The realities of Jewish life in eastern Europe that concerned the average Jew meant the way their children grew up, the way they studied, how they married, and all the subsequent stages of the life cycle-including the problems of divorce, remarriage, and elderly parents. The family and the community were in a very real sense the core institutions of east European Jewish society. These realities were always dynamic and evolving but in the nineteenth century, the pace of change in almost every area of life was exceptionally rapid. This collection of essays deals with these social realities objectively and analytically. Some of the essays presented here are classics that have been widely acclaimed, earning their author a well-deserved reputation for authoritative research; all have been comprehensively revised for this book. They avoid both sentimental descriptions and judgmental attitudes. The result is a picture that is far from the stereotyped view of the past that is common today, but a more honest and more comprehensive one. Topics covered in the studies on education consider the learning experiences of both males and females of different ages. They also deal with and distinguish between study among the well off and learned (not surprisingly, the two went together) and study among the poorer masses. A number of essays are devoted to aspects of educating the elite. Here too, the reconstruction of the realities of the past, as opposed to the stereotypical popular image, reveals the remarkable creativity of what is often mistakenly considered a highly conservative element of society. Several essays deal with aspects of marriage, a key element in the life of most Jews. Using both quantitative and qualitative sources, the author has been able to identify and document characteristics of both first and subsequent marriages and to highlight and explain trends that have hitherto been misunderstood. The problem of aged parents and the changing nature of the nuclear family is also considered. The attempt to understand the rabbinate in its social and historical context is no less revealing then the studies in other areas. The realities of rabbinical life--the problems of getting appointments, job security and insecurity, changing responsibilities and the difficulties of dealing with fragmented and modernizing communities--are presented in a way that explains rabbinic behavior and the complex relations between communities, ideologies, and modernization. These essays look at the past through the prism of the lives of ordinary people, with results that are sometimes surprising but always stimulating. The topics they treat are varied, but the concern to explain what lay behind the visible reality is common to all of them.

George Orwell was one of the most significant literary figures on the left in the twentieth century. While books such as Nineteen Eighty-Four, Animal Farm, and Homage to Catalonia are regarded as modern classics, his own politics are less well understood. The author offers a sympathetic yet critical account of Orwell's political thinking and its continued significance. The book details Orwell's attempts to change working-class consciousness, and considers if his attitude towards the working class was romantic, realistic, or patronizing--or all three at different times. The author asks whether Orwell's anti-fascism was eclipsed by his criticism of the Soviet Union, and explores his ambivalent relationship with the Labour Party. The book also examines Orwell's changing views on the Second World War--from opposition to Britain entering the war to his later condemnations of pacifism. Focusing on the enduring interest in Orwell today, this is a unique, nuanced account which demonstrates that Orwell remained a committed socialist up until his death.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Paul Rand (1914-1996) was a pioneering figure in American graphic design whose career spanned almost seven decades. Always enquiring and investigating, he explored the formal vocabulary of European avant-garde art movements and synthesised them to produce a distinctive graphic language. Rand was a major force in editorial design, advertising and corporate identity. He was art director at "Esquire" and "Apparel Arts" magazines, and he designed the ground-breaking covers for the cultural journal "Direction". He worked at the Weintraub Advertising Agency from 1941-1954 and, in 1955, established his own design studio, acting as consultant to companies such as IBM, Westinghouse and UPS. His logos for these companies are world-renowned design classics. This book comprises a definitive collection of Rand's works, through an exploration of his advertising, publishing and corporate identity work. Steven Heller's text, with a foreword by designer Armin Hofmann, introduction by advertising guru George Lois, and a concluding essay by designer and writer Jessica Helfand, offer an insight into Paul Rand's work.

An XXX Rated Celebration of Adult Movies According to film historians, the first motion picture was screened in December 1895. And the first dirty motion picture was screened just a few months later. Adult movies are nearly as old as cinema itself. The Big Book of Porn celebrates this controversial art form in all its timeless glory--from the stag films of the 1920s and the Super 8 reels of the '50s to the VHS boom of the '80s and the interactive DVDs of Tomorrow. Chapters include: * Know Your Classics: The twenty-five most important adult films of all time, including Debbie Does Dallas, Deep Throat, and an X-rated musical version of Alice in Wonderland. * Great Moments in Porn History: From the first on-screen kiss to the invention of the silicone breast implant, these are major events that defined modern-day adult films. * The Pantheon of Porn: These mini-bios of mega-stars like Seka, Linda Lovelace, and Marilyn Chambers are filled with surprising trivia. * It's A Porn World, After All: We travel around the world--from Australia and Canada to Germany and Japan--to watch the best of international porn. * Make Your Own Porno: All you need is a video camera, a willing partner, and these simple pointers ("Tell a story," "Start with a bang," "Parody a real film title whenever possible"). And that's just the beginning. You'll also find a glossary of unfamiliar terms, a catalog of favorite porn genres, tons of classic stills and posters, interviews with porn pioneers, the 300 goofiest porn titles of all time (Edward Penishands, Juranal Park, Oklahomo!), and much, much more.

The papers in this book represent a unique integration of Jewish history and classics. They tackle from different angles the extent to which Jews in the Graeco-Roman period differed from other peoples in the Mediterranean region, and how much Jewish evidence can be used for the history of the wider classical world. The authors make extensive use not only of types of evidence familiar to classicists, such as inscriptions and the writings of Josephus, but also Jewish religious literature, including Rabbinic texts. The various studies demonstrate that, although Jews lived to some extent apart from others with distinctive customs, in many ways their history also highlights the cultural presuppositions and preoccupations of their non-Jewish contemporaries. The book aims to encourage wider use of the Jewish evidence by classicists and will be important for all students of the classical world.

For over 100 years, Paramount Pictures has been captivating movie and television audiences worldwide with its alluring imagery and compelling stories. Arising from the collective genius of Adolph Zukor, Jesse L. Lasky, and Cecil B. DeMille during the 1910s, Paramount Pictures is home to such enduring classics as Wings, Sunset Boulevard, The Ten Commandments, Love Story, The Godfather, the Indiana Jones series, Chinatown, Forrest Gump, Braveheart, Titanic, and Star Trek. Early Paramount Studios chronicles Paramount's origins, culminating in the creation and expansion of the lot at 5555 Melrose Avenue, the last major motion picture studio still in Hollywood.

Jewish women were undeniably instrumental in shaping the women’s liberation movement of the 1960s, 70s, and 80s. Yet historians and participants themselves have overlooked their contributions as Jews. This has left many vital questions unasked and unanswered—until now. Delving into archival sources and conducting extensive interviews with these fierce pioneers, Joyce Antler has at last broken the silence about the confluence of feminism and Jewish identity.Antler’s exhilarating new book features dozens of compelling biographical narratives that reveal the struggles and achievements of Jewish radical feminists in Chicago, New York and Boston, as well as those who participated in the later, self-consciously identified Jewish feminist movement that fought gender inequities in Jewish religious and secular life. Disproportionately represented in the movement, Jewish women’s liberationists helped to provide theories and models for radical action that were used throughout the United States and abroad. Their articles and books became classics of the movement and led to new initiatives in academia, politics, and grassroots organizing. Other Jewish-identified feminists brought the women’s movement to the Jewish mainstream and Jewish feminism to the Left. For many of these women, feminism in fact served as a “portal” into Judaism.Recovering this deeply hidden history, Jewish Radical Feminism places Jewish women’s activism at the center of feminist and Jewish narratives. The stories of over forty women’s liberationists and identified Jewish feminists—from Shulamith Firestone and Susan Brownmiller to Rabbis Laura Geller and Rebecca Alpert—illustrate how women’s liberation and Jewish feminism unfolded over the course of the lives of an extraordinary cohort of women, profoundly influencing the social, political, and religious revolutions of our era.

"Men of Bronze takes up one of the most important and fiercely debated subjects in ancient history and classics: how did archaic Greek hoplites fight, and what role, if any, did hoplite warfare play in shaping the Greek polis? In the nineteenth century, George Grote argued that the phalanx battle formation of the hoplite farmer citizen-soldier was the driving force behind a revolution in Greek social, political, and cultural institutions. Throughout the twentieth century scholars developed and refined this grand hoplite narrative with the help of archaeology. But over the past thirty years other scholars have criticized nearly every major tenet of this orthodoxy. Indeed, these revisionists have persuaded many specialists that the evidence demands a new interpretation of the hoplite narrative and a rewriting of early Greek history. Men of Bronze gathers leading scholars to advance the current debate and bring it to a broader audience of ancient historians, classicists, archaeologists, and general readers. After explaining the historical context and significance of the hoplite question, the book assesses and pushes forward the debate over the traditional hoplite narrative and demonstrates why it is at a crucial turning point. Instead of reaching a consensus, the contributors have sharpened their differences, providing new evidence, explanations, and theories about the origin, nature, strategy, and tactics of the hoplite phalanx and its effect on Greek culture and the rise of the polis."

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"...Enlighten me now, o Muses, Tenants of Olympian homes, For you are goddesses, inside on everything, know everything. But we mortals hear only the news, and know nothing at all...." --The Iliad, Book II 484-486 A Test of the News, published as a supplement to The New Republic in 1920, was a study by the journalists Walter Lippmann and Charles Merz into the press coverage by the New York Times of the Bolshevik revolution. They found many inaccuracies and distortions in the Times' coverage and stated that "the news about Russia is a case of seeing not what was, but what men wished to see." In addition, they established that the Times reported ninety-one occasions that the revolutionary regime was near collapse. This study supported Lippmann's belief that "the present crisis of western democracy is a crisis in journalism." Even though his statement applied to the 1920s, the same could be said in 2019 where the reliability of mainstream news and the prevalence of "fake news" is at the forefront of many discussions. A Test of the News is a must-read for journalists, historians, and all who are interested in the importance of the media and current affairs.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is the original German edition of Der Judenstaat by Theodor Herzl, republished by Comprehendible Classics. For our new modern English translation, please visit our Author Page. "The Jewish State" (“Der Judenstaat”) by Theodor Herzl is considered one of the most important texts of modern Zionism. Written in 1896, this work significantly influenced the Zionist movement and the establishment of the modern State of Israel. Herzl, a Jewish journalist and political thinker from Austria, argued that the best way to avoid the widespread and rampant antisemitism was to create an independent Jewish state. In The Jewish State, Herzl paints a vivid picture of a homeland for the Jewish people, and shares intricate details about the foundations of this envisioned nation. He also explores the topic of identity and the relentless pursuit of a place to belong. Herzl's vision is a testament to the extraordinary capacity of an individual's ideas to mold the course of history. In fact, he's often called the father of modern political Zionism, and is officially referred to as "the spiritual father of the Jewish State" in the Israeli Declaration of Independence. This is a republication by Comprehendible Classics. We are on a mission to breathe new life into old books that have shaped our society. We believe that the most thought-provoking, inspiring and even controversial texts should be accessible to everyone. As part of our mission we also republish the original work in its original language, for anyone who wishes to compare the two, or simply is on the lookout for the original text. You can find all our titles and stay up to date with new releases by following us on social media @comprehendibleclassics or subscribing to our Amazon author page.

Influential assassination researcher Harold Weisberg revolves the third installment in his Whitewash series around the photographic evidence available to government officials investigating the death of John F. Kennedy. Given the materials and photographs available to the Warren Commission, Weisberg shows that in numerous cases the government either ignored the evidence it had in front of it or intentionally misrepresented evidence. Using the photographs themselves to show the inadequacies of the government’s research techniques, as well as the impossible conclusions at which the government arrived, Weisberg’s most damning argument is that the government twisted the evidence to make it fit preconceived theories and explanations for the assassination of the president. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

A reissue of Simon Schama's landmark study of the Netherlands from 1780--1813, this is a tale of a once-powerful nation's desparate struggle to survive the treacheries and brutality of European war and politics. Between 1780 and 1813 the Dutch Republic -- a country once rich enough to be called the cash till of Europe and powerful enough to make war with England -- was stripped of its colonies, invaded by its enemies, driven to the edge of bankruptcy, and, finally, reduced to becoming an appendage of the French empire -- an appendage not even the French seemed to value overmuch. Out of these events Simon Schama has constructed a gripping chronicle of revolution and privateering, constitutions and coups, in a tiny nation desperately struggling to stay afloat in a sea of geopolitics. Like his classics 'The Embarrassment of Riches' and 'Citizens', 'Patriots and Liberators' combines a mastery of historical sources with an unabashed delight in narrative. The result confirms Schama as a historian in the finest tradition -- one whose study of the past reveals volumes about the present. This is one of our most revered historians' greatest works, and this new Perennial edition will reintroduce his genius to a new generation of readers.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Elibron Classics title is a reprint of the original edition published by Innes & Sons in Philadelphia, 1922.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

This series reprints the best of the titles in Islamic Studies that were published by Brill before 1970. Titltes that have been out of print for a long time, but are still important for libraries and scholars will become easily available to a wider audience. The best of two centuries of scholarship, newly typeset and with new introductions by some of the foremost scholars in Islamic Studies make the Brill Classics in Islam an indispensable part of any islamic studies collection. In Knowledge Triumphant, Franz Rosenthal observes that the Islamic civilization is one that is essentially characterized by knowledge ('ilm), for "ilm is one of those concepts that have dominated Islam and given Muslim civilization its distinctive shape and complexion." With an introduction by Dimitri Gutas. FRANZ ROSENTHAL (1914-2003) was Sterling Professor of Arabicand Semitic Studies at Yale University until his retirement in 1985.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!