A literary sensation in Hungary now available in English, György Spiró's masterwork is at once a gripping page-turner, a magiterial historical epic, and a riotous road novel. Set in the tumultuous first century A.D., Captivity recounts the adventures of Uri, a bookish, hapless young Roman Jew.

"Newlyweds just barely out of their childhood, the ben-Yichyas make their new home in Jerusalem, in the shadows of the dark towering walls of stone and amid a community of devout Jews living in squalor. Who among these impoverished neighbors will buy the exquisite jewelry that Ezra fashions from gold and silver? And how will the young Yemenite couple maintain their ancient traditions and customs while struggling to weave themselves into the vivid tapestry of immigrants from distant lands who comprise the old Yishuv?"--from jacket.

The good news (euangelion) of the crucified and risen Messiah was proclaimed first to Jews in Jerusalem, and then to Jews throughout the land of Israel. In Jerusalem Crucified, Jerusalem Risen, Mark Kinzer argues that this initial audience and geographical setting of the euangelion is integral to the eschatological content of the message itself. While the good news is universal in concern and cosmic in scope, it never loses its particular connection to the Jewish people, the city of Jerusalem, and the land of Israel. The crucified Messiah participates in the future exilic suffering of his people, and by his resurrection offers a pledge of Jerusalem's coming redemption. Basing his argument on a reading of the Acts of the Apostles and the Gospel of Luke, Kinzer proposes that the biblical message requires its interpreters to reflect theologically on the events of post-biblical history. In this context he considers the early emergence of Rabbinic Judaism and the much later phenomenon of Zionism, offering a theological perspective on these historical developments that is biblically-rooted, attentive to both Jewish and Christian tradition, and minimalist in the theological constraints it imposes on the just resolution of political conflict in the Middle East.

This book presents an ethnographic history of the Old Yishuv. It describes and analyzes a significant community that reflected more than any other the various strands of Jewish life and the constraints and processes acting upon the Jewish world of the nineteenth and early twentieth centuries. .

Born in the United States, Shirley Kaufman has lived for the past 20 years in Jerusalem, a city split by cultural and religious fault lines. In direct, sensitive language, Kaufman's poems occupy the shifting border between ordinary life and violence, Palestinian and Jew, young love and aging companionship. They grapple with the meaning of routine, of family, and of life among a daily existence punctured with bombs. Sometimes I need to be nowhere. A place without history. "Kaufman's poems flourish in the spaces between what is familiar and unfamiliar, between life in Israel and life in the U.S., and in those moments when the differences between Palestinians and Jews, mothers and daughters, history and the immediate moment play themselves out." -- American Book Review "Kaufman is adept at revealing the human face behind politics, carefully accumulating familiar details to make a large portrait." -- Publishers Weekly Shirley Kaufman is the author of seven books of poetry and several translations from the Hebrew. Her awards include the Shelley Memorial Award from the Poetry Society of America and the Alice Fay di Castagnola Award. A native of Seattle, Kaufman now lives in Jerusalem.