Fading charmer Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: He is separated from his wife and children, at odds with his vain, successful father, failed in his acting career (a Hollywood agent once cast him as the "type that loses the girl"), and in a financial mess. In the course of one climactic day he reviews his past mistakes and spiritual malaise, until a mysterious, philosophizing con man grants him a glorious, illuminating moment of truth and understanding, and offers him one last hope... Book jacket.

Written during Kafka's final years as he battled tuberculosis, A Hunger Artist was the last work he personally prepared for publication before his death in 1924. The story appeared first in Die Neue Rundschau before being published as part of a collection by Verlag Die Schmiede. Max Brod recounted that Kafka revised the text extensively while staying at the Kierling sanatorium near Vienna, perhaps seeing parallels between the artist's physical withering and his own condition. The story chronicles the decline of a professional faster whose art form - public starvation displays - falls out of fashion with changing times. Set against the backdrop of Europe's post-war transformation, the text captures the death of old cultural forms and the public's shifting appetites for entertainment. The hunger artist's insistence on fasting beyond forty days - the maximum his impresario allows - points to the gap between artistic purity and commercial demands. His body becomes a battlefield where artistic integrity clashes with market forces, while his cage in the circus suggests how art gets relegated to sideshows in an age of mass entertainment. The hunger artist's final confession - that he fasted simply because he could never find food he liked - strips away the spiritual and artistic pretensions surrounding his performance. This revelation transforms the story from allegory about artistic sacrifice into something more ambiguous and personally haunting. The text resonates with Kafka's own complicated relationship to food, his sense of alienation from Prague's literary culture, and his struggles with tuberculosis that made eating difficult in his final years. When circus workers clear away the hunger artist's body like so much straw, replacing him with a young panther full of vital energy, the story delivers its sharpest bite - showing how quickly culture discards what it once celebrated, how thoroughly new forms devour the old. This modern translation from the original German is a fresh, accessible and beautifully rendered text that brings to life Kafka's great literary work. This edition contains extra amplifying material including an illuminating afterword, a timeline of Kafka's life and works alongside of the historical events which shaped his art, and a short biography, to place this work in its socio-historical context.

The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House. Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Maria Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because "that's where the money is." And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins--before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology--when neither man wanted fame or deserved notoriety. Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, "Doc "is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

The Kempton-Wace Letters was a 1903 epistolary novel written jointly by Americans Jack London and Anna Strunsky, then based in San Francisco, California. The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:

Within a Budding Grove (1919) is the second volume of Marcel Proust's seven-part novel In Search of Lost Time . Written while Proust was virtually confined to his bedroom from a lifelong respiratory illness, Within a Budding Grove is a story of memory, history, family, and romance from a master of Modernist literature. Praised by Virginia Woolf, Vladimir Nabokov, Michael Chabon, and Graham Greene, In Search of Lost Time explores the nature of memory and time while illuminating the history of homosexuality in nineteenth century Europe. After years of admiring the Swann family from a distance, the narrator befriends the lovely young Gilberte. Through her, he gains access to her parents and their home, where artists and intellectuals gather to discuss their lofty ideals alongside the latest gossip. Despite his attraction to Gilberte, he finds himself enthralled with her mother, a careworn beauty so often ignored by her husband. As he grows and learns, he begins to recognize the reality concealed by convention: the secret liaisons between lovers; the petty competitions of artists; the fleeting nature of affection and lust alike. Written in flowing prose, Within a Budding Grove is a masterpiece of twentieth century fiction that continues to entertain and astound over a century after it appeared in print. This edition of Marcel Proust's Within a Budding Grove is a classic work of French literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Theodor Herzl: Old New Land. (AltNeuLand) First print Leipzig 1902. Translated by Dr. David Simon Blondheim, Federation of American Zionists, 1916 Minion Pro, 11 pt.

The final volume of In Search of Lost Time chronicles the years of World War I, when, as M. de Charlus reflects on a moonlit walk, Paris threatens to become another Pompeii. Years later, after the war's end, Proust's narrator returns to Paris, where Mme. Verdurin has become the Princesse de Guermantes. He reflects on time, reality, jealousy, artistic creation, and the raw material for literature-his past life.

A sweeping novel of love, passion, and freedom, Mitla Pass stands as an epic look at modern Middle Eastern history and is quite possibly Uris's most autobiographical work. Gideon Zadok arrives in Israel with every intention to research a new book, mend a broken marriage, and improve his dysfunctional family. But as political tensions escalate and his family is evacuated, Zadok asks to follow Israeli paratroopers to secure Mitla Pass and finds himself in the midst of one of the largest global crises of the twentieth century.

First published in 1925, Anzia Yezierska's "Bread Givers" is the tale of a young Jewish-American immigrant woman and her struggle to control her own destiny in Manhattan's Lower East Side at the turn of the century. The novel is based in large part on Yezierska's own life experiences immigrating from Poland as a child and growing up in New York City in an Orthodox Jewish family. "Bread Givers" centers on the story of its main character, Sara Smolinsky, who lives with her older sisters and parents in a poor tenement in the Lower East Side. The Smolinsky family is destitute and struggles to make ends meet as the father, Reb, refuses to work and spends all his time studying the Torah and clinging to the traditions of the country he left behind. He arranges unhappy marriages for his older daughters in the hope of becoming rich himself. Sara vows to avoid her sisters' fates and takes her life into her own hands, pursuing an education and refusing to marry just because it is expected of her. "Bread Givers" is both an engaging portrait of New York at the beginning of the twentieth-century and a timeless tale of a young woman's journey of self-discovery and determination. This edition is printed on premium acid-free paper.

Written in alternating chapters, W or the Memory of Childhood , tells two parallel tales, in two parts. One is a story created in childhood and about childhood. The other story is about two people called Gaspard Winckler: one an eight-year-old deaf-mute lost in a shipwreck, the other a man despatched to search for him, who discovers W, an island state based on the rules of sport. As the two tales move in and out of focus, the disturbing truth about the island of W reveals itself. Perec combines fiction and autobiography in unprecedented ways, allowing no easy escape from these stories, or from history.

90 classic titles celebrating 90 years of Penguin Books 'Why should I bother to invent things? My life has been far more exciting and wonderful than any fairy-tale' In the heart of the English countryside, surrounded by irritatingly polite relatives and hopeless sycophants, Lady L. is celebrating her eightieth birthday. But as the guests disperse, she feels the undeniable pull of a mysterious pavilion in the lush grounds, and the terrible secret she buried there many years ago . . .

The sequel to the phenomenal national bestseller and enduring classic Love Story. Can the love of your life appear twice in a lifetime? Oliver Barrett IV found his soulmate in Jenny Cavilleri. Their love was magical and exhilarating...and though heartbreakingly brief, it was a love to last a lifetime. Two years have passed since Jenny was taken from him, and Oliver believes he will never love again. Then one day, Marcie--beautiful and mysterious--enters his world and suddenly the future holds new promise. From the running track in New York's Central Park to the hushed executive suites of a mightly department store empire, from a snowy Massachusetts Christmas to a shattering moment of turth in exotic Hong Kong--the story of Oliver Barrett IV is a story of passion and principle, of a young man's journey out of sadness, into love.

"Do tell us a fairy tale, ganpa." "Well, will you be good and quiet if I do?" "Of course we will; we are always good when you are telling us fairy tales." "Well, here goes.--Once upon a time, though it wasn't in my time, and it wasn't in your time, and it wasn't in anybody else's time, there was a----" "But that would be no time at all." "That's fairy tale time." This is a lovely little book of fairy tales from throughout Europe. The author wrote the stories by finding tales that were common among many different European countries and cultures. The stories were very approachable, and are appropriate for all ages. There are 25 stories in totaly. European Folk and Fairy Tales (also known as Europa's Fairy Book) is a collection of Folk and Fairy Tales by Joseph Jacobs, first published in 1916, including: The Cinder-Maid The King of the Fishes Beauty and the Beast Reynard and Bruin The Dancing Water, The Singing Apple, and the Speaking Bird The Language of Animals Snowwhite Joseph Jacobs (1854 - 1916) was a folklorist, literary critic and historian. His works included contributions to the Jewish Encyclopedia, translations of European works, and critical editions of early English literature. Jacobs wrote for journals and books on the subject of folklore and produced a popular series of fairy tales.

Giorgio Bassani’s six classic books, collected for the first time in English as the epic masterwork they were intended to be. Among the masters of twentieth-century literature, Giorgio Bassani and his Northern Italian hometown of Ferrara “are as inseparable as James Joyce and Dublin or Italo Svevo and Trieste” (from the Introduction). Now published in English for the first time as the unified masterwork Bassani intended, The Novel of Ferrara brings together Bassani’s six classics, fully revised by the author at the end of his life: Within the Walls , The Gold-Rimmed Spectacles , The Garden of the Finzi-Continis , Behind the Door , The Heron , and The Smell of Hay . Set in the northern Italian town of Ferrara before, during, and after the Second World War, these interlocking stories present a fully rounded world of unforgettable characters: the respected doctor whose homosexuality is tolerated until he is humiliatingly exposed by an exploitative youth; a survivor of the Nazi death camps whose neighbors’ celebration of his return gradually turns to ostracism; a young man discovering the ugly, treacherous price that people will pay for a sense of belonging; the Jewish aristocrat whose social position has been erased; the indomitable schoolteacher, Celia Trotti, whose Communist idealism disturbs and challenges a postwar generation. The Novel of Ferrara memorializes not only the Ferrarese people, but the city itself, which assumes a character and a voice deeply inflected by the Jewish community to which the narrator belongs. Suffused with new life by acclaimed translator and poet Jamie McKendrick, this seminal work seals Bassani’s reputation as “a quietly insistent chronicler of our age’s various menaces to liberty” (Jonathan Keates).

"We have here, then a novelistic document of life, of the inferno of a marriage. ... --a marriage that should never have been contracted nor would have been save for the man's weakness and youthful inexperience."--Preface, p. vii.

"The virtuoso performances of a sophisticated stylist ... compact, skilful, and hilarious." - Randall Reid American modernist Nathanael West's first novel, The Dream Life of Balso Snell, is an anti-künstleroman; it's a portrait of a young artist discovering his powerlessness. The title character, a lyric poet, takes a nightmare tour through the bowels of the Trojan Horse, meeting a series of failed and frustrated writers along the way. Each surrealistic episode underscores the futility of the literary vocation and gleefully mocks the pipe dreams of amateurs who aspire to wealth and immortality. It was first published in 1931 in an edition of only 500 copies. "West's aesthetic sensibilities transform ugly material into a beautiful composition ... that, by its very artistry, celebrates that which it wishes to destroy" - Deborah Wyrick "[Balso] undertakes not just a disavowal of high modernism and the idealism of its art-for-art's sake aestheticism, but a critique of nothing less than the grand tradition of Western culture upon which it depends. That critique results in a thorough housecleaning, an operation that will dispense with everything from Plato to Picasso" - Jonathan Veitch 'Beneath this gloom that [West] was pouring at you, there was a streak of the most diabolical humor, you couldn't imagine ...' - John Fante "Scenes of extraordinary power ... vividly drawn grotesques." - F. Scott Fitzgerald "By applying the magpie aesthetics of Surrealism and T.S. Eliot to the 'American Grain, ' by delving into the popular culture and emerging not with surrender or refusal but a razor-cool critique, West became the great precursor to Heller, Pynchon, Philip K. Dick, George Saunders, and so much else." -Jonathan Lethem "[West's] novels say more about the way we live now - and the things that brought us to our present pass - than any other work of fiction I can think of." - The New Yorker "Nathanael West's stunning four novels are American tales, rooted in our transmogrifying soil. Morality plays they are, classified as comedies. They are indeed often funny. Funny as a crutch." - Elizabeth Hardwick, The New York Review of Books About the author Nathanael West published four novels during the thirty-six years of his life. The first, The Dream Life of Balso Snell, an experimental work written in the 1920s, was well-received but sales were poor. The second, the brilliant Miss Lonelyhearts, was published in 1933, a few months before his publisher went bankrupt. The third, A Cool Million, vanished into the depths of the Depression. It was at this point that West went to Hollywood to earn his living as a scriptwriter. From his Hollywood experience came The Day of the Locust. Publishing in 1939, the novel received very little recognition. The following year, on December 22nd, the day after his neighbour F. Scott Fitzgerald died of a heart attack, Nathanael West and his wife were killed in a California highway accident. When West died, at the age of thirty-seven, his originality and brilliance were little known outside an intensely admiring circle of fellow writers: William Carlos Williams, Edmund Wilson, S. J. Perelman, and others. Not until West's four novels were reissued in the late 1950s was he acknowledged as one of the most gifted writers of his generation. His masterpieces blend manic farce and despairing compassion, and their vision of an America awash in its own mass-produced fantasies, read like a prophecy of much that was to come in American literature and life.

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Elisa - orphaned as a child, raised by a 'fallen woman', fed by fairy tales - has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family's tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself. First published in 1948, Elsa Morante's debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante. Translated by Jenny McPhee

This collection of 37 stories by a master of the form features tales that are sometimes funny, sometimes violent, and sometimes weird and nightmarish: in short, it is quintessential Gerald Kersh. Kersh (1911-1968) published more than thirty books, including the noir classic Night and the City (1938) and Fowlers End (1957), which Anthony Burgess called "one of the great comic novels of the century," as well as hundreds of short stories which were once ubiquitous in British and American magazines. But though he has been championed by Angela Carter, Harlan Ellison, Ian Fleming, Michael Moorcock and others, Kersh has undeservedly fallen into neglect since his death. This is the first-ever reprint of Neither Man Nor Dog (1946), one of the author's scarcest volumes. Kersh's novels Fowlers End and The Great Wash and the short story collections Nightshade and Damnations , On an Odd Note , and Clock Without Hands are also available from Valancourt. "[B]rutal but highly talented ... at least one [story] is ... a little masterpiece, and all of them possess the virtue of being highly readable." - J.D. Beresford, The Guardian "[E]xplosive with violence . . . The best of them are very good. The unfailing fertility of his imagination is indeed to be wondered at . . . For entertainment of a strong kind, Mr. Kersh would be hard to beat." - Times Literary Supplement "Kersh tells a story, as such, rather better than anybody else." - Pamela Hansford Johnson, Daily Telegraph