Sixty years after the Holocaust, the author of Lost in Translation explores the difficult process of preserving an authentic version of its tragic events. As the Holocaust recedes in time, the guardianship of its legacy is being passed on from its survivors and witnesses to the next generation. How should they, in turn, convey its knowledge to others? What are the effects of a traumatic past on its inheritors? And what are the second generation's responsibilities to its received memories?In this meditation on the long aftermath of atrocity, Eva Hoffman -a child of Polish Jews who survived the Holocaust with the help of neighbors, but whose entire families perished -probes these questions through personal reflections, and through broader explorations of the historical, psychological, and moral implications of the second-generation experience. She examines the subterranean processes through which private memories of suffering are transmitted, and the more willful stratagems of collective memory. She traces the second generation's trajectory from childhood intimations of horror, through its struggles between allegiance and autonomy, and its complex transactions with children of per

"In the mid-20th century, the Heldmans were tennis royalty. Julie was a volatile and gutsy tennis star, twice ranked number 5 in the world. Her mother Gladys was broadly admired for her unique magazine, World Tennis, and for engineering the women's tennis revolution. No one guessed that Gladys's hidden emotional abuse was the source of Julie's powerful drive. Driven is a highly readable insider's account of a pivotal time in women's tennis history; an in-depth look at Gladys's complex character; and the revealing story of Julie's interior journey, both on and off the court."--Page 4 of cover

In the aftermath of October 7, Ferdinand Draxler walks the streets of London in despair. Everything has changed - the sights, the sound, the spirit. He too is not who he was. Is he at the crossroads of history or is it just a bend in the cul-de-sac of his own gloomy nature? The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who sees him as complicit in genocide, Draxler fixates on bad news. He shouts at the television. He carries his own tin of paint to cover up graffiti. The staffroom at the primary school of which he is headmaster has become a battlefield of inflamed opinion he does nothing to quiet. His wife, Charmian, is a beacon of calm, but even she isn't sure she can save Ferdie from himself. 'Don't worry about me,' he tells her. 'I don't have what it takes to go mad.' -- Source other than Library of Congress.

Over the course of a monumental career, Claude Lévi-Strauss has interwoven artistic materials and themes into his seminal analyses of the “savage mind.” Now the world's most famous anthropologist turns his attention entirely to the domain of aesthetics. In a series of brilliant but meticulous studies, he ranges widely across the domains of painting, music, literature and the plastic arts, his fertile mind opening more general, philosophical perspectives. Look, Listen, Read begins with an analysis of Nicolas Poussin's method of visual composition, and after drawing a surprising parallel with Marcel Proust, moves into a fascinating discussion, joined by Ingres and Delacroix among others, on the art of painting. Next the author turns to music, taking his inspiration from an inquiry into certain chord modulations in Rameau's opera Castor et Pollux, which at the time of its composition were considered a musical breakthrough. The book then considers the nature of the “beautiful.” The reference point here remains the French Enlightenment, and in particular Diderot's reflections on painting. Focusing on the aesthetic controversies of this same period, but with regard to music, a fascinating series of chapters revives the work of the largely forgotten eighteenth-century musicologist Michel-Paul-Guy de Chabanon and his surprisingly contemporary discussion of music's partial resemblance to language. This leads to a consideration of the relations of words to music in opera, where Lévi-Strauss reveals something of his own tastes in music while engaging in a critical review of a work by his recently deceased friend and colleague, Michel Leires. The relation between sounds and colors is considered next, largely through a breathtaking examination of a famous but difficult poem by Arthur Rimbaud. There follows an exchange of notes with André Breton, written some fifty years ago, on the nature of the work of art. In the book's concluding chapters the author dons the more familiar mantle of the anthropologist, and by looking at the myths of the American Indians, offering an analysis of their understanding of the place of art and of the artist in their own societies. Look, Listen, Read is a truly original work, far removed from the intellectual fads that mark contemporary discussions on aesthetics, as Lévi-Strauss advances into new territory even as he remains faithful to his structuralist inspiration. The book weaves a dense tissue of connections, correspondences, and principles, while at the same time remaining sensitive to the specificities of each of the beaux-arts. In a valedictory statement capping a lifetime's work, Lévi-Strauss has made a major new contribution to our understanding of the place of art in human life, the nature of its appeal, the source of its creativity, and its universality.

The Most Dangerous Book You Were Never Meant to Read A legendary underground classic that reshaped alternative publishing, Apocalypse Culture is a definitive collection of forbidden ideas, shocking theories, and fringe voices from the edge of modern thought. Edited by Adam Parfrey, founder of Feral House, this anthology dives deep into the darkest corners of politics, belief, and human behavior. Combining essays, interviews, and manifestos, Apocalypse Culture explores topics that mainstream media won't touch: government mind control, body modification, ritual abuse, cult psychology, taboo sexuality, social decay, eugenics, Satanic panic, and end-times theology. Many of these texts have been banned, suppressed, or ignored--until now. Since its initial release in the late 1980s, Apocalypse Culture has become a touchstone for readers interested in the occult, true crime, radical politics, and conspiracy theories. Revered by artists, feared by censors, and cited in countless works of film, music, and journalism, this book continues to challenge what it means to be civilized in an age of collapse. Whether you're a student of subversive literature or a newcomer to transgressive nonfiction, Apocalypse Culture remains a vital document of Western civilization's shadow self.

A psychotherapist explores the significant impact of the fear of child loss on mothers throughout history, revealing how such feelings affect mothers' lives at home, in the workplace, and in the social hierarchy.

This book is written by two individuals with very different experiences in international relations, one, a career diplomat with some results to show at the UN, the other a practising therapist, and both concerned to develop the links between the psychological and the political worlds. The book focuses on the possibility of change in both the structure and process of current international relations in the hope of making contribution to the resolution of conflict. The book is about life and not theory, and part of the narrative is about the authors own experiences of sitting with the enemy and sometimes solving issues with them. Together, the authors explore what lies behind the hostile facade of the other, what alienates us, and how, in spite of the aggression, there is sometimes the potential for shared mutual interests. Conflict resolution is a vital subject in international relations, both in theory and in practical politics. This book does not claim to be a free-standing study of international relations and its theory and practice but of the underlying factors making up the mindsets of those involved in conflict resolution, and this will be the books unique contribution. It is conceived as a collection of studies of conflict resolution that examine how the psychological issues are affected by history and culture, and how we construct identity. These are all fundamental elements underlying the basic East-West division and mutual miscomprehension which are set out in detail in the accounts of negotiations in the book.

Modern-day Israel, and the Jewish community, are strongly influenced by the memory and horrors of Hitler and the Holocaust. Burg argues that the Jewish nation has been traumatized and has lost the ability to trust itself, its neighbors or the world around it. He shows that this is one of the causes for the growing nationalism and violence that are plaguing Israeli society and reverberating through Jewish communities worldwide. Burg uses his own family history--his parents were Holocaust survivors--to inform his innovative views on what the Jewish people need to do to move on and eventually live in peace with their Arab neighbors and feel comfortable in the world at large. Thought-provoking, compelling, and original, this book is bound to spark a heated debate around the world.

The first in-depth psychoanalytic study of the Old and New Testaments, Beyond Yahweh and Jesus centers on God's role in enabling humans to cope with death and the anxieties it evokes. Yahweh is seen as tending to increase rather than diminish these death anxieties, while Christ offers near-perfect solutions to each type. Why, then, asks Dr. Langs, has Christ failed to bring peace to the world? Langs' answer is focused on what is, he argues, Western religion's lack of a deep understanding of human psychology-i.e., an absence of the psychological wisdom needed to supplement the spiritual wisdom of religion. This is a void bemoaned as early as the mid-1800s by the Archbishop Temple and by Carl Jung in the early 20th century. The journey on which Langs' study embarks leads through an examination of the related topics of knowledge acquisition and divine wisdom; the failure of psychoanalysis to provide religion with the psychology it needs to fulfill its mission; and a set of propositions that are intended to bring psychological wisdom to religion and thereby to initiate the third chapter in the history of God, in which a refashioned morality and fresh divine wisdom play notable roles. Simultaneously, the book offers a foundation for secular forms of spirituality and morality, as well as for human efforts to cope with death and its incumbent anxieties. The mission of this book is a lofty but necessary one: to reinvigorate religion with new dimensions and insights so as to empower it, at long last, to help bring peace to the world, both individually and collectively.

As delightful and playful as it is profound and serious, The Language of Names is an absolute original -- a fascinating book that reveals us to ourselves, that demonstrates the endless variety of ways in which names shape our daily lives. Drawing on social and literary history, psychology and anthropology, anecdotes, and life stories, biographer Justin Kaplan and novelist Anne Bernays have written a fascinating account of names and naming in contemporary society that touches on class structure, ethnic and religious practices, manners, and everyday life. Graceful, eloquent, and richly informed, The Language of Names explores and illuminates our favorite subject -- ourselves.

"For millennia, war was viewed as a supreme test. In the period 1750-1850 war became much more than a test: it became a secular revelation. This new understanding of war as revelation completely transformed Western war culture, revolutionizing politics, the personal experience of war, the status of common soldiers, and the tenets of military theory"--OCLC

In his latest book, fairy tales expert Jack Zipes explores the question of why some fairy tales "work" and others don't, why the fairy tale is uniquely capable of getting under the skin of culture and staying there. Why, in other words, fairy tales "stick." Long an advocate of the fairy tale as a serious genre with wide social and cultural ramifications, Jack Zipes here makes his strongest case for the idea of the fairy tale not just as a collection of stories for children but a profoundly important genre. Why Fairy Tales Stick contains two chapters on the history and theory of the genre, followed by case studies of famous tales (including Cinderella, Snow White, and Bluebeard), followed by a summary chapter on the problematic nature of traditional storytelling in the twenty-first century.

On antisemitism see ch. 8 (pp. 159-181), "The Brutalization of German Politics", an expanded version of the article which appeared in German in "Demokratie und Diktatur: Geist und Gestalt politischer Herrschaft in Deutschland und Europa" (Düsseldorf: Droste, 1987).

This book, by a renowned and distinguished historian, is an arresting account of the role that resentment has played throughout history, from Antiquity and early Christianity through to the present day. At the origin of resentment we always find an injury, an act of humiliation, an affront, a trauma. Those who feel victimized cannot react because they are powerless. They brood on their desire for revenge, which they cannot satisfy but which constantly nags at them. Until finally they explode with anger. This period of waiting may also be accompanied by a repudiation of the oppressor's values and a rehabilitation of the victim's own values, and this gives the oppressed new strength, fuelling the act of revolt or revenge. Ferro effortlessly weaves together historical examples such as the role played by resentment in the French and Russian revolutions, the resentment against the historical suffering of African Americans that underpinned the civil rights movement and the rise of black power, and the revival of resentment by proponents of radical Islam whose violent acts of terror in New York, London and elsewhere have shaken the world.

In a fascinating excursion through the history of her myth, Siegmund Hurwitz presents and interprets the ancient dark-winged goddess Lilith, also known as 'the first Eve.' The author's extraordinarily meticulous study of the original sources brings to light a striking figure long lost from our awareness, yet highly relevant to a psychological understanding of today's evolving masculine and feminine identities. Case material from his analytical practice imbeds Lilith in the everyday problems of contemporary life. That an unbridled life-urge which refuses to be assimilated lies behind depression] seems to me to be a new and important discovery. By combining the experience of a contemporary man with this historical material, Siegmund Hurwitz sheds new light on both. -- From the Foreword by Marie-Louise von Franz.

Volumes have been dedicated to madness, but sanity is rarely mentioned. We can define the mad, but how do we classify the sane? In Going Sane, psychoanalyst and writer Adam Phillips delves deep into history, philosophy, literature and his own experiences to address questions that we rarely ask about ourselves, taking us on an engrossing journey in which we learn many things - including some of what it takes to be happy in the modern world.

In the culminating volume of her nationalism trilogy, Greenfeld argues that we have overlooked the connection between egalitarian society and mental illness. Modern nationalism rests on principles of popular sovereignty, equality, and secularism. Citizens of the twenty-first century enjoy unprecedented freedom to become the authors of their personal destinies. Empowering as this is, it also places them under enormous psychic strain. They must constantly appraise their identities, manage their desires, and calibrate their place within society. For vulnerable individuals, this pressure is too much. Training her analytic eye on extensive case histories in manic depression and schizophrenia, Greenfeld contends that these illnesses are dysfunctions of selfhood caused by society's overburdening demands for self-realization. In her rigorous diagnosis, madness is a culturally constituted malady