A respected scholar of military history and an expert on strategy, Martin van Creveld argues in "The Culture of War" that there is much more to war than just soldiers killing one another. War has always been a deeply fascinating subject. Fighting itself can be a source of great, perhaps even the greatest, joy - and out of this joy and fascination an entire culture has grown - from the war paint of tribal warriors to today's 'tiger suits', from Julius Caesar's red cloak to Douglas McArthur's pipe, from the decorative shields of ancient Greece to aircraft nose art, and from the invention of chess around AD 600 to cyber era combat simulators. The culture of war has had its own traditions, laws, rituals, music, art, literature, and monuments since the beginning of civilisation. Through the ages, the culture of war has usually been highly esteemed. Not so in many countries today, which tend either to mock it ('military intelligence is to intelligence what military music is to music') or to denounce it as 'militaristic'. This provocative book sets out to show how wrongheaded, and even dangerous, such attitudes are. "The Culture of War" argues that men and women today, contrary to the hopes of some, are just as fascinated by war as they have been in the past. A military that has lost touch with the culture of war is doomed not merely to defeat but to disintegration. Innovative, authoritative, and riveting, "The Culture of War" is a major work done by one of the world's greatest and most insightful military historians.

For centuries liberal minded men have been horrified by the pain and waste of war. From Erasmus, who saw war above all as a product of stupidity, to the Marxists who see it as a matter of class conflict, they have produced social theories to account for its occurrence and have tried to devise means to end it. Their prescriptions have been various. The central view of the Enlightenment was that wars would end when the ambitions of princes could be curbed by the sanity of ordinary men. At first the commercial classes seemed to be the new force that would produce this happy state, but by the end of the nineteenth century they themselves (the ‘capitalists’) were being stigmatized as the instigators of war. Similarly, the nineteenth-century liberals at first believed that the rise of the new independent nation-states of Europe would lead to a permanent peace as the wishes of the masses (naturally peace-loving) were able to express themselves. Again, the supposed agents of peace were soon seen as a prime cause of wars. Despite these contradictions there have been certain continuing themes in the search for a means to end wars, and one of the most enlightening things in this book is they way in which it is possible to see how these themes recur in subtly different forms in different periods of history. Professor Howard traces them from the renaissance to our own time, through the social, political and intellectual groups that gave birth to them. Throughout the whole story runs the continuing contrast between those who hoped to find a single cause for the disease, leading to a lasting cure, and those who understood that, in Professor Howard’s words, ‘this was a task which needs to be tackled afresh every day of our lives’.

For more than a half-century, Israel has been forced to defend its existence against international political disapproval, racist calumny, and violence visited upon its citizens by terrorists of many stripes. While nations have always been made to defend their moral, political, economic, or social actions, Israel has the unique plight of having to defend its very right to exist. Covering Israel’s struggle for existence from the British occupation and the UN’s partition of Palestine, to the dashed hopes of the Oslo Accords and the second intifada, Yaacov Lozowick trains an enlightening, forthright eye on Israel’s strengths and failures. A lifelong liberal and peace activist, he explores Israel’s national and regional political, social, and moral obligations as well as its right to secure its borders and repel attacks both philosophical and military. Combining rich historical perspective and passionate conviction, Right to Exist sets forth the agenda of a people and a nation, and elegantly articulates Israel’s entitlement to a peaceful coexistence with its surrounding Arab neighbors and a future of security and pride.

The first-ever anthology of American antiwar writing: from 1812 to the present, covering the entire political spectrum and the complete history of U.S. wars.

This book explores not only the formal constraints on the conduct of war throughout Western history but also the unwritten conventions about what is permissible in the course of military operations. Ranging from classical antiquity to the present, eminent historians discuss the legal and cultural regulation of violence in such areas as belligerent rights, the treatment of prisoners and civilians, the observing of truces and immunities, the use of particular weapons, siege warfare, codes of honor, and war crimes. The book begins with a general overview of the subject by Michael Howard. The contributors then discuss the formal and informal constraints on conducting war as they existed in classical antiquity, the age of chivalry, early modern Europe, colonial America, and the age of Napoleon. They also examine how these constraints have been applied to wars at sea, on land, and in the air, planning for nuclear war, and national liberation struggles, in which one of the participants is not an organized state. The book concludes with reflections by Paul Kennedy and George Andreopoulos on the main challenges facing the quest for humanitarian norms in warfare in the future.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

1970. Published as Mayflower Paperback. 333 pages. Illustrated paper cover. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Paper cover has mild edge-wear with light rubbing and creasing. Some light marking and tanning.

Experience the raw and untamed spirit of the Tennessee frontier in Charles Egbert Craddock's "The Story of Old Fort Loudon," a compelling work of historical fiction. Set against the backdrop of pioneer life and military engagement, this meticulously republished edition brings to life a pivotal chapter in American history. Immerse yourself in a world of rugged landscapes and the challenges faced by those who dared to carve out a life on the edge of civilization. Explore the dramatic narrative woven around Old Fort Loudon, a symbol of both hope and hardship for early settlers. This classic work offers a glimpse into the struggles, sacrifices, and triumphs that defined the era. A captivating blend of historical detail and vivid storytelling, "The Story of Old Fort Loudon" remains a testament to the enduring allure of the American West and the indomitable spirit of its pioneers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From the American Revolution to the end of World War II, the United States spent nineteen years at war against other nations. But since1950, the total is twenty-two years and counting. On four occasions, U.S. presidents elected as "peace candidates" have gone on to lead the nation into ferocious armed conflicts. Repeatedly, wars deemed necessary when they began have been seen in retrospect as avoidable‚ Äîandill-advised. Americans profess to be a peace-loving people and one wary of "foreign entanglements." Yet we have been drawn into wars in distant lands from Vietnam to Afghanistan. We cherish our middle-class comforts and our children. Yet we send our troops to Fallujah and Mogadishu. How is it that ordinary Americans with the most to lose are so easily convinced to follow hawkish leaders-of both parties-into war? In Reasons to Kill noted scholar Richard E. Rubenstein explores both the rhetoric that sells war to the public and the underlying cultural and social factors that make it so effective. With unmatched historical perspective and insightful commentary, Rubenstein offers citizens new ways to think for themselves about crucial issues of war and peace.

This scholarly account of the various ways in which space is configured by power, and in which space becomes a resource for power, combines insights from social theory, politics, history and geography.

Future developments in war, armed conflict and international relations are central to our collective fate in this century. This book looks forward by considering the forces that will drive changes in military organizations, sources of conflict, the power of states and the nature of the international system. New military technologies will alter how wars are fought and will influence the balance of power. Changes in the global environment will provide new causes of conflict and will change economic priorities. As a result, the state will survive as the key social institution and populations will look to it to acquire and to distribute scarce resources like water, energy and land. Many of the changes that seem transformatory today, like globalization, the internet and mass consumerism, will be shown to be less significant than we believe them to be. Hirst puts such changes into perspective by comparing them with the revolutionary changes in the sixteenth and seventeenth centuries in Europe: the firepower revolution, the rise of the sovereign territorial state and the parallel development of the international system, and the creation of world trade. These basic structures of the modern world are still with us and will remain, despite major changes in twenty-first-century society. This book will appeal to students of politics, political sociology & international relations as well as the interested general reader.

Nearly 40 years ago, contemplating a dogfight between Israeli and Syrian jets, Shimon Tzabar got to thinking about how war works. The result is a crystal-clear, at times funny inversion of such classics as Sun-Tzu's The Art of War. Readers find the facts on why often — almost always, in major conflicts throughout history — victory is not all it's cracked up to be. Practical advice is offered as well, such as what to do if you're in danger of winning, and how to surrender in the midst of a firefight.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> The Man And His Kingdom <author> Edward Phillips Oppenheim <publisher> Little, Brown, 1906

As Karen Malpede points out in her introduction to Acts of War, tragedy "arose as a complement to, perhaps also as an antidote to, war." The greatest of the early playwrights wrote from experience—Aeschylus and Sophocles were generals in the Athenian army, and Euripides was a combat veteran. Electronic media reports war instantly, but the stage provides an unrivaled venue for facing the horror of armed conflict on a human scale.This timely anthology of plays by American and British writers bears witness to the realities of the wars in Iraq and Afghanistan for combatants and civilians alike and asks what it means to be a citizen in a democracy at war. From violence on the battlefield and in the cells of Guantanamo to the toll exacted on the homefront, the seven plays collected by Malpede, Messina, and Shuman explore in depth the costs of war. Sometimes with humor or erotic charge, always with compassion and surprising insight, these contemporary plays return to the theater a necessary social edge.Karen Malpede’s introduction sets the plays in the broader contexts of theater’s roots and recent history, while award-winning journalist and author Chris Hedges provides a foreword.