A New Yorker Best Book of 2024 A captivating journey of the expansive world of medieval travel, from London to Constantinople to the court of China and beyond. Europeans of the Middle Ages were the first to use travel guides to orient their wanderings, as they moved through a world punctuated with miraculous wonders and beguiling encounters. In this vivid and alluring history, medievalist Anthony Bale invites readers on an odyssey across the medieval world, recounting the advice that circulated among those venturing to the road for pilgrimage, trade, diplomacy, and war. Journeying alongside scholars, spies, and saints, from Western Europe to the Far East, the Antipodes and the ends of the earth, Bale provides indispensable information on the exchange rate between Bohemian ducats and Venetian groats, medieval cures for seasickness, and how to avoid extortionist tour guides and singing sirens. He takes us from the streets of Rome, more ruin than tourist spot, and tours of the Khan's court in Beijing to Mamluk-controlled Jerusalem, where we ride asses across the holy terrain, and bustling bazaars of Tabriz. We also learn of rumored fantastical places, like ones where lambs grow on trees and giant canes grow fruit made of gems. And we are offered a glimpse of what non-European travelers thought of the West on their own travels. Using previously untranslated contemporaneous documents from a colorful range of travelers, and from as far and wide as Turkey, Iceland, North Africa, and Russia, A Travel Guide to the Middle Ages is a witty and unforgettable exploration of how Europeans understood--and often misunderstood--the larger world.

Leon Wolff tells the full story, revealing how and why the U.S. went from aiding Filipino independence to forcefully annexing the islands for themselves.

Although China and Japan have had virtually uninterrupted contact going back over many centuries, the lion's share of works addressing both China and Japan's overseas contacts--cultural and political--have concerned the West. Before the twentieth century, however, Western contacts with Japan were infrequent at best. Throughout the centuries before the twentieth, Chinese culture in the form of books, art objects, religious items, and the like flowed into Japan in great quantity. Within the scholarly community, some attention has focused on Japan and the Japanese elite's reception of the cultural flow and their response to it. By contrast, little if anything has been written about how the Chinese saw the Japanese. By addressing this glaring lacuna, the essays in this volume make a unique contribution.

Naito Konan's periodization of Chinese history is responsible for shaping the twentieth-century Western view of China. Naito was a journalist in the vibrant Meiji press for twenty years, during which he became recognized as Japan's leading Sinologist. He then assumed a chair in China Studies at Kyoto University, where he taught for twenty years, remaining all the while a prolific writer on public affairs. Joshua Fogel's biography treats Naito holistically, pointing up the intricate connections between his Sinological and political interests. As a part of an ongoing tradition based in jitsugaku (concern with the practical applications of knowledge), Naito focused on what he took to be Japan's mission, after its own Meiji reforms, to help China implement comparable reforms. His emphasis on Chinese history and culture as the central influence in East Asia strengthened his Pan-Asian political convictions. Fogel's study offers a penetrating look at a scholar-journalist whose influence, fifty years after his death, is still powerful.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Robert Jay Lifton offers a new conceptual framework for our understanding not only of Chinese convulsion, its causes, its surprising potency and its consequences, but of evolution in general and the strange urgency, which can become paramount, of revolution never to proclaim itself successful, never to say its job is done and its goals attained. . . . [Dr. Lifton] has made a signal contribution to the understanding of the relationship of individual psychology to historical change, and especially of the vicissitudes of human continuity . . . .Revolutionary Immortality is, I would judge, an essential study of Communist China; more than that, it is an original, intellectually exciting, gracefully written and wholly accessible essay on an aspect of human individual and mass psychology as it operates in contemporary revolutionary circumstances around the world. Eliot Fremont-Smith, New York Times

This book deals with the integration of thousands of survivors of the Holocaust into Israeli society in the early years of the new State's existence. Among the issues discussed are: the ways in which the survivors were recruited into the defence forces and the role they played in the War of Independence, the settlement of the immigrants in towns and villages abandoned by Arabs during the war and the immigrant youth.

From the author of Bay of Pigs and Betrayal and Survival in Hitler’s Germany comes a full scope look at the bombing of Hiroshima, from the race to create the bomb to its detrimental dropping on Japan and the terrifying consequences that are still affecting the world over seventy years later. Hiroshima was an event of such magnitude that it divided history into two periods: before and after the bomb. It led to the first day of a new age in which all life would be at risk. Almost seventy years later, as Peter Wyden began this book, the world was still dealing with the fallout of the bomb’s creation. Wyden draws on eyewitness accounts, interviews, and documents never before published in order to trace the nuclear state of the modern world to the historical roots of Hiroshima. Skillfully weaving together all the strands, stories, and characters, including the scientific, political, moral, military, and human viewpoints, Wyden provides a full understanding of how the bomb was created, why it was used, and what the aftermath of those decisions has been.

"Cochinchine" is a vivid and penetrating account of the author's travels through French Indochina in the early 20th century. Written by the acclaimed journalist and critic Léon Werth, this work stands as a landmark of anti-colonial literature, offering a stark contrast to the romanticized depictions of the East common during the era. Werth's observations are both sharp and empathetic, providing a detailed look at the social, political, and economic realities of Southern Vietnam under colonial rule. The narrative delves into the complexities of the relationship between the French administration and the local population, highlighting the tensions and inequalities inherent in the colonial system. Through a series of sketches and reflections, Werth captures the essence of the landscape, the bustle of the cities, and the quiet dignity of the people he encounters. "Cochinchine" is not merely a travelogue but a profound social commentary that questions the ethics of imperialism and the impact of cultural displacement. This book remains a vital resource for readers interested in the history of Southeast Asia, French colonial studies, and the development of political consciousness in modern literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In modern China, literature has been regarded as a vehicle of political and idea logical dissent, a concept that has persisted under communism. This study exhaustively analyzes the conflict between the Chinese Communist party and the intellectuals, particularly the writers, in the crucial decades of the 1940's and 1950's. By singling out individual writers as egregious examples, party leaders, through a series of thought-control campaigns, have tried to mold intellectuals along orthodox doctrinal lines. But these same leaders, holding to the paradoxical conviction that personal initiative and creativity are necessary catalysts in the effort to construct a Communist state, have not wanted to stifle these qualities altogether. The result has been a pattern of permissiveness and pressure, as illustrated by the ill-fated "Hundred Flowers" movement and the subsequent return to a policy of harsh regimentation. In depicting the views, feelings, frustrations, and tragic fates of many individual intellectuals in the confrontation with an oppressive party bureaucracy, the author reveals, in an unprecedented way, the nature of the authoritarian society that has evolved in Communist China. Her study convincingly demonstrates that totalitarian rule has not guaranteed the subservience of the Chinese intelligentsia and, even more important, that the alienated, critical intellectual remains a significant and vital force.

This book constitues the first attempt of its kinds to probe the major features of modern Japanese organization that have played such a critical role in Japan's extraordinarily rapid economic development. The contributors inclue prominent academic business consultants such a Peter Drucker of the United states and Kazuo Noda of Japan; Japanese government officials such as Yoshihisa Ojimi, former Administrative Vice-Minister of the Ministry of International Trade and Industry, and Taishiro Shirai, a member of the Central Labor Relations Commission; as well as outstanding Western experts on modern Japanese organization. The essays deal not only with Japanese government and business but also with teh structures of a newspaper and a university and with the role of Japanese intellectuals in modern organization. The portrait of Japanese organization that emerges is much more dynamic and volatile than has been generally supposed. One finds business and government managers creatively using so-called "traditional practices" in novel ways and undertaking bold departures to achieve new purposes. The findings contradict the view that decision sten from below. Not only do executive have an important role in initiating action; but lower-level officials function within a context defined by their superiors. Far greater tensions and conflict exist within organizations than is commonly reported by outsiders, especially in institutions like the university where conflicts often paralyze the decision-making process. Similarly, there is far greater divergence of interest among different sectors of society than one might infer from the stereotypical view of "Japan, Inc." And since the high level of consensus supporting the fundamental commitment to economic growth is now weakening increasing divergence may be anticipated in the future. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

No detailed description available for "Canton under Communism".

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tilak and Gokhale, Gandhi's immediate predecessors in the Indian independence movement, could not be more contrasting figures. Tilak is often portrayed as an extremist; Gokhale a moderate. Yet their individual contributions, while so different from each other, were reliant upon a constant interaction--each responding to the other's pronouncements and policies. In the final analysis, it was Gandhi's ability to synthesize the nationalist tendencies of Tilak and the moral principles of Gokhale that gave the independence movement its ultimate form and success. Stanley Wolpert, a leading scholar of Indian history, makes plain for the first time the importance of the relationship of these two great men to the shaping of India's destiny.

Yokohama Burning is the story of the worst natural disaster of the twentieth century: the earthquakes, fires, and tsunamis of September 1923 that destroyed Yokohama and most of Tokyo and killed 140,000 people during two days of horror. With cinematic vividness and from multiple perspectives, acclaimed Newsweek correspondent Joshua Hammer re-creates harrowing scenes of death, escape, and rescue. He also places the tumultuous events in the context of history and demonstrates how they set Japan on a path to even greater tragedy. At two minutes to noon on Saturday, September 1, 1923, life in the two cities was humming along at its usual pace. An international merchant fleet, an early harbinger of globalization, floated in Yokohama harbor and loaded tea and silk on the docks. More than three thousand rickshaws worked the streets of the port. Diplomats, sailors, spies, traders, and other expatriates lunched at the Grand Hotel on Yokohama's Bund and prowled the dockside quarter known as Bloodtown. Eighteen miles north, in Tokyo, the young Prince Regent, Hirohito, was meeting in his palace with his advisers, and the noted American anthropologist Frederick Starr was hard at work in his hotel room on a book about Mount Fuji. Then, in a mighty shake of the earth, the world as they knew it ended. When the temblor struck, poorly constructed buildings fell instantly, crushing to death thousands of people or pinning them in the wreckage. Minutes later, a great wall of water washed over coastal resort towns, inundating people without warning. Chemicals exploded, charcoal braziers overturned, neighborhoods of flimsy wooden houses went up in flames. With water mains broken, fire brigades could only look on helplessly as the inferno spread. Joshua Hammer searched diaries, letters, and newspaper accounts and conducted interviews with nonagenarian survivors to piece together a minute-by-minute account of the catastrophe. But the author offers more than a disaster narrative. He details the emerging study of seismology, the nascent wireless communications network that alerted the world, and the massive, American-led relief effort that seemed to promise a bright new era in U.S.-Japanese relations. Hammer shows that the calamity led in fact to a hardening of racist attitudes in both Japan and the United States, and drove Japan, then a fledgling democracy, into the hands of radical militarists with imperial ambitions. He argues persuasively that the forces that ripped through the archipelago on September 1, 1923, would reverberate, traumatically, for decades to come. Yokohama Burning , a story of national tragedy and individual heroism, combines a dramatic narrative and historical perspective that will linger with the reader for a long time.

"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --