"This is the first book describing the roles of Western Jews in South Asian political affairs, medicine, painting, architecture and religion. A time-line summarizes their contributions and those of the Indian Jews to the Indian subcontinent. Many of these foreign Jews left behind their Jewish identities. Others remained Jews, but functioned as individuals unconcerned with implementing any 'Jewish agenda'." --

The first contacts between Greece, the Aegean and India are generally thought to have occurred at the beginning of the sixth century BC. There is now, however, growing evidence of much earlier but indirect connections, reaching back into prehistory. These were initially between India and its Indus Civilisation (Meluhha) and the Near East and then finally with the societies of the Early and Middle Bronze Age Aegean,with their slowly emerging palace-based economies and complex social structures. Starting in the middle of the third millennium BC but diminishing after approximately 1800 BC, these connections point to a form of indirect or what might be called 'trickle-down' contact between the Aegean and India. From the start, until 2500 BC, the objects and commodities that formed this contact were transported overland, through Northern Iran, but after that time, the Harappans took control and we see a structured trade using the sea out through the Persian Gulf. These contacts can also be placed into three categories: (a) the importation of objects manufactured in India or made from Indian commodities imported into the Near East,which eventually found their way to the Aegean and have parallels at Indian sites; (b) the importation of inorganic commodities such as tin, possibly some gold and lapis lazuli, exported from India or Central Asia under Harappan control; and (c) the importation of non-perishable organic commodities. This study views the Aegean as part of a greater trade network and here the author has attempted to both evaluate and re-evaluate what evidence and speculation there are for such contacts, particularly for the commodities such as tin and lapis lazuli as well as more recently discovered objects

- Chronicles the substantial role played by Jews in the shaping and development of contemporary Indian art and aesthetics- Contains images of lost paintings of Fyzee Rahamin and Magda Nachman, and other never-before-seen paintings- Written in an unbiased manner and supported with in-depth research, the book will be invaluable to anyone who wishes to understand contemporary Indian artThis volume reveals the roles of foreign and Indian Jews in the Indian national art project and raises issues such as: Is an Indian artist any artist born into an Indian family? What role can foreigners and members of Indian minority groups play in the Indian National Art Project as scholars, critics, or artists? Is a piece of work Indian art because of its subject matter or its style? Is it possible to utilize foreign techniques in creating Indian art?Jews and the Indian National Art Project documents the work of artists such as Anna Molka Ahmed, Mirra Alfassa (The Mother), Siona Benjamin, Carmel Berkson, and Fredda Brilliant as well as those of photographers (David Mordecai and Man Ray) and architects (Otto Königsberger, Moshe Safdie). Also covered in this volume are the work of critics, scholars and art patrons like Ernst Cohn-Wiener, Charles Fabri, Stella Kramrisch, and Marion Harry Spielmann.

Wendy Doniger and Martha Nussbaum bring together leading scholars from a wide array of disciplines to address a crucial question: How does the world's most populous democracy survive repeated assaults on its pluralistic values? India's stunning linguistic, cultural, and religious diversity has been supported since Independence by a political structure that emphasizes equal rights for all, and protects liberties of religion and speech. But a decent Constitution does not implement itself, and challenges to these core values repeatedly arise-most recently in the form of the Hindu Right movements of the twenty-first century that threatened to destabilize the nation and upend its core values, in the wake of a notorious pogrom in the state of Gujarat in which approximately 2000 Muslim civilians were killed. Focusing on this time of tension and threat, the essays in this volume consider how a pluralistic democracy managed to survive. They examine the role of political parties and movements, including the women's movement, as well as the role of the arts, the press, the media, and a historical legacy of pluralistic thought and critical argument. Featuring essays from eminent scholars in history, religious studies, political science, economics, women's studies, and media studies, Pluralism and Democracy in India offers an urgently needed case study in democratic survival. As Nehru said of India on the eve of Independence: ''These dreams are for India, but they are also for the world.'' The analysis this volume offers illuminates not only the past and future of one nation, but the prospects of democracy for all.

Autobiography of a retired army officer from West Bengal, India.

How has India benefitted from 30 years of official aid programmes? Michael Lipton and John Toye examine the impact of foreign aid to developing countries, focusing on India as an example of an important recipient country. They evaluate the successes (and some undoubted failures) that foreign aid has contributed to the history of Indian development. Apart from examining the impact of aid at both the macroeconomic and microeconomic levels, they also give special attention to aid as a means of poverty alleviation, to evaluations of aid projects, and to the broader effects of aid on institutions and private sector markets.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The India trade in Oriental spices, pharmaceutical, dyeing and other materials was the backbone of medieval economy, especially in the Islamic world. A unique source of documentation is now available in 11th-12th century Geniza letters, written in Judeo-Arabic (Middle Arabic in Hebrew characters), by participants in this activity. The documents are presented in translation with an introduction and notes. They deal with economic history and material, social, and spiritual civilization. Besides illuminating the activities of the traders of the Jewish Indian Ocean and their families in the territories from the Far East to southern Arabia and Egypt, the letters contain valuable information on Jewish and Islamic culture, relations between Jews and Arabs, Mediterranean culture, and Judeo-Arabic.

Mumbai's textile industry is commonly but incorrectly understood to be an extinct relic of the past. In The Archive of Loss Maura Finkelstein examines what it means for textile mill workers—who are assumed not to exist—to live and work during a period of deindustrialization. Finkelstein shows how mills are ethnographic archives of the city where documents, artifacts, and stories exist in the buildings and in the bodies of workers. Workers' pain, illnesses, injuries, and exhaustion narrate industrial decline; the ways in which they live in tenements exist outside and resist the values expounded by modernity; and the rumors and untruths they share about textile worker strikes and a mill fire help them make sense of the industry's survival. In outlining this archive's contents, Finkelstein shows how mills, which she conceptualizes as lively ruins, become a lens through which to challenge, reimagine, and alter ways of thinking about the past, present, and future in Mumbai and beyond.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

From the fifteenth to the eighteenth centuries, the major cultures of southern India underwent a revolution in sensibility reminiscent of what had occurred in Renaissance Italy. During this time, the imagination came to be recognized as the defining feature of human beings. More than Real draws our attention to a period in Indian history that signified major civilizational change and the emergence of a new, proto-modern vision. In general, India conceived of the imagination as a causative agent: things we perceive are real because we imagine them. David Shulman illuminates this distinctiveness and shows how it differed radically from Western notions of reality and models of the mind. Shulman's explication offers insightful points of comparison with ancient Greek, medieval Islamic, and early modern European theories of mind, and returns Indology to its rightful position of intellectual relevance in the humanities. At a time when contemporary ideologies and language wars threaten to segregate the study of pre-modern India into linguistic silos, Shulman demonstrates through his virtuoso readings of important literary works—works translated lyrically by the author from Sanskrit, Tamil, Telugu, and Malayalam—that Sanskrit and the classical languages of southern India have been intimately interwoven for centuries.

This book explores two millennia of south Indian Tamil civilization, with a special emphasis on the way Tamil speakers and literati understood the unique features of their language and the major cultural themes articulated in Tamil over this long time span. Tamil is one of the great world languages, with its 80 million speakers, its ancient, classical past, and the profound richness of its cultural traditions, which spread throughout South Asia and beyond to Sri Lanka and Southeast Asia and, today, to a large Tamil Diaspora scattered around the globe. Presented in the format of a south Indian musical composition, the chapters take the reader through the whole of Tamil cultural history, from its beginnings at the end of the first millennium B.C. through the stunning poems of love and war known as "Sangam Poetry", the burst of intense religious movements in the mid-first-millennium A.D., the Chola period of imperial expansion, and into late-medieval and modern times, including present-day Tamil politics and the vast cultural production of Chennai, Madurai, and Tanjavur. The treasures of the Tamil language deserve a wide audience--thus the book is aimed at readers with no special knowledge of India no less than at speakers and connoisseurs of Tamil. Translated verses and spicy stories of poets, lovers, musicians, warriors and kings fill the pages of this book, which paints a wide-angle, panoramic canvas of one of the most creative civilizations in the history of South Asia as it evolved and transformed itself from the distant past up to our own generation.--

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

On life and times of Indian painter, Amrita Sher-Gil, 1913-1941 and her father and photographer, Umrao Singh Sher-Gil (1870-1954).