My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to ÒMexican American,Ó since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mindÕs eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal‡. Loosely linked by an exploration of the many meanings of Òfamily,Ó these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is Òa form of illiteracy,Ó we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal‡ is a writer but also why we appreciate her so much. She helps us to find ourselves.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

Told for the first time, this is a unique and heart-warming tale of World War Two Jewish evacuees sent to Mousehole, Cornwall from London's East End. In a time of conflict and atrocities, this story of mutual acceptance and integration is an inspiration to modern society. From East End to Land's End is the heart-warming and inspiring story of the World War Two evacuation of Jews' Free School (JFS) in the East End of London to Mousehole, a remote fishing village on the tip of Cornwall. In June 1940, around 100 JFS children and 5 of their teachers, together with thousands of other London evacuees, embarked on the lengthy and exhausting train journey from Paddington to Penzance. The JFS group was bussed to Mousehole, where the children were billeted with the villagers, and Jews' Free School, Mousehole, was established in the premises of Mousehole School. Arrangements were made for synagogue services to be held in the church hall of a nearby village, while many of the evacuees also attended chapel with their foster families, most of whom were strong Methodists. Remarkably, most of the evacuees quickly integrated into village life, and were accepted by the villagers as their own

Now in paperback! Taking Hold of Torah Jewish Commitment and Community in America Arnold M. Eisen A personal meditation on the meaning of Judaism today and a vision for revitalizing Jewish community and tradition in America. "Arnold M. Eisen offers a personal plea for—and a vision of—the revitalizing of American Judaism through a renewed relationship to Jewish tradition and the strengthening of Jewish communities." —Jewish Book News "...required reading for Jewish communal professionals, [Taking Hold of Torah] spells out the discontents and dreams of the baby boomers and their children who are reinventing Jewish communal life for the modern world." —Jewish Exponent "Melding autobiography with biblical exegesis, philosophical speculation and a program for Jewish educational reform, the book is an unbuttoned riff on what's ailing modern Jews." —Forward "...a personal story of a modern Jew trying to make sense of Judaism in a time when Jews can choose whether and how to be Jewish...." —The Jewish Advocate Jews, like other Americans, have both benefitted and suffered from the fraying of traditional loyalties that has come to characterize modern American culture. In each of the five chapters, Arnold M. Eisen examines a major issue or theme related to his vision for the renewal of Jewish communities—in terms of one of the five books of the Torah. What is the meaning and purpose of Jewish tradition? What is the significance of faith and covenant? What are the contemporary uses of ritual? What should a new agenda for politics in American Jewish life include? What legacy is to be left to future generations? This encouraging work is essential reading for anyone concerned with questions of Jewish faith and the future of Judaism in America. Arnold M. Eisen is Professor and Chair of Religious Studies at Stanford University, a frequent speaker on issues related to contemporary Jewish life before lay and scholarly audiences throughout North America, and an active participant in communal discussions concerning the future of American Judaism. His publications include The Chosen People in America (Indiana University Press) and Rethinking Modern Judaism: Ritual, Commandment, Community, winner of a Koret Jewish Book Award. The Helen and Martin Schwartz Lectures in Jewish Studies Contents: Introduction 1. Genesis: Taking on Tradition 2. Exodus: History, Faith, and Covenant 3. Leviticus: Ritual and Community 4. Numbers: Politics in the Wilderness 5. Deuteronomy: Legacies

A writer's lifelong battle with mental illness. Demonic to Divine: The Double Life of Shulamis Yelin is a weaving of the Montreal writer's stories and selected diary excerpts and family photographs revealing a far-reaching creative personality who is haunted from the age of ten by the "moods taking over." This book poignantly illuminates the dramatic duality of a public and private literary and emotional life through published and unpublished stories of an idyllic Montreal Jewish childhood contrasted with deeply troubled and often shocking diary entries that document the author's lifelong battle with mental illness. Yelin's insightful yet light and humorous stories have been cherished by generations of children and adults for their universal appeal. The journal entries that she maintained for most of her 90 years document the abuse, paranoia, self-loathing, doubt, and devastating depression of Yelin's true emotional state. These concurrent lenses reveal the profound struggles and suffering of a fascinating and highly gifted woman who transcended her ongoing deep-seated emotional agony to create a significant literary legacy. The many threads of this multilayered book have been woven together though the collaboration of Yelin's daughter, Gilah Yelin Hirsch and Yelin's first stories' editor, Nancy Marrelli.

Gotz and Meyer, two noncommissioned SS officers, are entrusted with an assignment, "not a big one," but one that "requires efficiency." Their task is to transport five thousand women, children and elderly, one hundred at a time, from a concentration camp near Belgrade in a hermetically sealed truck, in which they are gassed. As Albahari's anonymous narrator, a teacher, obsessively pursues the truth of this systematic annihilation, he shares his findings with his students. Their school bus becomes that truck, and as the memory of Belgrade's lost Jewish souls is evoked, the students are bewildered. Their teacher, worn down as much by the task of making history come alive as by the toll his research has taken on him, is overwhelmed by the horror of his own imaginings. A harrowing, masterfully written story, full of compassion, irony, and lyricism.

From Library Journal Bloch gives us lines worth storing in the heart against nameless pain. Themes include giving birth, raising children, relationships that fail ("Whatever you gave me, I used it right away/ for breathing"), marriage that lasts ("Rosin of sunlight slides up and down/ a string of spiderweb,/bowing a high note"), and childhood ("If we were so happy/ why weren't we happy?"). Adding to the ongoing work of late 20th-century women telling their lives in honest detail, her voice is at its best when her own body is at risk ("There's a future loose in my body and I/ am its servant:/carrying wood, fetching water"). Surprisingly, the Russian Jewish inheritance articulate in the matrioshka doll poem points us more toward Bloch's human identity than toward any specific ethnic experience. The poems' elegant simplicity of diction make them very readable. Recommended for most contemporary poetry and women's studies collections.- Judy Hogan, Durham, N.C.Copyright 1992 Reed Business Information, Inc. From the Publisher 6 x 9 trim. LC 92-9628

Ethel Hofman grew up in the only Jewish family on Shetland. This is the story of her family and childhood, and of the meeting of two diverse cultures in a unique landscape. Fleeing Russia a century ago, Ethel's father, Harry Greenwald, found a safe haven in Lerwick, Shetland. Liking the place, he brought over Jean after an arranged marriage and they set up a shop, Greenvald's, soon popular with the locals as a gathering place. Despite the hardships of living on a remote island, good food and good company were always available, and the recipes for the Jewish and island dishes prepared by Jean are woven throughout the touching, affectionate narrative. As a unique blend of memoir and cookbook, Mackerel at Midnight shows how food can strengthen family and cultural bonds, and celebrates the tolerance and warmth of one Jewish family and the community that embraced them.

"[Marshall] understands that the neighborhoods and cities that no longer exist can be conjured by memory and reanimated by art."-- San Francisco Chronicle "Born in Brooklyn of Arabic/Jewish heritage, Marshall may represent the keynote, most critical multicultural mixture of our time."--Naomi Shihab Nye, Hungry Mind Review Inspired by the posthumous discovery of letters written by his father but never mailed, Jack Marshall's memoir is both a moving story of a writer's artistic coming-of-age and a lush, lyrical recollection of a childhood spent in Brooklyn's Arabic-speaking Jewish community. Born in 1936 to an Iraqi father and Syrian mother who had immigrated to the United States, Marshall grew up in the hardworking Sephardic community--enveloped in an extended family that spoke little English, no Yiddish, and whose way of life owed more to their Middle Eastern homelands than to European Jewish traditions. As the sights, sounds, and tastes of midcentury New York leap off the page, Marshall beautifully evokes the magic of youth and discovery. From playing "running bases" in the Brooklyn streets to making egg creams at Coney Island, from his mother's rich kibbeh and baklava to the vast world revealed in the books of the New York Public Library, from the pleasures of music to the mysteries contained under a microscope, Marshall's story is as enduring as it is original. And before he sets sail for Africa as a seaman on a Norwegian freighter, Marshall has, through his negotiation of language, culture, family strife, and issues of education, faith, and politics, shined a light upon the possibilities of our collective future. A critically acclaimed poet, Jack Marshall has received a PEN Center USA West Award, two Bay Area Book Reviewers awards, and was a finalist for the National Book Critics Circle Award. He lives in the San Francisco Bay Area.

A collection of sixteen poems, by twelve contemporary authors, celebrating Jewish holidays such as Yom Kippur and Purim.

What religious values and ultimate vision would you wish to pass along to your children? How does one sort through what is authentic and inauthentic in a religious tradition today and forge its future? These are the questions Marc Ellis attempts to answer in this personal yet programmatic work. Ellis reflects on the encounters that have been decisive in his own religious realms: the personal and the political. His work is a meditation on what can be learned and retained from his encounters with the Catholic Worker movement, post-Holocaust theology, Latin America Liberation Theology, engagement with the Palestinian cause, and acknowledgment of Israeli violence.

Cover worn, signed by the author. Shipped from the U.K. All orders received before 3pm sent that weekday.

Focuses on the lives of the children of wartime immigrants, whose perceptions and experiences of both the old and the new world were very different from their parents'. At school, in the neighbourhood, or on the sportsfield, many of them were painfully aware of being 'outsiders' in a society unused to cultural diversity. Yet their need to belong was frequently complicated by loyalty to the very different ideals and expectations of their parents. Based on a wide range of interviews as well as documentary evidence from second-generation refugees worldwide, this is an account of the lives of immigrant children growing up in the decades between the 1940s and the 1960s.