Never Going Home is a wake-up tale of passionate love, intrigue, despair, and tragedy. The players in Never Going Home are alone. They find their way to one another and create a family of super-intellects. Betty, a wise eighty-five-year-old retired librarian, leads the family. Other accomplished family members include Harold, a lawyer; Bailey, a widow and mother with an MSF degree in finance; Will, a sociologist; Bob, a bank president; Gloria, with an MBA degree; and Lenny, a Vietnam veteran who studied psychotherapy to understand his PTSD in which he relives his combat experiences. Ruby, a Las Vegas showgirl, and voted best of Vegas five years running, hearing of Lenny's thesis in psychotherapy, surmises Lenny could be the key to unlocking her very private dysfunction. Betty reveals the enormous wealth Harold and she accumulated investing in the military-industrial complex off a tip from an aircraft-manufacturing lobbyist Harold defended in court prior to the Vietnam War. They made millions as crony capitalists. There seems to be no challenge the family can't rise to. Author Jerry Lewis exposes through his "can-do" characters a wide variety of issues facing Americans today: war, deplorable treatment of veterans, religious intolerance, racial issues, corruption and deception, cultural evolution, mismatch disease, health-care hoaxes, diet, and exercise. This book will earn a front-and-center position on your bookshelf.

BEAUTIES, BEASTS AND ENCHANTMENT CLASSIC FRENCH FAIRY TALES Edited and translated by Jack Zipes A wonderful new collection of 36 French fairy tales translated into English by renowned writer and authority on fairy tales, Jack Zipes. Cinderella, Beauty and the Beast, Sleepy Beauty, Puss In Boots, Bluebeard, and Little Red Riding Hood are some of the classic fairy tales in this amazing book. There are many stories here by Charles Perrault, the most famous author of French conte de fées. Features a new introduction by editor Jack Zipes. Includes a generous number of exquisite illustrations from fairy tale collections. This is a clothbound edition, with gold letters embossed on a blue cloth cover, and a colour flyleaf. 'Terrific... a succulent array of 17th and 18th century 'salon' fairy tales' - The New York Times Book Review 'These tales are adventurous, thrilling in a way fairy tales are meant to be... The translation from the French is modern, happily free of archaic and hyperbolic language... a fine and sophisticated collection' - New York Tribune 'Enjoyable to read... a unique collection of French regional folklore' - Library Journal 'Charming stories accompanied by attractive pen-and-ink drawings' - Chattanooga Times 'An excellent collection' - Booklist. JACK ZIPES is professor emeritus of German and comparative literature at the University of Minnesota. In addition to his scholarly work, he is an active storyteller in public schools and has worked with children's theaters in Europe and the United States. Some of Jack Zipes' major publications include Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales (1979), Fairy Tales and the Art of Subversion (1983, rev. ed. 2006), Don't Bet On the Prince: Contemporary Feminist Fairy Tales in North America and England (1986), The Brothers Grimm: From Enchanted Forests to the Modern World (1988), Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter (2000), Speaking Out: Storytelling and Creative Drama For Children (2004), Hans Christian Andersen: The Misunderstood Storyteller (2005), and Why Fairy Tales Stick: The Evolution and Relevance of a Genre (2006). Jack Zipes has also translated The Complete Fairy Tales of the Brothers Grimm (1987) and edited The Oxford Companion to Fairy Tales (2000), and The Great Fairy Tale Tradition (2001). Most recently he has translated and edited The Folk and Fairy Tales of Giuseppe Pitre (2008) and Lucky Hans and Other Merz Fairy Tales (2008) by Kurt Schwitters. Includes illustrations and a new introduction. ISBN 9781861717474. 612 pages. www.crmoon.com

Alfred Bester's first science fiction novel since The Stars My Destination was a major event -- a fast-moving adventure story set in Earth's future. A band of immortals -- as charming a bunch of eccentrics as you'll ever come across -- recruit a new member, the brilliant Cherokee physicist Sequoya Guess. Dr. Guess, with the group's help, gains control of Extro, the super-computer that controls all mechanical activity on Earth. They plan to rid Earth of political repression and to further Guess's researches -- which may lead to a great leap in human evolution to produce a race of supermen. But Extro takes over Guess instead and turns malevolent. The task of the merry band suddenly becomes a fight in deadly earnest for the future of Earth. Sequoya Guess, whom they love, must be killed. And how do you kill an immortal? THE COMPUTER CONNECTION is a jam-packed extraordinary science fiction novel -- what Alfred Bester's readers have been experiencing for over five decades.

This study of dramatic theory and technique was first published in 1936, in the midst of the social and theatrical upheaval that Harold Clurman calls The Fervent Years. Today, the arts display less fervor, and far less interest in social significance. The transition in dramatic thought from Waiting for Lefty to Waiting for Godot is almost as sweeping as the changes that have taken place among the world's peoples and powers. There are those who regard the culture of the thirties as dead and best forgotten. The question need not be debated here except insofar as this book offers testimony to the contrary. My beliefs have not Changed, nor has my fervor abated. I can hope that my understanding has ripened. But I see no need to modify or revise the theory of dramatic art on which this work is based. The theory holds that the dramatic process follows certain general laws, derived from the function of drama and its historical evolution. A play is a mimed fable, an acted and spoken story. The tale is presented because it has meaning to its creator. It embodies a vision, poses an ethical or emotional problem, praises heroes or laughs at fools. The playwright may not be conscious of any purpose beyond the telling of a tale. He may be more interested in box-oflice receipts than in social values. Nonetheless, the events taking place on the stage embody a point of View, a judgment of human relationships. Conceptual understanding is the key to mastery of dramatic technique. The structure of a play, the design of each scene and the movement of the action to its climax, are the means by which the concept is communicated.

"Did you know that DNA extracted from a laboratory mouse and injected into the cells of a common fruit fly has produced eyes on the legs of that fly? Eyes, young miss, eyes. Think of what you've just read." Lovecraftian stories are the bread and butter of the true horror fan. During his lifetime, Lovecraft himself encouraged other writers to develop stories in the vein we now call Lovecraftian: horror, based around the idea that Earth had been colonized by malign aliens in the remote past, long before mankind arose and became civilized, who eventually became worshipped and feared as evil Gods by their human servitors.Eventually these aliens had been "banished" to another dimensional limbo by a benign Elder Race, but might one day return to reclaim the Earth "when the stars are right." That deep seated unease threads through this collection of Richard. A Lupoff's short stories that seem to share a common universe. Praise for Richard A. Lupoff: "Lupoff writes with intelligence, humour, wisdom, and a zest for life." - Joe Gorges, author of Hammett . Richard A. Lupoff began his writing career as a print and broadcast journalist while attending university. After earning his degree he served twice in the United States Army, first as an enlisted man, then as an officer. Following military service he worked for twelve years in the computer industry, while also serving as a guest lecturer at universities including the University of California (Berkeley) and Stanford University. As author and editor he has written more than fifty volumes, ranging from science fiction, mystery, fantasy, horror, and mainstream fiction to the evolution of cartooning and comics. He is a past winner of the Hugo Award, and a finalist for the Nebula and Oscar Awards. He has achieved the rare distinction of being represented in "Best of the Year" anthologies in three fields: science fiction, mystery, and horror.

Eugene Myers is working on a novel about the end of the world. Meanwhile, he discovers his daughter doing porn online and his marriage is coming to an end. When he begins dreaming about people who turn out to be real, he wonders if his novel is real as well. Eugene Myers may just be the one to stop the apocalypse. This history of the future covers every conspiracy imaginable: UFOs, secret societies, and World War III, as well as theories on life after death and human evolution by a writer whose last novel was called by Dogmatika, A page-turner and an example of an effective piece of storytelling that should be envied. In the tradition of Philip K. Dick and Robert Anton Wilson, The American Book of the Dead explores the nature of reality and the human race's potential to either disintegrate or evolve.

The New Adam finds himself not in Eden, but in a crowded world of men and women who look like him but who cannot comprehend his powers or his unique mentality. Nature had placed Edmund Hall a rung higher on the ladder of evolution than the men around him. How could he live in a world populated by creatures as far below him as the ape is below us?

The stories here, all of them written between March of 1972 and November of 1973, mark a critical turning point in my career. Those who know the three earlier volumes have traced my evolution from a capable journeyman, very young and as much concerned with paying the rent as he was to advancing the state of the art, into a serious, dedicated craftsman now seeking to leave his mark on science fiction in some significant way. Throughout the decade of the 1960s I had attempted to grow and evolve within the field of writing I loved--building on the best that went before me, the work of Theodore Sturgeon and James Blish and Cyril Kornbluth and Jack Vance and Philip K. Dick and half a dozen others whose great stories had been beacons beckoning me onward--and then, as I reached my own maturity, now trying to bring science fiction along with me into a new realm of development, hauling it along even farther out of its pulp-magazine origins toward what I regarded as a more resonant and evocative kind of visionary storytelling. --Robert Silverberg, from his Introduction

Strange Genius is a collection of stories about people whose minds are beyond the ordinary. Included is the hard to find novel The New Adam, a surprising tale of homo superior born among us, the first of a new human race, an evolutionary leap and a man whose mind is so different that he's an alien on his own planet. Also included are the humorous van Manderpootz stories about a scientific genius who wants everyone to know how great he is, and several more of Weinbaum's delightful tales of the human mind at work.

"An advanced alien civilization discovers a space probe from earth. Their quest to find us sets into motion a chain of events that threaten their very existence. At the center of the mystery is Agot, a 3-million-year-old android from another galaxy... and a mind-boggling solution to the missing link puzzle in human evolution"--Page 4 of cover.

Here are eighteen interviews with this novelist & historian that portray him to be both an admirable writer & spellbinding talker & reveal his evolution into a great narrative artist.

A nuclear accident ravages a small town outside of Chicago, resulting in a government quarantine isolating it from the rest of the world. A generation later, with the quarantine still in place, strange mutations have affected the minds of the town's children -- mutations which could either spell the next stage in human evolution, or something far more sinister. As the children's psychic powers begin to manifest themselves in more demented and destructive forms, the kids escape their compound. Now it is up to Shandy Johnson and her friends to track down the runaways. Possessing similar powers, Sandy and her friends find themselves facing increasingly frightening confrontations with their escaped peers. First published in 1964, Sunburst has lost neither its edge nor its relevance. Predating the near-misses and disasters at Three Mile Island and Chernobyl, Gotlieb reminds us of the tremendous forces we have at our fingertips -- powers that humans use daily but do not fully comprehend.

2284: World Society, Iaian Vernier's Memoir is a fascinating study of mankind. Written as a work of fiction, it looks at the human condition 200 years in the future. Predicting the outcome of today's social policies, 2284 is a cultural anthropology study that adds to Itzkoff's extensive writing on the topic. Iaian Vernier writes in 2284 of the revolutionary internationalism that has been established in Nairobi, Africa. He chronicles the disasters that almost destroyed the twenty-first-century world. He describes in anecdote and philosophical depth the new scientific and secular world that has been established to bring peace, equality, ethnic diversity and democracy to humanity, while scrutinizing the plans for demographic stability that will sustain humanity into the future. In the twenty-third century, the forbidden rationality of the scientific minds of the twenty-first century have been unleashed.

Bluebirds by Catulle Mendès (1841-1909), here delightfully translated for the first time into English by Brian Stableford, is fascinating, not only because it illustrates a particular evolution within the pattern of the author's own works, but because that pattern reflects a more general one associated with the evolution from the French Romanticism of the first half of the nineteenth century to the Decadent and Symbolist Movements of the fin-de-siècle. Mendès was one of the key figures in the latter phases of that process of development, launching his literary career in the 1860s under the patronage of Théophile Gautier, whose daughter Judith he married--much against her father's wishes--in 1866, and then becoming a leading figure among the "Parnassians" who attempted a renewal and revivification of Romantic ideals, before he entered wholeheartedly into the Decadent Movement launched in the 1880s. The stories in the present collection extend over a linear spectrum, moving by degrees from the affected sentimentality of Romanticism to a darker and somewhat jaundiced world-view that illustrates the Decadent sensibility very well, although all the stories were written in advance of the enormous fashionability that the sensibility in question achieved in the late 1880s.