figure in American graphic design whose career spanned almost seven decades. Always enquiring and investigating, he explored the formal vocabulary of European avant-garde art movements and synthesised them to produce a distinctive graphic language. Rand was a major force in editorial design, advertising and corporate identity. He was art director at "Esquire" and "Apparel Arts" magazines, and he designed the ground-breaking covers for the cultural journal "Direction". He worked at the Weintraub Advertising Agency from 1941-1954 and, in 1955, established his own design studio, acting as consultant to companies such as IBM, Westinghouse and UPS. His logos for these companies are world-renowned design classics. This book comprises a definitive collection of Rand's works, through an exploration of his advertising, publishing and corporate identity work. Steven Heller's text, with a foreword by designer Armin Hofmann, introduction by advertising guru George Lois, and a concluding essay by designer and writer Jessica Helfand, offer an insight into Paul Rand's work.

Jewish women were undeniably instrumental in shaping the women’s liberation movement of the 1960s, 70s, and 80s. Yet historians and participants themselves have overlooked their contributions as Jews. This has left many vital questions unasked and unanswered—until now. Delving into archival sources and conducting extensive interviews with these fierce pioneers, Joyce Antler has at last broken the silence about the confluence of feminism and Jewish identity.Antler’s exhilarating new book features dozens of compelling biographical narratives that reveal the struggles and achievements of Jewish radical feminists in Chicago, New York and Boston, as well as those who participated in the later, self-consciously identified Jewish feminist movement that fought gender inequities in Jewish religious and secular life. Disproportionately represented in the movement, Jewish women’s liberationists helped to provide theories and models for radical action that were used throughout the United States and abroad. Their articles and books became classics of the movement and led to new initiatives in academia, politics, and grassroots organizing. Other Jewish-identified feminists brought the women’s movement to the Jewish mainstream and Jewish feminism to the Left. For many of these women, feminism in fact served as a “portal” into Judaism.Recovering this deeply hidden history, Jewish Radical Feminism places Jewish women’s activism at the center of feminist and Jewish narratives. The stories of over forty women’s liberationists and identified Jewish feminists—from Shulamith Firestone and Susan Brownmiller to Rabbis Laura Geller and Rebecca Alpert—illustrate how women’s liberation and Jewish feminism unfolded over the course of the lives of an extraordinary cohort of women, profoundly influencing the social, political, and religious revolutions of our era.

Influential assassination researcher Harold Weisberg revolves the third installment in his Whitewash series around the photographic evidence available to government officials investigating the death of John F. Kennedy. Given the materials and photographs available to the Warren Commission, Weisberg shows that in numerous cases the government either ignored the evidence it had in front of it or intentionally misrepresented evidence. Using the photographs themselves to show the inadequacies of the government’s research techniques, as well as the impossible conclusions at which the government arrived, Weisberg’s most damning argument is that the government twisted the evidence to make it fit preconceived theories and explanations for the assassination of the president. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

Classics of Modern Fiction - Eight Short Novels

'Of all the sleep a man can have, the fisherman's sleep is the sweetest. It is the greatest of luxuries - sleep and fishing.' Through tender, vivid, and often humorous recollections - from magical fishing trips to the rivers and ponds of Bustehrad to his charismatic father's eccentric business ventures - this bittersweet memoir tells the story of a childhood in Czechoslovakia, against the backdrop of World War II.

"5th Edition " In London in the 1950s, aspiring young writer John Wilmot meets successful painter Oliver Cambourne and agrees to model for him. Oliver is older, sophisticated, elegant, and wealthy, and he introduces John to another world. For the first time in his life, John has love and money more than he ever imagined. While the relationship opens many doors for John, it is also dangerous and must be kept a secret. Oliver s commitment to John is absolute and deeper than John initially realizes, but John is confused by his own feelings. He worries about the changes his affair with Oliver are causing in him and about his future security. One night, he makes a fateful decision that will have repercussions not just for him, but on the lives of everyone around him. His choice and its consequences affect not merely the future but send him looking into himself for answers. Only through time and careful introspection can he grow and move past the pain of the choice that has changed everything. A Bittersweet Dreams title: It's an unfortunate truth: love doesn't always conquer all. Regardless of its strength, sometimes fate intervenes, tragedy strikes, or forces conspire against it. These stories of romance do not offer a traditional happy ending, but the strong and enduring love will still touch your heart and maybe move you to tears. "1st Edition published by Branch Line, 1980." "2nd Edition published by Methuen Publishing, 1985." "3rd Edition published by Welbeck Press, 2009." "4th Edition published by Capuchin Classics, 2012."

The Great American Novel (1923) is an experimental novel by William Carlos Williams. Although he is predominately known as a poet, Williams frequently pushed the limits of prose style throughout his career. In the defining decade of Modernism, Williams sought to try his hand at the so-called "Great American Novel," a concept fueling impassioned debate in academic and artistic circles nationwide. Far from conventional, Williams' novel is a metafictional foray into matters more postmodern than modern, a commentary masquerading as narrative and a satire of the all-American overreliance on cliché in form and content. "If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses--I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain." Williams' novel begins with the word and a birth. Language describes the experience of awakening to experience, of coming into consciousness as a living being in a living world. Using words from everyday speech, he builds a novel out of observations, a book that remains conscious of itself throughout. Like the child whose first experience with the written word often comes from names and slogans stretched over trucks and billboards, the reader eventually comes to accept their new reality, a world where people love and succeed and fail, where history and art intercede to make meaning where they can. The Great American Novel showcases Williams' experimental form, stretching the meaning of "novel" to its outermost limit. This edition of William Carlos Williams' The Great American Novel is a classic of American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"In the fall of 1959, Harper's Magazine published a special supplement on the state of writing and the American literary scene. The supplement was greeted with a broadside of commendation and a fusillade of cavil, and has since become recognized as the most useful brief survey of the contemporary state of the American writing arts and of their fellow travelers, the spoken word, the typescript word, the filmed and televised word, and the publishing memorandum. In this newly reissued volume in the Rutgers University Press Classics Imprint, Writing in America proves to be as stimulating as it was in 1960. Here, writers including Robert Brustein, Stanley Kunitz, and C.P. Snow examine the state of writing in American novels, films, and television candidly and critically. The result is a collection of essays that showcase a first-rate and highly entertaining piece of reporting on the American literary scene that resonate in 2017"--

“A moving act of absolution . . . . This strong novel about a girl who is debased but never destroyed pushes the reader to a new level of understanding of the things people do—and the things that are done to them.”— Washington Post Book World She has hair of ginger and lovely green eyes, and she has just been transported with her family from Terezín to Auschwitz. In short order, her father commits suicide, and her mother and younger brother are dispatched to the gas chambers, but fifteen-year-old Hanka Kauderzová is still alive. Faced with the choice of certain death in the camp or working in a German military brothel, she chooses a chance at life. Passing for an Aryan, Hanka spends her days in the brothel cold, hungry, fearful, and ashamed. She is sustained only by her loathing of the men who visit her and by a fierce, indomitable will to live. This devastatingly beautiful novel explores and delineates the impossible choices one sometimes has to make in life, when the fabric of the world is rent asunder. Soaring beyond the nightmare, it leaves the reader with a transcendent sense of hope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Love's Shadow (1908) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel in 1907 to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Love's Shadow is the first installment in her Little Ottleys trilogy, a series of novels exploring the romantic lives of a hilariously diverse group of friends. Edith and Bruce Ottley seem to have it all--a charming flat, a healthy child, and a group of entertaining friends. Although they are far from perfect--Bruce can be jealous and quite the hypochondriac at times--their marriage remains strong and their home remains a place of refuge to their frequently lovelorn comrades. Among a dizzying array of faces and names, Hyacinth Verney, Mrs. Eugenia Raymond, Cecil Reeve, and Lord Selsey stand out. Although Hyacinth loves Cecil, a match favored by his uncle Lord Selsey, the young man seems inexplicably smitten with the widow Eugenia, who has no interest in marrying again. Edith and Bruce do their best to make themselves hospitable while defending their home against the hostilities of love, but the hearts and minds of their eclectic guests prove difficult to assuage. Love's Shadow is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's Love's Shadow is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Twelfth Hour (1907) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Felicity, Sylvia, and Savile Crofton all feel the pressure placed on upper-class youths to marry wisely. At 25, Felicity appears to have found herself a good husband, a man of wealth and social standing who on closer appearance seems more interested in leisure than love. Determined not to fall into a similarly unhappy marriage, her 20-year-old sister Sylvia hopes to thwart her father's wish that she marry millionaire Mr. Ridokanski. Although he is only 16, Eton student Savile is deeply in love with a famous opera singer--from a distance--but also feels obliged to entertain the affections of Dolly Clive, a girl his own age. Finding company in their own unique miseries of the heart, the Crofton siblings hatch a plan to achieve happiness for themselves, satisfaction for their father, and whatever it is young people are meant to owe to society. The Twelfth Hour is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's The Twelfth Hour is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In London, before the First World War, where in society love and money predominate, Bertha and Nigel had been inseparable. But then Nigel felt he had to focus on the economics of life, and after all Bertha's family were quite modestly off. Whereas the heiress Mary, also interested in him but not anywhere near so charming, was very well set up. His decision was made. Though initially heartbroken, Bertha realises quickly that she has escaped from a delusion. Equanimity returns, and she finds in Percy Kellynch a devoted lover, though one a little more sober and less racy. They marry, as do Nigel and Mary, and over time the two become friends again, though now with wise awareness on Bertha's side. Nigel begins to see his error, as Mary's jealousy and her wish to supervise his life take their toll. He finds comfort in simply seeing Bertha initially, but inevitably begins to wish for more. Bertha is not interested, having moved on, but, if noticed, Nigel's attentions could be misconstrued... In the meantime, Bertha is also looking out for the future of a young friend, Madeline Irwin, who is smitten with Rupert Denison, a young man with rather too much of a penchant for patronising and "educating" young women. Madeline is impulsive, a little inexperienced and quite needy. Her headlong qualities precipitate problems very readily. As Bertha negotiates several crises arising from Nigel's reviving attachment, she also tries to assist Madeline in avoiding her own self-created disasters. Much depends on Bertha's talent for good management and wise counsel in the perils of both their lives. She is determined to win over adversity, but it will be a strong test of her skills.... Bird of Paradise, Leverson's fifth novel, as radiant with wit and wisdom as those which preceded it, was first published in 1914.