A unique insight into the rapidly expanding Chinese art market from an expert in the field Presents the remarkable story of the leading contemporary dealer in Chinese and other Asian art A Dealer's Hand serves as both a personal history of the evolving Chinese art market and a catalogue of Chinese art illustrated with over 500 objects As the West awakes, with some apprehension, to the economic power of that once-supine dragon, China, A Dealer's Hand is a timely reminder that its material culture has never failed to entrance and amaze those looking in from the outside, no less over the 50 years covered here than in the more distant past. Giuseppe Eskenazi is the pre-eminent expert and dealer in Chinese art and therefore well-placed to cast light on one aspect of this cultural relationship. Hajni Elias is a highly experienced researcher in the field. Together they have woven a narrative with several strands: Giuseppe's progression from young boy in Constantinople to doyen of Chinese art dealers, enlivened by reminiscence and anecdote; an overview of the market for Chinese art in the West and the part played in it by scholars, dealers, auction houses, museums and collectors; and a fabulous pictorial record of hundreds of the marvelous works of art that have passed through the Eskenazi Gallery's doors and amaze those looking in from outside, no less over the 50 years covered here than in the more distant past.

A sereis of linked television plays. A London library with a huge collection of rare photographs is faced with extinction. Among its 10 million pictures are images telling extraordinary stories of the past, intimate tales which are both erotic and full of pain. the custodians of these pictures are an eccentric collection of librarians whose stoical, arcane knowledge is in conflict with a new management determined to destroy their world forever

"Nobody at the Globe much likes the word 'authentic'. It is a difficult adjective to justify, given that so little is known about theatrical practice in Shakespeare's time, and the modern environment inevitably makes its presence felt, as does the modern weather. Performances take place for only half the year, between May and September. Evening performances are routine, whereas they were afternoons-only, at the original Globe. The theatre itself can be no more than a 'best guess' as to how things were. And the same sense of limitation pervades all aspects of the productions - casting, clothing, properties, design, music, movement ... Every attempt at an 'original practice' is an experiment, whether it be the casting of men in women's roles, the design and making of contemporary costume, or the performance of songs and instrumental music. The Globe has nonetheless carved out for itself an enviable reputation in each of these areas"-- Provided by publisher.

In May 2006 Arsenal played its last game at Highbury before moving to the new state-of-the-art Emirates Stadium. It was an emotional farewell to a ground that had witnessed some incredible games and which Arsenal fans had come to love as their second home. Relive those Highbury memories in this lavishly illustrated book that charts the stadium's story from the move to North London, the building of the stands and Chapman's many innovations. It brings to life the stories from the Second World War and the fifties when the team returned to winning ways. Reacquaint yourself with the characters that bought the first double to Highbury in 1971; the celebrations in' 89; the success of the Wenger revolution and the final season at this unique ground. It features rare and previously unpublished photography; exclusive interviews with ex- and current players; key members of staff and fans; and full statistics of every match in Highbury's history.

Book by Berkoff, Steven

'An exuberant, breathless sprint through London in the fifties, sixties and seventies... It's bright, boisterous and extremely funny' Tatler 'Clancy's scapegrace adventures are described with so much vitality and scabrous wit you feel as charmed as one of his serial conquests ... Marvellous' Spectator 'If you're searching for something to keep you on the edge of your sun lounger this summer, look no further' Daily Mail If Fielding's Tom Jones were alive in postwar England he might be Clancy Sigal, the American author of this restlessly curious memoir. Honest and devious, faithful and lustful, a mass of plucky contradictions, Clancy first arrived in London in 1957. He was broke, homeless and, according to his FBI file, a dangerous 'subversive'. Over the next three decades, Clancy was to wander the soot-stained streets of London, devouring as much as life could offer him. From the birth of the CND and his affair with Lessing, to therapy with R. D. Laing and wondering whether the entire world was on acid, Clancy details it all to illuminating effect. Underneath all of these encounters is the character of Clancy himself: funny, hapless, warm-hearted and a self-professed 'crazy American'. Call it luck, charm or sheer lack of good sense, he escaped with a cracking good story.

First Published in 1989 London Jewry and London Politics 1889-1986 is a study of the relationship between the London Jewish community, the London County Council, and the Greater London Council. Geoffrey Alderman draws on a wealth of primary and secondary material to illuminate a dialogue that began, a hundred years ago, in a mood of great optimism and co-operation, but which ended, in the early 1980s, in a welter of insults and antagonisms. Alderman adopts a chronological approach, looking first at the Jewish involvement in London government prior to the establishment of the London County Council in 1889. He then analyses the contribution made by London Jewry to the periods of progressive control and conservative rule. With the arrival of Jewish immigrants from Eastern Europe the nature of the Jewish electorate underwent considerable change and Alderman describes how the government exploited prejudice against the Jewish community causing LCC to adopt blatantly antisemitic policies. The Labour victory of 1934 was in part due to the Jewish vote, but the period of Labour rule was a disappointment and an anticlimax. This illuminating account of hundred years is an essential read for scholars and researchers of British history.

In the seventh book in The Performers saga, it is 1873 and impoverished Sophie Lackland must marry if she is to escape a lifeof genteel poverty. Then comes a letter telling of the death of her step-grandmamma, and of a strange bequest which could make it possible for Sophie to fulfil her ambition to qualify as a physician. So Sophie sets off for London, to a new life, new career and Gilbert Stacey, who offers her charm, tenderness and excitement.

This book is about brick and mortar : the same wry look directed at London itself. The result is a surprising array of unique and varied architecture, so frequently overlooked.

This compendium brings together thirty-three murderous tales -- one from each of the capital's boroughs -- that not only shocked the City but made headline news across the country. Throughout its history the great urban sprawl of Greater London has been home to some of the most shocking murders in England, many of which have made legal history. Contained within the pages of this book are the stories behind these heinous crimes. They include George Chapman, who was hanged in 1903 for poisoning three women, and whom is widely suspected of having been the notorious serial killer "Jack the Ripper"; lovers Edith Thompson and Frederick Bywaters, executed for stabbing to death Thompson's husband Percy in 1922; and Donald Hume, who was found not guilty of the murder of wealthy businessman Stanley Setty in 1949, but later confessed to killing him, chopping up his body and disposing of it by aeroplane. Linda Stratmann also reveals previously unpublished information that sheds a whole new light on the infamous Craig and Bentley case. This carefully researched, well-illustrated and enthralling text will appeal to those interested in the history of Greater London's history and true-crime fans alike.

At the beginning, Deborah and her husband are in bed, saying goodbye to each other before he is posted overseas. They swear eternal loyalty. But Deborah is very soon bored by her life in the country with her young son and gets a job in London. She then acquires a lover, and when he is posted overseas another, and another

Elie Kedourie has been variously described as an angry young man, a sceptic, a conservative, an Oakeshottian, a pessimist, an imperialist, a Zionist, an anti-Zionist, an anti-Arab, and lately even starry-eyed about imperialism - all labels which attempt to categorize the scholar but reveal nothing about the man or his work. This little book is not a biography. It is a collection of essays evaluating his work and his legacy to scholarship. The various contributors, ranging widely in interest and occupation, have indicated their relationship with him in their essays. Of his own work, three pieces are included. One of his last essays, 'The Jews of Babylon and Baghdad', is published here for the first time.