Zusammenfassung: In the middle of Amsterdam stands a house on a canal. Over the course of 400 years, the building has seen many residents from poor families to wealthy couples, and those hiding from persecution. Like the family of a young Jewish girl, who wrote in her diary of the "old house on the canal". The girl's name was Anne Frank, and her diary became world-famous.

" ... explores the myths of Holland's "Good War" -- the brave nation that hid Anne Frank from the Nazis -- by using the story of soccer in Holland and the Amsterdam club Ajax to puncture the tales that post-war Holland lives by. Through interviews with Resistance fighters, survivors, wartime soccer players and more, Kuper uncovers a history that has been largely ignored. Ranging far beyond the Netherlands and examining the stories of soccer and war in England, German and France, Kuper writes an alternative history of Europe at its darkest hour. He helps change the way we understand ordinary people's experience of the war in Europe." -- Back cover.

A biography of Gertrude van Tijn (1891-1974), born as Gertrud Franzisca Cohn in Braunschweig, Germany. From 1911-15 she lived in London, but was forced to immigrate because of her status as an enemy alien. She then went to Holland, where she became a fervent Zionist. In 1920 she married Jacques van Tijn, a Dutch Jew, and gave birth to two children. As he was a mining engineer, they lived in different countries until 1932 when they returned to Holland; in 1937 they were divorced. Focuses on her life and activities during 1933-45, when she worked for organizations dealing with the resettlement of Jewish refugees from Germany who fled to Holland, as well as with emigration of Dutch Jews, in particular for the Committee for Jewish Refugees. In April-May 1941 van Tijn, with Nazi approval, traveled to Portugal to coordinate, together with Portuguese authorities and the Joint Distribution Committee, the transit of Jewish refugees through Portugal and across the Atlantic. Her task proved to be very difficult, but some Jews got through, including her daughter. Her son served in the Allied army in France and Belgium. Van Tijn became head of the emigration department of the Jewish Council in Amsterdam; however, her achievements in this capacity were modest. In September 1943 she was deported to Westerbork, and in March 1944 to Bergen-Belsen. In the summer of 1944 she was freed with a group of prisoners in exchange for Germans arrested in Palestine. She stayed in Palestine for a few months, traveled back to Europe in 1945, and eventually settled in the USA, living close to her daughter. While in Palestine she wrote a report of what she had witnessed, which is found in the Leo Baeck Archives in New York, but was never published. Soon after the war van Tijn was criticized and censured as a dupe of the Nazis, guilty at the least of false credulity and at the most of collaboration, but she was later exonerated.

Overview: The name Erasmus of Rotterdam conjures up a golden age of scholarly integrity and the disinterested pursuit of knowledge, when learning could command public admiration without the need for authorial self-promotion. Lisa Jardine, however, shows that Erasmus self-consciously created his own reputation as the central figure of the European intellectual world. Erasmus himself--the historical as opposed to the figural individual--was a brilliant, maverick innovator, who achieved little formal academic recognition in his own lifetime. What Jardine offers here is not only a fascinating study of Erasmus but also a bold account of a key moment in Western history, a time when it first became possible to believe in the existence of something that could be designated "European thought."--

Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture considers the potential for a reciprocally illuminating relationship between art history and history in light of recent methodological developments in both fields. The volume opens with contributions from a historian and an art historian; they examine the weaknesses of an art history without a social or economic history and lay the groundwork for the ensuing discussions of how the procedures and methods of each discipline may serve the aims of the other. A wide critique of approaches to the interpretation of realism in Dutch pictures forms the second section of the book. Included are critical views of recent iconographic developments, as well as contributions by a plant taxonomist and a marine historian. In the volume's third section new statistical and numerical models for the study of Dutch art in Dutch society are presented by three economic historians. The concluding essay provides a constructive critique of existing methodologies within each field. Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture offers the most secure basis to date for future work on the interaction between the two disciplines and between the content of pictures and the cultures that produce them.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Gevleugelde Daden: Avonturen Der Eerste Hollandsche Luchtschippers. In Den Tekst Verschillende Buitengewoonschoone Penteekeningen Naar De Natuur En Het Leven 2 Herman Heijermans C.A.J. van Dishoeck, 1908

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Bezwaren Tegen Den Geest Der Eeuw 3 Isaäc Da Costa, Willem Bilderdijk L. Herdingh en zoon, 1823 Philosophy; Religious; Philosophy / Religious; Religion / Philosophy

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Opstellen Van Godgeleerden En Geschiedkundigen Inhoud, Volume 4; Opstellen Van Godgeleerden En Geschiedkundigen Inhoud; Isaac Da Costa Isaac da Costa, Hendrik Jakob Koenen H. Höveker, 1862 History; General; Bible; History; History / General; History / Jewish; Jews