The compelling autobiography of Israel's preeminent photojournalist, illustrated with his most memorable images. Today, photojournalist David Rubinger stands at the peak of his profession: a winner of the Israel Prize for services to the media and a fixture on the masthead of Time, he is the only photographer whose work is on permanent display at the Knesset, Israel’s legislature. In this fascinating volume, he reports his own story, which in many ways reflects the history of Israel that he has recorded so faithfully with his camera. Born in Vienna in 1924, he emigrated to British Palestine in 1939 and developed a passion for photography while serving in the British army’s Jewish Brigade. After fighting in Israel’s War of Independence, he became a professional news photographer, reporting on each of his young nation’s subsequent wars from the front lines, at first for the Israeli media and later as a correspondent for Time-Life. He photographed all of Israel’s leaders, many of whom have allowed him a remarkable degree of access to their lives; Ariel Sharon said, “I trust Rubinger even though I know he doesn’t vote for me.” But Rubinger has not confined his reporting to war and politics; by photographing the successive waves of Jewish immigrants from Europe, the Arab world, Russia, and Ethiopia, he has also created a valuable record of Israel’s transformation from a country of six hundred thousand to one of seven million. In recounting his eventful career, Rubinger proves himself a gifted raconteur, sharing anecdotes of the many leading personalities he has photographed and telling the stories behind his most famous pictures, many of which are reproduced here at full-page size. Also illustrated are a selection of Rubinger’s never-before-published personal photographs, which provide vivid behind-the-scenes glimpses into the fast-paced and sometimes daring work of a photojournalist. Both a personal account of one man’s life with the camera and a visual document of the birth of a nation, Israel through My Lens is an essential book for anyone with an interest in Israeli history or the art of photojournalism.

"During his 50-year association with the Village Voice, Fred W. McDarrah (1926-2007) covered the city's downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafés, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city's avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today." -- Publisher's description

A young Rebecca Lepkoff, camera in hand, navigated the streets of the Lower East Side of New York in the 1930s and 1940s, before the Alfred E. Smith housing project largely demolished and forever changed its character. She captured the lives and times of a vibrant, close-knit, and functional multiethnic community. Through her lens, she documented street scenesa woman stopping in front of a tenement to share some news, a fruit seller peddling her wares, a woman hanging laundry on a clothesline. Stoops, rooftops, fire escapes, and sidewalks in front of candy stores and delis were the preferred social and recreational locales. In the absence of playgrounds, children improvised outdoor play areas and congregated Saturday afternoons in front of the Loew's Canal. Life on the Lower East Side , the first monograph of Lepkoff's works, highlights the lost neighborhood between the Brooklyn and Manhattan bridges from the Bowery to the East River. With over 170 beautifully reproduced duotone photographs and essays by Peter Dans and Suzanne Wasserman, the book reveals the dynamic community of Italians, Irish, Jews, Greeks, Spaniards, Chinese, Puerto Ricans, and African Americans. Lepkoff's images uncover a forgotten time and place and reveal how the Lower East Side has both stayed the same and changed forever.

Erich Lessing's landmark photographs of the Hungarian Revolution, published to mark the 50th anniversary of the uprising. On October 23, 1956, what began as a mass rally in Budapest quickly evolved into the Hungarian Revolution. Within days, millions of Hungarians were supporting the revolt. It lasted until November 4th when it was crushed by Hungarian Security Police and Soviet tanks and artillery. Between 25,000 and 50,000 Hungarian rebels and 7,000 Soviets were killed, thousands were injured, and nearly a quarter of a million people left the country as refugees. Erich Lessing was the first photographer to arrive in Hungary, and he documented the short-lived uprising and its aftermath in a series of world-famous photographs, reproduced here in stunning duotone. They bring to life once more the hope and euphoria of the first days of the revolt, so soon to be followed by the pain and punishment of its brutal suppression. 230 duotone illustrations.

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions. First published in French and Greek in 1996, Athens, Still Remains is Derrida's most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work. The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: "we owe ourselves to death." Reading this phrase through Bonhomme's photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human--and especially the philosopher--is thought to owe himself to death, to a certain thought of death or comportment with regard to death. Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme's photographs and a narrative of Derrida's 1995 trip to Greece, Athens, Still Remains is one of Derrida's most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography--an eminently Greek word--means "the writing of light," and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth--in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

"Since pioneer filmmakers arrived on its shoreline in the early 20th century, the Santa Monica beach has been a popular location for the making of movies and television productions. Its enchanting beauty led studio moguls, producers, and celebrities to build beach houses there, creating what became known as "Hollywood's Playground." The sand and shore of the Santa Monica beach became a favored site for the likes of Charlie Chaplin, Marion Davies, William Randolph Hearst, and Cary Grant. It was on this beach that the Academy Awards were conceived, the movie The Wizard of Oz sprang forth, and a young Pres. John F. Kennedy stunned beachgoers with a surprise ocean swim without the protection of Secret Service agents. In 1962, the beach became the center of the universe as the site of President Kennedy's "Western White House," where the visitors included Frank Sinatra, Dean Martin, Sammy Davis Jr., Marilyn Monroe, and--famously--"anyone who was anyone."--

A comprehensive portrait of the Summer Olympics fully updated for the 2008 games in Beijing, China. This new edition includes a complete retrospective of the 2004 Olympics in Athens, Greece, and incorporates updates to all charts and records, as well as fun facts and anecdotes from the most recent Olympics and training.

The Thames was London's 'grandest street', a stage for royal and civic ceremony as well as a bustling commercial thoroughfare. Published to accompany a major exhibition at the National Maritime Museum, this magnificent catalogue charts 500 years of river-borne pomp and pageantry, including Anne Boleyn's coronation and Nelson's funeral. Illustrated with rarely seen paintings, prints and artefacts, the book also records the shipping, bridges and tunnels and frost fairs of the Thames, and the buildings that line its shores.--publisher's description.

How to live a life of wisdom and fulfillment in a far-from-perfect world? Philosopher Menachem Fisch and artist Debra Band together probe Qohelet''s inquiry into the value of life "under the sun" in this brilliant work--the first illuminated manuscript of the entire biblical text, the first philosophical analysis tracing the coherent path of this biblical thinker''s full argument. Whereas modern readers influenced by the famous declaration "vanity, vanity, all is vanity" from the 1611 King James Bible have commonly understood that Qohelet found only futility and hopelessness in human life, Fisch restores the literal meaning, "vapor," to Qohelet''s key word, hevel , with implications that reveal Qohelet''s path to wisdom and even serenity. Through linguistic precision and careful unfolding of the book''s philosophical argument, Fisch uncovers Qohelet''s twin concerns: life is short, and situated as we are, far below the heavens, we can never be assured of comprehending our world, or understanding divine will and intent. He reveals Qohelet''s understanding that since we can never fully predict or understand our fortunes or the heritage we leave behind us, the best we can do is to live our lives fully, relating to others attentively, always aware of the limits of human life. In her glowing, immersive, and discursive illuminated paintings of the entire text, Band imagines Qohelet''s teachings, employing the grandest of palaces, the Alhambra, as the central metaphor for the beauty and impermanence of human life and accomplishments. She fills its halls and gardens with often surprising imagery, symbolism, and related poetry, creating a visual midrash that reveals the relationship of Qohelet''s thought to other biblical texts and Jewish lore and its reverberations across the centuries and cultures of Western civilization, from ancient Israel to today''s America. Each illuminated page is complemented by lucid commentary explaining its full meaning. Renowned scholars Ellen F. Davis and Moshe Halbertal crown the work with a penetrating foreword and preface. "Illuminated manuscripts have a rich tradition to which this gem adds creatively. Not only does Debra Band''s exquisite micrography, calligraphy, and artwork invite us to marinate in and meditate on Qohelet''s suggestive composition, Menachem Fisch adds a unique and penetrating philosophical analysis. This work takes us from the ancient world of the Bible through medieval traditions of illumination and into a reading of Qohelet as a harbinger of post-modern thinking."--Peter A. Pettit, Teaching Pastor, St. Paul Lutheran Church, Davenport, Iowa "''Vanity of vanities, all is vanity,'' wrote the mysterious author of the biblical Qohelet--Ecclesiastes, in English, from the Greek. ''There is nothing new under the sun.'' For generations, the meaning of this haunting outlier text seemed clear and even merciless: in its endless cycling, nothing in the cosmos lasts, so nothing matters. Even if God is real, human life is in the end unreal and can have no real purpose. Resignation is the only valid response: at best, ''living for the moment;'' at worst, existential despair. But what if there were something new under the sun? In this fresh approach to Qohelet, philosopher Menachem Fisch and scholar-artist Debra Band radically re-vision a text whose interpretation was ''settled.'' Through exciting exposition that ranges from the history of rabbinical thought to analytical philosophy to the pain of personal loss, and illumined by Band''s glowing paintings, the authors return us to the original Hebrew word on which Qohelet pivots: hevel . When hevel is not read ''figuratively'' but is restored to its literal meaning as ''vapor'' or ''mist,'' an unexpected theology is revealed. What if the text were never a meditation on absurdity after all, but instead ''a vivid portrayal of the limits of human knowledge?'' These limits can inspire us to return to our deepest human challenge: how should we live? Fisch and Band show how we can take up the question again in fascination--and even more, in hope. An unforgettable book."--Kimberley C. Patton, Professor of the Comparative and Historical Study of Religion, Harvard Divinity School

A visual history of the American presidency as reflected by diplomatic entertaining events traces the early days of provincial dining in the capital through today's sumptuous White House state banquets.

In the summer of 1950, Rebecca Lepkoff and her husband Gene bought land in Jamaica, Vermont, a small, south-central Green Mountain town on the West River. A 34-year-old photographer, Rebecca had already made a name for herself as a member of the Photo League, which viewed photography as a tool for social change. Her photographs of her native Lower East Side in the 1930s and ‘40s were already becoming renowned. The Lepkoffs were drawn to the communitarian homesteaders who populated the Pikes Falls area of Jamaica, clustered near Scott and Helen Nearing. Published here for the first time are some 60 photographs that Rebecca Lepkoff took of natives and transplants at work and play during that summer of 1950, as the Korean War engulfed the nation’s headlines. These intimate images are the work of an artist at the peak of her craft and they portray a rural Vermont town at a moment in time just before paved roads and postwar development would alter its character forever.

Highlights in the history of the Winter Olympics from their inception in 1924 to today, including profiles of the Olympic athletes and information on the lesser-known winter sports. Also includes an Olympic almanac with information about each Olympiad.

Some of the biggest battles fought by the Marines during World War II took place on tiny islands scattered throughout the western Pacific. Among these, the battles for Tarawa and the Marshalls were some of the fiercest and most decisive of the Pacific campaign--critical engagements that this pictorial history brings vividly to life. In hundreds of rare photographs, many never-before-published, the historic drama unfolds beginning with the 2d Marine Division’s landing on Betio Island in the Tarawa Atoll on November 20, 1943. Assured that the island’s defenses had been “pounded into coral dust” by naval and air bombardment, the Marines in fact found themselves in the thick of the first modern amphibious assault on a well-defended beachhead. Three days of intense fighting secured the island for the Allies, at the cost of 1,000 Marines dead and more than 2,000 wounded. The book then turns to the Marshall Islands where, early in World War II, the Japanese had built airfields on the Kwajalein and Eniwetok atolls. Dramatic photographs document the taking of Kwajalein by U.S. Marines and Army troops after the most massive bombardment of the war. We then witness the landing of the 22d Marines on the five islands of Eniwetok on February 18, followed by the intense fighting that brought the entire atoll under Allied control within four days--securing crucial landing fields and operational support for the Allies’ island-hopping campaign to ultimate victory in the Pacific. A tribute to the rare courage and heroism that, for the Marines in WWII, were merely a matter of course, this illustrated history keeps their spectacular sacrifices and feats of valor forever before us.

Photographs of Hitler's architecture legacy in Berlin.

"The Görlitz synagogue was inaugurated in 1911. The 600-seat Jewish house of prayer with its magnificent blend of neoclassical architecture and Art Nouveau interior was set on fire during the Night of Broken Glass, but not destroyed. The book tells the story of this architectural jewel, the players, problems, and finally the completion of its rescue."--Page 4 of cover.

Between late 1942 and early 1944, the Marines took part in a series of major campaigns in and around the Solomons--including New Georgia, Bougainville, and Cape Gloucester--all part of the effort to reach the Japanese at Rabaul. Eric Hammel has scoured the National Archives to unearth every extant combat photo of these campaigns that paved the way to victory in the Pacific. Although the 1st Marine Division had broken the back of the Japanese on Guadalcanal in furious combat in October and November of 1942, there was still much hard fighting up the "slot" in the Solomons first in New Georgia, then Bouganville, and finally Cape Goucester on the west end of New Britain, where the 1st Marine Divsion returned to battle at the end of 1943 after being restored following its grueling fight for Guadalcanal. The Marines campaigns in the Solomons and onto New Britain resulted in the mighty Japanese fortress at Rabaul on the northeast coast of New Britain being isolated and the flank of the continuing army campaign for New Guinea under MacArthur being secured from attacks from Fortress Rabaul. The high watermark of the Japanese in the South and Southwest Pacific had now passed, and the Marines would continue their island hopping in the Central Pacific all the way to Japan.

"Macy offers a rare and fascinating glimpse into the journey of women's rights through the lens of women in sports during the pivotal decade of the 1920s. With elegant prose, poignant wit, and fascinating primary sources, Macy explores the many hurdles presented to female athletes as they stormed the field, stepped up to bat, and won the right to compete in sports. Featuring bold and talented heroines, this book documents how the social issues and morals of the decade--from politics to segregation to the media--helped shape the changing narratives around women and alter the course of history entirely. It is a fascinating window into a rich and seldom explored history, and also a topical reminder of the many discussions surrounding femininity and the role of women that continue today."--Amazon.com

“Jack the Ripper Arrested with Victim Alice MacKenzie in Whitechapel.” “Boys Murder Their Mother. Revolting Crime at Plaistow—Shocking Details.” “Horrible Discovery of Human Remains at Rainham.” These are just some of the captions for the true crimes depicted in the Illustrated Police News. Best known for its meticulous coverage of the murders of Jack the Ripper, the weekly newspaper, published from 1864 until 1938, reported murders, hangings, and other dramatic crimes of the time alongside images packed with gruesome detail. Unapologetic about its sensationalism, the Illustrated Police News has been often dismissed as of little value, merely a crude publication that aimed to thrill the undiscerning reader with prurient pictures. But in Cruel Deeds and Dreadful Calamities, Linda Stratmann sets the record straight, arguing that it was actually a promoter of social change. Stratmann examines its social and political agenda and reveals the power and compassion in its images. She argues that the publication campaigned against the evils of cruelty, poverty, drink, and crime. As well, it anticipated by many years the features of today’s journalism, in the rapidity with which it provided pictures of current news events, its appeal to the emotions, and the way it involved its readers in the reporting process. A highly illustrated and comprehensive look at the Illustrated Police News,this book offers substantial new research into how the paper was produced, the men who made it a success, and the stories behind the pictures. This look into the dark underbelly of Victorian culture will appeal to both crime and history readers alike.